Shadows In The Water….

Working on the tail ends of things for the magazine…. A short entry for today.
Gwyllm
On The Menu:

Natacha Atlas – When I Close My Eyes

THE APOCALYPSE OF HASHEESH

Poetry: Thomas Traherne

Art: Sir Lawrence Alma-Tadema
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Natacha Atlas – When I Close My Eyes

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PUTNAM’S MONTHLY

A Magazine of Literature, Science, and Art

VOL. VIII. – DECEMBER, 1856. – NO. XLVIII.

THE APOCALYPSE OF HASHEESH

by Fitz Hugh Ludlow
In returning from the world of hasheesh, I bring with me many and diverse memories. The echoes of a sublime rapture which thrilled and vibrated on the very edge of pain; of Promethean agonies which wrapt the soul like a mantle of fire; of voluptuous delirium which suffused the body with a blush of exquisite languor — all are mine. But in value far exceeding these, is the remembrance of my spell-bound life as an apocalyptic experience.
Not, indeed, valuable, when all things are considered. Ah no! The slave of the lamp who comes at the summons of the hasheesh Aladdin will not always cringe in the presence of his master. Presently he grows bold and for his service demands a guerdon as tremendous as the treasures he unlocked. Dismiss him, hurl your lamp into the jaws of some fathomless abyss, or take his place while he reigns over you, a tyrant of Gehenna!
The value of this experience to me consists in its having thrown open to my gaze many of those sublime avenues in the spiritual life, at whose gates the soul in its ordinary state is forever blindly groping, mystified, perplexed, yet earnest to the last in its search for that secret spring which, being touched, shall swing back the colossal barrier. In a single instant I have seen the vexed question of a lifetime settled, the mystery of some grand recondite process of mind laid bare, the last grim doubt that hung persistently on the sky of a sublime truth blown away.
How few facts can we trace up to their original reason! In all human speculations how inevitable is the recurrence of the ultimate “Why?” Our discoveries in this latter age but surpass the old-world philosophy in fanning this impenetrable mist but a few steps further up the path of thought, and deferring the distance of a few syllogisms the unanswerable question.
How is it that all the million drops of memory preserve their insulation, and do not run together in the brain into one fluid chaos of impression? How does the great hand of central force stretch on invisibly through ether till it grasps the last sphere that rolls on the boundaries of light-quickened space? How does spirit communicate with matter, and where is their point of tangency? Such are the mysteries which bristle like a harvest far and wide over the grand field of thought.
Problems like these, which had been the perplexity of all my previous life, have I seen unraveled by hasheesh, as in one breathless moment the rationale of inexplicable phenomena has burst upon me in a torrent of light. It may have puzzled me to account for some strange fact of mind; taking hypothesis after hypothesis, I have labored for a demonstration; at last I have given up the attempt in despair. During the progress of the next fantasia of hasheesh, the subject has again unexpectedly presented itself, and in an instant the solution has lain before me as an intuition, compelling my assent to its truth as imperatively as a mathematical axiom. At such a time I have stood trembling with awe at the sublimity of the apocalypse; for though this be not the legitimate way of reaching the explications of riddles which, if of any true utility at all, are intended to strengthen the argumentative faculty, there is still an unutterable sense of majesty in the view one thus discovers of the unimagined scope of the intuitive, which surpasses the loftiest emotions aroused by material grandeur.
I was once walking in the broad daylight of a summer afternoon in the full possession of hasheesh delirium. For an hour the tremendous expansion of all visible things had been growing toward its height; it now reached it, and to the fullest extent I realized the infinity of space. Vistas no longer converged, sight met no barrier; the world was horizonless, for earth and sky stretched endlessly onward in parallel planes. Above me the heavens were terrible with the glory of a fathomless depth. I looked up, but my eyes, unopposed, every moment penetrated further and further into the immensity, and I turned them downward lest they should presently intrude into the fatal splendors of the Great Presence. Joy itself became terrific, for it seemed the ecstasy of a soul stretching its cords and waiting in intense silence to hear them snap and free it from the enthrallment of the body. Unable to bear visible objects, I shut my eyes. In one moment a colossal music filled the whole hemisphere above me, and I thrilled upward through its environment on visionless wings. It was not song, it was not instruments, but the inexpressible spirit of sublime sound — like nothing I had ever heard-impossible to be symbolized; intense, yet not loud; the ideal of harmony, yet distinguishable into a multiplicity of exquisite parts. I opened my eyes, yet it still continued. I sought around me to detect some natural sound which might be exaggerated into such a semblance, but no, it was of unearthly generation, and it thrilled through the universe an inexplicable, a beautiful yet an awful symphony.
Suddenly my mind grew solemn with the consciousness of a quickened perception. I looked abroad on fields, and water, and sky, and read in them all a most startling meaning. I wondered how I had ever regarded them in the light of dead matter, at the furthest only suggesting lessons. They were now grand symbols of the sublimest spiritual truths, truths never before even feebly grasped, utterly unsuspected.
Like a map, the arcana of the universe lay bare before me. I saw how every created thing not only typifies but springs forth from some mighty spiritual law as its offsping, its necessary external development; not the mere clothing of the essence, but the essence incarnate.
Nor did the view stop here. While that music from horizon to horizon was still filling the concave above me, I became conscious of a numerical order which ran through it, and in marking this order I beheld it transferred from the music to every movement of the universe. Every sphere wheeled on in its orbit, every emotion of the soul rose and fell, every smallest moss and fungus germinated and grew, according to some peculiar property of numbers which severally governed them and which was most admirably typified by them in return. An exquisite harmony of proportion reigned through space, and I seemed to realize that the music which I heard was but this numerical harmony making itself objective through the development of a grand harmony of tones.
The vividness with which this conception revealed itself to me made it a thing terrible to bear alone. An unutterable ecstasy was carrying me away, but I dared not abandon myself to it. I was no seer who could look on the unveiling of such glories face to face.
An irrepressible yearning came over me to impart what I beheld, to share with another soul the weight of this colossal revelation. With this purpose I scrutinized the vision; I sought in it for some characteristic which might make it translatable to another mind. There was none! In absolute incommunicableness it stood apart, a thought, a system of thought which as yet had no symbol in spoken language.
For a time, how long, a hasheesh-eater alone can know, I was in an agony. I searched every pocket for my pencil and note-book, that I might at least set down some representative mark which would afterwards recall to me the lineaments of my apocalypse. They were not with me. Jutting into the water of the brook along which I wandered lay a broad flat stone. “Glory in the Highest!” I shouted exultingly, “I will at least grave on this tablet some hieroglyph of what I feel!” Tremblingly I sought for my knife. That, too, was gone! It was then that in a frensy I threw myself prostrate on the stone, and with my nails sought to make some memorial scratch upon it. Hard, hard as flint! In despair I stood up.
Suddenly there came a sense as of some invisible presence walking the dread paths of the vision with me, yet at a distance
as if separated from my side by a long flow of time. Taking courage, I cried, “Who has ever been here before me, who in years past has shared with me this unutterable view?” In tones which linger in my soul to this day, a grand, audible voice responded, “Pythagoras!” In an instant I was calm. I heard the footsteps of that sublime sage echoing upward through the ages, and in celestial light I read my vision unterrified, since it had burst upon his sight before me. For years previous I had been perplexed with his mysterious philosophy. I saw in him an isolation from universal contemporary mind for which I could not account. When the Ionic school was at the height of its dominance, he stood forth alone, the originator of a system as distinct from it as the antipodes of mind. The doctrine of Thales was built up by the uncertain processes of an obscure logic, that of Pythagoras seemed informed by intuition. In his assertions there had always appeared to me a grave conviction of truth, a consciousness of sincerity, which gave them a great weight with me, though seeing them through the dim refracting medium of tradition and grasping their meaning imperfectly. I now saw the truths which he set forth, in their own light. I also saw, as to this day I firmly believe, the source whence their revelation flowed. Tell me not that from Phoenicia he received the wand at whose signal the cohorts of the spheres came trooping up before him in review, unveiling the eternal law and itineracy of their evolutions, and pouring on his spiritual ear that tremendous music to which they marched through space. No! During half a lifetime spent in Egypt and in India, both motherlands of this nepenths, doubt not that he quaffed its apocalyptic draught, and awoke, through its terrific quickening, into the consciousness of that ever-present and all-pervading harmony “which we hear not always, because the coarseness of the daily life hath dulled our ear.” The dim penetralia of the Theban Memnonium, or the silent spice groves of the upper Indua may have been the gymnasium of his wrestling with the mighty revealer; a priest or a gymnospohist may have been the first to annoint him with the palæstric oil, but he conquered alone. On the strange intuitive characteristics of his system, on the spheral music, on the government of all created things and their development according to the laws of number, yes, on the very use of symbols which could alone have force to the esoteric disciple, (and a terrible significancy, indeed, has the simplest form, to a mind hasheesh-quickened to read its meaning) — on all these is the legible stamp of the hasheesh inspiration.
It would be no hard task to prove, to a strong probability, at least, that the initiation into the Pythagorean mysteries and the progressive instruction that succeeded it, to a considerable extent, consisted in the employment, judiciously, if we may use the word, of hasheesh, as giving a critical and analytic power to the mind which enabled the neophyte to roll up the murk and mist from beclouded truths, till they stood distinctly seen in the splendor of their own harmonious beauty as an intuition.
One thing related of Pythagoras and his friends has seemed very striking to me. There is a legend that, as he was passing over a river, its waters called up to him, in the presence of his followers, “Hail, Pythagoras!” Frequently, while in the power of the hasheesh delirium, have I heard inanimate things sonorous with such voices. On every side they have saluted me; from rocks, and trees, and waters, and sky; in my happiness, filling me with intense exultation, as I heard them welcoming their master; in my agony, heaping nameless curses on my head, as I went away into an eternal exile from all sympathy. Of this tradition on Iamblichus, I feel an appreciation which almost convinces me that the voice of the river was, indeed, heard, though only in the quickened mind of some hasheesh-glorified esoteric. Again, it may be that the doctrine of the Metempsychosis was first communicated to Pythagoras by Theban priests; but the astonishing illustration, which hasheesh would contribute to this tenet, should not be overlooked in our attempt to assign its first suggestion and succeeding spread to their proper causes.
A modern critic, in defending the hypothesis, that Pythagoras was an impostor, has triumphantly asked, “Why did he assume the character of Apollo at the Olympic games? why did he boast that his soul had lived in former bodies, and that he had been first Acthalides, the son of Mercury, then Euphorbus, then Pyrrhus of Delos, and at last Pythagoras, but that he might more easily impose upon the credulity of an ignorant and superstitious people!” To us these facts seem rather an evidence of his sincerity. Had he made these assertions without proof, it is difficult to see how they would not have had a precisely contrary effect from that of paving the way to a more complete imposition upon the credulity of the people. Upon our hypothesis, it may be easily shown, not only how he could fully have believed these assertions himself, but, also, have given them a deep significance to the minds of his disciples.
Let us see. We will consider, for example, his assumption of the character of Phoebus at the Olympic games. Let us suppose that Pythagoras, animated with a desire of alluring to the study of his philosophy a choice and enthusiastic number out of that host who, along all the radii of the civilized world, had come up to the solemn festival at Elis, had, by the talisman of hasheesh, called to his aid the magic of a preternatural eloquence; that, while he addressed the throng whoin he had charmed into breathless attention by the weird brilliancy of his eyes, the unearthly imagery of his style, and the oracular insight of his thought, the grand impression flashed upon him from the very honor he was receiving, that he was the incarnation of some sublime deity. What wonder that he burst into the acknowledgment of his godship as a secret too majestic to be hoarded up; what wonder that this sudden revelation of himself, darting forth in burning words and amid such colossal surroundings, wend down with the accessories of time and place along the stream of perpetual tradition?
If I may illustrate great things by small, I well remember many hallucinations of my own which would be exactly parallel to such a fancy in the mind of Pythagoras. There is no impression more deeply stamped upon my past life than one of a walk along the brook which had frequently witnessed my wrestlings with the hasheesh-afreet, and which now beheld me, the immortal Zeus, descended among men to grant them the sublime benediction of renovated life. For this cause I had abandoned the serene seats of Olympus, the convocation of the gods, and the glory of an immortal kingship, while, by my side, Hermes trod the earth with radiant feet, the companion and dispenser of the beneficence of deity. Across lakes and seas, from continent to continent, we strode; the snows of Hæimus and the Himmalehs crunched beneath our sandals; our foreheads were bathed with the upper light, our breasts glowed with the exultant inspiration of the golden ether. Now resting on Chimborazo, I poured forth a majestic blessing upon all my creatures, and in an instant, with one omniscient glance, I beheld every human dwelling-place on the whole sphere irradiated with an unspeakable joy.
I saw the king rule more wisely, the laborer return from his toil to a happier home, the park grow green with an intenser culture, the harvest-field groan under the sheaves of a more prudent and prosperous husbandry; adown blue slopes came new and more populous flocks, led by unvexed and gladsome shepherds, a thousand healthy vineyards sprang up above their new-raised sunny terraces, every smallest heart glowed with an added thrill of exaltation, and the universal rebound of joy came pouring up into my own spirit with an intensity that lit my deity with rapture.
And this was only a poor hasheesh-eater, who, with his friend
, walked out into the fields to enjoy his delirium among the beauties of a clear summer afternoon! What, then, of Pythagoras?
The tendency of the hasheesh-hallucination is almost always toward the supernatural or the sublimest forms of the natural. As the millennial Christ, I have put an end to all the jars of the world; by a word I have bound all humanity in etern alligaments of brotherhood; from the depths of the grand untrodden forest I have called the tiger, and with bloodless jaws he came mildly forth to fawn upon his king, a partaker in the universal amnesty. As Rienzi hurling fiery invective against the usurpations of Colonna, I have seen the broad space below the tribune grow populous with a multitude of intense faces, and within myself felt a sense of towering into sublimity, with the consciousness that it was my eloquence which swayed that great host with a storm of indignation, like the sirocco passing over reeds. Or, uplifted mightily by an irresistible impulse, I have risen through the ethereal infinitudes till I stood on the very cope of heaven, with the spheres below me. Suddenly, by an instantaneous revealing, I became aware of a mighty harp, which lay athwart the celestial hemisphere, and filled the whole sweep of vision before me. The lambent flame of myriad stars was burning in the azure spaces between its string, and glorious suns gemmed with unimaginable lustre all its colossal frame-work. While I stood overwhelmed by the visions, a voice spoke clearly from the depths of the surrounding ether, “Behold the harp of the universe!” Again I realized the typefaction of the same grand harmony of creation, which glorified the former vision to which I have referred; for every influence, from that which nerves the wing of Ithuriel down to the humblest force of growth, had there its beautiful and peculiar representative string. As yet the music slept, when the voice spake to me again — “Stretch forth thine hand and wake the harmonies!” Trembling yet daring, I swept the harp, and in an instant all heaven thrilled with an unutterable music. My arm strangely lengthened, I grew bolder, and my hand took a wider range. The symphony grew more intense; overpowered, I ceased, and heard tremendous echoes coming back from the infinitudes. Again I smote the chords; but, unable to endure the sublimity of the sound, I sank into an ecstatic trance, and was thus borne off unconsciously to the portals of some new vision.
But, if I found the supernatural an element of happiness, I also found it many times an agent of most bitter pain. If I once exulted in the thought that I was the millennial Christ, so, also, through a long agony, have I felt myself the crucified. In dim horror, I perceived the nails piercing my hands and feet; but it was not that which seemed the burden of my suffering. Upon my head, in a tremendous and ever-thickening cloud, came slowly down the guilt of all the ages past, and all the world to come; by a dreadful quickening, I beheld every atrocity and nameless crime coming up from all time on lines that centred in myself. The thorns clung to my brow, and bloody drops stood like dew upon my hair, yet, these were not the instruments of my agony. I was withered like a leaf in the breath of a righteous vengeance. The curtain of a lurid blackness hung between me and heaven, mercy was dumb forever, and I bore the anger of Omnipotence alone. Out of a fiery distance, demon chants of triumphant blasphemy came surging on my ear, and whispers of ferocious wickedness ruffled the leaden air about my cross. How long I bore this vicarious agony, I have never known; hours are no measure of time in hasheesh. I only know that, during the whole period, I sat perfectly awake among objects which I recognized as familiar; friends were passing and repassing before me, yet. I sat in speechless horror, convinced that to supplicate their pity, to ask their help in the tortures of my dual existence, would be a demand that men in time should reach out and grasp one in eternity, that mortality should succor immortality.
In my experience of hasheesh there has been one pervading characteristic — the conviction that, encumbered with a mortal body, I was suffering that which the untrammeled immortal soul could alone endure. The spirit seemed to be learning its franchise and, whether in joy or pain, shook the bars of flesh mightily, as if determined to escape from its cage. Many a time, in my sublimest ecstasy, have I asked myself, “Is this experience happiness or torture?” for soul and body gave different verdicts.
Hasheesh is no thing to be played with as a bauble. At its revealing, too-dread paths of spiritual life are flung open, too tremendous views disclosed of what the soul is capable of doing, and being, and suffering, for that soul to contemplate, till, relieved of the body, it can behold them alone.
Up to the time that I read in the September number of this Magazine the paper entitled “The Hasheesh-eater,” I had long walked among the visions of “the weed of insanity.” The recital given there seemed written out of my own soul. In outline and detail it was the counterpart of my own suffering. From that day, I shut the book of hasheesh experience, warned with a warning for which I cannot express myself sufficiently grateful. And now, as utterly escaped, I look back upon the world of visionary yet awful realities, and see the fountains of its Elysium and the flames of its Tartarus growing dimmer and still dimmer in the mists of distance, I hold the remembrance of its apocalypse as something which I shall behold again, when the spirit, looking no longer through windows of sense, shall realize its majesty unterrified, and face to face gaze on its infinite though now unseen surroundings.

