-0-0O-THE INVISIBLE COLLEGE!-O0-0-

It gives me great pleasure to announce the release of the new

“The Invisible College” PDF Magazine Beltane Edition…

(yes I know its a wee bit late, but not by the old calendar!!)

90 Pages of visual, mental and aural goodness!

Click on the Picture to go to the Link!

Check this contributors out: Robert Venosa, Tim Daly, Dr. Con, Uncle Wyrdd, Diane Darling, Mike Crowley, Ovidio Cartagena , Bryan Ward , Rena Jones, Peter Webster, Wendell King,

Ennio Rambo, Kathleen Preising
Download it now!
Bright Blessings,
Gwyllm

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On The Menu:

The Links

Dania – Leily (Transglobal Underground Mix)

The Sex Life of the Psychedelic Toad

Poems Of Beauty….Stéphane Mallarmé

Artist: Tadema…. (again!)

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The Links:

Xenophobia: And the hatred that goes with it

Is this REALLY proof that man can see into the future?

US: Data Show War On Drugs Failing As Cocaine Gets Cheaper

DUUUDE…

Wales is also Land Of Our Mothers

Rare skeleton, jewels found in Bolivia pyramid

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Dania – Leily (Transglobal Underground Mix)

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The Sex Life of the Psychedelic Toad

by Paul Rydeen

Many of you are familiar with Bufo Alvarius, the infamous Psychedelic Toad of the Sonoran desert. Episodes of toad-licking teenagers occasionally show up in newspapers, as another generation of thrill-seekers learns of the powerful but short-lived effects of the toad’s venom. This toxin is secreted through glands located on the toad’s neck and feet when agitated; apparently the trait evolved as a deterrence to predators. Though quick acting, the psychedelic may not act fast enough for a coyote or snake to release its prey, but it seems clear enough that the ensuing “trip” would be sufficient warning against future predation. Thus the individual gives his life for the good of the species.
Readers of Wade Davis’ The Serpent and the Rainbow will remember that the venom of the Bufo Marinus, the Sea Toad, is used by Haitian houngans to make zombie poison. The toad is placed in a jar or suitable container with a stinging sea worm; the two battle each other, causing sufficient agitation the toad to produce plenty of the drug for the dark operation. When mixed with just a little venom from the poisonous blowfish – renown in Japanese sushi bars as fugu – the intended victim becomes so completely catatonic that he is usually pronounced dead and buried. One wonders how many unintentional overdoses of this mixture induced actual death in the potential zombie. After a few days, the drug wears off, the zombie is disinterred and rebaptized, and put to work. A steady diet of datura ensures his continued complacency.
Unlike its aquatic cousin, B. Alvarius seems to have only been used recreationaly. Discovered during the height of the hedonistic 1960′s, the venom of the toad was collected and smoked by hippies looking to expand their minds. The toad is easily caught by hand anywhere near the irrigation canals in the Sonoran Desert of Arizona or the Mexican state of Sonora. A little handling is all it takes for the toad to become sufficiently agitated to produce the venom. After carefully scraping the raw poison from its glands, the toad is gently released back into the wild. A few days is usually needed for it to recover from a thorough “milking” such as this.
Unknown to many, however, is the incredible role this toxin plays in the mating cycle of the toad. Though each toad is entirely immune to its own venom, slight enzymatic differences between the sexes means that they are susceptible to their partner’s. During the act of mating, the toads become just as agitated as they would escaping a predator, and release copious quantities of the hallucinogenic drug. The psychedelic is subsequently absorbed through the skin by the other partner, where it has immediate effect. The toads reach climax in a psychedelic frenzy, the libido of each inflamed with the power of the others drug. Intercourse for the toads results in the ultimate mind-blowing orgasm, excellent impetus for the successful propagation of the species. This is the true reason for the folktales of the toad’s aphrodisiac properties.
Tis a joke folks… a joke!

-G

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Poems Of Beauty….Stéphane Mallarmé

To The Sole Concern

To the sole concern in voyaging

Beyond an India dark and splendid

– Let it be time’s message, this greeting

Cape that your stern doubled
As on some low yard plunging

Along with the vessel riding

Skimmed in constant frolicking

A bird bringing fresh tidings
That without the helm flickering

Shrieked in pure monotones

An utterly useless bearing

Night, despair, and precious stones
Reflected by its singing so

To the smile of pale Vasco.

—-
All Summarised The Soul…

All summarised, the soul,

When slowly we breathe it out

In several rings of smoke

By other rings wiped out

Bears witness to some cigar

Burning skilfully while

The ash is separated far

From its bright kiss of fire

So does the choir of romantic art

Fly towards the lips

Exclude from it if you start

The real because it’s cheap

Meaning too precise is sure

To void your dreamy literature.


What Silk…
What silk of time’s sweet balm

Where the Chimera tired himself

Is worth the coils and natural cloud

You tend before the mirror’s calm?
The blanks of meditating flags

Stand high along our avenue:

But I’ve your naked tresses too

For burying my contented eyes.
No! The mouth cannot be sure

Of tasting anything in its bite

Unless your princely lover cares
In that mighty brush of hair

To breathe out, like a diamond,

The cry of Glory stifled there.

—-
To Introduce Myself…
To introduce myself to your story

It’s as the frightened hero

If he touched with naked toe

A blade of territory
Prejudicial to glaciers I

Know of no sin’s naivety

Whose loud laugh of victory

You won’t have then denied
Say if I’m not filled with joyousness

Thunder and rubies to the hubs no less

To see in the air this fire is piercing
With royal kingdoms far scattering

The wheel crimson, as if in dying,

Of my chariot’s single evening.

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…Reaching The Second Sky…

“We are going to inherit the earth . There is not the slightest doubt about that. The bourgeoisie may blast and burn its own world before it finally leaves the stage of history. We Are not afraid of ruins. We who ploughed the prairies and built the cities can build again, only better next time. We carry a new world, here in our hearts. That world is growing this minute.” —-Durruti

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Just a heads up… The next edition of “The Invisible College” PDF magazine will be released this weekend… Check this contributors out:
Robert Venosa

Tim Daly

Dr. Con

Uncle Wyrdd

Diane Darling

Mike Crowley

Ovidio Cartagena

Bryan Ward

Rena Jones

Peter Webster

Wendell King

Ennio Rambo

Kathleen Preising

Kyle Hailey
Quite the line up, and between 80 & 90 pages…(so far!) Stay Tuned to Turfing for the updates on release times and versions!

Radio Free EarthRites is pumping the tunes out… you owe it to yourself to hang and chill a bit with the best in Pirate Radio!

Turn On – Paste Into – Your Internet Radio Player!

-o-o-0-0-O Radio Free Earthrites! O-0-0-o-o-

http://87.194.36.124:8000/radio

http://87.194.36.124:8001/radio-low

http://87.194.36.124:8002/spokenword

—–
On The Menu:

Anarchist Quotes, Part 2

Mongolian Flying Reindeer

Bebel Gilberto – Winter

Making Magic

Shaman Climbs Up the Sky
Have A Good Evening!
Gwyllm

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Anarchist Quotes, Part 2:
I do not wish to remove from my present prison to a prison a little larger. I wish to break all prisons. –Ralph Waldo Emerson
In a word, we reject all legislation, all authority, and all privileged, licensed, official, and legal influence, even though arising from universal suffrage, convinced that it can turn only to the advantage of a dominant minority of exploiters against the interests of the immense majority in subjection to them. –Mikhail Bakunin, God and the State
Anarchists are opposed to violence; everyone knows that. The main plank of anarchism is the removal of violence from human relations. It is life based on freedom of the individual, without the intervention of the gendarme. For this reason we are the enemies of capitalism which depends on the protection of the gendarme to oblige workers to allow themselves to be exploited–or even to remain idle and go hungry when it is not in the interest of the bosses to exploit them. We are therefore enemies of the State which is the coercive violent organization of society. –Errico Malatesta
When I feed the poor, they call me a saint. When I ask why the poor have no food, they call me a communist. –Dom Helder Camara, Archbishop of Recife
Workers and their families may starve to death in the New World Order of economic rationality, but diamond necklaces are cheaper in elegant New York shops, thanks to the miracle of the market. –Noam Chomsky
Capitalism can no more be ‘persuaded’ to limit growth than a human being can be ‘persuaded’ to stop breathing. Attempts to ‘green’ capitalism, to make it ‘ecological’, are doomed by the very nature of the system as a system of endless growth. –Murray Bookchin
Only after the last tree has been cut down,

only after the last river has been poisoned,

only after the last fish has been caught,

only then will you realize that money cannot be eaten. –The Cree People

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…Mongolian Flying Reindeer Standing Stone…

Why haven’t the Ethnobotanist jumped on this one? Reindeer transforms into Bird… leaping into sky. Any takers?
CULTURAL HERITAGE OF MONGOLIA