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Poetry: Thomas Traherne
Shadows in the Water

In unexperienced infancy

Many a sweet mistake doth lie:

Mistake though false, intending true;

A seeming somewhat more than view;

That doth instruct the mind

In things that lie behind,

And many secrets to us show

Which afterwards we come to know.
Thus did I by the water’s brink

Another world beneath me think;

And while the lofty spacious skies

Reversèd there, abused mine eyes,

I fancied other feet

Came mine to touch or meet;

As by some puddle I did play

Another world within it lay.
Beneath the water people drowned,

Yet with another heaven crowned,

In spacious regions seemed to go

As freely moving to and fro:

In bright and open space

I saw their very face;

Eyes, hands, and feet they had like mine;

Another sun did with them shine.
‘Twas strange that people there should walk,

And yet I could not hear them talk:

That through a little watery chink,

Which one dry ox or horse might drink,

We other worlds should see,

Yet not admitted be;

And other confines there behold

Of light and darkness, heat and cold.
I called them oft, but called in vain;

No speeches we could entertain:

Yet did I there expect to find

Some other world, to please my mind.

I plainly saw by these

A new antipodes,

Whom, though they were so plainly seen,

A film kept off that stood between.
By walking men’s reversèd feet

I chanced another world to meet;

Though it did not to view exceed

A phantom, ’tis a world indeed;

Where skies beneath us shine,

And earth by art divine

Another face presents below,

Where people’s feet against ours go.
Within the regions of the air,

Compassed about with heavens fair,

Great tracts of land there may be found

Enriched with fields and fertile ground;

Where many numerous hosts

In those far distant coasts,

For other great and glorious ends

Inhabit, my yet unknown friends.
O ye that stand upon the brink,

Whom I so near me through the chink

With wonder see: what faces there,

Whose feet, whose bodies, do ye wear?

I my companions see

In you another me.

They seemèd others, but are we;

Our second selves these shadows be.
Look how far off those lower skies

Extend themselves! scarce with mine eyes

I can them reach. O ye my friends,

What secret borders on those ends?

Are lofty heavens hurled

‘Bout your inferior world?

Are yet the representatives

Of other peoples’ distant lives?
Of all the playmates which I knew

That here I do the image view

In other selves, what can it mean?

But that below the purling stream

Some unknown joys there be

Laid up in store for me;

To which I shall, when that thin skin

Is broken, be admitted in.

—-

NEWS
News from a foreign country came

As if my treasure and my wealth lay there;

So much it did my heart inflame,

‘Twas wont to call my Soul into mine ear;

Which thither went to meet

The approaching sweet,

And on the threshold stood

To entertain the unknown Good.

It hover’d there

As if ‘twould leave mine ear,

And was so eager to embrace

The joyful tidings as they came,

‘Twould almost leave its dwelling-place

To entertain the same.

As if the tidings were the things,

My very joys themselves, my foreign treasure–

Or else did bear them on their wings–

With so much joy they came, with so much pleasure.

My soul stood at that gate

To recreate

Itself with bliss, and to

Be pleased with speed. A fuller view

It fain would take,

Yet journeys back would make

Unto my heart; as if ‘twould fain

Go out to meet, yet stay within

To fit a place to entertain

And bring the tidings in.

What sacred instinct did inspire

My soul in childhood with a hope so strong?

What secret force moved my desire

To expect my joys beyond the seas, so young?

Felicity I knew

Was out of view,

And being here alone,

I saw that happiness was gone

From me! For this

I thirsted absent bliss,

And thought that sure beyond the seas,

Or else in something near at hand–

I knew not yet–since naught did please

I knew–my Bliss did stand.

But little did the infant dream

That all the treasures of the world were by:

And that himself was so the cream

And crown of all which round about did lie.

Yet thus it was: the Gem,

The Diadem,

The ring enclosing all

That stood upon this earthly ball,

The Heavenly eye,

Much wider than the sky,

Wherein they all included were,

The glorious Soul, that was the King

Made to possess them, did appear

A small and little thing!


LOVE
O nectar! O delicious stream!

O ravishing and only pleasure! Where

Shall such another theme

Inspire my tongue with joys or please mine ear!

Abridgement of delights!

And Queen of sights!

O mine of rarities! O Kingdom wide!

O more! O cause of all! O glorious Bride!

O God! O Bride of God! O King!

O soul and crown of everything!
Did not I covet to behold

Some endless monarch, that did always live

In palaces of gold,

Willing all kingdoms, realms, and crowns to give

Unto my soul! Whose love

A spring might prove

Of endless glories, honours, friendships, pleasures,

Joys, praises, beauties and celestial treasures!

Lo, now I see there’s such a King.

The fountain-head of everything!
Did my ambition ever dream

Of such a Lord, of such a love! Did I

Expect so sweet a stream

As this at any time! Could any eye

Believe it? Why all power

Is used here;

Joys down from Heaven on my head do shower,

And Jove beyond the fiction doth appear

Once more in golden rain to come
To Danae’s pleasing fruitful womb.

His Ganymede! His life! His joy!

Or He comes down to me, or takes me up

That I might be His boy,

And fill, and taste, and give, and drink the cup.

But those (tho’ great) are all

Too short and small,

Too weak and feeble pictures to express

The true mysterious depths of Blessedness.

I am His image, and His friend,

His son, bride, glory, temple, end.

A short Biography:
He was born in Hereford, son of a shoemaker. He entered Brasenose College, Oxford, in 1652, achieving an MA in arts and divinity nine years later. After receiving his degree in 1656 he took holy orders and worked for ten years as a parish priest in Credenhill, near Hereford, before becoming the private chaplain to Sir Orlando Bridgeman, the Lord Keeper of the Seals of Charles II, and minister at Teddington in 1667. He died at Bridgeman’s house at Teddington on or about the 27th of September 1674.

Gone A-Maying… Gone Gone Gone!

This Entry Is Dedicated To The Ancient/Future Ways…. Happy Beltane, Happy May Day!

(Art: Sir Lawrence Alma-Tadema)
A Blessing on You and Yours. Run Free!
Gwyllm

___

CORINNA’S GOING A-MAYING.

by Robert Herrick
Get up, get up for shame, the blooming morn

Upon her wings presents the god unshorn.

See how Aurora throws her fair

Fresh-quilted colours through the air :

Get up, sweet slug-a-bed, and see

The dew bespangling herb and tree.

Each flower has wept and bow’d toward the east

Above an hour since : yet you not dress’d ;

Nay ! not so much as out of bed?

When all the birds have matins said

And sung their thankful hymns, ’tis sin,

Nay, profanation to keep in,

Whereas a thousand virgins on this day

Spring, sooner than the lark, to fetch in May.
Rise and put on your foliage, and be seen

To come forth, like the spring-time, fresh and green,

And sweet as Flora. Take no care

For jewels for your gown or hair :

Fear not ; the leaves will strew

Gems in abundance upon you :

Besides, the childhood of the day has kept,

Against you come, some orient pearls unwept ;

Come and receive them while the light

Hangs on the dew-locks of the night :

And Titan on the eastern hill

Retires himself, or else stands still

Till you come forth. Wash, dress, be brief in praying :

Few beads are best when once we go a-Maying.
Come, my Corinna, come ; and, coming, mark

How each field turns a street, each street a park

Made green and trimm’d with trees : see how

Devotion gives each house a bough

Or branch : each porch, each door ere this

An ark, a tabernacle is,

Made up of white-thorn neatly interwove ;

As if here were those cooler shades of love.

Can such delights be in the street

And open fields and we not see’t ?

Come, we’ll abroad ; and let’s obey

The proclamation made for May :

And sin no more, as we have done, by staying ;

But, my Corinna, come, let’s go a-Maying.
There’s not a budding boy or girl this day

But is got up, and gone to bring in May.

A deal of youth, ere this, is come

Back, and with white-thorn laden home.

Some have despatch’d their cakes and cream

Before that we have left to dream :

And some have wept, and woo’d, and plighted troth,

And chose their priest, ere we can cast off sloth :

Many a green-gown has been given ;

Many a kiss, both odd and even :

Many a glance too has been sent

From out the eye, love’s firmament ;

Many a jest told of the keys betraying

This night, and locks pick’d, yet we’re not a-Maying.
Come, let us go while we are in our prime ;

And take the harmless folly of the time.

We shall grow old apace, and die

Before we know our liberty.

Our life is short, and our days run

As fast away as does the sun ;

And, as a vapour or a drop of rain

Once lost, can ne’er be found again,

So when or you or I are made

A fable, song, or fleeting shade,

All love, all liking, all delight

Lies drowned with us in endless night.

Then while time serves, and we are but decaying,

Come, my Corinna, come, let’s go a-Maying.
Beads, prayers.

Left to dream, ceased dreaming.

Green-gown, tumble on the grass.
—-
Maypole Song

(from the film The Wicker Man)
In the woods there grew a tree,

And a very fine tree was he.

And on that tree there was a limb,

And on that limb there was a branch,

And on that branch there was a spray,

And on that spray there was a nest,

And in that nest there was an egg,

And in that egg there was a bird,

And on that bird there was a feather,

And on that feather was a bed,

And on that bed there was a girl,

And on that girl there was a man,

And from that man there was a seed.

And from that seed there was a boy,

And from that boy there was man,

And from that man there was a grave,

And on that grave there grew a tree.

In the Summerisle wood.

POEM: MAY DAY

E. Nesbit
Will you go a-maying, a-maying, a-maying,

Come and be my Queen of May and pluck the may with me?

The fields are full of daisy buds and new lambs playing,

The bird is on the nest, dear, the blossom’s on the tree.”
“If I go with you, if I go a-maying,

To be your Queen and wear my crown this May-day bright,

Hand in hand straying, it must be only playing,

And playtime ends at sunset, and then good-night.
“For I have heard of maidens who laughed and went a-maying,

Went out queens and lost their crowns and came back slaves.

I will be no young man’s slave, submitting and obeying,

Bearing chains as those did, even to their graves.”
“If you come a-maying, a-straying, a-playing,

We will pluck the little flowers, enough for you and me;

And when the day dies, end our one day’s playing,

Give a kiss and take a kiss and go home free.”


A Maying Song

(English -16th Century)

If all those young men were like hares on the mountain

Then all those pretty maids would get guns, go a-hunting.

If all those young men were like fish in the water

Then all those pretty maids would soon follow after.
Oh, in the even they go

Merry young men and merry young maids

Down to the woods to seek the bloom

Returning by dawn

The first of May.
If all those young men were like foxes a-hiding

Then all those pretty maids would get hounds, go a-riding.

If all those young men were like quail in the bracken

Then all those pretty maids would soon come a-clapping.
Oh, in the even they…
If all those young men were like fruit on the bramble

Then all those pretty maids would gather a lap full.

If all those young men were like rushes a-growing

Then all those pretty maids would get scythes, go a-mowing.
Oh, in the even…
If all those young men were like oak trees a-biding

Then all those pretty maids would get axes, come hying.

If all those young men were like hilltops a-fire

Then all those pretty maids each a leap would desire.
Oh, in the even…

Cornish May Carol – The Padstow May Song
Unite and unite and let us all unite

For summer is a-come unto day

And wither we are going, we will all unite

In the merry morning of May
With a merry ring and now the joyful spring

O give us a cup of ale and the merrier we will sing
The young men of Padstow, they might if they would

They might have built a ship and gilded it all in gold
The young women of Padstow, they might if they would

They might have built a garland of the white rose and the red
Where are those young men that now here should dance?

For some they are in England and some they are in France
O where is St. George?

O where is he o ?

He’s out in his longboat

All on the salt sea-o

Up flies the kite

Down falls the lark-o

And Ursula Birdhood she had an old ewe

And she died in her own park-o
With a merry ring and now the joyful spring

So happy are those little birds and the merrier we will sing

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May Eve…Oíche Bealtaine

The month of May was come, when every lusty heart beginneth

to blossom, and to bring forth fruit; for like as herbs and trees

bring forth fruit and flourish in May, in likewise every lusty heart

that is in any manner a lover, springeth and flourisheth in lusty

deeds. For it giveth unto all lovers courage,

that lusty month of May.

– Sir Thomas Malory, Le Morte d’Arthur, 1485

In somer when the shawes be sheyne,

And leves be large and long,

Hit is full merry in feyre foreste

To here the foulys song.
To see the dere draw to the dale

And leve the hilles hee,

And shadow him in the leves grene

Under the green-wode tree.
Hit befell on Whitsontide

Early in a May mornyng,

The Sonne up faire can shyne,

And the briddis mery can syng.

– Anonymous, May in the Green Wode, 15h Century

On Oíche Bealtaine… May Eve…

Some of my earliest memories are of May Celebrations in Newfoundland. The dancing, the Maypole, the beauty of the first days… I am deeply in love with this season and all that goes with it. Here is to your celebrations and ours. Baal Fire at Caer Llwydd tonight, and hopefully the publication of ‘The Invisible College’ as well.
Bright Blessings,

Gwyllm

——-
Oíche Bealtaine

For the Celts, Beltane marked the beginning of the pastoral summer season when the herds of livestock were driven out to the summer pastures and mountain grazing lands. In modern Irish, Mí na Bealtaine (‘month of Bealtaine’) is the name for the month of May. The name of the month is often abbreviated to Bealtaine, with the festival day itself being known as Lá Bealtaine. The lighting of bonfires on Oidhche Bhealtaine (‘the eve of Bealtaine’) on mountains and hills of ritual and political significance was one of the main activities of the festival.
In ancient Ireland the main Bealtaine fire was held on the central hill of Uisneach ‘the navel of Ireland’, the ritual centre of the country, which is located in what is now County Westmeath. In Ireland the lighting of bonfires on Oidhche Bhealtaine seems only to have survived to the present day in parts of County Limerick, especially in Limerick itself, as their yearly bonfire night, though some cultural groups have expressed an interest in reviving the custom at Uisneach and perhaps at the Hill of Tara. The lighting of a community Bealtaine fire from which individual hearth fires are then relit is also observed in modern times in some parts of the Celtic diaspora and by some Neopagan groups, though in the majority of these cases this practice is a cultural revival rather than an unbroken survival of the ancient tradition.

Another common aspect of the festival which survived up until the early 20th century in Ireland was the hanging of May Boughs on the doors and windows of houses and of the erection of May Bushes in farmyards, which usually consisted either of a branch of rowan (mountain ash) or whitethorn (hawthorn) which is in bloom at the time and is commonly called the ‘May Bush’ in Hiberno-English. The practice of decorating the May Bush with flowers, ribbons, garlands and colored egg shells has survived to some extent among the diaspora as well, most notably in Newfoundland, and in some Easter traditions observed on the East Coast of the United States.

Beltane is a cross-quarter day, marking the midpoint in the Sun’s progress between the vernal equinox and summer solstice. Since the Celtic year was based on both lunar and solar cycles, it is possible that the holiday was celebrated on the full moon nearest the midpoint between the vernal equinox and the summer solstice. The astronomical date for this midpoint is closer to May 5 or May 7, but this can vary from year to year.


In Irish mythology, the beginning of the summer season for the Tuatha Dé Danann and the Milesians started at Bealtaine. Great bonfires would mark a time of purification and transition, heralding in the season in the hope of a good harvest later in the year, and were accompanied with ritual acts to protect the people from any harm by Otherworldly spirits, such as the Sídhe. Like the festival of Samhain, opposite Beltane on Oct. 31, Beltane was a time when the Otherworld was seen as particularly close at hand. Early Gaelic sources from around the 10th century state that the druids of the community would create a need-fire on top of a hill on this day and drive the village’s cattle through the fires to purify them and bring luck (Eadar dà theine Bhealltainn in Scottish Gaelic, ‘Between two fires of Beltane’). In Scotland, boughs of juniper were sometimes thrown on the fires to add an additional element of purification and blessing to the smoke. People would also pass between the two fires to purify themselves. This was echoed throughout history after Christianization, with lay people instead of Druid priests creating the need-fire. The festival persisted widely up until the 1950s, and in some places the celebration of Beltane continues today. A revived Beltane Fire Festival has been held every year since 1988 during the night of 30 April on Calton Hill in Edinburgh, Scotland and attended by up to 15,000 people (except in 2003 when local council restrictions forced the organisers to hold a private event elsewhere)

Beltane as described in this article is a specifically Gaelic holiday. Other Celtic cultures, such as the Welsh, Bretons, and Cornish, do not celebrate Beltane, per se. However they celebrated or celebrate festivals similar to it at the same time of year. In Wales, the day is known as Calan Mai, and the Gaulish name for the day is Belotenia.
Dwelly wrote:

“ In many parts of the Highlands, the young folks of the district would meet on the moors on 1st May. They cut a table in the green sod, of a round figure, by cutting a trench in the ground of sufficient circumferences to hold the whole company. They then kindled a fire, dressed a repast of eggs and milk of the constituency of custard. They kneaded a cake of oatmeal, which was toasted at the embers against a stone. After the custard was eaten, they divided the cake into as many portions as there were people in the company, as much alike as possible in size and shape. They daubed one of the pieces with charcoal, til it was black all over, and they were then all put into a bonnet together, and each one blindfolded took out a portion. The bonnet holder was entitled to the last bit, and whoever drew the black bit was the person who was compelled to leap three times over the flames. Some people say this was originally to appease a god, whose favour they tried to implore by making the year productive. (Dwelly, 1911, “Bealltuinn”)

______
The May Queen

By Alfred, Lord Tennyson

You must wake and call me early, call me early, mother dear;

To-morrow ‘ill be the happiest time of all the glad New-year;

Of all the glad New-year, mother, the maddest merriest day,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
There’s many a black, black eye, they say, but none so bright as mine;

There’s Margaret and Mary, there’s Kate and Caroline;

But none so fair as little Alice in all the land they say,

So I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
I sleep so sound all night, mother, that I shall never wake,

If you do not call me loud when the day begins to break;

But I must gather knots of flowers, and buds and garlands gay,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
As I came up the valley whom think ye should I see

But Robin leaning on the bridge beneath the hazel-tree?

He thought of that sharp look, mother, I gave him yesterday,

But I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
He thought I was a ghost, mother, for I was all in white,

And I ran by him without speaking, like a flash of light.

They call me cruel-hearted, but I care not what they say,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
They say he’s dying all for love, but that can never be;

They say his heart is breaking, mother�what is that to me?

There’s many a bolder lad ‘ill woo me any summer day,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
Little Effie shall go with me to-morrow to the green,

And you’ll be there, too, mother, to see me made the Queen;

For the shepherd lads on every side ‘ill come from far away,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
The honeysuckle round the porch has woven its wavy bowers,

And by the meadow-trenches blow the faint sweet cuckoo-flowers;

And the wild marsh-marigold shines like fire in swamps and hollows gray,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
The night-winds come and go, mother, upon the meadow-grass,

And the happy stars above them seem to brighten as they pass;

There will not be a drop of rain the whole of the livelong day,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
All the valley, mother, ‘ill be fresh and green and still,

And the cowslip and the crowfoot are over all the hill,

And the rivulet in the flowery dale ‘ill merrily glance and play,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
So you must wake and call me early, call me early, mother dear,

To-morrow ‘ill be the happiest time of all the glad New-year;

To-morrow ‘ill be of all the year the maddest merriest day,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.

Welcome To the Week End World

Welcome To the Week End World! Something to move and think with as we move into the spring light…
Have A Nice One!
Gwyllm
The Links

Groove Armada – I See You (Fatboy Slim Mix)

Visions and Beliefs in the West of Ireland

Groove Armada – SuperStylin’

Yaqui Poetics….

Art: Eleanor Fortescue-Brickdale

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The Links:

Frogs rain down on Serbia

Experts may have found what’s bugging the bees

Morgue staff find life in patient

The Village That Vanished…

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Groove Armada – I See You (Fatboy Slim Mix)

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From: Visions and Beliefs in the West of Ireland (Lady Gregory)

Monsters and Sheoguey Beasts
THE Dragon that was the monster of the early world now appears only in the traditional folktales, where the hero, a new Perseus, fights for the life of the Princess who looks on ciyjng at the brink of the sea, bound to a silver chair, while the Dragon is “put in a way he will eat no more kings’ daughters.” in the stories of today he has shrunk to eel or worm, for the persons and properties of the folklore of all countries keep being trans-formed or remade in the imagination, so that once in New England on the eve of George Washington’s birthday, the decorated shop windows set me wondering whether the cherry tree itself might not be a remaking of the red-berried dragon guarded rowan of the Celtic tales, or it may be of a yet more ancient apple. I ventured to hint at this in a lecture at Philadelphia, and next day one of the audience wrote me that he had looked through all the early biographies of Washington, and either the first three or the first three editions of the earliest–I have mislaid the letter–never mention the cherry tree at all. The monstrous beasts told of today recall the visions of Maeldune on his strange dream-voyage, where he saw the beast that was like a horse and that had “legs of a hound with rough sharp nails,” and the fiery pigs that fed on golden fruit, and the cat that with one flaming leap turned a thief to a heap of ashes; for the folk-tales of the world have long roots, and there is nothing new save their reblossoming.
I have been told by a Car-driver:
I went to serve one Patterson at a place called Grace Dieu between Waterford and Tramore, and there were queer things in it There was a woman lived at the lodge the other side from the gate, and one day she was looking out and she saw a wool-pack coming riding down the road of itself.
There was a room over the stable I was put to sleep in, and no one near me. One night I felt a great weight on my feet, and there was something very weighty coming up upon my body and I heard heavy breathing. Every night after that I used to light the fire and bring up coal and make up the fire with it that it would be near as good in the morning as it was at night. And I brought a good terrier up every night to sleep with me on the bed. Well, one night the fire was lighting and the moon was shining in at the window, and the terrier leaped off the bed and he was barking and rushing and fighting and leaping, near to the ceiling and in tinder the bed. And I could see the shadow of him on the walls and on the ceiling, and I could see the shadow of another thing that was about two foot long and that had a head like a pike, and that was fighting and leaping. They stopped after a while and all was quiet. But from that night the terrier never would come to sleep in the room again.
By Others:
The worst form a monster can take is a cow or a pig. But as to a lamb, you may always be sure a lamb is honest.
A pig is the worst shape they can take. I wouldn’t like to meet anything in the shape of a pig in the night.
No, I saw nothing myself, I’m not one of those that can see such things; but I heard of a man that went with the others on rent day, and because he could pay no rent but only made excuses, the landlord didn’t ask him in to get a drink with the others. So as he was coming home by himself in the dark, there was something on the road before him, and he gave it a hit with the toe of his boot, and it let a squeal. So then he said to it, “Come in here to my house, for I’m not asked to drink with them; I’ll give drink and food to you.” So it came in, and the next morning he found by the door a barrel full of wine and another full of gold, and he never knew a day’s want after that.
Walking home one night with Jack Costello, there was some-thing before us that gave a roar, and then it rose in the air like a goose, and then it fell again. And Jackeen told me after that it had laid hold on his trousers, and he didn’t sleep all night with the fright he got.
There’s a monster in Lough Graney, but it’s only seen once in seven years.

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Groove Armada – SuperStylin’

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Yaqui Poetics….
15 Flower World Variations
o flower fawn
about to come out playing
in this flower water
out there
in the flower world
the patio of flowers
in the flower water
playing
flower fawn
about to come out playing
in this flower water
.
in wilderness I am
that only melon
flowering
& splitting
sending vines out
everywhere
you are
in wilderness
I am that only
melon flowering
& splitting
sending vines out
in the flower world
out there
under the dawn
a pale blue cloud
will be grey water
at its peak
the mist will reach
will rain down
on the flower ground
& shining
reaching bottom
where you are
in wilderness
that only melon flowering
I am
& splitting
sending vines out
everywhere
.
when the fresh night comes
o night hawk
you fly up
o night hawk
out there
in the flower world
under the dawn
the light beyond us
you fly up
o night hawk
from a branch of mesquite
you fly up
o night hawk
.
(where is the rotted stick that screeches lying?)
the screeching rotted stick is lying over there
(where is the rotted stick that screeches lying?)
the screeching rotted stick is lying over there
there in the flower world
beyond us
in the tree world
the screeching rotted stick
is lying
over there the screeching
rotted stick is lying
over there
.
ah brother
look at you
a deer with flowers
brother
shake your antlers
little brother
shake your antlers
deer with flowers
why not let your belt
your deer hoofs
shake? why not vibrate
cocoons
strapped to your ankles
brother
shake them
little brother
shake & roll
.
in one tree
one stick
who makes the sound of cracking
cracking wood?
in one tree
one stick
who makes the sound of cracking
cracking wood?
there in the flower world
the tree world
you do not have my
long grey body
in one tree
one stick
who makes the sound of cracking
cracking wood?
.
what’s this tree bent down with
flowers?
surely
it’s this flower stick
bent down
with flowers surely
what’s this tree bent down with
flowers?
surely
it’s this flower stick
bent down with
flowers surely
out there
in the flower world
the floral world
among the sagebrush
there’s a flower bush bent down with
flowers
surely it’s this flower stick
bent down with flowers
surely
.
out in the mountain there
these look like
doves
& in the flower water
three of them
are grey & bobbing
three of them are walking
grey & side by side
there in the flower world
the dawn
out in the flower water
three of them
are grey & bobbing
in the mountain there
these look like doves
out there
& in the flower water
three are grey
& bobbing
three of them are walking
grey & side by side
.
you
like a mountain squirrel
old enchanter
sounding large
& like a mountain squirrel
old enchanter
there in the flower world
the dawn
there in its light
that big place over there
that mountain canyon
sounding large
& like a mountain squirrel
old enchanter
sounding large
.
to sleep in
these flowers
to crawl there
I who am flower-world creeper
who sleep there
who crawl in these flowers
out there
in the tree world
climbing this branch
I crawl up it
to sleep in
these flowers
I who am flower-world creeper
who sleep there
.
where are you standing
in the wind
dead grasses
grey & shaking in the wind
dead grasses
where are you standing
in the wind dead grasses
grey & shaking in the wind
dead grasses
there in the wilderness
the flower world
a pale blue cloud
will be grey water
at its peak
the mist will reach
will rain down
on the flower ground
& shining
reaching bottom
where you are
where you are only
standing in the wind
dead grasses
grey & shaking in the wind
dead grasses
.
ah brother
they want us to kill
this beaver
they want us to kill
ah brother
this beaver
this beaver
ah brother
they want us to kill
with a bow & arrow
they want us to kill it
ah brother
with hair standing up
they were waiting
& ran from us
broke down their doors to get in
now they want us
to kill it
ah brother
with a bow & arrow
ah brother
they want us to kill it
.
flower
with the body of a fawn
under a cholla flower
standing there
to rub your antlers
bending
turning where you stand to rub
your antler
in the flower world
the dawn
there in its light
under a cholla flower
standing there
to rub your antlers
bending turning where you stand
to rub your antlers
flower
with the body of a fawn
under a cholla flower
standing there
to rub your antlers
bending
turning where you stand to rub
your antlers
.

Song of a Dead Man
I do not want these flowers
moving
but the flowers
want to move
I do not want these flowers
moving
but the flowers
want to move
I do not want these flowers
moving
but the flowers
want to move
out in the flower world
the dawn
over a road of flowers
I do not want these flowers
moving
but the flowers
want to move
I do not want these flowers
moving
but the flowers
the flowers
want to move
.
now the cloud
will break
the cloud will break
& now
the cloud will break
the cloud
will break
& now the cloud
will break
the cloud will break
there in the flower world
under the dawn
this pale blue cloud
will be grey water
at its peak
the mist will reach
will rain down
shining
& reaching bottom
now the cloud
will break
the cloud will break
& now
the cloud will break
the cloud
will break
The Flower World settings were derived by Jerome Rothenberg from traditional Yaqui Deer Dance songs in literal translations by Carleton Wilder, et al.

Ariadne At Naxos…

Best Viewed In FireFox
(George Frederic Watts – Ariadne At Naxos)

What is up for today…..

hope you enjoy!
Gwyllm
On The Menu:

The Links

Patrick & Eugene – The Birds and the Bees

Three Koans

Bonzo Dog Doo Dah Band

Irish Poets…

Artist: George Frederic Watts

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The Links:

Enemy of liberal Anglicans was poisoned

Sorcery casts spell on village – Cats ‘sacrificed’, brothers forced to commit suicide

Plant vault passes billion mark

Marijuana’s potency continues to climb

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Patrick & Eugene – The Birds and the Bees

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Three Koans:
(George Frederic Watts – A Bacchante)

A Smile in His Lifetime
Mokugen was never known to smile until his last day on earth. When his time came to pass away he said to his faithful ones: “You have studied under me for more than ten years. Show me your real interpretation of Zen. Whoever expresses this most clearly shall be my successor and receive my robe and bowl.”
Everyone watched Mokugen’s severe face, but no one answered.
Encho, a disciple who had been with his teacher for a long time, moved near the bedside. He pushed forward the medicine cup a few inches. That was his answer to the command.
The teacher’s face became even more severe. “Is that all you understand?” he asked.
Encho reached out and moved the cup back again.
A beautiful smile broke over the features of Mokugen. “You rascal,” he told Encho. “You worked with me ten years and have not yet seen my whole body. Take the robe and bowl. They belong to you.”