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Bebel Gilberto – Winter

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Making Magic

By Peter Gorman
from OMNI July 1993

The night air in the backwater lowlands of the Peruvian Amazon was thick with the incessant buzzing of insects. Overhead bats flew, their shapes silhoutted by a half moon rising behind the forest across the Rio Lobo. Though the rainy season had begun, the river was still near the low point of the year, and great gnarled tree trunks, swept from the banks during the last flood season, stood out against the water like monstrous sculptures in the pale light. From beyond the jungle clearing of the tiny Matses Indian puebla of San Juan came the howling of a distant band of monkeys and the melancholy cry of the pheasant-like paujil.
In the camp, a handful of Matses children played our flashlights into the village trees, while their fathers combed the branches and nearby brush, hunting for a dow-kietl, the frog that secretes sapo, a vital element in the Matses pharmacopoeia. (Although the word sapo means “toad” in Spanish, the extract comes from a frog) The Matses limited command of Spanish doesn’t draw a distinction between the two.) The men imitated the frog’s mating call, a low, guttural bark, as they moved, and the women nearby giggled at the sound. I was suprised that the dow-kiet!s didn’t respond.
The Matses are a small, seminomadic, hunting-gathering tribe who live in the remote jungle along the Rio Yavari, on the border of Peru and Brazil. Unlike other tribes in the region, they possess only rudimentary weaving and ceramics skills, they have no formal religion, no ceremony or dance, and they produce nothing for trade. What they do is hunt – with bows and arrows, spears, clubs, and occasionally shotguns when they can get shells. Theirs is the harsh world of the lowland forests and swamps, a world where malaria, yellow fever, and venomous snakes keep mortality rates high. To survive, the matses have become masters of the natural history of the flora and fauna of the region.
They know the habits and cycles of the animals that share their land, they’ve studied the plant life that surrounds them, and they’ve learned to see the jungle as their ally. For the Matses the earth is a benevolent ti-ta, or mother, who provides for all their needs. Neighboring tribes say the Matses can move like the wind and talk with the animals. They say the Matses know the jungle’s secrets. Sapo is one of them.
I had come to Peru to collect dow-kiet! Specimens for researchers at the American Museum of Natural History, for whom I’ve collected Matses artifacts – mostly throwaway things like used leaf baskets and broken arrows – and the Fidia Research Institute for the Neurosciences in Rome. My reports on the uses of sapo had sparked interest and curiosity among scientists who were eager to see a specimen of the frog that produces the unusual material, in part because of the extraodinary experience it produced in me and in part because of my description of it’s myriad of uses. I was eager to see the dow-kiet! As well, because although I’d seen sapo used and had myself, I had never actually seen the frog that produces it.
That Western science look an interest in sapo is encouraging: Until recently, most researchers have dismissed the natural medicines of indigenous groups like the Matses. Fortunately, that attitute is changing, but with the loss of an average of one tribe a year in Amazonia alone – to acculturation, disease, or loss of their forest homes – the plant and animal medicines of these peoples are disappearing faster than they can be studied.
The Matses are one of the tribes currently at risk. During the eight years I’ve been visiting their camps, both missionary and military contact have been steadily increasing, and they’re quickly acculturating to a new lifestyle. Camps that planted no more than two or three crops to supplement their diet of game and wild foods just a few years ago now plant a dozen or more. And where most Matses had only a handful of manufactured things when I first met them – some clothing, a few metal pots, a machete, and perhaps and old shotgun – in some caps the men now work for loggers, and the sound of chain saws fills the air. At San Juan, the most accessible camp on the Lobo, most of the Matses not only have new Western clothing, they have begun to refer to Matses who live deep in the jungle as animales.
This is a very different group from the first Matses I ran into in 1984. It was my second trip to Peruvian Amazonia – I’d fallen in love with the jungle on my first trip – and I was studying food gathering and plant identification with my guide, Moises, a former military man who specialized in jungle survival. We had been working on a small river called the Auchyako for about a week when we ran into local hunters who said they had seen signs that a family of Matses had moved into the area. Moises, excited by the news, said we should make an attempt to meet them.
I was easily sold on the idea: so, hoping they would make contact, we hiked three days into the jungle and made a camp. Two days later, a young Matses hunter carrying a bow and arrows, his mouth tattooed and his face adorned with what looked like cat whiskers, came into our camp and borrowed our gun.
When he returned later in the day, he was carrying two large wounded monkeys in palm-leaf baskets he carried from his forehead with templines. Clinging to his hair was a baby monkey the offspring of one of the adults. The hunter returned our gun, left one of the monkeys, and then disappeared into to forest. We followed him back to his camp and watched from a distance as he gave the remaining adult to a women who began to roast it over an open fire, oblivious to its cries. The baby monkey he brought to a young woman who was nursing a child of her own. Without hesitation, she took the monkey and allowed it to nurse at her free breast.
Those dual images represented a combination of cruelty and compassion I’d never imagined and taught me more about the reaslity of the jungle than anything I had previosuly experienced. More than that, those images compelled me to return to the Matses again and again.
I first met Pablo in 1986 on my third trip to the Amazon. Moises and I had flown over the dense Peruvian jungle from Iquitos to the Rio Lobo, borrowed a small boat, and made our way to his camp. Pablo was Moises closest friend among the Matses, an adept hunter who fiercely resisted acculturation. The villiage, several days upriver and much more remote than San Juan, was home to Pablo, his four wives, their 22 children, and his brother Alberto, who had two wives and six children. Each wife had her own hut, so there were several in the puebla. When we arrived, we were invited to climb the steep and muddy riverbank to the Puebla. There, Pablo’s main wife, Ma Shu, served us a meal of cold roast sloth and yucca.
After dinner, Pablo produced an old brown beer bottle and a hollow reed tube. From the bottle he poured a find green powder into his hand and worked it into one end of the tube. Alberto put the other end of the tube to his nose and Pablo blew the powder into his nostrils. They repeated the process several times. Moises explained that the powder was nu-nu and that Matses hunters used it to have visions
of where to hunt. He said that after the visions they would go to the place they had seen and wait for the animals in the vision to appear. I told Moises he was dreaming, but he insisted that was what happened and pressed Pablo to give me some. A few minutes later, the tube was put to my nose. When The nu-nu hit, it seemed to explode inside my face. It burnt my nose and I began to choke up a wretched green phlegm. But the pain quickly subsided and I closed my eyes. Out of the blackness I began to have visions of animals–tapir, monkey, wild boar–that I saw more clearly than my limited experience with them should have allowed. Then suddenly the boars stampeded in front of me. As I watched them thunder past my field of vision, several began to fall. Moments
later, the visions faded, and a pleasant spit of drunkenness washed over me.
Moises asked what I saw and whether I recognized the place where the vision happened. I told him it looked like the place where we’d eaten lunch earlier in the day. He asked what time it was in the vision, and I told him that the sun was shining but mist still hung from the trees. He put the time between 7 and 8 a.m. Despite my suspicion that I’d’ invented the entire vision, Moises told the Matses what I’d seen.
At dawn the next morning, several of us piled into our boat and headed toward the spot I’d described. As we neared it, I was astounded to hear the thunderous roar of dozens of boars charging across the river in front of us. We jumped out of the boat and chased them. Several ran into a hollow log and Pablo and Alberto blocked the ends with thick branches while me others made nooses out of vines. Holes were cut Into the top of the log with a machete, the nooses slipped through them, and the boars strangled. We returned with seven boars. enough meat for the entire village for four days.
Improbable as it seemed, the scene was close enough to what I’d described that there was no denying the veracity of the vision I later asked how nu-nu worked, and Pablo explained–in a mix of hand signals, Matses, and pigeon Spanish–that nu-nu put you in touch with the animals. He said the animals’ spirits also see the visions and know what awaits them. The morning after the hunt, I was with Pablo, sitting on the bark floor of Ma Shu’s hut, pointing to things and asking what the Matses words for them were. I made notes, writing down the phonetic spelling of things like bow, arrow, spear, and hammock. Pablo was utterly bored with the exercise until I pointed to a small leaf bag that hung over a cooking fire ‘Sapo.” he said, his eyes brightening.
From The bag he pulled a piece of split bamboo, roughly the size and shape of a doctor’s tongue depressor. It was covered with what looked like a thick coat of aging varnish. “Sapo.” He repeated, scraping a little of the material from the stick and mixing it with saliva. When he was finished, it had the consistency and color of green mustard. Then he pulled a smoldering twig from the fire, grabbed my left wrist, and burned the inside of my forearm. I pulled away, but he held my wrist tightly. The burn mark was about the size of a match head. I looked at Moises. “Una nueva medicinn,” he said, shaking his head, “I’ve never seen It.”
Remembering the extraordinary experience I’d had with nu-nu, I let Pablo burn my arm a second time He scraped away the burned skin, then dabbed a little of the sapo onto the exposed areas Instantly my body began to heat up. In seconds I was burning from the Inside and regretted allowing him to give me a medicine I know nothing about. I began to sweat. My blood began to race. My heart pounded. I became acutely aware of every vein and artery in my body and could feel them opening to allow for the fantastic pulse of my blood. My stomach cramped and I vomited violently. I lost control of my bodily functions and began to urinate and defecate. I fell to the ground. Then, unexpectedly, I found myself growling and moving about on all fours. I felt as though animals were passing through me, trying to express themselves through my body. It was a fantastic feeling but it passed quickly, and I could think of nothing but the rushing of my blood, a sensation so intense that I thought my heart would burst. The rushing got faster and faster. I was in agony. I gasped for breath. Slowly, the pounding became steady and rhythmic, and when it finally subsided altogether. I was overcome with exhaustion, I slept where I was. When I awoke a few hours later, I heard voices. But as I came to my senses.. I realized I was alone. I looked around and saw that I had been washed off and put into My hammock. I stood and walked to the edge of the hut’s unwalled platform floor and realized that the conversation I was over hearing was between two of Pablo’s wives who were standing nearly 20 yards away. I didn’t understand their dialect, of course, but I was surprised to even hear them from that distance. I walked to the other side of the platform and looked out into the jungle; its noises, too, were clearer than usual.
And it wasn’t just my hearing that had been improved. My vision, my sense of smell, everything about me felt larger than life, and my body felt immensely strong: That evening I explained what was feeling with hand gestures as much as language. Pablo smiled. “Bi-ram-bo sapo.” he said, “fuerte.” It was good sapo. Strong.
During the next few days, my feeling of strength didn’t diminish; I could go whole days without being hungry or thirsty and move through the jungle for hours without tiring Every sense I possessed was heightened and in tune with the environment, as though the sapo put the rhythm of the jungle into my blood.
I asked Pablo about sapo’s uses and discovered there were several. Among hunters; it was used both to sharpen the senses and as a way to increase stamina during long hunts when carrying food and water was difficult. In large doses, it could make a Matses hunter “invisible” to poor-sighted but acute smelling jungle animals by temporarily eliminating their human odor. As a medicine, sapo also had multiple uses, serving as a tonic to cleanse and strengthen the body and as a toxin purge for those with the grippe.
The women explained that they sometimes used sapo as well. In sparing doses applied to the inside of the wrist it could establish whether a woman was pregnant or not. And during the later stages of pregnancy, it was used to establish the sex and health of a fetus. Interpreting the information relied on an investigation of the urine a woman discharged following the application of the medicine: Cloudiness or other discoloration of the urine and the presence or absence of specks of blood were all evidently indicators of the fetus’s condition. In cases where an unhealthy fetus was discovered, a large dose of sapo applied to the vaginal area was used as an abortive. There was no way for me to verify what they said, though there was no reason to doubt them.
When I asked Pablo how the Matses learned about sapo, he said the dow-kiet! told them. Whether he meant the frog told them through their study of its behavior and habits or whether he believed he was in communication with it on some level, I don’t know.
When I returned to New York, I was surprised to find that my description of nu-nu was old hat to the anthropologists I spoke with at the American Museum of Natural History–several tribes evidently employed similar snuffs for shamanic purposes. What did surprise them, however, was my account of sapo. None of them had ever heard of it, and while several South American tribes have hunting myths about frogs, there were no records of the Matses or any other tribe utilizing a frog’s secretions in the way I described. But while my report was considered interesting, it was also inadequate, as I had no photographs of the frog and no samples of the medicine. The following year I returned to Pablo’s village and discovered that sapo was also used as a shamanic tool. It was spring and the lowlands were flooded. Game had retreated deep into the forest to seasonal lagoons, so hunting was difficult, and even nu-nu failed to produce hunting visions. When I arrived, the Matses hadn’t eaten meat for several days.
Pablo explained that when the river was so high, it was trapping season and that he was about to set a tem-po-te!, tapir trap. He had been giving himself five sapo burns each morning and night for three days in preparation for the task and would continue until the trap was successful. Pablo explained, as well as I could understand it, that sapo, used In such large doses, allowed a hunter to project his animas – his spirit &
#8211; to his trap while he slept. The animas would take the form of a tapir and lure real tapir to it.