Publishing the Sutras
Tetsugen, a devotee of Zen in Japan, decided to publish the sutras, which at that time were available only in Chinese. The books were to be printed with wood blocks in an edition of seven thousand copies, a tremendous undertaking.
Tetsugen began by traveling and collecting donations for this purpose. A few sympathizers would give him a hundred pieces of gold, but most of the time he received only small coins. He thanked each donor with equal gratitude. After ten years Tetsugen had enough money to begin his task.
It happened that at that time the Uji Rive overflowed. Famine followed. Tetsugen took the funds he had collected for the books and spent them to save others from starvation. Then he began again his work of collecting.
Several years afterwards an epidemic spread over the country. Tetsugen again gave away what he had collected, to help his people. For a third time he started his work, and after twenty years his wish was fulfilled. The printing blocks which produced the first edition of sutras can be seen today in the Obaku monastery in Kyoto.
The Japanese tell their children that Tetsugen made three sets of sutras, and that the first two invisible sets surpass even the last.

The Story of Shunkai
The exquisite Shunkai whose other name was Suzu was compelled to marry against her wishes when she was quite young. Later, after this marriage had ended, she attended the university, where she studied philosophy.
To see Shunkai was to fall in love with her. Moreover, wherever she went, she herself fell in love with others. Love was with her at the university, and afterwards when philosophy did not satisfy her and she visited the temple to learn about Zen, the Zen students fell in love with her. Shunkai’s whole life was saturated with love.
At last in Kyoto she became a real student of Zen. Her brothers in the sub-temple of Kennin praised her sincerity. One of them proved to be a congenial spirit and assisted her in the mastery of Zen.
The abbot of Kennin, Mokurai, Silent Thunder, was severe. He kept the precepts himself and expected the priests to do so. In modern Japan whatever zeal these priests have lost for Buddhism they seemed to have gained for having wives. Mokurai used to take a broom and chase the women away when he found them in any of his temples, but the more wives he swept out, the more seemed to come back.
In this particular temple the wife of the head priest had become jealous of Shunkai’s earnestness and beauty. Hearing the students praise her serious Zen made this wife squirm and itch. Finally she spread a rumor about that Shunkai and the young man who was her friend. As a consequence he was expelled and Shunkai was removed from the temple.
“I may have made the mistake of love,” thought Shunkai, “but the priest’s wife shall not remain in the temple either if my friend is to be treated so unjustly.”
Shunkai the same night with a can of kerosene set fire to the five-hundred-year-old temple and burned it to the ground. In the morning she found herself in the hands of the police.
A young lawyer became interested in her and endeavoured to make her sentance lighter. “Do not help me.” she told him. “I might decide to do something else which will only imprison me again.”
At last a sentance of seven years was completed, and Shunkai was released from the prison, where the sixty-year-old warden also had become enamored of her.
But now everyone looked upon her as a “jailbird”. No one would associate with her. Even the Zen people, who are supposed to believe in enlightenment in this life and with this body, shunned her. Zen, Shunkai found, was one thing and the followers of Zen quite another. Her relatives would have nothing to do with her. She grew sick, poor, and weak.
She met a Shinshu priest who taught her the name of the Buddha of Love, and in this Shunkai found some solace and peace of mind. She passed away when she was still exquisitely beautiful and hardly thirty years old.
She wrote her own story in a futile endeavour to support herself and some of it she told to a women writer. So it reached the Japanese people. Those who rejected Shunkai, those who slandered and hated her, now read of her life with tears of remorse.
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The Bonzo Dog Doo-Dah Band

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Irish Poets…
(George Frederic Watts – Uldra)

The Earth and Man
A little sun, a little rain

A soft wind blowing from the west,

And woods and fields are sweet again,

And warmth within the mountain’s breast.
So simple is the earth we tread,

So quick with love and life her frame,

Ten thousand years have dawned and fled,

And still her magic is the same.
A little love, a little trust,

A soft impulse, a sudden dream,

And life as dry as desert dust

Is fresher than a mountain stream.
So simple is the heart of man,

So ready for new hope and joy;

Ten thousand years since it began

Have left it younger than a boy

-S A Brooke


Lines of Leaving
I am losing you again

all again

as if you were ever mine to lose.

The pain is as deep

beyond formal possession

beyond the fierce frivolity of tears.
Absurdly you came into my world

my time-wrecked world

a quiet laugh below the thunder.

Absurdly you leave it now

as always I foreknew you would.

I lived on an alien joy.
Your gentleness disarmed me

wine in my desert

peace across impassable seas

path of light in my jungle.
Now uncatchable as the wind you go

beyond the wind

and there is nothing in my world

save the straw of salvation in the amber dream.

The absurdity of that vast improbable joy.

The absurdity of you gone.

– Christy Brown


Dead
I was the moon.

A shadow hid me

and I knew what it meant

not to be at all.

The moon in eclipse is sad

and sinless.

There is no passion in her plight.

Cold, unlighted,

moving in a trance,

she comes to her station

or passes again to her place;

uncovers her loneliness:

eyeless behind no eyelids

has neither sleeping nor waking,

no body, parts, nor passions,

no loving, perceiving,

having, nor being;

moves only in a wayless night;

and drifting, as a ship without direction,

sinks to a forgotten depth,

among weeds,

among stones.

-Rhoda Coghill
(George Frederic Watts – Death Crowning Innocence)

Dancing On The High Wire…

On The Music Box: Amadou et Mariam

An exercise in posting without your glasses or contacts… Is it in focus? Heavens. Anyway, the assemblage is finally here…
10 Hours more of new music on Radio Free EarthRites… The Finest Off Shore Pirate Radio Station Delivered to you via The Internets…. Tell your friends, share with your neighbors… More Music Coming Soon!

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Gwyllm
The Links

Peters’ Pick: Marta’s Song

The Reunification of the Sacred and Natural – Ralph Metzner

Anouar Brahem – kashf

Modern Irish Poetry: Paul Durcan

Controversial Paintings: 3 Orientalist….

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The Links:

Mystery surrounds dumped coffin

VA allows Wiccan symbols on headstones

Extraterrestrial Artifacts Discovered in Siberia

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Peters’ Pick: Marta’s Song (oldie but goldie that circular thingie….)

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The Reunification of the Sacred and Natural

by Ralph Metzner, PhD
Published (in English and Italian) in Eleusis, No. 8, August 1997 by Green Earth Foundation, Ed. Giorgio Samorini. This paper is based in part on a presentation made at the conference of the International Transpersonal Association (ITA), May 1996, in Manaus, Brazil.
I summarize my thesis in two statements: one—the relentless exploitation and destruction of the biosphere by the capitalist-industrial growth machine around the globe is rooted in a pathological domination complex of “civilized” humans toward the natural world. And two—the revival of interest in animistic worldviews and in the shamanic practices of traditional peoples, including the intentional use of hallucinogenic sacraments, is among the hopeful signs that the split between the sacred and the natural can be healed again.
In order to provide a context for this discussion, I begin by briefly describing my own history of experience and research in this area. As a psychologist, I have been involved in the field of consciousness studies, including altered states induced by drugs, plants and other means, for over 35 years. In the 1960′s I worked at Harvard University with Timothy Leary and Richard Alpert, doing research on the possible therapeutic applications of psychedelic drugs, such as LSD and psilocybin. During the 1970′s my work focused on the exploration of non-drug related methods for the transformation of consciousness, such as are found in Eastern and Western traditions of yoga, meditation, alchemy and newly discovered psychotherapeutic methods using deep altered states. During the 1980′s I came into contact with the work of Michael Harner and others, who have explored shamanic teachings and practices around the globe, primarily those involving non-ordinary states of consciousness induced by drumming, but also hallucinogens. I studied shamanic practices from various cultures, including those involving fasting, wilderness vision questing, sweat-lodge and others. My interest shifted more towards psychoactive or hallucinogenic plants, which have a history of use in shamanistic societies, rather than the newly discovered powerful drugs, the use of which often involves unknown risks. In the last few years, I have come to see the revival of interest in shamanism and sacred plants as part of the world-wide seeking for a renewal of the spiritual relationship with the natural world.
A recognition and respect for the spiritual essences inherent in nature is basic to the worldview of indigenous peoples, as it was for our own ancestors in pre-industrial societies. In shamanistic societies, that is societies in which the reality of other, non-material worlds is recognized, people have always devoted considerable attention to cultivating a direct perceptual and spiritual relationship with animals, plants and the Earth itself in all its magnificent variety. Our modern materialist worldview, with its obsessive focus on technological progress and on the control and exploitation of what are called “natural resources”, has become more or less completely dissociated from such a spiritual awareness of nature. This split between human spirituality and nature has roots in the ancient past, but a major source of it was the rise of mechanistic science in the 16th and 17th century (Metzner, 1993). The revival of animistic beliefs, the deep ecology and ecopsychology movements and the renewed interest in shamanic practices, including the use of hallucinogenic or entheogenic plants, represent a re-unification of science and spirituality, which have been divorced since the rise of mechanistic science in the 17th century. I believe spiritual values can again become the primary motivation for scientists. It should be obvious that this direction for science would be a lot healthier for all of us and for the planet, than science directed, as it is now primarily, towards generating weaponry or profit.
Common Elements of Shamanic/Hallucinogenic Experience
In order to focus the discussion on hallucinogenic plant sacraments, I will begin by quoting from the notes I made of my own first experience with ayahuasca. I came into contact with this Amazonian plant-medicine through an ethnobotanist who had researched the practices of Peruvian mestizo shamans, and had prepared the medicine according to the traditional recipes. The setting was a spacious house in rural Northern California. The attitude was open and respectful, treating the medicine as a sacrament. Here is the account:
We drank the brew, which has a taste that is a strange mixture of bitterness and syrupy sweetness, in almost total darkness, with only a candle or two. We listened to Mayan music. I began to feel very relaxed, heavy and soft, but also as if my head were expanding. A swaying tapestry of visions comes into view, at first mostly geometric patterns, then shapes and forms of plants, animals, humans, cities, temples, flying craft and the like. Particular images from time to time emerge out of the continuous flux, and then are re-absorbed back into it.
As the images of forms and objects recede back into the swaying fabric of visions, I realize that I am seeing them as if projected on the twisting coils of an enormous serpent, with glittering silvery and green designs on its skin. I cannot see either head or tail of the serpent, which gives me a rough sense of its size: it encompasses the entire two-story building. Curiously, the sight of this gigantic serpent does not evoke the slightest fear; on the contrary, my emotional response is one of awe and humility at the magnificence of this being and its spiritual power. I had heard that in the Amazon, the ayahuasceros regard the giant serpent as the “mother spirit” of all the other spirits of the forest, of the river and the air.
In the earlier phase, before I became aware of the giant mother serpent, I experienced the geometric patterns I was seeing with distaste verging on disgust: they seemed tacky, plastic and artificial, like the décor of a shopping mall or a Las Vegas casino. As I searched for the meaning of my reaction, I was shown how this was the human technocultural overlay on the natural world: I was looking at the human world! Then, as I accepted that, albeit with some regret, I was able to see through it to the pulsating energies of the real, spiritual world of underlying nature, embodied in the form of the giant Serpent Mother.
Then I meet another serpent, more “normal” in its dimensions: in fact it is about the same size as me. It enters my body through my mouth and starts to slowly wind its way through my stomach and intestines over the next two or three hours. When it gets to the gut, there is some cramping, and incredibly loud sounds of gurgling and digesting are coming from my viscera. I become aware of a morphic resonance between serpent and intestines: the form of the snake is more or less a long intestinal tract, with a head and a tail end. Conversely, our gut is serpentine, with its twists and turns and its peristaltic movement. So the serpent, in winding its way through my intestinal tract is “teaching” my intestines how to be more powerful and effective.
Then I see several black-skinned people, dancing as they come toward me and recede away. They are always in pairs, like twins, moving in parallel fashion: I wonder whether they represent the spirits of the two paired plants of the ayahuasca tea. Then, as I’m lying sideways on a couch, a jaguar suddenly comes into me. It is an enormous black male, and he enters my body assuming the same semi-reclining position I was in. Shortly after I notice it, the jaguar is gone. Another time, as I am on my hands and knees, I distinctly feel a bird landing on my back. I am being briefly introduced to some of the different spirits that the ayahuasca medicine can access. The realization grows within me that with practice
and increased concentration, I would be able to hold the encounters with the different animal spirits for longer—and then be able to question them for divination. Don Fidel, one of the old ayahuasceros, says: “the visions come into you and heal you.”
Many images of old Mayan gods and underworld demons dancing: skeletal, crippled, diseased, skin flapping, blood dripping, pustular, bulbous, with gaping wounds and cut-off heads, toads on their necks, pierced with thorns. Their message, repeated several times, is: “you don’t have to do anything”. By incorporating death, decay and disease and other unimaginable horrors into their dance of transformation, a deep inner healing takes place, totally independent of any personal involvement on my part. I am astonished at being initiated into this ancient lineage of visionary healers.
It is late in the evening, and I am again on my hands and knees, feeling overwhelmed and exhausted by this gut-wrenching, yet soul-refreshing journey through the netherworlds of jungle, river and serpents. I lower my forehead to touch the ground: then I realize I am falling slowly through the earth, through soil and rock, moving faster and faster, and then dropping out the other side into deep space, vast in its darkness, exhilarating, filled with countless points of light, scintillae, luminous streaks and stars of the universe.
This account exemplifies many of the common elements that can be found in the anthropological literature on shamanism and the use of hallucinogenic plants, and that also tend to show up in the experiences of people taking such medicines in religious or therapeutic context. I will simply list these features, since there is not the space here to document them extensively:
1. The importance of set and setting, or intention and context, in determining the nature of the experience. This was a finding that came out of the psychedelic research in the 1960′s (Grinspoon and Bakalar, 1979).
2. The experience can be healing on physical, psychic and spiritual levels; this healing may involve the experience of being first dismembered, destroyed, or “killed”, and then reconstituted with a healthier, stronger body. The experience of dismemberment is a classic feature of shamanic healing worldwide. The “levels” are analytical concepts; during an actual experience they are not separated, but simultaneous and co-existent.
3. The experience can also provide access to hidden knowledge—this is the aspect of diagnosis, divination, or visioning; people come to refer to these plants as “plant teachers”.
4. There is a feeling and perception of access to other non-physical worlds, variously referred to as inner worlds, spirit worlds, otherworlds, alternate realities. The access may come through a journey to that world, or the spirit beings of that world may appear in our world, or the usual boundaries between the worlds seem to become permeable.
5. The experience may involve the perception of non-material, normally invisible, spirit beings. Such spirits are recognized as being associated with particular animals (e.g. serpent, jaguar), certain plants, trees or fungi, certain places (e.g. river, rainforest), deceased ancestors, and other non-ordinary entities (e.g. extra-terrestrials, elves). It can include the experiences of actually becoming or identifying with that spirit (e.g. the experience of becoming the jaguar); the healing and visioning is experienced as being done by or with the assistance of such spirits.
6. Listening to music or singing, or singing oneself, is an essential ingredient for productive hallucinogenic experiences. The rhythmic drive of the icaros in ayahuasca ceremonies, like the rhythmic pulse of the drumming in drumming-journeys, gives support for moving through the flow of visions, and prevents getting “stuck” or “hung up” in frightening or seductive experiences.
7. The traditional ceremonies are almost always done in darkness or low light; this apparently facilitates the emergence of visions. The exception is the peyote ceremony, done around a fire (though at night); here participants may see visions as they stare into the fire.
Some classic ritual forms for hallucinogen use

If we accept the idea, growing out of scientific research, that set and setting are the crucial determinants of the content of a hallucinogenic experience, then the use of these substances in a ritual setting, with careful attention paid to conscious intention, is in fact the logical, as well as the traditional approach. Shamanic rituals involving hallucinogens are the intentional arrangement of the set and the setting for purposes of healing and divination.
The traditional shamanic rituals involving hallucinogenic plants are carefully structured experiences, in which a small group (12 – 15) of people come together with respectful, spiritual attitude to share a profound inner journey of healing and transformation, facilitated by these powerful catalysts. Music and/or singing is invariably a part of such rituals. There is a significant role and function of the guide or medicine person who conducts the ceremony. The traditional shamanic rituals involve very little or no talking among the participants except perhaps during a preparatory phase or after the experience to evaluate the teachings or visions received.
A second kind of ceremonial form has evolved in the Brazilian syncretic religious movements that use ayahuasca or hoasca. There are three such ayahuasca cults that have arisen in Brazil since the 1950s: Uniao de Vegetal, Santo Daime, and Barquinia. These differ considerably among themselves, but share some common features: they typically involve large groups of people, from around 30 to 40 to several hundred; they all involve some kind of chanting or singing, often rhythmic, and some involve dancing as well. Like the shamanic ceremonies, there is little or no overt discussion or description of experiences or of psychological issues.
Both of these kinds of ceremonies—the shamanic and the syncretic religious—are quite different from the psychotherapy rituals involving hallucinogens, group or individual, which have arisen in the West, and which one could call syncretic therapeutic. From an anthropological point of view it is perfectly appropriate to call psychotherapy a kind of ritual,—a purposive, intentional structuring of a state of consciousness. Psychoanalysis (originally called the “talking cure”) and most forms of psychotherapy use verbal dialogue as the means for exploring consciousness. In recent times more “experiential” forms have arisen, that may use breathing methods, movement, bodily contact, music, or hypnotic regression to induce profoundly altered states of consciousness. The use of psychedelics or empathogenics (such as MDMA) in individual or group psychotherapy can be considered in that context. Their use in structured ritualistic experiences represents a radical departure from conventional psychiatric practice with psychotropic medications, where drugs are simply given to the patient and assumed to work without the conscious participation of the patient or the doctor (Adamson, 1985; Grof, 1980).
I will briefly mention some of the variations on the traditional rituals involving hallucinogens. In the peyote ceremonies of the Native American Church, in North America, participants sit in a circle, in a tipi, on the ground, around a blazing central fire. The ceremony goes all night, and is conducted by a “roadman”, with the assistance of a drummer, a firekeeper, and a sageman (for purification). A staff and rattle are passed around and participants sing the peyote songs, which involve a rapid, rhythmic beat. The peyote ceremonies of the Huichol Indians of Northern Mexico also take place around a fire, with much singing and story-telling, after the long group pilgrimage to find the rare cactus.
The ceremonies of the san pedro cactus, in the Andean regions, are sometimes also done around a fire, with singing; but sometimes the curandero sets up an altar, on which are placed different symbolic figurines and objects, representing the light and dark spirits which one is likely to encounter.
The mushroom ceremonies (velada) of the Mazatec Indians of Mexico, involve the participants sitting or lying in a very dark room, with only a small candle. the healer, who may be a woman or man, sings almost uninterruptedly, throughout the night, weaving into her chants the names of Christian saints, her spirit allies and the spirits of the earth, the elements, animals and plants, the sky, the waters and the fire.
Traditional Indian ceremonies with ayahuasca also involve a small group sitting in a circle, in semi-darkness, while the initiated healers sing the songs (icaros), through which the healing and/or diagnosis takes place. These songs also have a fairly rapid rhythmic pulse, which keeps the flow of the experience moving along. Shamanic “sucking” methods of extracting toxic psychic residues or poisonous implants are sometimes used.
The ceremonies involving the African iboga plant, used by the Bwiti cult in Gabon, also involve an altar with ancestral and deity images, and people sitting on the floor with much chanting and some dancing. Ceremonies in North America and Europe in which I have been a participant-observer, have combined certain elements from the shamanic ritual form while keeping intact the basic essentials: the structure of the circle; the dedication of sacred ritual space with the invocation of protective and teaching spirit allies; the cultivation of a respectful, spiritual attitude; the semi-darkness; and the use of music, singing, rattling and drumming; the presence of a more experienced elder or guide. Some variation of the talking staff or singing staff is often used: with this practice, which orginated among the Indians of the Pacific Northwest, only the person who has the staff sings or speaks, and there is no discussion, questioning or analysis (as there might be in the therapeutic formats involving psychedelics).
While there are numerous other kinds of set-and-setting rituals using hallucinogens in the modern West, ranging from the casual, recreational “tripping” of a few friends to “rave” events of hundreds or thousands, combining Ecstasy (MDMA) with the continuous rhythmic pulse of “techno music”, my research has focussed on the traditional and neo-shamanic “medicine circles”, and what kind of transformations are undergone by participants in such circles.

Basic features of the emerging worldview associated with shamanic-hallucinogenic practices

The basic model of reality, the understanding of the cosmos, that is revealed by such experiences, is basically similar to that shared by indigenous shamanistic cultures, and radically different from the prevailing Western paradigm associated with mechanistic science. (However, many features of the traditional shamanic worldview overlap to a considerable degree with the most recent and growing edge theories and findings of post-modern science). Since there is no space here to document these basic ideas, or present the evidence for them, I will merely state them here, at the risk of oversimplification. I believe that were one to question a number of long-term shamanic practitioners, with or without hallucinogens, in traditional and modern societies, something like this worldview would be shared by most of them.
1. The fundamental reality of the universe is a continuum, a unitive field or fabric, of energy and consciousness, that is beyond time, space and all forms, and yet within them.
2. In traditional Asian religions, this unitive field is variously referred to as Tao, or Brahman. Some Native North Americans refer to it as Wakan-Tanka, the Creator Spirit. In the systems language of post-modern science it is seen as an infinitely complex system of interrelationships, or “web of life” (Capra, 1996; Goldsmith, 1993).
3. The world or cosmos is multidimensional. In most shamanic traditions we have upper, middle and lower worlds; in some mythic-shamanic traditions we have five, seven, nine or more worlds; in esoteric traditions there are usually seven “levels of consciousness”. In modern systems theory, we speak of the multiple levels of wholes and parts: clusters of galaxies, galaxies, solar systems and planets; biosphere, ecosystems, populations and species; societies, sub-cultures, organizations, tribes and families; organisms, organ systems, cells, molecules, atoms and sub-atomic particles.
4. The universal unitive field or cosmic continuum has a basic symmetrical polarity, referred to by names such as yin/yang, light/dark, positive/negative charge, male/female, electric/magnetic, Father Sky—Mother Earth and numerous others. These polarities can be observed and experienced at all levels of reality, from the macrocosmic to the microscopic.
5. The symmetrically polarized basic continuum differentiates, at all levels, into an infinite variety of names and forms, images and objects, identities and beings. We can recognize this multiplicity at the level of galaxies, stars and planets; in the biological diversity of plant and animal species on Earth; in the cultural diversity of human societies; and in the psychic multiplicity of our inner life.
6. Since we are part of the unified system of interdependence, just like every other being, we can never actually be outside of it, like a detached “objective” observer. But since the unified field is energy, we are energetically connected to every other form and being in the universe. And since the field is consciousness, this enables us, as human beings, to attune with, identify with, and communicate with any and every other life-form, object or being in the universe, from the macrocosmic to the microscopic.
7. It will be seen that the the above is a re-statement of the belief system of animism—which sees all material and biological forms as animated by life and consciousness; and of shamanism, which practices methods of intentionally attuning and identifying with all kinds of forms and beings, via the unifying field of consciousness which links us all. Whereas the so-called “higher religions” associated with literate, urban, industrial civilization tend to be monotheistic, with a single (usually male) deity; the religious beliefs associated with animism and shamanism is polytheistic, with an enormous variety in the names and forms of gods and goddesses, particularized for each culture and its mythic tradition. It is not uncommon for participants in sessions with hallucinogenic plants to perceive or feel the presence of deities or spirits from many different cultures, including some with whom they have no genetic, biographical or geographical connection.
Significance of the animistic revival in the present world situation

Having presented some of the fundamental features of the animistic, indigenous worldview which is associated with the revival of interest in shamanic practices, including the use of hallucinogens, I now want to address the question of what this means in the context of the present world situation. What does it mean that people in large numbers are now returning to these ancient traditions of spiritual and healing practice in our world of multinational industrial corporations, of computers and electronic networks?
It is widely understood that the capitalist-industrial growth system, which now dominates the world both economically and politically, is ravaging the biosphere life-support systems and shredding the very fabric of life on this planet. The annual State of the World reports issued by the Worldwatch Institute document the full extent of the catastrophe with depressing regularity (Brown et al., 1997). In 1992, over 1500 scientists from 69 countries issued the World Scientists Warning to Humanity, which stated: “Human beings and the natural world are on a collision course…. A great change is required if vast human misery is to be avoided and our global home on this planet is not to be irretrievably mutilated.” Human civilization on this Earth appears to have produced a situation of ecological melt-down.
To return to my earlier argument, I am saying that the unprecedented industrial-technological assault on the biosphere we are witnessing in our time, is rooted in part in the mechanistic science of the modern world, which deliberately divorced itself from spirituality, values and consciousness. There exists a vast separative gulf in common understanding between what we regard as sacred and what we regard as natural. And yet, out of the experiences of millions of individuals in the Western world with hallucinogenic sacraments, as well as other shamanic practices, we are seeing the re-emergence of the ancient integrative worldview that sees all of life as an interdependent web of relationships, that needs to be carefully protected and preserved.
One can see the parallels in several cultural movements that seek to correct the dangerous imbalance in humanity’s relation to nature: in deep ecology and ecofeminism which call for a respectful, egalitarian, ecocentric attitude towards the natural world; in the organic gardening and farming movements, which seek to return to traditional methods avoiding chemical fertilizers and pesticides; in the movement to increased use of herbal, nutritional and complementary medicine; and in several other philosophical, scientific and religious movements including bioregionalism, ecopsychology, living systems theory, creation spirituality, ecotheology, and others (Ruether, 1992; Spretnak, 1991; Metzner, 1997; Weil, 1990).
In these diverse movements, from many disciplines, to transform our human perceptions, attitudes and practices in relation to the Earth towards a healthier, non-exploitative, non-dominating recognition of interrelatedness, the respectful use of entheogenic plant medicines in spiritual/therapeutic contexts may yet come to play a highly significant role.
Notes
1. This paper is based in part on a presentation made at the conference of the International Transpersonal Association (ITA), May 1996, in Manaus, Brazil.
2. A note on terminology: I use the terms “psychedelic”, “hallucinogenic” and “entheogenic” interchangeably. Some object to the term “hallucinogenic” since a hallucination is an illusory perception and these substances do not in fact induce hallucinations. But the original meaning of the Latin alucinare is to “wander in one’s mind”; and travelling or journeying, in inner space, are actually quite appropriate descriptive metaphors for the experience induced by these substances. So I would like to rehabilitate the term “hallucinogen”.
3. Terence McKenna (1991) has written of an “archaic revival”, but to my mind it is the revival of animism that is the crucial paradigm change here. The fact that animism held sway in the archaic period is in some ways besides the point.

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(Ernest Normand – White Slave)

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Anouar Brahem – kashf

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Modern Irish Poetry: Paul Durcan

Margaret Thatcher Joins IRA
At a ritual ceremony in a fairy ring fort

Near Bodenstown Graveyard Co. Kildare

(Burial place of Theobald Wolfe Tone)

Margaret Thatcher joined the IRA

And the IRA joined Margaret Thatcher.
Black dresses were worn by all for the occasion

In which a historical union was consummated.
On the circular bank of the rath,

Gunmen and High Tories crawled on all fours

Jangling their testicles;

While the sun gleamed off their buttocks.
At the navel of the rath

Waltzed Ruraí Ó Brádaigh,

His arms round Mrs Thatcher

In a sweet embrace.

Behind them Messrs

Airey Neave & Daithí O’Connell

Shared a seat on a pig.
Proceedings concluded

With Sir Ó Brádaigh, an Thatcher, an Neave, agus Sir O’Connell

playing cops and robbers in souterrains.
Meanwhile in his leaba (his grave)

In nearby Bodenstown

Theobald Wolfe Tone was to be observed

Revolving sixty revolutions per minute;

This came as no suprise to observers

Since Tone was a thoroughgoing dissenter

And never would have had truck

With the likes of Margaret Thatcher or the IRA.

Making love outside Áras an Uachtaráin.’
When I was a boy, myself and my girl

Used bicycle up to the Phoenix Park;

Outside the gates we used lie in the grass

Making love outside Áras an Uachtaráin.’
Often I wondered what de Valera would have thought

Inside in his ivory tower

If he knew that we were in his green, green grass

Making love outside Áras an Uachtaráin.’
Because the odd thing was – oh how odd it was –

We both revered Irish patriots

And we dreamed our dreams of a green, green flag

Making love outside Áras an Uachtaráin.’
But even had our names been Diarmaid and Gráinne

We doubted de Valera’s approval

For a poet’s son and a judge’s daughter

Making love outside Áras an Uachtaráin.’
I see him now in the heat-haze of the day

Blindly stalking us down;

And, levelling an ancient rifle, he says, ‘Stop

Making love outside Áras an Uachtaráin.’


The Man whose Name was Tom-and-Ann
When you enter a room where there is a party in progress

Normally you ignore the introductions:

This is Tom; and Jerry; and Micky; and Mouse –

They are all much the same – male mouths

Malevolent with magnanimity or females

Grinning gratuitously: but tonight

I paid attention when I was introduced to a man

Whose name was Tom-and-Ann:

All night I looked hard at him from all angles,

Even going so far as to look down his brass neck,

But all I could see was a young, middle-aged man

With coal-black hair cut in a crew-cut such

As would make you freeze, or faint, of electric shock:

Nobody had noticed that his wife was not with him:

She was at another party being introduced to my wife

Who, when she came home, started humming

‘Tonight I met a woman whose name was Ann-and Tom.’
Well, next time I throw a party for all the Foleys in Ireland,

God help us, I will do the introductions myself:

‘Darling Donal, – This is Tom-and-Ann

And his beautiful wife Ann-and-Tom.’
(Gyula Tornai – In The Harem)

Stepping Forward….

“Acid is not for every brain – only the healthy, happy, wholesome, handsome, hopeful, humorous, high-velocity should seek these experiences. This elitism is totally self-determined. Unless you are self-confident, self-directed, self-selected, please abstain.”