The day after we arrived, Moises and I went into the jungle with Pablo and Alberto. We walked for almost two hours before Pablo found a suitable site and began to construct the trap, a simple spring device set between two trees. Pablo called to the tapir while he worked, telling it what a special path he was making. He called to the other animals as well, warning them to stay away, to leave this place for his friend. When he finished the trap, he chewed handfuls of leaves and spit them out across the trip vine, both to cover his human scent and as a signpost so that his animas could find it at night.
As we were returning to the puebla, Alberto explained that traps were only set when there was no other way to get meat, because once a trap was set, no other animals could be hunted. When I asked why, he explained that animals talk to each other and that killing them provokes their spirits, ruining the trap. Seeing that I didn’t understand, Pablo added that when he sent out his animas masquerading as a tapir, the provoked spirits would warn the prey that what they saw was not a real tapir but a Matses animas in disguise. Exceptions to the taboo were large river turtles and sloth-the turtle because it doesn’t bother to talk to other animals and the sloth because it speaks so slowly that by the time it says what’s on its mind, the river has fallen and trapping time is over.
During the next two days. Pablo never returned to the trap, although he continued using massive doses of sapo. But on the morning of the third day, he awakened us before dawn and said he had a nu-nu vision that the trap was about to be sprung. He was insistent that we hurry.
The Matses moved through the forest effortlessly, almost at a jog, and the women chided me for having to struggle to keep up. But as we neared the trap area, everyone stopped and grew absolutely quiet. Pablo’s eyes blazed. “Petro,” he whispered to me excitedly, “tian-te, tem-po-te” A tapir was about to be trapped.
We waited about ten minutes, then heard a sharp snap, followed by an agonizing animal scream. Suddenly, everyone began running toward the trap. The wounded and disoriented tapir crashed through the brush, bellowing in pain, then fell into a stream bed. The women caught up with it, killed it, and began to cut it up. While they did, Pablo brought me to the sprung trap and gave me the bloody spike.
Back in camp we feasted. Afterwards I asked Pablo for a sample of sapo, but he’d been using so much to prepare far the hunt that he had none to give me. So once again I returned to the states with no hard evidence of the existence. of the dow-kiet!
It took two more trips to Peru before finally managed to secure a small amount of sapo, and when I finally did, I gave half of the stick to Charles Myers. the curator of the museum’s Herpetology Department, who passed it on to John Daly at the National Institutes of Health. Having finally produced the material I’d frequently talked about, my reports began to circulate and prompted a letter from Vittorio Erspamer, a pharmacologist who worked with the Fidia Research Institute for the Neurosciences. He wondered whether sapo might not come from one of a number of frogs he’d randomly collected in Amazonia several years earlier. Research done by the chemicals found in their skin had shown that several produced peptides-protiens-that were similar to peptides produced by humans. If it could be shown, he wrote, that one of those frogs was already in use by humans, it would be an important scientific breakthrough. I wrote back and offered to provide him with a specimen if I ever managed to collect one.
A year after Erspamer’s letter reached me, I traveled back to the Lobo with Moises. We hiked across the jungle to Pablo’s, discovered his burned camp, and moved down the river where happily we found him at San Juan. “Malo casadores,” Moises snarled, after we’d been watching the men of San Juan trying to find a dow-kiet! for nearly an hour. “Bad hunters. Everything is changed with them. They’re finished.” He was still grumbling about the state of the Matses when I heard Pablo calling me. “Petro Dow-kiet! Petro?” He was standing on a hill at the back of the puebla with Pa Mi Shua and two of his children. “Bi-ram-bo, Pablo!” I laughed: “Bi-ram-ho dow-kiet!.” Yes, I would like a dow-kiet!
Pablo laughed and began to bark out the frog’s mating call. The other men in the camp stopped their hunting and watched him. Between the guttural barking noises he was making we could hear him berating the frogs for making the hunt so difficult. Pa Mi Shua and his children, walking along side him on the path toward the center of camp, roared his antics.
Suddenly Pablo stood and stiffened. From the grass on the side of the path came the sound Pablo was making. He barked again, and again his call was returned. Then a second frog joined the first, and a third, and suddenly the whole camp seemed to resound with the barking of dow-keit!s. Pablo bent down and picked one up. “Mas dow-kiet!, Petro?” More, Peter? I laughed and said yes. He bent down and picked up another. “Mas? Bastan-te sapo, Petro?” More? Did I want a lot of sapo?
I told him two were enough. and he came into the camp, a frog in each hand. He gave one of them to me. It was beautiful. A little smaller than my palm, it had an extraordinary electric green back, a lightly spotted white underside, and deep black eyes. It grasped my fingers tightly, and in secends could feel my blood begin to heat up as the sapo it was secreting began to seep into the small cuts that covered my hands. I quickly put it down. Pablo giggled with delight, then broke a small branch from a tree and placed both dow-kiet!s on it, hilariously imitating my reaction.
One of the Matses men collected four sticks and stood them in the ground, making a small square. Another pulled apart some palm leaves, stripped out the fibers and rolled them into strings against his leg. He handed four of them to Pablo. who tied one to each of one frog’s legs, then tied the free ends to the four posts, suspending the animal like some strange green trampoline. Once the frog was secure, Pa Mi Shua knelt and gently began to manipulate the frog’s elongated center toe between her fingers, stimulating it to secrete sapo. It was an unexpectedly sexual image, and the men joked about it. Pa Mi Shua blushed and told them to be quiet.
The man who had placed the sticks in the ground disappeared into his hut for a moment, then returned with a piece of split bamboo. He began to scrape the suspended frog’s sides and legs, collecting sapo. When the stick was covered, he dried out the secretions over our tiny kerosene lamp and then gave the stick to me.
That night, both frogs were tied by one leg to a low tree branch to keep them from escaping, and in the morning, the sapo from the second frog was collected. Neither was hurt by the process, and if I hadn’t been taking the two specimens back to the States, they would have been set free.
One of the frogs died shortly after I returned home, and I gave its skeleton along with part of the sapo sample and some photographs to the Natural History museum. The healthy dow-kiet! along with a second sapo sample and similar photos was sent to Erspamer in Rome. Six months later, I received his report. He was very excited.
He identified the dow-kiet! as a phyllomedusa bicolor, a rare arboreal tree frog. The sapo, he said, is a sort of fantastic chemical cocktail with potential medical applications. “No other amphibian skin can compete with it,” he wrote. “Up to seven percent of sapo’s weight is in potently active peptides, easily absorbed through burned, inflamed areas of the skin.” He explained that among the several dozen peptides found in sapo
, seven were bioactive- which meant that each has an affinity and selectivity for binding with receptor sites in humans. (A receptor is like a lock that when opened with the right key–the bioactive peptides-triggers chemical reactions in the body.) The peptide families represented in the dow-kiet! include bradykinins, tachykinins, caerulein, sauvagine, tryptophyllins, dermorphins. and bombesins.
Based on the concentrations and functions of the peptides found in and extracted from the sapo sample I sent, Erspamer was able to account for all of the physical symptoms I described as sapo intoxication. On the peripheral effects. Erspamer repoited, “Caerulein and the equiactive phyllocaerulein display a potent action on the gastrointestinal smooth muscle and gastric and pancreatic secretions. . . . Side effects observed (in volunteer patients with post operative intestinal atony) were nausea, vomiting, facial flush, mild tachycardia (heart palpitations), changes in blood pressure, sweating, abdominal discomfort, and urge for defecation.”
Phyllomedusin, a new peptide of the tachykinin family, strongly affects the salivary glands, tear ducts, intestines, and bowels: and contributed to the violent purging I experienced. Sauvagine causes a long-lasting fall in blood pressure, accompanied by severe tachycardia and stimulation of the adrenal cortex, which contributed to the satiety, heightened sensory perception, and increased stamina I described. Phyllokinin, a new peptide of the bradykinin family, is a potent blood-vessel dilator and accounted for the intense rushing in my blood during the initial phase of sapo intoxication.
“It may be reasonably concluded, Erspamer wrote. “that the intense peripheral cardiovascular and gastrointestinal symptoms observed in the early phase of sapo intoxication may be entirely ascribed to the known bioactive peptides occurring in large amounts in the frog material.”
As to sapo’s central effects, he wrote, “increase in physical strength, enhanced resistance to hunger and thirst, and more generally, increase in the capacity to face stress situations may be explained by the presence of caerulein and sauvagine in the drug. Caerulein in humans produces “an analgesic effect . . . possibly related to release of beta-endorphins .. . in patients suffering from renal colic, rest pain due to peripheral vascular insufficiency (limited circulation), and even cancer pain.” Additionally, “It caused in human volunteers a significant reduction in hunger and food intake.
The sauvagine extracted from sapo was given subcutaneously to rats and caused “release of corticotropin (a hormone that triggers the release of substances from the adrenal gland) from the pituitary with consequent activation of the pituitary-adrenal axis.” This axis is the chemical communication link between the pituitary and the adrenal glands, which controls our flight-or-fight mechanism. The effects on the pituitary-adrenal axis caused by the minimal doses given the laboratory rodents lasted several hours. Erspamer noted that the volume of sauvagine found in the large quantities of sapo I described the Matses using would potentially have a much longer lasting effect on humans and would explain why my feelings of strength and heightened sensory perception after sapo use lasted for several days.
But on the question of the “magical” effects I described in tapir trapping, Erspamer says that “no hallucinations, visions, or magic effects are produced by the known peptide components of sapo.” He added that “the question remains unsolved” whether those effects specifically, the feeling that animals were passing through me and Pablo’s description of animas projection were due to “the sniffing of other drugs having hallucinogenic effects, particularly nu-nu.
With regard to sapo’s uses relating to pregnancy, Erspamer did not address any of the issues but abortion: “Abortion ascribed to sapo may be due either to direct effect of the peptide cocktail on the uterine smooth muscle or, more likely, to the intense pelvic vase dilation and the general violent physical reaction to the drug.
From the medical-potential point of view, Erspamer said several aspects of sapo are of interest. He suggested that two of its peptide, phyllomedusin and phyllokinin have such a pronounced affect on the dilation of blood vessels that they “may increase the permeability of the blood-brain barrier. thus facilitating access to the brain not only of themselves, but also of the other active peptides.” Finding a key to unlocking the secret of passing that barrier is vital to the discovery of how to get medicines to the brain and could one day contribute to the development of treatments for AIDS, Alzheimer’s, and other disorders that threaten the brain.
There is also medicanal potential in dermorphin and deltrorphin, two other peptides found in sapo. Both are potent opioid peptides, almost identical to the beta-endorphins the human body produces to counter pain, and similar to the opiates found in morphine. Because they mirror beta-endorphins, however, sapo’s opioid peptides could potentially function in a more precise manner than opiates. Additionally, while dermorphin and deltorphin are considerably stronger than morphine (18 and 39 times, respectively), because of their similarities to the naturally produced beta-endorphin, the development of tolerance would be considerably lower and withdrawal less severe than to opiates.
Both phyllocaerulein and sauvagine possess medical potential as digestive aids to assist those receiving treatment for cancer. Other areas of potential medical interest in the peptides found in sapo include their possible use as anti-inflammatories, as blood-pressure regulators, and as stimulators of the pituitary gland.
The only report thus far on sapo from John Daly’s team at the National Institutes of Health (written with seven co-authors, including Katharine Mitten, who recently discovered the use of the phyllomedusa bicolor among several tribes closely related to the Matses) was recently published in the Proceedings of the National Academy of Sciences (November 14, 1992) and concentrates exclusively on a newly discovered peptide found in sapo One of the chemical fractions Daly’s team isolated is a 33-amino-acid-long peptide he calls adenoregulin. which may provide a key to manipulating cellular receptors for adenosine, a fundamental component in all human cell fuel. “Peptides that either enhance or inhibit binding of adenosine analogs to brain adenosine receptors proved to be present in extracts of the dried skin secretion,” Daly wrote. According to an interpretive report on the Daly paper written by lvan Amato and published in Science (November 20. 1992), “Preliminary animal studies by researchers at Warner-Lambert have hinted that those receptors, which are distributed throughout the brains of mammals, could offer a target for treating depression, stroke, seizures, and cognitive loss in ailments such as Alzheimer’s disease.
Of course, medical potential only in frequently results directly in new medicines: Science may not be able to isolate or duplicate the peptides found in sapo or side effects may be discovered that would decrease their value as medicines. But even if sapo’s components do not eventually serve as prototypes for new drugs, sapo will become an important pharmacological tool in the study of receptors and the chemical reactions they trigger. Certainly the study of the unique activity of sapo’s bioactive peptides will advance our knowledge of the human body. Additionally, as possibly the first zoologically derived medicine used by tribals ever investigated for Western medical potential. Sapo will help open the door to a whole new field of investigation.
Unfortunately, while science catches up to the natural medicines of tribal peoples, time is running out. That Pablo was the only man at San
Juan still able to draw a response from the dow-kiet! is an indication that most Matses no longer rely on it. And we have no way of knowing how many other medicines the Matses–and others–once used but have abandoned, which might also have been valuable to us.
We do knew that nearly 80 percent of the world’s population relies on natural medicines for its primary health care. Investigations into a small portion of them have already provided us hundreds of drugs, from aspirin and atropine to digitalis and quinine. Fully 70 percent of the antitumor drugs used in the treatment of cancers are derived from traditional medicines as well. Yet our investigations have hardly begun. Obviously, there is much to learn from peoples like the Matses before acculturation strips them of their knowledge. It remains to be seen whether the discoveries that have begun to be made in connection with sapo spark the interest of investigators while there is still time to learn it.

_________________
Shaman Climbs Up the Sky

Altaic, Siberia

The Shaman mounts a scarecrow in the shape of a goose
above the white sky

beyond the white clouds

above the blue sky

beyond the blue clouds
this bird climbs the sky
. .
The Shaman offers horsemeat to the chief drummer
the master of the six-knob

drum he takes a small piece

then he draws closer he

brings it to me in his hand
when I say “go” he bends

first at the knees when I

say “scat” he takes it all
whatever I give him
. . .

The Shaman fumigates nine robes
gifts no horse can carry

that no man can lift &

robes with triple necks
to look at & to touch

three times: to use this

as a horse blanket:

sweet

prince ulgan
you are my prince

my treasure
you are my joy
. . . .

Invocation to Markut, the bird of heaven
this bird of heaven who keeps

five shapes & powerful

brass claws (the moon
has copper claws the moon’s

beak is made of ice) whose
wings are powerful &

strike the air whose tail
is power & a heavy wind

markut whose left wing

hides the moon whose

right wing hides the sun
who never gets lost who flies

past that-place nothing tires her

who comes toward this-place
in my house I listen

for her singing I wait

the game begins
falling past my right eye landing

here

on my right shoulder
markut is the mother of five eagles

_____
The Shaman reaches the 1st sky
my shadow on the landing

I have climbed to (have reached

this place called sky

& struggled with its summit)

I who stand here

higher than the moon
full moon my shadow

HOW DOTH THE LITTLE CROCODILE…

“I’ve concluded that genius is as common as dirt. We suppress our genius only because we haven’t yet figured out how to manage a population of educated men and women. The solution, I think, is simple and glorious. Let them manage themselves.”

– John Taylor Gatto

Here Is Todays’ Entry….
On The Menu:

Anarchy Quotes

William Shatner Remixed

The Appeal Of Anarchy

A Small Visit With Lewis Carroll
Blessings,
Gwyllm

_________
Anarchy Quotes:

It is not enough for a handful of experts to attempt the solution of a problem, to solve it and then to apply it. The restriction of knowledge to an elite group destroys the spirit of society and leads to its intellectual impoverishment.

– Albert Einstein
Anarchy is the true nature of all things. Monarchy, democracy, communism, all useless forms to control the human mind. But a mind cannot be control. It cannot be restrained. It has no boundaries. It has its will. Anarchy is the true nature of all things…

– Alex Battig
the Earth is not dying, it is being murdered and the people murdering it have names and addresses’

– British Ef!, Seen In Diy Culture: Party And Protest In Nineties Britain (Verso)
“You are not a beautiful, unique snowflake… This is your life, and it’s ending one minute at a time.”

– Chuck Palahniuk, Fight Club
Anarchy is the basis for the anti-establishmentarian movement. Now it is a fad and a corporate logo. The fundamental basis for the anarchist movement is against everything it is now associated with. Corporations and mass profiterring on a political ideal. Would some body try this with Republicans or Democrats? Hell no! Anarchy appeals to the milk-fed, sheltered Hot-Topic shopping misguided children that shoot up our schools representing something they don’t understand.

– Disestablish This. Non-Commercial, Non-Profit, Just Free Speech.
If I can’t dance, I don’t want your revolution.

– Emma Goldman
People, if given the choice between anarchy and dictatorship, will always choose dictatorship because anarchy is the worst dictatorship of all.

– Eric Sevareid
The police are not here to create disorder, they’re here to preserve disorder”

– Former Chicago Mayor Daley During The Infamous 1968 Convention
If you have an apple, and I have an apple, and we exchange the apples, then you and I will still each have one apple. But if you have an idea, and I have an idea, and we exchange these ideas, then each of us will have two ideas.

– George Bernard Shaw
If we can’t have revolution, we just might settle for revenge.

– George Oswall
Anyone in a free society where the laws are unjust has an obligation to break the law.

– Henry David Thoreau

_______
William Shatner Remixed

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The Appeal Of Anarchy – John Moore

(gleaned from the writings of John Leland & Starhawk)
Amidst ecstatic visions Anarchy appears. She says:
Whenever you need anything, once a month at the full moon, assemble in the wilderness—in the forest, on the heath, by the seashore—for the state of nature is a community of freedoms. Recognize the imminence of total liberation, and as a sign of your freedom be naked in your rites.
Dance and sing, laugh and play, feast on the fruits of the earth, the delights of my body, make music and love—for all acts of pleasure are my rituals. And I am that which you find in the fulfulment of desire.
Abolish all authority, root out coercion. Share all things in common and decide through consensus. Shake off the character armor which binds and constrains. Let the wilderness energies possess you.
Cast the magic circle, enter the trance of ecstasy, revel in the sorcery which dispels all power. But commit no sacrifices. Repudiate harmfulness, exploitation and slaughter. Rather venerate all creatures and respect them as different but equal to you.
Total transformation thus becomes possible.
This rite shall continue to be celebrated until Anarchy becomes universal.

_______

A Small Visit With Lewis Carroll (Charles Lutwidge Dodson)
HOW DOTH THE LITTLE CROCODILE
How doth the little crocodile

Improve his shining tail,

And pour the waters of the Nile

On every golden scale!
How cheerfully he seems to grin,

How neatly spreads his claws,

And welcomes little fishes in

With gently smiling jaws!”

SPEAK ROUGHLY TO YOUR LITTLE BOY
And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line:
Speak roughly to your little boy,

And beat him when he sneezes;

He only does it to annoy,

Because he knows it teases.”
CHORUS

(in which the cook and the baby joined): — –
“Wow! wow! wow!”
While the Duchess sang the second verse of

the song, she kept tossing the baby violently up

and down, and the poor little thing howled so,

that Alice could hardly hear the words: — –
“I speak severely to my boy,

I beat him when he sneezes;

For he can thoroughly enjoy

The pepper when he pleases!”
CHORUS
“Wow! wow! wow!”


A BOAT BENEATH A SUNNY SKY
A BOAT beneath a sunny sky,

Lingering onward dreamily

In an evening of July –
Children three that nestle near,

Eager eye and willing ear,

Pleased a simple tale to hear –
Long has paled that sunny sky:

Echoes fade and memories die:

Autumn frosts have slain July.
Still she haunts me, phantomwise,

Alice moving under skies

Never seen by waking eyes.
Children yet, the tale to hear,

Eager eye and willing ear,

Lovingly shall nestle near.
In a Wonderland they lie,

Dreaming as the days go by,

Dreaming as the summers die:
Ever drifting down the stream –

Lingering in the golden dream –

Life, what is it but a dream?

Shadows In The Water….

Working on the tail ends of things for the magazine…. A short entry for today.
Gwyllm
On The Menu:

Natacha Atlas – When I Close My Eyes

THE APOCALYPSE OF HASHEESH

Poetry: Thomas Traherne

Art: Sir Lawrence Alma-Tadema
____________
Natacha Atlas – When I Close My Eyes

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PUTNAM’S MONTHLY

A Magazine of Literature, Science, and Art

VOL. VIII. – DECEMBER, 1856. – NO. XLVIII.