St. Timothy

The Wonders of Craigslist…
I just watched our old washer and broken down freezer disappear off our driveway… in 3 or so minutes. I have been trying to get rid of this stuff for months. Thank You Craigslist!
Some varied stuff today…

Some Dead Can Dance, a short missive from Sasha, a couple from Tim… A bit of Donovan and then there is the eternal: Tao Te Ching. I have been spending lots of time lately with it. I recommend a reading for all. Tim was right.
Hope Tuesday is a beauty for you!
Gwyllm

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The Links

Peters’ Picks: Dead Can Dance – The Carnival Is Over

One From Sasha

Two From Tim

Donovan & Shawn Phillips

Four Excerpts From The Tao Te Ching

Illustrations: Elenore Plaisted Abbott (1875-1935)

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The Links:

Human Brain Has Origin in Lowly Worm

The wave that destroyed Atlantis

Scientist takes on the psychic

Fire in sky mystery

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Peters’ Picks: Dead Can Dance – The Carnival Is Over

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One From Sasha

The Illegal Search for Self Awareness
I am completely convinced that there is a wealth of information built into us, with miles of intuitive knowledge tucked away in the genetic material of every one of our cells. Something akin to a library containing uncountable reference volumes, but without some means of access, there is no way to even begin to guess at the extent of quality of what is there. The psychedelic drugs allow exploration of this interior world, and insights into its nature.
Our generation is the first ever to have made the search for self-awareness a crime, if it is done with the use of plants or chemical compounds as the means of opening the psychic doors. But the urge to become aware is always present, and it increases in intensity as one grows older.
This is the search that has been a part of human life from the very first moments of consciousness. The knowledge of his own mortality, knowledge which places him apart from his fellow animals, is what gives Man the right, the license, to explore the nature of his own soul and spirit, to discover what he can about the components of the human psyche.
How is it then, that the leaders of our society have seen fit to try to eliminate this one very important means of learning and self-discovery, this means which has been used, respected, and honored for thousands of years, in every human culture of which we have a record? Why has peyote, for instance, which has served for centuries as a means by which a person may open his soul to an experience of God, been classified by our government as a Schedule I material, along with cocaine, heroin, and PCP? … Part of the answer may lie in an increasing trend in our culture towards both paternalism (authorities supply need and thus are able to dictate conduct) and provincialism (a narrowness of outlook, a single code of ethics)…
The government and the Church decided that psychedelic drugs were dangerous to society and with the help of the press, it was made clear that this was the way to social chaos and spiritual disaster.
What was unstated, of course, was the oldest rule of all: Thou shalt not oppose nor embarrass those in power without being punished.
—Alexander Shulgin in PiHKAL.

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Two From Tim:

BEWARE OF MONOTHEISM
Monotheism is the primitive religion which centers human consciousness on Hive Authority. There is One God and His Name is (substitute Hive-Label). If there is only One God then there is no choice, no option, no selection of reality. There is only Submission or Heresy. The word Islam means “submission.” The basic posture of Christianity is kneeling. Thy will be done. Monotheism therefore does no harm to hive-oriented terrestrials (Stages 10, 11 and 12) who eagerly seek to lay-off responsibility on some Big Boss. Monotheism does profound mischief to those who are evolving to post-hive stages of reality. Advanced mutants (Stages 13 to 18) do make the discovery that “All is One,” as the realization dawns that “My Brain creates all the realities that I experience.” The discovery of Self is frightening because the novitiate possessor of the Automobile Body and the Automobile Brain must accept all the power that the hive religions attributed to the jealous Jehovah. The First Commandment of all monotheisms is: I am the Lord, thy God: Thou shalt have no other Gods before me. All monotheisms are vengeful, aggressive, expansionist, intolerant.
Stage 10: Islam-Catholicism

Stage 11: Protestant Evangelism

Stage 12: Communist-Dulles Imperialism
It is the duty of a monotheist to destroy any competitive heresy. Concepts such as devil, hell, guilt, eternal damnation, sin, evil are fabrications by the hive to insure loyalty to Hive Central. All these doctrines are precisely designed to intimidate and crush Individualism. The process of mutating into Self-hood plunges the mutant into this cross fire of neurogenetic moral flak. Most of the freak-outs, bad trips and hellish experiences are caused by Monotheistic Morality. Again, it must be emphasized, that Monotheism is a necessary stage. Monotheism is a technology, a tool, to bring pre-civilized tribespeople and caste-segregated primitives into the collectives necessary to develop the post-hive, post-terrestrial technologies.
The major evolutionary step is taken when the individual says: “There is only one God who creates the universe. This God is my Brain. As the driver of this Brain I have created a universe in which there are innumerable other Gods of equal post-hive autonomy with whom I seek to interest. And my universe was, itself, created by a Higher Level of Divinity—DNA, whose mysteries and wonders I seek to understand and harmonize with.”
From The Intelligence Agents by Dr. Timothy Leary, Ph.D.

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How to Handle Doubters

…it’s really quite simple. Whenever you hear anyone sounding off on internal freedom and conciousness-expanding foods and drugs, whether pro or con, check out these questions:
1. Is your expert talking from direct experience, or simply repeating cliches? Theologians and intellectuals often deprecate “experience” in favor of fact and concept. This classic debate is falsely labeled. Most often it becomes a case of “experience” vs. “inexperience”.
2. Do his words spring from a spiritual or mundane point of view? Is he motivated by a dedicated quest for answers to basic questions, or is he protecting his own social-psychological position, his own game investment? Is he struggling towards sainthood, or is he maintaining his status as a hard-boiled scientist or hard-boiled cop?
3. How would his argument sound if it was heard in a different culture? (for example, in an African jungle hut, a ghat on the Ganges, or on another planet inhabited by a form of life superior to ours) or in a different time (for example, in Periclean Athens, or in a Tibetan monestery, or in a bull session led by any one of the great religious leaders – founders – messiahs)? Or how would it sound to other species of life on our planet today – to the dolphins, to the conciousness of the redwood tree? In other words, try to break out of your usual tribal game set and listen with the ears of another one of God’s creatures.
4. How would the debate sound to you if you were fatally diseased with a week to live, and thus less comitted to mundane issues?…
5. Is this point of view one which opens up or closes down? Are you being urged to explore, experience, or gamble out of spiritual faith, join somone who shares your cosmic ignorance on a collaborative voyage of discovery? Or are you being pressured to close off, protect your gains, play it safe, accept the authoritative voice of someone who knows best?
6. When we speak, we say little about the subject matter and disclose mainly the state of our own mind. Does your psychedelic expert use terms which are positive, pro-life, spiritual, inspiring, opening, based on faith in the future, faith in your potential or does he betray a mind obsessed by danger, material concern, by imaginary terrors, administrative caution or essential distrust in your potential? Dear friends, there is nothing in life to fear; no spiritual gain can be lost.
7. If he is against what he calls “artificial methods of illumination,” ask him what constitutes the natural. Words? Rituals? Tribal customs? Alkaloids? Psychedelic vegetables?
8. If he is against biochemical assistance, where does he draw the line? Does he use nicotine? alcohol? penicillin? vitamins? convential sacremental substances?
9. If your advisor is against LSD, what is he for? If he forbids you the psychedelic key to revelation, what does he offer you instead?
From The Politics of Ecstacy by Timothy Leary

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Donovan & Shawn Phillips…

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Four Excerpts From The Tao Te Ching

34

The great Tao flows everywhere.

All things are born from it,

yet it doesn’t create them.

It pours itself into its work,

yet it makes no claim.

It nourishes infinite worlds,

yet it doesn’t hold on to them.

Since it is merged with all things

and hidden in their hearts,

it can be called humble.

Since all things vanish into it

and it alone endures,

it can be called great.

It isn’t aware of its greatness;

thus it is truly great.
35

She who is centered in the Tao

can go where she wishes, without danger.

She perceives the universal harmony,

even amid great pain,

because she has found peace in her heart.
Music or the smell of good cooking

may make people stop and enjoy.

But words that point to the Tao

seem monotonous and without flavor.

When you look for it, there is nothing to see.

When you listen for it, there is nothing to hear.

When you use it, it is inexhaustible.
36

If you want to shrink something,

you must first allow it to expand.

If you want to get rid of something,

you must first allow it to flourish.

If you want to take something,

you must first allow it to be given.

This is called the subtle perception

of the way things are.
The soft overcomes the hard.

The slow overcomes the fast.

Let your workings remain a mystery.

Just show people the results.
37

The Tao never does anything,

yet through it all things are done.
If powerful men and women

could venter themselves in it,

the whole world would be transformed

by itself, in its natural rhythms.

People would be content

with their simple, everyday lives,

in harmony, and free of desire.
When there is no desire,

all things are at peace.

The Tinkers Life

Happy Monday…

A nice selection of items today… A Tinker kind of dream state I woke up from. I searched out the photos as it went along, and stumpled upon the University of Liverpool Collection to my joy. I first heard of Gerald Griffin through the interpretations of The Clancy Brothers, and found him referenced by W.B. Yeats…. The Witches Excursion is a bit of fun… and watch out for the Mouse Probem during The Burning Season…
Gotta Hop,
Gwyllm
The Links

Mouse Problem

THE WITCHES’ EXCURSION

Burning Season by Faith & the Muse

The Poetry Of Gerald Griffin

Irish Travellers: Tinkers, Gypsies – From The University of Liverpool Collection

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The Links:

The Mysterious Zar

Shulgin: The Film (Thanks To Lizard Jah!)

The Joy Of Sharing…

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Monty Python – Mouse Problem

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Irish Traveller Carving Wood…

THE WITCHES’ EXCURSION

PATRICK KENNEDY
Shemus Rua (Red James) awakened from his sleep one night by noises in his kitchen. Stealing to the door, he saw half-a-dozen old women sitting round the fire, jesting and laughing, his old housekeeper, Madge, quite frisky and gay, helping her sister crones to cheering glasses of punch. He began to admire the impudence and imprudence of Madge, displayed in the invitation and the riot, but recollected on the instant her officiousness in urging him to take a comfortable posset, which she had brought to his bedside just before he fell asleep. Had he drunk it, he would have been just now deaf to the witches’ glee. He heard and saw them drink his health in such a mocking style as nearly to tempt him to charge them, besom. in hand, but he restrained himself.
The jug being emptied, one of them cried out, “Is it time to be gone?” and at the same moment, putting on a red cap, she added–
“By yarrow and rue,

And my red cap too,

Hie over to England.”
[paragraph continues] Making use of a twig which she held in her hand as a steed, she gracefully soared up the chimney, and was rapidly followed by the rest. But when it came to the house-keeper, Shemus interposed. “By your leave, ma’am,” said he, snatching twig and cap. “Ah, you desateful ould crocodile! If I find you here on my return, there’ll be wigs on the green–
‘By yarrow and rue,

And my red cap too,

Hie over to England’.”
The words were not out of his mouth when he was soaring above the ridge pole, and swiftly ploughing the air. He was careful to speak no word (being somewhat conversant with witch-lore), as the result would be a tumble, and the immediate return of the expedition.
In a very short time they had crossed the Wicklow hills, the Irish Sea, and the Welsh mountains, and were charging, at whirlwind speed, the hall door of a castle. Shemus, only for the company in which he found himself, would have cried out for pardon, expecting to be mummy against the hard oak door in a moment; but, all bewildered, he found himself passing through the keyhole, along a passage, down a flight of steps, and through a cellar-door key-hole before he could form any clear idea of his situation.
Waking to the full consciousness of his position, he found himself sitting on a stillion, plenty of lights glimmering round, and he and his companions, with full tumblers of frothing wine in hand, hob-nobbing and drinking healths as jovially and recklessly as if the liquor was honestly come by, and they were sitting in Shemus’s own kitchen. The red birredh 1 has assimilated Shemus’s nature for the time being to that of his unholy companions. The heady liquors soon got into their brains, and a period of unconsciousness succeeded the ecstasy, the head-ache, the turning round of the barrels, and the “scattered sight” of poor Shemus. He woke up under the impression of being roughly seized, and shaken, and dragged upstairs, and subjected to a disagreeable examination by the lord of the castle, in his state parlour. There was much derision among the whole company, gentle and simple, on hearing Shemus’s explanation, and, as the thing occurred in the dark ages, the unlucky Leinster man was sentenced to be hung as soon as the gallows could be prepared for the occasion.
The poor Hibernian was in the cart proceeding on his last journey, with a label on his back, and another on his breast, announcing him as the remorseless villain who for the last month had been draining the casks in my lord’s vault every night, He was surprised to hear himself addressed by his name, and in his native tongue, by an old woman in the crowd. “Ach, Shemus, alanna! is it going to die you are in a strange place without your cappen d’yarrag?” 1 These words infused hope and courage into the poor victim’s heart. He turned to the lord and humbly asked leave to die in his red cap, which he supposed had dropped from his head in the vault. A servant was sent for the head-piece, and Shemus felt lively hope warming his heart while placing it on his head. On the platform he was graciously allowed to address the spectators, which he proceeded to do in the usual formula composed for the benefit of flying stationers–”Good people all, a warning take by me;” but when he had finished the line, “My parents reared me tenderly,” he unexpectedly added–”By yarrow and rue,” etc., and the disappointed spectators saw him shoot up obliquely through the air in the style of a sky-rocket that had missed its aim. It is said that the lord took the circumstance much to heart, and never afterwards hung a man for twenty-four hours after his offense.

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For Catherine & Andrew: Burning Season by Faith & the Muse

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Travellers & Townies…

Irish Poetry: Gerald Griffin

HY-BRASAIL–THE ISLE OF THE BLEST
On the ocean that hollows the rocks where ye dwell,

A shadowy land has appeared, as they tell;

Men thought it a region of sunshine and rest,

And they called it Hy-Brasail, the isle of the blest.

From year unto year on the ocean’s blue rim,

The beautiful spectre showed lovely and dim;

The golden clouds curtained the deep where it lay,

And it looked like an Eden, away, far away!
A peasant who heard of the wonderful tale,

In the breeze of the Orient loosened his sail;

From Ara, the holy, he turned to the west,

For though Ara was holy, Hy-Brasail was blest.

He heard not the voices that called from the shore–

He heard not the rising wind’s menacing roar;

Home, kindred, and safety, he left on that day,

And he sped to Hy-Brasail, away, far away!
Morn rose on the deep, and that shadowy isle,

O’er the faint rim of distance, reflected its smile;

Noon burned on the wave, and that shadowy shore

Seemed lovelily distant, and faint as before;

Lone evening came down on the wanderer’s track,

And to Ara again he looked timidly back;

Oh! far on the verge of the ocean it lay,

Yet the isle of the blest was away, far away!
Rash dreamer, return! O, ye winds of the main,

Bear him back to his own peaceful Ara again.

Rash fool! for a vision of fanciful bliss,

To barter thy calm life of labour and peace.

The warning of reason was spoken in vain;

He never revisited Ara again!

Night fell on the deep, amidst tempest and spray,

And he died on the waters, away, far away!

—-

I Love My Love In The Morning
I love my love in the morning,

For she is like morn is fair –

Her blushing cheek, its crimson streak,

It clouds her golden hair.

Her glance, its beam, so soft and kind;

Her tears, its dewy showers;

And her voice, the tender whispering wind

That stirs the early bowers.
I love my love in the morning,

I love my love at noon,

For she is bright as the lord of light,

Yet mild as autumn’s moon:

Her beauty is my bosom’s sun,

Her faith my fostering shade,

And I will love my darlin one,

Till even the sun shall fade.
I love my love in the morning,

I love my love at even;

Her smile’s soft play is like the ray

That lights the western heaven:

I loved her when the sun was high,

I loved her when he rose;

But best of all when evening’s sight

Was murmuring at its close.

Eileen Aroon
(Not From The UoI collection…)

When, like the early rose,

Eileen aroon!

Beauty in childhood blows,

Eileen aroon!

When, like a diadem,

Buds blush around the stem,

Which is the fairest gem?

Eileen aroon!
Is it the laughing eye,

Eileen aroon!

Is it the timid sigh,

Eileen aroon!

Is it the tender tone,

Soft as the stringed harp’s moan?

Oh! it is Truth alone.

Eileen aroon!
When, like the rising day,

Eileen aroon!

Love sends his early ray,

Eileen aroon!

What makes his dawning glow

Changeless through joy or woe?

Only the constant know—

Eileen aroon!
I know a valley fair,

Eileen aroon!

I knew a cottage there,

Eileen aroon!

Far in that valley shade

I knew a gentle maid,

Flower of a hazel glade,

Eileen aroon!
Who in the song so sweet?

Eileen aroon!

Who in the dance so fleet?

Eileen aroon!

Dear were her charms to me,

Dearer her laughter free,

Dearest her constancy,

Eileen aroon!
Were she no longer true,

Eileen aroon!

What should her lover do?

Eileen aroon!