THE APOCALYPSE OF HASHEESH

by Fitz Hugh Ludlow
In returning from the world of hasheesh, I bring with me many and diverse memories. The echoes of a sublime rapture which thrilled and vibrated on the very edge of pain; of Promethean agonies which wrapt the soul like a mantle of fire; of voluptuous delirium which suffused the body with a blush of exquisite languor — all are mine. But in value far exceeding these, is the remembrance of my spell-bound life as an apocalyptic experience.
Not, indeed, valuable, when all things are considered. Ah no! The slave of the lamp who comes at the summons of the hasheesh Aladdin will not always cringe in the presence of his master. Presently he grows bold and for his service demands a guerdon as tremendous as the treasures he unlocked. Dismiss him, hurl your lamp into the jaws of some fathomless abyss, or take his place while he reigns over you, a tyrant of Gehenna!
The value of this experience to me consists in its having thrown open to my gaze many of those sublime avenues in the spiritual life, at whose gates the soul in its ordinary state is forever blindly groping, mystified, perplexed, yet earnest to the last in its search for that secret spring which, being touched, shall swing back the colossal barrier. In a single instant I have seen the vexed question of a lifetime settled, the mystery of some grand recondite process of mind laid bare, the last grim doubt that hung persistently on the sky of a sublime truth blown away.
How few facts can we trace up to their original reason! In all human speculations how inevitable is the recurrence of the ultimate “Why?” Our discoveries in this latter age but surpass the old-world philosophy in fanning this impenetrable mist but a few steps further up the path of thought, and deferring the distance of a few syllogisms the unanswerable question.
How is it that all the million drops of memory preserve their insulation, and do not run together in the brain into one fluid chaos of impression? How does the great hand of central force stretch on invisibly through ether till it grasps the last sphere that rolls on the boundaries of light-quickened space? How does spirit communicate with matter, and where is their point of tangency? Such are the mysteries which bristle like a harvest far and wide over the grand field of thought.
Problems like these, which had been the perplexity of all my previous life, have I seen unraveled by hasheesh, as in one breathless moment the rationale of inexplicable phenomena has burst upon me in a torrent of light. It may have puzzled me to account for some strange fact of mind; taking hypothesis after hypothesis, I have labored for a demonstration; at last I have given up the attempt in despair. During the progress of the next fantasia of hasheesh, the subject has again unexpectedly presented itself, and in an instant the solution has lain before me as an intuition, compelling my assent to its truth as imperatively as a mathematical axiom. At such a time I have stood trembling with awe at the sublimity of the apocalypse; for though this be not the legitimate way of reaching the explications of riddles which, if of any true utility at all, are intended to strengthen the argumentative faculty, there is still an unutterable sense of majesty in the view one thus discovers of the unimagined scope of the intuitive, which surpasses the loftiest emotions aroused by material grandeur.
I was once walking in the broad daylight of a summer afternoon in the full possession of hasheesh delirium. For an hour the tremendous expansion of all visible things had been growing toward its height; it now reached it, and to the fullest extent I realized the infinity of space. Vistas no longer converged, sight met no barrier; the world was horizonless, for earth and sky stretched endlessly onward in parallel planes. Above me the heavens were terrible with the glory of a fathomless depth. I looked up, but my eyes, unopposed, every moment penetrated further and further into the immensity, and I turned them downward lest they should presently intrude into the fatal splendors of the Great Presence. Joy itself became terrific, for it seemed the ecstasy of a soul stretching its cords and waiting in intense silence to hear them snap and free it from the enthrallment of the body. Unable to bear visible objects, I shut my eyes. In one moment a colossal music filled the whole hemisphere above me, and I thrilled upward through its environment on visionless wings. It was not song, it was not instruments, but the inexpressible spirit of sublime sound — like nothing I had ever heard-impossible to be symbolized; intense, yet not loud; the ideal of harmony, yet distinguishable into a multiplicity of exquisite parts. I opened my eyes, yet it still continued. I sought around me to detect some natural sound which might be exaggerated into such a semblance, but no, it was of unearthly generation, and it thrilled through the universe an inexplicable, a beautiful yet an awful symphony.
Suddenly my mind grew solemn with the consciousness of a quickened perception. I looked abroad on fields, and water, and sky, and read in them all a most startling meaning. I wondered how I had ever regarded them in the light of dead matter, at the furthest only suggesting lessons. They were now grand symbols of the sublimest spiritual truths, truths never before even feebly grasped, utterly unsuspected.
Like a map, the arcana of the universe lay bare before me. I saw how every created thing not only typifies but springs forth from some mighty spiritual law as its offsping, its necessary external development; not the mere clothing of the essence, but the essence incarnate.
Nor did the view stop here. While that music from horizon to horizon was still filling the concave above me, I became conscious of a numerical order which ran through it, and in marking this order I beheld it transferred from the music to every movement of the universe. Every sphere wheeled on in its orbit, every emotion of the soul rose and fell, every smallest moss and fungus germinated and grew, according to some peculiar property of numbers which severally governed them and which was most admirably typified by them in return. An exquisite harmony of proportion reigned through space, and I seemed to realize that the music which I heard was but this numerical harmony making itself objective through the development of a grand harmony of tones.
The vividness with which this conception revealed itself to me made it a thing terrible to bear alone. An unutterable ecstasy was carrying me away, but I dared not abandon myself to it. I was no seer who could look on the unveiling of such glories face to face.
An irrepressible yearning came over me to impart what I beheld, to share with another soul the weight of this colossal revelation. With this purpose I scrutinized the vision; I sought in it for some characteristic which might make it translatable to another mind. There was none! In absolute incommunicableness it stood apart, a thought, a system of thought which as yet had no symbol in spoken language.
For a time, how long, a hasheesh-eater alone can know, I was in an agony. I searched every pocket for my pencil and note-book, that I might at least set down some representative mark which would afterwards recall to me the lineaments of my apocalypse. They were not with me. Jutting into the water of the brook along which I wandered lay a broad flat stone. “Glory in the Highest!” I shouted exultingly, “I will at least grave on this tablet some hieroglyph of what I feel!” Tremblingly I sought for my knife. That, too, was gone! It was then that in a frensy I threw myself prostrate on the stone, and with my nails sought to make some memorial scratch upon it. Hard, hard as flint! In despair I stood up.
Suddenly there came a sense as of some invisible presence walking the dread paths of the vision with me, yet at a distance
as if separated from my side by a long flow of time. Taking courage, I cried, “Who has ever been here before me, who in years past has shared with me this unutterable view?” In tones which linger in my soul to this day, a grand, audible voice responded, “Pythagoras!” In an instant I was calm. I heard the footsteps of that sublime sage echoing upward through the ages, and in celestial light I read my vision unterrified, since it had burst upon his sight before me. For years previous I had been perplexed with his mysterious philosophy. I saw in him an isolation from universal contemporary mind for which I could not account. When the Ionic school was at the height of its dominance, he stood forth alone, the originator of a system as distinct from it as the antipodes of mind. The doctrine of Thales was built up by the uncertain processes of an obscure logic, that of Pythagoras seemed informed by intuition. In his assertions there had always appeared to me a grave conviction of truth, a consciousness of sincerity, which gave them a great weight with me, though seeing them through the dim refracting medium of tradition and grasping their meaning imperfectly. I now saw the truths which he set forth, in their own light. I also saw, as to this day I firmly believe, the source whence their revelation flowed. Tell me not that from Phoenicia he received the wand at whose signal the cohorts of the spheres came trooping up before him in review, unveiling the eternal law and itineracy of their evolutions, and pouring on his spiritual ear that tremendous music to which they marched through space. No! During half a lifetime spent in Egypt and in India, both motherlands of this nepenths, doubt not that he quaffed its apocalyptic draught, and awoke, through its terrific quickening, into the consciousness of that ever-present and all-pervading harmony “which we hear not always, because the coarseness of the daily life hath dulled our ear.” The dim penetralia of the Theban Memnonium, or the silent spice groves of the upper Indua may have been the gymnasium of his wrestling with the mighty revealer; a priest or a gymnospohist may have been the first to annoint him with the palæstric oil, but he conquered alone. On the strange intuitive characteristics of his system, on the spheral music, on the government of all created things and their development according to the laws of number, yes, on the very use of symbols which could alone have force to the esoteric disciple, (and a terrible significancy, indeed, has the simplest form, to a mind hasheesh-quickened to read its meaning) — on all these is the legible stamp of the hasheesh inspiration.
It would be no hard task to prove, to a strong probability, at least, that the initiation into the Pythagorean mysteries and the progressive instruction that succeeded it, to a considerable extent, consisted in the employment, judiciously, if we may use the word, of hasheesh, as giving a critical and analytic power to the mind which enabled the neophyte to roll up the murk and mist from beclouded truths, till they stood distinctly seen in the splendor of their own harmonious beauty as an intuition.
One thing related of Pythagoras and his friends has seemed very striking to me. There is a legend that, as he was passing over a river, its waters called up to him, in the presence of his followers, “Hail, Pythagoras!” Frequently, while in the power of the hasheesh delirium, have I heard inanimate things sonorous with such voices. On every side they have saluted me; from rocks, and trees, and waters, and sky; in my happiness, filling me with intense exultation, as I heard them welcoming their master; in my agony, heaping nameless curses on my head, as I went away into an eternal exile from all sympathy. Of this tradition on Iamblichus, I feel an appreciation which almost convinces me that the voice of the river was, indeed, heard, though only in the quickened mind of some hasheesh-glorified esoteric. Again, it may be that the doctrine of the Metempsychosis was first communicated to Pythagoras by Theban priests; but the astonishing illustration, which hasheesh would contribute to this tenet, should not be overlooked in our attempt to assign its first suggestion and succeeding spread to their proper causes.
A modern critic, in defending the hypothesis, that Pythagoras was an impostor, has triumphantly asked, “Why did he assume the character of Apollo at the Olympic games? why did he boast that his soul had lived in former bodies, and that he had been first Acthalides, the son of Mercury, then Euphorbus, then Pyrrhus of Delos, and at last Pythagoras, but that he might more easily impose upon the credulity of an ignorant and superstitious people!” To us these facts seem rather an evidence of his sincerity. Had he made these assertions without proof, it is difficult to see how they would not have had a precisely contrary effect from that of paving the way to a more complete imposition upon the credulity of the people. Upon our hypothesis, it may be easily shown, not only how he could fully have believed these assertions himself, but, also, have given them a deep significance to the minds of his disciples.
Let us see. We will consider, for example, his assumption of the character of Phoebus at the Olympic games. Let us suppose that Pythagoras, animated with a desire of alluring to the study of his philosophy a choice and enthusiastic number out of that host who, along all the radii of the civilized world, had come up to the solemn festival at Elis, had, by the talisman of hasheesh, called to his aid the magic of a preternatural eloquence; that, while he addressed the throng whoin he had charmed into breathless attention by the weird brilliancy of his eyes, the unearthly imagery of his style, and the oracular insight of his thought, the grand impression flashed upon him from the very honor he was receiving, that he was the incarnation of some sublime deity. What wonder that he burst into the acknowledgment of his godship as a secret too majestic to be hoarded up; what wonder that this sudden revelation of himself, darting forth in burning words and amid such colossal surroundings, wend down with the accessories of time and place along the stream of perpetual tradition?
If I may illustrate great things by small, I well remember many hallucinations of my own which would be exactly parallel to such a fancy in the mind of Pythagoras. There is no impression more deeply stamped upon my past life than one of a walk along the brook which had frequently witnessed my wrestlings with the hasheesh-afreet, and which now beheld me, the immortal Zeus, descended among men to grant them the sublime benediction of renovated life. For this cause I had abandoned the serene seats of Olympus, the convocation of the gods, and the glory of an immortal kingship, while, by my side, Hermes trod the earth with radiant feet, the companion and dispenser of the beneficence of deity. Across lakes and seas, from continent to continent, we strode; the snows of Hæimus and the Himmalehs crunched beneath our sandals; our foreheads were bathed with the upper light, our breasts glowed with the exultant inspiration of the golden ether. Now resting on Chimborazo, I poured forth a majestic blessing upon all my creatures, and in an instant, with one omniscient glance, I beheld every human dwelling-place on the whole sphere irradiated with an unspeakable joy.
I saw the king rule more wisely, the laborer return from his toil to a happier home, the park grow green with an intenser culture, the harvest-field groan under the sheaves of a more prudent and prosperous husbandry; adown blue slopes came new and more populous flocks, led by unvexed and gladsome shepherds, a thousand healthy vineyards sprang up above their new-raised sunny terraces, every smallest heart glowed with an added thrill of exaltation, and the universal rebound of joy came pouring up into my own spirit with an intensity that lit my deity with rapture.
And this was only a poor hasheesh-eater, who, with his friend
, walked out into the fields to enjoy his delirium among the beauties of a clear summer afternoon! What, then, of Pythagoras?
The tendency of the hasheesh-hallucination is almost always toward the supernatural or the sublimest forms of the natural. As the millennial Christ, I have put an end to all the jars of the world; by a word I have bound all humanity in etern alligaments of brotherhood; from the depths of the grand untrodden forest I have called the tiger, and with bloodless jaws he came mildly forth to fawn upon his king, a partaker in the universal amnesty. As Rienzi hurling fiery invective against the usurpations of Colonna, I have seen the broad space below the tribune grow populous with a multitude of intense faces, and within myself felt a sense of towering into sublimity, with the consciousness that it was my eloquence which swayed that great host with a storm of indignation, like the sirocco passing over reeds. Or, uplifted mightily by an irresistible impulse, I have risen through the ethereal infinitudes till I stood on the very cope of heaven, with the spheres below me. Suddenly, by an instantaneous revealing, I became aware of a mighty harp, which lay athwart the celestial hemisphere, and filled the whole sweep of vision before me. The lambent flame of myriad stars was burning in the azure spaces between its string, and glorious suns gemmed with unimaginable lustre all its colossal frame-work. While I stood overwhelmed by the visions, a voice spoke clearly from the depths of the surrounding ether, “Behold the harp of the universe!” Again I realized the typefaction of the same grand harmony of creation, which glorified the former vision to which I have referred; for every influence, from that which nerves the wing of Ithuriel down to the humblest force of growth, had there its beautiful and peculiar representative string. As yet the music slept, when the voice spake to me again — “Stretch forth thine hand and wake the harmonies!” Trembling yet daring, I swept the harp, and in an instant all heaven thrilled with an unutterable music. My arm strangely lengthened, I grew bolder, and my hand took a wider range. The symphony grew more intense; overpowered, I ceased, and heard tremendous echoes coming back from the infinitudes. Again I smote the chords; but, unable to endure the sublimity of the sound, I sank into an ecstatic trance, and was thus borne off unconsciously to the portals of some new vision.
But, if I found the supernatural an element of happiness, I also found it many times an agent of most bitter pain. If I once exulted in the thought that I was the millennial Christ, so, also, through a long agony, have I felt myself the crucified. In dim horror, I perceived the nails piercing my hands and feet; but it was not that which seemed the burden of my suffering. Upon my head, in a tremendous and ever-thickening cloud, came slowly down the guilt of all the ages past, and all the world to come; by a dreadful quickening, I beheld every atrocity and nameless crime coming up from all time on lines that centred in myself. The thorns clung to my brow, and bloody drops stood like dew upon my hair, yet, these were not the instruments of my agony. I was withered like a leaf in the breath of a righteous vengeance. The curtain of a lurid blackness hung between me and heaven, mercy was dumb forever, and I bore the anger of Omnipotence alone. Out of a fiery distance, demon chants of triumphant blasphemy came surging on my ear, and whispers of ferocious wickedness ruffled the leaden air about my cross. How long I bore this vicarious agony, I have never known; hours are no measure of time in hasheesh. I only know that, during the whole period, I sat perfectly awake among objects which I recognized as familiar; friends were passing and repassing before me, yet. I sat in speechless horror, convinced that to supplicate their pity, to ask their help in the tortures of my dual existence, would be a demand that men in time should reach out and grasp one in eternity, that mortality should succor immortality.
In my experience of hasheesh there has been one pervading characteristic — the conviction that, encumbered with a mortal body, I was suffering that which the untrammeled immortal soul could alone endure. The spirit seemed to be learning its franchise and, whether in joy or pain, shook the bars of flesh mightily, as if determined to escape from its cage. Many a time, in my sublimest ecstasy, have I asked myself, “Is this experience happiness or torture?” for soul and body gave different verdicts.
Hasheesh is no thing to be played with as a bauble. At its revealing, too-dread paths of spiritual life are flung open, too tremendous views disclosed of what the soul is capable of doing, and being, and suffering, for that soul to contemplate, till, relieved of the body, it can behold them alone.
Up to the time that I read in the September number of this Magazine the paper entitled “The Hasheesh-eater,” I had long walked among the visions of “the weed of insanity.” The recital given there seemed written out of my own soul. In outline and detail it was the counterpart of my own suffering. From that day, I shut the book of hasheesh experience, warned with a warning for which I cannot express myself sufficiently grateful. And now, as utterly escaped, I look back upon the world of visionary yet awful realities, and see the fountains of its Elysium and the flames of its Tartarus growing dimmer and still dimmer in the mists of distance, I hold the remembrance of its apocalypse as something which I shall behold again, when the spirit, looking no longer through windows of sense, shall realize its majesty unterrified, and face to face gaze on its infinite though now unseen surroundings.

————-

Poetry: Thomas Traherne
Shadows in the Water

In unexperienced infancy

Many a sweet mistake doth lie:

Mistake though false, intending true;

A seeming somewhat more than view;

That doth instruct the mind

In things that lie behind,

And many secrets to us show

Which afterwards we come to know.
Thus did I by the water’s brink

Another world beneath me think;

And while the lofty spacious skies

Reversèd there, abused mine eyes,

I fancied other feet

Came mine to touch or meet;

As by some puddle I did play

Another world within it lay.
Beneath the water people drowned,

Yet with another heaven crowned,

In spacious regions seemed to go

As freely moving to and fro:

In bright and open space

I saw their very face;

Eyes, hands, and feet they had like mine;

Another sun did with them shine.
‘Twas strange that people there should walk,

And yet I could not hear them talk:

That through a little watery chink,

Which one dry ox or horse might drink,

We other worlds should see,

Yet not admitted be;

And other confines there behold

Of light and darkness, heat and cold.
I called them oft, but called in vain;

No speeches we could entertain:

Yet did I there expect to find

Some other world, to please my mind.

I plainly saw by these

A new antipodes,

Whom, though they were so plainly seen,

A film kept off that stood between.
By walking men’s reversèd feet

I chanced another world to meet;

Though it did not to view exceed

A phantom, ’tis a world indeed;

Where skies beneath us shine,

And earth by art divine

Another face presents below,

Where people’s feet against ours go.
Within the regions of the air,

Compassed about with heavens fair,

Great tracts of land there may be found

Enriched with fields and fertile ground;

Where many numerous hosts

In those far distant coasts,

For other great and glorious ends

Inhabit, my yet unknown friends.
O ye that stand upon the brink,

Whom I so near me through the chink

With wonder see: what faces there,

Whose feet, whose bodies, do ye wear?

I my companions see

In you another me.

They seemèd others, but are we;

Our second selves these shadows be.
Look how far off those lower skies

Extend themselves! scarce with mine eyes

I can them reach. O ye my friends,

What secret borders on those ends?

Are lofty heavens hurled

‘Bout your inferior world?

Are yet the representatives

Of other peoples’ distant lives?
Of all the playmates which I knew

That here I do the image view

In other selves, what can it mean?

But that below the purling stream

Some unknown joys there be

Laid up in store for me;

To which I shall, when that thin skin

Is broken, be admitted in.

—-

NEWS
News from a foreign country came

As if my treasure and my wealth lay there;

So much it did my heart inflame,

‘Twas wont to call my Soul into mine ear;

Which thither went to meet

The approaching sweet,

And on the threshold stood

To entertain the unknown Good.

It hover’d there

As if ‘twould leave mine ear,

And was so eager to embrace

The joyful tidings as they came,

‘Twould almost leave its dwelling-place

To entertain the same.

As if the tidings were the things,

My very joys themselves, my foreign treasure–

Or else did bear them on their wings–

With so much joy they came, with so much pleasure.

My soul stood at that gate

To recreate

Itself with bliss, and to

Be pleased with speed. A fuller view

It fain would take,

Yet journeys back would make

Unto my heart; as if ‘twould fain

Go out to meet, yet stay within

To fit a place to entertain

And bring the tidings in.

What sacred instinct did inspire

My soul in childhood with a hope so strong?

What secret force moved my desire

To expect my joys beyond the seas, so young?

Felicity I knew

Was out of view,

And being here alone,

I saw that happiness was gone

From me! For this

I thirsted absent bliss,

And thought that sure beyond the seas,

Or else in something near at hand–

I knew not yet–since naught did please

I knew–my Bliss did stand.

But little did the infant dream

That all the treasures of the world were by:

And that himself was so the cream

And crown of all which round about did lie.

Yet thus it was: the Gem,

The Diadem,

The ring enclosing all

That stood upon this earthly ball,

The Heavenly eye,

Much wider than the sky,

Wherein they all included were,

The glorious Soul, that was the King

Made to possess them, did appear

A small and little thing!


LOVE
O nectar! O delicious stream!

O ravishing and only pleasure! Where

Shall such another theme

Inspire my tongue with joys or please mine ear!

Abridgement of delights!

And Queen of sights!

O mine of rarities! O Kingdom wide!

O more! O cause of all! O glorious Bride!

O God! O Bride of God! O King!

O soul and crown of everything!
Did not I covet to behold

Some endless monarch, that did always live

In palaces of gold,

Willing all kingdoms, realms, and crowns to give

Unto my soul! Whose love

A spring might prove

Of endless glories, honours, friendships, pleasures,

Joys, praises, beauties and celestial treasures!

Lo, now I see there’s such a King.

The fountain-head of everything!
Did my ambition ever dream

Of such a Lord, of such a love! Did I

Expect so sweet a stream

As this at any time! Could any eye

Believe it? Why all power

Is used here;

Joys down from Heaven on my head do shower,

And Jove beyond the fiction doth appear

Once more in golden rain to come
To Danae’s pleasing fruitful womb.

His Ganymede! His life! His joy!

Or He comes down to me, or takes me up

That I might be His boy,

And fill, and taste, and give, and drink the cup.

But those (tho’ great) are all

Too short and small,

Too weak and feeble pictures to express

The true mysterious depths of Blessedness.

I am His image, and His friend,

His son, bride, glory, temple, end.

A short Biography:
He was born in Hereford, son of a shoemaker. He entered Brasenose College, Oxford, in 1652, achieving an MA in arts and divinity nine years later. After receiving his degree in 1656 he took holy orders and worked for ten years as a parish priest in Credenhill, near Hereford, before becoming the private chaplain to Sir Orlando Bridgeman, the Lord Keeper of the Seals of Charles II, and minister at Teddington in 1667. He died at Bridgeman’s house at Teddington on or about the 27th of September 1674.

Gone A-Maying… Gone Gone Gone!

This Entry Is Dedicated To The Ancient/Future Ways…. Happy Beltane, Happy May Day!

(Art: Sir Lawrence Alma-Tadema)
A Blessing on You and Yours. Run Free!
Gwyllm

___

CORINNA’S GOING A-MAYING.

by Robert Herrick
Get up, get up for shame, the blooming morn

Upon her wings presents the god unshorn.

See how Aurora throws her fair

Fresh-quilted colours through the air :

Get up, sweet slug-a-bed, and see

The dew bespangling herb and tree.

Each flower has wept and bow’d toward the east

Above an hour since : yet you not dress’d ;

Nay ! not so much as out of bed?

When all the birds have matins said

And sung their thankful hymns, ’tis sin,

Nay, profanation to keep in,

Whereas a thousand virgins on this day

Spring, sooner than the lark, to fetch in May.
Rise and put on your foliage, and be seen

To come forth, like the spring-time, fresh and green,

And sweet as Flora. Take no care

For jewels for your gown or hair :

Fear not ; the leaves will strew

Gems in abundance upon you :

Besides, the childhood of the day has kept,

Against you come, some orient pearls unwept ;

Come and receive them while the light

Hangs on the dew-locks of the night :

And Titan on the eastern hill

Retires himself, or else stands still

Till you come forth. Wash, dress, be brief in praying :

Few beads are best when once we go a-Maying.
Come, my Corinna, come ; and, coming, mark

How each field turns a street, each street a park

Made green and trimm’d with trees : see how

Devotion gives each house a bough

Or branch : each porch, each door ere this

An ark, a tabernacle is,

Made up of white-thorn neatly interwove ;

As if here were those cooler shades of love.

Can such delights be in the street

And open fields and we not see’t ?

Come, we’ll abroad ; and let’s obey

The proclamation made for May :

And sin no more, as we have done, by staying ;

But, my Corinna, come, let’s go a-Maying.
There’s not a budding boy or girl this day

But is got up, and gone to bring in May.

A deal of youth, ere this, is come

Back, and with white-thorn laden home.

Some have despatch’d their cakes and cream

Before that we have left to dream :

And some have wept, and woo’d, and plighted troth,

And chose their priest, ere we can cast off sloth :

Many a green-gown has been given ;

Many a kiss, both odd and even :

Many a glance too has been sent

From out the eye, love’s firmament ;

Many a jest told of the keys betraying

This night, and locks pick’d, yet we’re not a-Maying.
Come, let us go while we are in our prime ;

And take the harmless folly of the time.

We shall grow old apace, and die

Before we know our liberty.

Our life is short, and our days run

As fast away as does the sun ;

And, as a vapour or a drop of rain

Once lost, can ne’er be found again,

So when or you or I are made

A fable, song, or fleeting shade,

All love, all liking, all delight

Lies drowned with us in endless night.

Then while time serves, and we are but decaying,

Come, my Corinna, come, let’s go a-Maying.
Beads, prayers.

Left to dream, ceased dreaming.

Green-gown, tumble on the grass.
—-
Maypole Song

(from the film The Wicker Man)
In the woods there grew a tree,

And a very fine tree was he.

And on that tree there was a limb,

And on that limb there was a branch,

And on that branch there was a spray,

And on that spray there was a nest,

And in that nest there was an egg,

And in that egg there was a bird,

And on that bird there was a feather,

And on that feather was a bed,

And on that bed there was a girl,

And on that girl there was a man,

And from that man there was a seed.

And from that seed there was a boy,

And from that boy there was man,

And from that man there was a grave,

And on that grave there grew a tree.

In the Summerisle wood.

POEM: MAY DAY

E. Nesbit
Will you go a-maying, a-maying, a-maying,

Come and be my Queen of May and pluck the may with me?

The fields are full of daisy buds and new lambs playing,

The bird is on the nest, dear, the blossom’s on the tree.”
“If I go with you, if I go a-maying,

To be your Queen and wear my crown this May-day bright,

Hand in hand straying, it must be only playing,

And playtime ends at sunset, and then good-night.
“For I have heard of maidens who laughed and went a-maying,

Went out queens and lost their crowns and came back slaves.

I will be no young man’s slave, submitting and obeying,

Bearing chains as those did, even to their graves.”
“If you come a-maying, a-straying, a-playing,

We will pluck the little flowers, enough for you and me;

And when the day dies, end our one day’s playing,

Give a kiss and take a kiss and go home free.”


A Maying Song

(English -16th Century)

If all those young men were like hares on the mountain

Then all those pretty maids would get guns, go a-hunting.

If all those young men were like fish in the water

Then all those pretty maids would soon follow after.
Oh, in the even they go

Merry young men and merry young maids

Down to the woods to seek the bloom

Returning by dawn

The first of May.
If all those young men were like foxes a-hiding

Then all those pretty maids would get hounds, go a-riding.

If all those young men were like quail in the bracken

Then all those pretty maids would soon come a-clapping.
Oh, in the even they…
If all those young men were like fruit on the bramble

Then all those pretty maids would gather a lap full.

If all those young men were like rushes a-growing

Then all those pretty maids would get scythes, go a-mowing.
Oh, in the even…
If all those young men were like oak trees a-biding

Then all those pretty maids would get axes, come hying.

If all those young men were like hilltops a-fire

Then all those pretty maids each a leap would desire.
Oh, in the even…

Cornish May Carol – The Padstow May Song
Unite and unite and let us all unite

For summer is a-come unto day

And wither we are going, we will all unite

In the merry morning of May
With a merry ring and now the joyful spring

O give us a cup of ale and the merrier we will sing
The young men of Padstow, they might if they would

They might have built a ship and gilded it all in gold
The young women of Padstow, they might if they would

They might have built a garland of the white rose and the red
Where are those young men that now here should dance?

For some they are in England and some they are in France
O where is St. George?

O where is he o ?

He’s out in his longboat

All on the salt sea-o

Up flies the kite

Down falls the lark-o

And Ursula Birdhood she had an old ewe

And she died in her own park-o
With a merry ring and now the joyful spring

So happy are those little birds and the merrier we will sing

_______

May Eve…Oíche Bealtaine

The month of May was come, when every lusty heart beginneth

to blossom, and to bring forth fruit; for like as herbs and trees

bring forth fruit and flourish in May, in likewise every lusty heart

that is in any manner a lover, springeth and flourisheth in lusty

deeds. For it giveth unto all lovers courage,

that lusty month of May.