Fly with his broken chain

Far o’er the sounding main,

Never to love again,

Eileen aroon!
Youth must with time decay,

Eileen aroon!

Beauty must fade away,

Eileen aroon!

Castles are sacked in war,

Chieftains are scattered far,

Truth is a fixed star,

Eileen aroon!

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Gerald Griffin (born in 1803 in Limerick, Ireland) was an Irish novelist, poet and playwright.
The son of a brewer, he went to London in 1823 and became a reporter for one of the daily papers, and later turned to writing fiction. In 1838 he burned all of his unpublished manuscripts and joined the Catholic religious order “Congregation of Christian Brothers” in Cork, and died at their monastery, June 12, 1840.
Gerald Griffin has a street named after him in Limerick City, Ireland
Reading Type Of Wagon…

5.55… A Smaller Entry….

On The Music Box: EarthRites Radio!

Here we are at Friday… Sun is shining and we are about to rush out into the turning world. Beltane is rushing towards us, and life is brimming.
Our Rowan is taking off to Camp Namanu for his counseling gig on Sunday, but on Saturday, his schedule runs like this: 7:30am Dragon Boat Rowing… 12:00pm Comedy Sports… 8:00pm Ballroom Dancing… A very busy fellow.
We have a light offering today, but tasty…
On The Menu:

The Links

Charlotte Gainsbourg – 5.55

Blast From The Past Links: My Ears Are Bleeding…

Two Sufi Parables

Poetry: A Revisit With Allen Ginsberg

Art Evelyn De Morgan…
That should fix you for a couple of days, more coming soon!
Gwyllm
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The Links:

Turning up the heat for the biggest Beltane of them all

Officials: Pet Food Poison May Have Been Intentional

Meet the witches of Issaquah

Plants with Soul

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Charlotte Gainsbourg – 5.55

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I once had the (some would say) dubious pleasure of seeing them on a triple bill: Country Joe & The Fish, Buffalo Springfield, and Blue Cheer. Suffice to say I was not exactly in my right mind as I sped through the evening. My ears hurt the next day….. 8o) It was perhaps the biggest sound I had ever heard up to that point… Blue Cheer was to music what STP was to psychedelics…
Blast From The Past Links: My Ears Are Bleeding…

Blue Cheer @ MySpace

Blue Cheer will school you and make your ears bleed

Music Preview: Power rock legends Blue Cheer hit the pub — bring earplugs

Concert Review: A wild Monday night with Patty Griffin and Blue Cheer

CAUCASIAN POWER BLUES:

AN APPRECIATION OF THE BLUE CHEER

THE BLUE CHEER SOUND
“On the surface, Blue Cheer was the epitome of San Francisco psychedelia. The band was named for a brand of LSD and promoted by renowned LSD chemist and former Grateful Dead patron, Owsley Stanley. The band’s sound, however, was something of a departure from the music that had been coming out of the Bay area. Blue Cheer’s three musicians played heavy blues-rock and played it VERY LOUD!”

Tim Hills from “The Many Lives of the Crystal Ballroom”

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Two Sufi Parables…

The Hunter and the Bird
A hunter once caught a small bird. ‘Master,’ said the bird, ‘you have eaten many animals bigger than I without assuaging your appetite. How can the flesh of my tiny body satisfy you? If you let me go, I will give you three counsels: one while I am still in your hand, the second when I am on your roof, and the third from the top of a tree. When you have heard all three, you will consider yourself the most fortunate of men. The first counsel is this: “Do not believe the foolish pronouncements of others.” ’
The bird flew on to the roof, from where it gave the second counsel, ‘ “Have no regrets for what is past.” Concealed in my body is a precious pearl weighing five ounces. It was yours by right, and now it is gone.’ Hearing this the man began to bewail his misfortune. ‘Why are you so upset?’ asked the bird. ‘Did I not say, “Have no regrets for what is past”? Are you deaf, or did you not understand what I told you? I also said, “Do not believe the foolish pronouncements of others.” I weigh less than two ounces, so how could I possibly conceal a pearl weighing five?’
Coming to his senses, the hunter asked for the third counsel. ‘Seeing how much you heeded the first two, why should I waste the third?’ replied the bird.

—-
The Cow
Once upon a time there was a cow. In all the world there was no animal which so regularly gave so much milk of such high quality.
People came from far and wide to see this wonder. The cow was extolled by all. Fathers told their children of its dedication to its appointed task. Ministers of religion adjured their flocks to emulate it in their own way. Government officials referred to it as a paragon which right behaviour, planning and thinking could duplicate in the human community. Everyone was, in short, able to benefit from the existence of this wonderful animal.
There was, however, one feature which most people, absorbed as they were by the obvious advantages of the cow, failed to observe. It had a little habit, you see. And this habit was that, as soon as a pail had been filled with its admittedly unparalleled milk – it kicked it over.

Adapted from The Mathnawi of Jalalu’ddin Rumi, IV

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Poetry: A Revisit With Allen Ginsberg

Sunflower Sutra
I walked on the banks of the tincan banana dock and

sat down under the huge shade of a Southern

Pacific locomotive to look at the sunset over the

box house hills and cry.

Jack Kerouac sat beside me on a busted rusty iron

pole, companion, we thought the same thoughts

of the soul, bleak and blue and sad-eyed,

surrounded by the gnarled steel roots of trees of

machinery.

The oily water on the river mirrored the red sky, sun

sank on top of final Frisco peaks, no fish in that

stream, no hermit in those mounts, just ourselves

rheumy-eyed and hungover like old bums

on the riverbank, tired and wily.

Look at the Sunflower, he said, there was a dead gray

shadow against the sky, big as a man, sitting

dry on top of a pile of ancient sawdust–

–I rushed up enchanted–it was my first sunflower,

memories of Blake–my visions–Harlem

and Hells of the Eastern rivers, bridges clanking Joes

Greasy Sandwiches, dead baby carriages, black

treadless tires forgotten and unretreaded, the

poem of the riverbank, condoms & pots, steel

knives, nothing stainless, only the dank muck

and the razor-sharp artifacts passing into the

past–

and the gray Sunflower poised against the sunset,

crackly bleak and dusty with the smut and smog

and smoke of olden locomotives in its eye–

corolla of bleary spikes pushed down and broken like

a battered crown, seeds fallen out of its face,

soon-to-be-toothless mouth of sunny air, sunrays

obliterated on its hairy head like a dried

wire spiderweb,

leaves stuck out like arms out of the stem, gestures

from the sawdust root, broke pieces of plaster

fallen out of the black twigs, a dead fly in its ear,

Unholy battered old thing you were, my sunflower O

my soul, I loved you then!

The grime was no man’s grime but death and human

locomotives,

all that dress of dust, that veil of darkened railroad

skin, that smog of cheek, that eyelid of black

mis’ry, that sooty hand or phallus or protuberance

of artificial worse-than-dirt–industrial–

modern–all that civilization spotting your

crazy golden crown–

and those blear thoughts of death and dusty loveless

eyes and ends and withered roots below, in the

home-pile of sand and sawdust, rubber dollar

bills, skin of machinery, the guts and innards

of the weeping coughing car, the empty lonely

tincans with their rusty tongues alack, what

more could I name, the smoked ashes of some

cock cigar, the cunts of wheelbarrows and the

milky breasts of cars, wornout asses out of chairs

& sphincters of dynamos–all these

entangled in your mummied roots–and you there

standing before me in the sunset, all your glory

in your form!

A perfect beauty of a sunflower! a perfect excellent

lovely sunflower existence! a sweet natural eye

to the new hip moon, woke up alive and excited

grasping in the sunset shadow sunrise golden

monthly breeze!

How many flies buzzed round you innocent of your

grime, while you cursed the heavens of the

railroad and your flower soul?

Poor dead flower? when did you forget you were a

flower? when did you look at your skin and

decide you were an impotent dirty old locomotive?

the ghost of a locomotive? the specter and

shade of a once powerful mad American locomotive?

You were never no locomotive, Sunflower, you were a

sunflower!

And you Locomotive, you are a locomotive, forget me

not!

So I grabbed up the skeleton thick sunflower and stuck

it at my side like a scepter,

and deliver my sermon to my soul, and Jack’s soul

too, and anyone who’ll listen,

–We’re not our skin of grime, we’re not our dread

bleak dusty imageless locomotive, we’re all

beautiful golden sunflowers inside, we’re blessed

by our own seed & golden hairy naked

accomplishment-bodies growing into mad black

formal sunflowers in the sunset, spied on by our

eyes under the shadow of the mad locomotive

riverbank sunset Frisco hilly tincan evening

sitdown vision.
Allen Ginsberg

Berkeley, 1955

A New Bohemian Ethos…

Best Viewed In FireFox
On The Music Box: Orgisms – Solarquest

I had great hopes for this entry… but have run out of steam and it is getting late. So it happens. I can say that I think you will enjoy the offerings.. I had envisioned something far different, but sometimes, things get out of control…
Blessings, Gwyllm
On The Menu:

Yum!

Joshu’s Dog

Charlotte Gainsbourg – The Songs That We Sing

Oisin in Tir Na N-Og

San Antonio Poet: Naomi Shihab Nye

Naomi Shihab Nye Biography

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The Blessed Little Ones Appear In All Their Glory!

Yum! Psilocybe Cubensis Ecuador Time-Lapse

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A Favourite Koan…
Joshu’s Dog
A monk asked Joshu, a Chinese Zen master: `Has a dog Buddha-nature or not?’
Joshu answered: `Mu.’ [Mu is the negative symbol in Chinese, meaning `No-thing’ or `Nay’.]
Mumon’s comment:s To realize Zen one has to pass through the barrier of the patriachs. Enlightenment always comes after the road of thinking is blocked. If you do not pass the barrier of the patriachs or if your thinking road is not blocked, whatever you think, whatever you do, is like a tangling ghost. You may ask: What is a barrier of a patriach? This one word, Mu, is it.
This is the barrier of Zen. If you pass through it you will see Joshu face to face. Then you can work hand in hand with the whole line of patriachs. Is this not a pleasant thing to do?
If you want to pass this barrier, you must work through every bone in your body, through ever pore in your skin, filled with this question: What is Mu? and carry it day and night. Do not believe it is the common negative symbol meaning nothing. It is not nothingness, the opposite of existence. If you really want to pass this barrier, you should feel like drinking a hot iron ball that you can neither swallor nor spit out.
Then your previous lesser knowledge disappears. As a fruit ripening in season, your subjectivity and objectivity naturally become one. It is like a dumb man who has had a dream. He knows about it but cannot tell it.
When he enters this condition his ego-shell is crushed and he can shake the heaven and move the earth. He is like a great warrior with a sharp sword. If a Buddha stands in his way, he will cut him down; if a patriach offers him any obstacle, he will kill him; and he will be free in this way of birth and death. He can enter any world as if it were his own playground. I will tell you how to do this with this koan:
Just concentrate your whole energy into this Mu, and do not allow any discontinuation. When you enter this Mu and there is no discontinuation, your attainment will be as a candle burning and illuminating the whole universe.
Has a dog Buddha-nature?

This is the most serious question of all.

If you say yes or no,

You lose your own Buddha-nature.

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Great Singer, Impressive Family, Good Actress… The Talents of the new generation shine through!
Charlotte Gainsbourg – The Songs That We Sing