– Sir Thomas Malory, Le Morte d’Arthur, 1485

In somer when the shawes be sheyne,

And leves be large and long,

Hit is full merry in feyre foreste

To here the foulys song.
To see the dere draw to the dale

And leve the hilles hee,

And shadow him in the leves grene

Under the green-wode tree.
Hit befell on Whitsontide

Early in a May mornyng,

The Sonne up faire can shyne,

And the briddis mery can syng.

– Anonymous, May in the Green Wode, 15h Century

On Oíche Bealtaine… May Eve…

Some of my earliest memories are of May Celebrations in Newfoundland. The dancing, the Maypole, the beauty of the first days… I am deeply in love with this season and all that goes with it. Here is to your celebrations and ours. Baal Fire at Caer Llwydd tonight, and hopefully the publication of ‘The Invisible College’ as well.
Bright Blessings,

Gwyllm

——-
Oíche Bealtaine

For the Celts, Beltane marked the beginning of the pastoral summer season when the herds of livestock were driven out to the summer pastures and mountain grazing lands. In modern Irish, Mí na Bealtaine (‘month of Bealtaine’) is the name for the month of May. The name of the month is often abbreviated to Bealtaine, with the festival day itself being known as Lá Bealtaine. The lighting of bonfires on Oidhche Bhealtaine (‘the eve of Bealtaine’) on mountains and hills of ritual and political significance was one of the main activities of the festival.
In ancient Ireland the main Bealtaine fire was held on the central hill of Uisneach ‘the navel of Ireland’, the ritual centre of the country, which is located in what is now County Westmeath. In Ireland the lighting of bonfires on Oidhche Bhealtaine seems only to have survived to the present day in parts of County Limerick, especially in Limerick itself, as their yearly bonfire night, though some cultural groups have expressed an interest in reviving the custom at Uisneach and perhaps at the Hill of Tara. The lighting of a community Bealtaine fire from which individual hearth fires are then relit is also observed in modern times in some parts of the Celtic diaspora and by some Neopagan groups, though in the majority of these cases this practice is a cultural revival rather than an unbroken survival of the ancient tradition.

Another common aspect of the festival which survived up until the early 20th century in Ireland was the hanging of May Boughs on the doors and windows of houses and of the erection of May Bushes in farmyards, which usually consisted either of a branch of rowan (mountain ash) or whitethorn (hawthorn) which is in bloom at the time and is commonly called the ‘May Bush’ in Hiberno-English. The practice of decorating the May Bush with flowers, ribbons, garlands and colored egg shells has survived to some extent among the diaspora as well, most notably in Newfoundland, and in some Easter traditions observed on the East Coast of the United States.

Beltane is a cross-quarter day, marking the midpoint in the Sun’s progress between the vernal equinox and summer solstice. Since the Celtic year was based on both lunar and solar cycles, it is possible that the holiday was celebrated on the full moon nearest the midpoint between the vernal equinox and the summer solstice. The astronomical date for this midpoint is closer to May 5 or May 7, but this can vary from year to year.


In Irish mythology, the beginning of the summer season for the Tuatha Dé Danann and the Milesians started at Bealtaine. Great bonfires would mark a time of purification and transition, heralding in the season in the hope of a good harvest later in the year, and were accompanied with ritual acts to protect the people from any harm by Otherworldly spirits, such as the Sídhe. Like the festival of Samhain, opposite Beltane on Oct. 31, Beltane was a time when the Otherworld was seen as particularly close at hand. Early Gaelic sources from around the 10th century state that the druids of the community would create a need-fire on top of a hill on this day and drive the village’s cattle through the fires to purify them and bring luck (Eadar dà theine Bhealltainn in Scottish Gaelic, ‘Between two fires of Beltane’). In Scotland, boughs of juniper were sometimes thrown on the fires to add an additional element of purification and blessing to the smoke. People would also pass between the two fires to purify themselves. This was echoed throughout history after Christianization, with lay people instead of Druid priests creating the need-fire. The festival persisted widely up until the 1950s, and in some places the celebration of Beltane continues today. A revived Beltane Fire Festival has been held every year since 1988 during the night of 30 April on Calton Hill in Edinburgh, Scotland and attended by up to 15,000 people (except in 2003 when local council restrictions forced the organisers to hold a private event elsewhere)

Beltane as described in this article is a specifically Gaelic holiday. Other Celtic cultures, such as the Welsh, Bretons, and Cornish, do not celebrate Beltane, per se. However they celebrated or celebrate festivals similar to it at the same time of year. In Wales, the day is known as Calan Mai, and the Gaulish name for the day is Belotenia.
Dwelly wrote:

“ In many parts of the Highlands, the young folks of the district would meet on the moors on 1st May. They cut a table in the green sod, of a round figure, by cutting a trench in the ground of sufficient circumferences to hold the whole company. They then kindled a fire, dressed a repast of eggs and milk of the constituency of custard. They kneaded a cake of oatmeal, which was toasted at the embers against a stone. After the custard was eaten, they divided the cake into as many portions as there were people in the company, as much alike as possible in size and shape. They daubed one of the pieces with charcoal, til it was black all over, and they were then all put into a bonnet together, and each one blindfolded took out a portion. The bonnet holder was entitled to the last bit, and whoever drew the black bit was the person who was compelled to leap three times over the flames. Some people say this was originally to appease a god, whose favour they tried to implore by making the year productive. (Dwelly, 1911, “Bealltuinn”)

______
The May Queen

By Alfred, Lord Tennyson

You must wake and call me early, call me early, mother dear;

To-morrow ‘ill be the happiest time of all the glad New-year;

Of all the glad New-year, mother, the maddest merriest day,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
There’s many a black, black eye, they say, but none so bright as mine;

There’s Margaret and Mary, there’s Kate and Caroline;

But none so fair as little Alice in all the land they say,

So I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
I sleep so sound all night, mother, that I shall never wake,

If you do not call me loud when the day begins to break;

But I must gather knots of flowers, and buds and garlands gay,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
As I came up the valley whom think ye should I see

But Robin leaning on the bridge beneath the hazel-tree?

He thought of that sharp look, mother, I gave him yesterday,

But I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
He thought I was a ghost, mother, for I was all in white,

And I ran by him without speaking, like a flash of light.

They call me cruel-hearted, but I care not what they say,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
They say he’s dying all for love, but that can never be;

They say his heart is breaking, mother�what is that to me?

There’s many a bolder lad ‘ill woo me any summer day,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
Little Effie shall go with me to-morrow to the green,

And you’ll be there, too, mother, to see me made the Queen;

For the shepherd lads on every side ‘ill come from far away,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
The honeysuckle round the porch has woven its wavy bowers,

And by the meadow-trenches blow the faint sweet cuckoo-flowers;

And the wild marsh-marigold shines like fire in swamps and hollows gray,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
The night-winds come and go, mother, upon the meadow-grass,

And the happy stars above them seem to brighten as they pass;

There will not be a drop of rain the whole of the livelong day,

And I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
All the valley, mother, ‘ill be fresh and green and still,

And the cowslip and the crowfoot are over all the hill,

And the rivulet in the flowery dale ‘ill merrily glance and play,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
So you must wake and call me early, call me early, mother dear,

To-morrow ‘ill be the happiest time of all the glad New-year;

To-morrow ‘ill be of all the year the maddest merriest day,

For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.

Welcome To the Week End World

Welcome To the Week End World! Something to move and think with as we move into the spring light…
Have A Nice One!
Gwyllm
The Links

Groove Armada – I See You (Fatboy Slim Mix)

Visions and Beliefs in the West of Ireland

Groove Armada – SuperStylin’

Yaqui Poetics….

Art: Eleanor Fortescue-Brickdale

_______
The Links:

Frogs rain down on Serbia

Experts may have found what’s bugging the bees

Morgue staff find life in patient

The Village That Vanished…

________
Groove Armada – I See You (Fatboy Slim Mix)

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From: Visions and Beliefs in the West of Ireland (Lady Gregory)

Monsters and Sheoguey Beasts
THE Dragon that was the monster of the early world now appears only in the traditional folktales, where the hero, a new Perseus, fights for the life of the Princess who looks on ciyjng at the brink of the sea, bound to a silver chair, while the Dragon is “put in a way he will eat no more kings’ daughters.” in the stories of today he has shrunk to eel or worm, for the persons and properties of the folklore of all countries keep being trans-formed or remade in the imagination, so that once in New England on the eve of George Washington’s birthday, the decorated shop windows set me wondering whether the cherry tree itself might not be a remaking of the red-berried dragon guarded rowan of the Celtic tales, or it may be of a yet more ancient apple. I ventured to hint at this in a lecture at Philadelphia, and next day one of the audience wrote me that he had looked through all the early biographies of Washington, and either the first three or the first three editions of the earliest–I have mislaid the letter–never mention the cherry tree at all. The monstrous beasts told of today recall the visions of Maeldune on his strange dream-voyage, where he saw the beast that was like a horse and that had “legs of a hound with rough sharp nails,” and the fiery pigs that fed on golden fruit, and the cat that with one flaming leap turned a thief to a heap of ashes; for the folk-tales of the world have long roots, and there is nothing new save their reblossoming.
I have been told by a Car-driver:
I went to serve one Patterson at a place called Grace Dieu between Waterford and Tramore, and there were queer things in it There was a woman lived at the lodge the other side from the gate, and one day she was looking out and she saw a wool-pack coming riding down the road of itself.
There was a room over the stable I was put to sleep in, and no one near me. One night I felt a great weight on my feet, and there was something very weighty coming up upon my body and I heard heavy breathing. Every night after that I used to light the fire and bring up coal and make up the fire with it that it would be near as good in the morning as it was at night. And I brought a good terrier up every night to sleep with me on the bed. Well, one night the fire was lighting and the moon was shining in at the window, and the terrier leaped off the bed and he was barking and rushing and fighting and leaping, near to the ceiling and in tinder the bed. And I could see the shadow of him on the walls and on the ceiling, and I could see the shadow of another thing that was about two foot long and that had a head like a pike, and that was fighting and leaping. They stopped after a while and all was quiet. But from that night the terrier never would come to sleep in the room again.
By Others:
The worst form a monster can take is a cow or a pig. But as to a lamb, you may always be sure a lamb is honest.
A pig is the worst shape they can take. I wouldn’t like to meet anything in the shape of a pig in the night.
No, I saw nothing myself, I’m not one of those that can see such things; but I heard of a man that went with the others on rent day, and because he could pay no rent but only made excuses, the landlord didn’t ask him in to get a drink with the others. So as he was coming home by himself in the dark, there was something on the road before him, and he gave it a hit with the toe of his boot, and it let a squeal. So then he said to it, “Come in here to my house, for I’m not asked to drink with them; I’ll give drink and food to you.” So it came in, and the next morning he found by the door a barrel full of wine and another full of gold, and he never knew a day’s want after that.
Walking home one night with Jack Costello, there was some-thing before us that gave a roar, and then it rose in the air like a goose, and then it fell again. And Jackeen told me after that it had laid hold on his trousers, and he didn’t sleep all night with the fright he got.
There’s a monster in Lough Graney, but it’s only seen once in seven years.