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Sometimes the old tales are like brand new…
Oisin in Tir Na N-Og
There was a king in Tir na n-Og (the land of Youth) who held the throne and crown for many a year against all comers; and the law of the kingdom was that every seventh year the champions and best men of the country should run for the office of king.
Once in seven years they all met at the front of the palace and ran to the top of a hill two miles distant. On the top of that hill was a chair and the man that sat first in the chair was king of Tir na n-Og for the next seven years. After he had ruled for ages, the king became anxious; he was afraid that some one might sit in the chair before him, and take the crown off his head. So he called up his Druid one day and asked: “How long shall I keep the chair to rule this land, and will any man sit in it before me and take the crown off my head?”
“You will keep the chair and the crown for-ever,” said the Druid, unless your own son-in-law takes them from you.”
The king had no sons and but one daughter, the finest woman in Tir na n-Og; and the like of her could not be found in Erin or any kingdom in the world. When the king heard the words of the Druid, he said, “I’ll have no son-in-law, for I’ll put the daughter in a way no man will marry her.”
Then he took a rod of Druidic spells, and calling the daughter up before him, he struck her with the rod, and put a pig’ bead on her in place of her own.
Then he sent the daughter away to her own place in the castle, and turning to the Druid said:
“There is no man that will marry her now.”
When the Druid saw the face that was on the princess with the pig’s head that the father gave her, he grew very sorry that he had given such information to the king; and some time after he went to see the princess.
“Must I be in this way forever?” asked she of the Druid.
“You must,” said he, ” till you marry one of the sons of Fin MacCumbail in Erin. If you marry one of Fin’s sons, you’ll be freed from the blot that is on you now, and get back your own head and countenance.”
When she heard this she was impatient in her mind, and could never rest till she left Tir na n-Og and came to Erin. When she had inquired she heard that Fin and the Fenians of Erin were at that time living on Knock an Ar, and she made her way to the place without delay and lived there a while; and when she saw Oisin, he pleased her; and when she found out that he was a son of Fin MacCumhail, she was always making up to him and coming towards him. And it was usual for the Fenians in those days to go out hunting on the hills and mountains and in the woods of Erin, and when one of them went he always took five or six men with him to bring home the game.
On a day Oisin set out with his men and dogs to the woods; and he went so far and killed so much game that when it was brought together, the men were so tired, weak, and hungry that they couldn’t carry it, but went away home and left him with the three dogs, Bran, Sciolán, and Buglén [famous dogs of Fin MacCumhail] to shift for himself.
Now the daughter of the king of Tir na n-Og, who was herself the queen of Youth, followed closely in the hunt all that day, and when the men left Oisin she came up to him; and as he stood looking at the great pile of game and said, “I am very sorry to leave behind anything that I’ve had the trouble of killing,” she looked at him and said, “Tie up a bundle for me, and I’ll carry it to lighten the load off you.”
Oisin gave her a bundle of the game to carry, and took the remainder himself. The evening was very warm and the game heavy, and after they had gone some distance, Oisin said, ” Let us rest a while.” Both threw down their burdens, and put their backs against a great stone that was by the roadside. The woman was heated and out of breath, and opened her dress to cool herself. Then Oisin looked at her and saw her beautiful form and her white bosom.
“Oh, then,” said he, “it’s a pity you have the pig’s head on you; for I have never seen such an appearance on a woman in all my life before.”
“Well,” said she, ” my father is the king of Tir na n-Og, and I was the finest woman in his kingdom and the most beautifull of all, till he put me under a Druidic spell and gave me the pig’s head that’s on me now in place of my own. And the Druid of Tir na n-Og came to me afterwards, and told me that if one of the sons of Fin MacCumbail would marry me, the pig’s head would vanish, and I should get back my face in the same form as it was before my father struck me with the Druid’s wand. When I heard this I never stopped till I came to Erin, where I found your father and picked you out among the sons of Fin MacCumhail, and followed you to see would you marry me and set me free.”
“If that is the state you are in, and if marriage with me will free you from the spell, I’ll not leave the pig’s head on you long.”
So they got married without delay, not waiting to take home the game or to lift it from the ground. That moment the pig’s head was gone, and the king’s daughter had the same face and beauty that she had before her father struck her with the Druidic wand.
“Now,” said the queen of Youth to Oisin, “I cannot stay here long, and unless you come with me to Tir na n-Og we must part.”
“Oh,” said Oisin, ” wherever you go I’ll go, and wherever you turn I’ll follow.”
Then she turned and Oisin went with her, not going back to Knock an Ar to see his father or his son. That very day they set out for Tir na n-Og and never stopped till they came to her father’s castle; and when they came, there was a welcome before them, for the king thought his daughter was lost. That same year there was to be a choice of a king, and when the appointed day came at the end of the seventh year all the great men and the champions, and the king himself, met together at the front of the castle to run and see who should be first in the chair on the hill; but before a man of them was half way to the hill, Oisin was sitting above in the chair before them. After that time no one stood up to run for the office against Oisin, and he spent many a happy year as king in Tir na n-Og. At last he said to his wife: “I wish I could be in Erin to-day to see my father and his men.”
“If you go,” said his wife, ” and set foot on the land of Erin, you’ll never come back here to me, and you’ll become a blind old man. How long do you think it is since you came here?”
“About three years,” said Oisin.
“It is three hundred years,” said she, ” since you came to this kingdom with me. If you must go to Erin, I’ll give you this white steed to carry you; but if you come down from the steed or touch the soil of Erin with your foot, the steed will come back that minute, and you’ll be where he left you, a poor old man.”
“I’ll come back, never fear,” said Oisin. ” Have I not good reason to come back? But I must see my father and my son and my friends in Erin once more; I must have even one look at them.”
She prepared the steed for Oisin and said, “This steed will carry you wherever you wish to go.”
Oisin never stopped till the steed touched the soil of Erin; and he went on till he came to Knock Patrick in Munster, where he saw a man herding cows. In the field, where the cows were grazing there was a broad flat stone.
“Will you come here,” said Oisin to the herdsman, ” and turn over this stone?&#822
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“Indeed, then, I will not,” said the herdsman; “for I could not lift it, nor twenty men more like me.”
Oisin rode up to the stone, and, reaching down, caught it with his hand and turned it over. Underneath the stone was the great horn of the Fenians (borabu), which circled round like a seashell, and it was the rule that when any of the Fenians of Erin blew the borabu, the others would assemble at once from whatever part of the country they might be in at the time.
“Will you bring this horn to me! ” asked Oisin of the herdsman.
“I will not,” said the herdsman; “for neither I nor many more like me could raise it from the ground.”
With that Oisin moved near the horn, and reaching down took it in his hand; but so eager was he to blow it, that he forgot everything, and slipped in reaching till one foot touched the earth. In an instant the steed was gone, and Oisin lay on the ground a blind old man. The herdsman went to Saint Patrick, who lived near by, and told him what had happened.
Saint Patrick sent a man and a horse for Oisin, brought him to his own house, gave him a room by himself, and sent a boy to stay with him to serve and take care of him. And Saint Patrick commanded his cook to send Oisin plenty of meat and drink, to give him bread and beef and butter every day.
Now Oisin lived a while in this way. The cook sent him provisions each day, and Saint Patrick himself asked him all kinds of questions about the old times of the Fenians of Erin. Oisin told him about his father, Fin MacCumhail, about himself, his son Osgar, Goll MacMorna, Conan Maol, Diarmuid, and all the Fenian heroes; how they fought, feasted, and hunted, how they came under Druidic spells, and how they were freed from them.
At the same time, Saint Patrick was putting up a great building; but what his men used to put up in the daytime was levelled at night, and Saint Patrick lamented over his losses in the hearing of Oisin. Then Oisin said in the hearing of Saint Patrick, “If I had my strength and my sight, I’d put a stop to the power that is levelling your work.”
“Do you think you’d be able to do that,” said Saint Patrick, “and let my building go on?”
“I do, indeed,” said Oisin.
So Saint Patrick prayed to the Lord, and the sight and strength came back to Oisin. He went to the woods and got a great club and stood at the building on guard.
What should come in the night but a great beast in the form of a bull, which began to uproot and destroy the work. But if he did Oisin faced him, and the battle began hot and heavy between the two but in the course of the night Oisin got the upper hand of the bull and left him dead before the building. Then he stretched out on the ground himself and fell asleep.
Now Saint Patrick was waiting at home to know how would the battle come out, and thinking Oisin too long away he sent a messenger to the building; and when the messenger came he saw the ground torn up, a hill in one place and a hollow in the next. The bull was dead and Oisin sleeping after the desperate battle. He went back and told what he saw.
“Oh,” said Saint Patrick, “it’s better to knock the strength out of him again; for he’ll kill us all if he gets vexed.”
Saint Patrick took the strength out of him, and when Oisin woke up he was a blind old man and the messenger went out and brought him home.
Oisin lived on for a time as before. The cook sent him his food, the boy served him, and Saint Patrick listened to the stories of the Fenians of Erin.
Saint Patrick had a neighbor, a Jew, a very rich man but the greatest miser in the kingdom, and he had the finest haggart of corn in Erin. Well, the Jew and Saint Patrick got very intimate with one another and so great became the friendship of the Jew for Saint Patrick at last, that he said he ‘d give him, for the support of his house, as much corn as one man could thrash out of the haggard [= hay-yard] in a day.
When Saint Patrick went home after getting the promise of the corn, he told in the hearing of Oisin about what the Jew had said.
“Oh, then,” said Oisin, “if I had my sight and strength, I’d thrash as much corn in one day as would do your whole house for a twelvemonth and more.”
“Will you do that for me? ” said Saint Patrick.
“I will,” said Oisin.
Saint Patrick prayed again to the Lord, and the sight and strength came back to Oisin. He went to the woods next morning at daybreak, Oisin did, pulled up two fine ash-trees and made a flail of them. After eating his breakfast he left the house and never stopped till he faced the haggart of the Jew. Standing before one of the stacks of wheat he hit it a wallop of his flail and broke it asunder. He kept on in this way till he slashed the whole haggart to and fro, – and the Jew running like mad up and down the highroad in front of the haggart, tearing the hair from his head when he saw what was doing to his wheat, and the face gone from him entirely he was so in dread of Oisin.
When the haggart was thrashed clean, Oisin went to Saint Patrick and told him to send his men for the wheat; for he had thrashed out the whole haggart. When Saint Patrick saw the countenance that was on Oisin, and heard what he had done he was greatly in dread of him, and knocked the strength out of him again, and Oisin became an old, blind man as before.
Saint Patrick’s men went to the haggart and there was so much wheat they didn’t bring the half of it away with them and they didn’t want it.
Oisin again lived for a while as before and then he was vexed because the cook didn’t give him what he wanted. He told Saint Patrick that he wasn’t getting enough to eat. Then Saint Patrick called up the cook before himself and Oisin and asked her what she was giving Oisin to eat. She said: “I give him at every meal what bread is baked on a large griddle and all the butter I make in one churn, and a quarter of beef besides.”
“That ought to be enough for you,” said Saint Patrick.
“Oh, then,” said Oisin, turning to the cook, “I have often seen the leg of a blackbird bigger than the quarter of beef you give me, I have often seen an ivy leaf bigger than the griddle on which you bake the bread for me, and I have often seen a single rowan berry [the mountain ash berry] bigger than the bit of butter you give me to eat.”
“You lie! ” said the cook, “you never did.”
Oisin said not a word in answer.
Now there was a hound in the place that was going to have her first whelps, and Oisin said to the boy who was tending him: ” Do you mind and get the first whelp she’ll have and drown the others.”
Next morning the boy found three whelps, and coming back to Oisin, said: “There are three whelps and ‘t is unknown which of them is the first.”
At Saint Patrick’s house they had slaughtered an ox the day before, and Oisin said: ” Go now and bring the hide of the ox and hang it tip in this room.” When the hide was hung up Oisin said, ” Bring here the three whelps and throw them up against the hide.” The boy threw up one of the whelps against the oxhide. “What did he do?” asked Oisin.
“What did he do,” said the boy, ” but fall to the ground.”
“Throw up another,” said Oisin. The boy threw another. ” What did he do?” asked Olsin.
“What did he do but to fall the same as the first.”
The third whelp was thrown and he held fast to the hide, didn’t fall. ” What did he do? asked Oisin.
“Oh,” said the boy, “he kept his hold.”
“Take him down,” said Oisin; “give him to the mother: bring both in here; feed the mother well and drown the other two.”
The bo
y did as he was commanded, and fed the two well, and when the whelp grew up the mother was banished, the whelp chained up and fed for a year and a day. And when the year and a day were spent, Oisin said, ” We ‘II go hunting tomorrow, and we ‘II take the dog with us.”
They went next day, the boy guiding Oisin, holding the dog by a chain. They went first to the place where Oisin had touched earth and lost the magic steed from Tir na n-Og. The borabu of the Fenians of Erin was lying on the ground there still. Oisin took it up and they went on to Glen na Smuil (Thrushs’s Glen). When at the edge of the glen Oisin began to sound the borabu. Birds and beasts of every kind came hurrying forward. He blew the horn till the glen was full of them from end to end.
“What do you see now? ” asked he of the boy.
“The glen is full of living things.”
“What is the dog doing?”
“He is looking ahead and his hair is on end.”
“Do you see anything else?”
“I see a great bird all black settling down on the north side of the glen.”
That’s what I want,” said Oisin; ” what is the dog doing now?”
“Oh, the eyes are coming out of his head, and there isn’t a rib of hair on his body that isn’t standing up.”
“Let him go now,” said Oisin. The boy let slip the chain and the dog rushed through the glen killing everything before him. When all the others were dead he turned to the great blackbird and killed that. Then he faced Oisin and the boy and came bounding toward them with venom and fierceness. Oisin drew out of his bosom a brass ball and said: “If you don’t throw this into the dog’s mouth he’ll destroy us both; knock the dog with the ball or he ‘II tear tis to pieces.”
“Oh,” said the boy, “I’ll never be able to throw the ball, I’m so in dread of the dog.”
“Come here at my back, then,” said Oisin, “and straighten my hand towards the dog.”
The boy directed the hand and Oisin threw the ball into the dog’s mouth and killed him on the spot.
“What have we done? ” asked Oisin.
“Oh, the dog is knocked,” said the boy.
“We are all right then,” said Oisin, “and do you lead me now to the blackbird of the cam, I don’t care for the others.”
They went to the great bird, kindled a fire and cooked all except one of its legs. Then Oisin ate as much as he wanted and said; “I’ve had a good meal of my own hunting and it’s many and many a day since I have had one. Now let us go on farther.”
They went into the woods, and soon Oisin asked the boy; “Do you see anything wonderful?”
“I see an ivy with the largest leaves I have ever set eyes on.”
“Take one leaf of that ivy,” said Oisin.
The boy took the leaf. Near the ivy they found a rowan berry, and then went home taking the three things with them, – the blackbird’s leg, the ivy leaf, and the rowan berry. When they reached the house Oisin called for the cook, and Saint Patrick made her come to the fore. When she came Oisin pointed to the blackbird’s leg and asked, “Which is larger, that leg or the quarter of beef you give me?”
“Oh, that is a deal larger,” said the cook.
“You were right in that case,” said Saint Patrick to Oisin.
Then Oisin drew out the ivy leaf and asked, “Which is larger, this or the griddle on which you made bread for me?”
“That is larger than the griddle and the bread together,” said the cook.
“Right again,” said Saint Patrick.
Oisin now took out the rowan berry and asked:
“Which is larger, this berry or the butter of one churning which you give me?”
“Oh, that is bigger,” said the cook, “than both the churn and the butter.”
Right, every time,” said Saint Patrick.
Then Oisin raised his arm and swept the head off the cook with a stroke from the edge of his hand, saying, “You ‘II never give the lie to an honest man again.”

_________
San Antonio Poet: Naomi Shihab Nye

Half-And-Half

You can’t be, says a Palestinian Christian

on the first feast day after Ramadan.

So, half-and-half and half-and-half.

He sells glass. He knows about broken bits,

chips. If you love Jesus you can’t love

anyone else. Says he.
At his stall of blue pitchers on the Via Dolorosa,

he’s sweeping. The rubbed stones

feel holy. Dusting of powdered sugar

across faces of date-stuffed mamool.
This morning we lit the slim white candles

which bend over at the waist by noon.

For once the priests weren’t fighting

in the church for the best spots to stand.

As a boy, my father listened to them fight.

This is partly why he prays in no language

but his own. Why I press my lips

to every exception.
A woman opens a window—here and here and here—

placing a vase of blue flowers

on an orange cloth. I follow her.

She is making a soup from what she had left

in the bowl, the shriveled garlic and bent bean.

She is leaving nothing out.


Two Countries

Skin remembers how long the years grow

when skin is not touched, a gray tunnel

of singleness, feather lost from the tail

of a bird, swirling onto a step,

swept away by someone who never saw

it was a feather. Skin ate, walked,

slept by itself, knew how to raise a

see-you-later hand. But skin felt

it was never seen, never known as

a land on the map, nose like a city,

hip like a city, gleaming dome of the mosque

and the hundred corridors of cinnamon and rope.
Skin had hope, that’s what skin does.

Heals over the scarred place, makes a road.

Love means you breathe in two countries.

And skin remembers–silk, spiny grass,

deep in the pocket that is skin’s secret own.

Even now, when skin is not alone,

it remembers being alone and thanks something larger

that there are travelers, that people go places

larger than themselves.

Hidden

If you place a fern

under a stone

the next day it will be

nearly invisible

as if the stone has

swallowed it.
If you tuck the name of a loved one

under your tongue too long

without speaking it

it becomes blood

sigh

the little sucked-in breath of air

hiding everywhere

beneath your words.
No one sees

the fuel that feeds you.


Blood

“A true Arab knows how to catch a fly in his hands,”

my father would say. And he’d prove it,

cupping the buzzer instantly

while the host with the swatter stared.
In the spring our palms peeled like snakes.

True Arabs believed watermelon could heal fifty ways.

I changed these to fit the occasion.
Years before, a girl knocked,

wanted to see the Arab.

I said we didn’t have one.

After that, my father told me who he was,

“Shihab”–”shooting star”–

a good name, borrowed from the sky.

Once I said, “When we die, we give it back?”

He said that’s what a true Arab would say.
Today the headlines clot in my blood.

A little Palestinian dangles a truck on the front page.

Homeless fig, this tragedy with a terrible root

is too big for us. What flag can we wave?

I wave the flag of stone and seed,

table mat stitched in blue.
I call my father, we talk around the news.

It is too much for him,

neither of his two languages can reach it.

I drive into the country to find sheep, cows,

to plead with the air:

Who calls anyone civilized?

Where can the crying heart graze?

What does a true Arab do now?

______
Naomi Shihab Nye
Naomi Shihab Nye was born on March 12, 1952, in St. Louis, Missouri, to a Palestinian father and an American mother. During her high school years, she lived in Ramallah in Jordan, the Old City in Jerusalem, and San Antonio, Texas, where she later received her B.A. in English and world religions from Trinity University.
Nye is the author of numerous books of poems, including You and Yours (BOA Editions, 2005), which received the Isabella Gardner Poetry Award, as well as 19 Varieties of Gazelle: Poems of the Middle East (2002), a collection of new and selected poems about the Middle East, Fuel (1998), Red Suitcase (1994), and Hugging the Jukebox (1982).
Nye gives voice to her experience as an Arab-American through poems about heritage and peace that overflow with a humanitarian spirit. About her work, the poet William Stafford has said, “her poems combine transcendent liveliness and sparkle along with warmth and human insight. She is a champion of the literature of encouragement and heart. Reading her work enhances life.”
Nye has received awards from the Texas Institute of Letters, the Carity Randall Prize, the International Poetry Forum, as well as four Pushcart Prizes. She has been a Lannan Fellow, a Guggenheim Fellow, and a Wittner Bynner Fellow. In 1988 she received The Academy of American Poets’ Lavan Award, selected by W. S. Merwin.
Her poems and short stories have appeared in various journals and reviews throughout North America, Europe, and the Middle and Far East. She has traveled to the Middle East and Asia for the United States Information Agency three times, promoting international goodwill through the arts.
She currently lives in San Antonio, Texas.