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Groove Armada – SuperStylin’

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Yaqui Poetics….
15 Flower World Variations
o flower fawn
about to come out playing
in this flower water
out there
in the flower world
the patio of flowers
in the flower water
playing
flower fawn
about to come out playing
in this flower water
.
in wilderness I am
that only melon
flowering
& splitting
sending vines out
everywhere
you are
in wilderness
I am that only
melon flowering
& splitting
sending vines out
in the flower world
out there
under the dawn
a pale blue cloud
will be grey water
at its peak
the mist will reach
will rain down
on the flower ground
& shining
reaching bottom
where you are
in wilderness
that only melon flowering
I am
& splitting
sending vines out
everywhere
.
when the fresh night comes
o night hawk
you fly up
o night hawk
out there
in the flower world
under the dawn
the light beyond us
you fly up
o night hawk
from a branch of mesquite
you fly up
o night hawk
.
(where is the rotted stick that screeches lying?)
the screeching rotted stick is lying over there
(where is the rotted stick that screeches lying?)
the screeching rotted stick is lying over there
there in the flower world
beyond us
in the tree world
the screeching rotted stick
is lying
over there the screeching
rotted stick is lying
over there
.
ah brother
look at you
a deer with flowers
brother
shake your antlers
little brother
shake your antlers
deer with flowers
why not let your belt
your deer hoofs
shake? why not vibrate
cocoons
strapped to your ankles
brother
shake them
little brother
shake & roll
.
in one tree
one stick
who makes the sound of cracking
cracking wood?
in one tree
one stick
who makes the sound of cracking
cracking wood?
there in the flower world
the tree world
you do not have my
long grey body
in one tree
one stick
who makes the sound of cracking
cracking wood?
.
what’s this tree bent down with
flowers?
surely
it’s this flower stick
bent down
with flowers surely
what’s this tree bent down with
flowers?
surely
it’s this flower stick
bent down with
flowers surely
out there
in the flower world
the floral world
among the sagebrush
there’s a flower bush bent down with
flowers
surely it’s this flower stick
bent down with flowers
surely
.
out in the mountain there
these look like
doves
& in the flower water
three of them
are grey & bobbing
three of them are walking
grey & side by side
there in the flower world
the dawn
out in the flower water
three of them
are grey & bobbing
in the mountain there
these look like doves
out there
& in the flower water
three are grey
& bobbing
three of them are walking
grey & side by side
.
you
like a mountain squirrel
old enchanter
sounding large
& like a mountain squirrel
old enchanter
there in the flower world
the dawn
there in its light
that big place over there
that mountain canyon
sounding large
& like a mountain squirrel
old enchanter
sounding large
.
to sleep in
these flowers
to crawl there
I who am flower-world creeper
who sleep there
who crawl in these flowers
out there
in the tree world
climbing this branch
I crawl up it
to sleep in
these flowers
I who am flower-world creeper
who sleep there
.
where are you standing
in the wind
dead grasses
grey & shaking in the wind
dead grasses
where are you standing
in the wind dead grasses
grey & shaking in the wind
dead grasses
there in the wilderness
the flower world
a pale blue cloud
will be grey water
at its peak
the mist will reach
will rain down
on the flower ground
& shining
reaching bottom
where you are
where you are only
standing in the wind
dead grasses
grey & shaking in the wind
dead grasses
.
ah brother
they want us to kill
this beaver
they want us to kill
ah brother
this beaver
this beaver
ah brother
they want us to kill
with a bow & arrow
they want us to kill it
ah brother
with hair standing up
they were waiting
& ran from us
broke down their doors to get in
now they want us
to kill it
ah brother
with a bow & arrow
ah brother
they want us to kill it
.
flower
with the body of a fawn
under a cholla flower
standing there
to rub your antlers
bending
turning where you stand to rub
your antler
in the flower world
the dawn
there in its light
under a cholla flower
standing there
to rub your antlers
bending turning where you stand
to rub your antlers
flower
with the body of a fawn
under a cholla flower
standing there
to rub your antlers
bending
turning where you stand to rub
your antlers
.

Song of a Dead Man
I do not want these flowers
moving
but the flowers
want to move
I do not want these flowers
moving
but the flowers
want to move
I do not want these flowers
moving
but the flowers
want to move
out in the flower world
the dawn
over a road of flowers
I do not want these flowers
moving
but the flowers
want to move
I do not want these flowers
moving
but the flowers
the flowers
want to move
.
now the cloud
will break
the cloud will break
& now
the cloud will break
the cloud
will break
& now the cloud
will break
the cloud will break
there in the flower world
under the dawn
this pale blue cloud
will be grey water
at its peak
the mist will reach
will rain down
shining
& reaching bottom
now the cloud
will break
the cloud will break
& now
the cloud will break
the cloud
will break
The Flower World settings were derived by Jerome Rothenberg from traditional Yaqui Deer Dance songs in literal translations by Carleton Wilder, et al.

Ariadne At Naxos…

Best Viewed In FireFox
(George Frederic Watts – Ariadne At Naxos)

What is up for today…..

hope you enjoy!
Gwyllm
On The Menu:

The Links

Patrick & Eugene – The Birds and the Bees

Three Koans

Bonzo Dog Doo Dah Band

Irish Poets…

Artist: George Frederic Watts

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The Links:

Enemy of liberal Anglicans was poisoned

Sorcery casts spell on village – Cats ‘sacrificed’, brothers forced to commit suicide

Plant vault passes billion mark

Marijuana’s potency continues to climb

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Patrick & Eugene – The Birds and the Bees

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Three Koans:
(George Frederic Watts – A Bacchante)

A Smile in His Lifetime
Mokugen was never known to smile until his last day on earth. When his time came to pass away he said to his faithful ones: “You have studied under me for more than ten years. Show me your real interpretation of Zen. Whoever expresses this most clearly shall be my successor and receive my robe and bowl.”
Everyone watched Mokugen’s severe face, but no one answered.
Encho, a disciple who had been with his teacher for a long time, moved near the bedside. He pushed forward the medicine cup a few inches. That was his answer to the command.
The teacher’s face became even more severe. “Is that all you understand?” he asked.
Encho reached out and moved the cup back again.
A beautiful smile broke over the features of Mokugen. “You rascal,” he told Encho. “You worked with me ten years and have not yet seen my whole body. Take the robe and bowl. They belong to you.”

Publishing the Sutras
Tetsugen, a devotee of Zen in Japan, decided to publish the sutras, which at that time were available only in Chinese. The books were to be printed with wood blocks in an edition of seven thousand copies, a tremendous undertaking.
Tetsugen began by traveling and collecting donations for this purpose. A few sympathizers would give him a hundred pieces of gold, but most of the time he received only small coins. He thanked each donor with equal gratitude. After ten years Tetsugen had enough money to begin his task.
It happened that at that time the Uji Rive overflowed. Famine followed. Tetsugen took the funds he had collected for the books and spent them to save others from starvation. Then he began again his work of collecting.
Several years afterwards an epidemic spread over the country. Tetsugen again gave away what he had collected, to help his people. For a third time he started his work, and after twenty years his wish was fulfilled. The printing blocks which produced the first edition of sutras can be seen today in the Obaku monastery in Kyoto.
The Japanese tell their children that Tetsugen made three sets of sutras, and that the first two invisible sets surpass even the last.

The Story of Shunkai
The exquisite Shunkai whose other name was Suzu was compelled to marry against her wishes when she was quite young. Later, after this marriage had ended, she attended the university, where she studied philosophy.
To see Shunkai was to fall in love with her. Moreover, wherever she went, she herself fell in love with others. Love was with her at the university, and afterwards when philosophy did not satisfy her and she visited the temple to learn about Zen, the Zen students fell in love with her. Shunkai’s whole life was saturated with love.
At last in Kyoto she became a real student of Zen. Her brothers in the sub-temple of Kennin praised her sincerity. One of them proved to be a congenial spirit and assisted her in the mastery of Zen.
The abbot of Kennin, Mokurai, Silent Thunder, was severe. He kept the precepts himself and expected the priests to do so. In modern Japan whatever zeal these priests have lost for Buddhism they seemed to have gained for having wives. Mokurai used to take a broom and chase the women away when he found them in any of his temples, but the more wives he swept out, the more seemed to come back.
In this particular temple the wife of the head priest had become jealous of Shunkai’s earnestness and beauty. Hearing the students praise her serious Zen made this wife squirm and itch. Finally she spread a rumor about that Shunkai and the young man who was her friend. As a consequence he was expelled and Shunkai was removed from the temple.
“I may have made the mistake of love,” thought Shunkai, “but the priest’s wife shall not remain in the temple either if my friend is to be treated so unjustly.”
Shunkai the same night with a can of kerosene set fire to the five-hundred-year-old temple and burned it to the ground. In the morning she found herself in the hands of the police.
A young lawyer became interested in her and endeavoured to make her sentance lighter. “Do not help me.” she told him. “I might decide to do something else which will only imprison me again.”
At last a sentance of seven years was completed, and Shunkai was released from the prison, where the sixty-year-old warden also had become enamored of her.
But now everyone looked upon her as a “jailbird”. No one would associate with her. Even the Zen people, who are supposed to believe in enlightenment in this life and with this body, shunned her. Zen, Shunkai found, was one thing and the followers of Zen quite another. Her relatives would have nothing to do with her. She grew sick, poor, and weak.
She met a Shinshu priest who taught her the name of the Buddha of Love, and in this Shunkai found some solace and peace of mind. She passed away when she was still exquisitely beautiful and hardly thirty years old.
She wrote her own story in a futile endeavour to support herself and some of it she told to a women writer. So it reached the Japanese people. Those who rejected Shunkai, those who slandered and hated her, now read of her life with tears of remorse.
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The Bonzo Dog Doo-Dah Band

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Irish Poets…
(George Frederic Watts – Uldra)

The Earth and Man
A little sun, a little rain

A soft wind blowing from the west,

And woods and fields are sweet again,

And warmth within the mountain’s breast.
So simple is the earth we tread,

So quick with love and life her frame,

Ten thousand years have dawned and fled,

And still her magic is the same.
A little love, a little trust,

A soft impulse, a sudden dream,

And life as dry as desert dust

Is fresher than a mountain stream.
So simple is the heart of man,

So ready for new hope and joy;

Ten thousand years since it began

Have left it younger than a boy

-S A Brooke


Lines of Leaving
I am losing you again

all again

as if you were ever mine to lose.

The pain is as deep

beyond formal possession

beyond the fierce frivolity of tears.
Absurdly you came into my world

my time-wrecked world

a quiet laugh below the thunder.

Absurdly you leave it now

as always I foreknew you would.

I lived on an alien joy.
Your gentleness disarmed me

wine in my desert

peace across impassable seas

path of light in my jungle.
Now uncatchable as the wind you go

beyond the wind

and there is nothing in my world

save the straw of salvation in the amber dream.

The absurdity of that vast improbable joy.

The absurdity of you gone.

– Christy Brown


Dead
I was the moon.

A shadow hid me

and I knew what it meant

not to be at all.

The moon in eclipse is sad

and sinless.

There is no passion in her plight.

Cold, unlighted,

moving in a trance,

she comes to her station

or passes again to her place;

uncovers her loneliness:

eyeless behind no eyelids

has neither sleeping nor waking,

no body, parts, nor passions,

no loving, perceiving,

having, nor being;

moves only in a wayless night;

and drifting, as a ship without direction,

sinks to a forgotten depth,

among weeds,

among stones.

-Rhoda Coghill
(George Frederic Watts – Death Crowning Innocence)

Dancing On The High Wire…

On The Music Box: Amadou et Mariam

An exercise in posting without your glasses or contacts… Is it in focus? Heavens. Anyway, the assemblage is finally here…
10 Hours more of new music on Radio Free EarthRites… The Finest Off Shore Pirate Radio Station Delivered to you via The Internets…. Tell your friends, share with your neighbors… More Music Coming Soon!

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Gwyllm
The Links

Peters’ Pick: Marta’s Song

The Reunification of the Sacred and Natural – Ralph Metzner

Anouar Brahem – kashf

Modern Irish Poetry: Paul Durcan

Controversial Paintings: 3 Orientalist….

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The Links:

Mystery surrounds dumped coffin

VA allows Wiccan symbols on headstones

Extraterrestrial Artifacts Discovered in Siberia

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Peters’ Pick: Marta’s Song (oldie but goldie that circular thingie….)

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The Reunification of the Sacred and Natural

by Ralph Metzner, PhD
Published (in English and Italian) in Eleusis, No. 8, August 1997 by Green Earth Foundation, Ed. Giorgio Samorini. This paper is based in part on a presentation made at the conference of the International Transpersonal Association (ITA), May 1996, in Manaus, Brazil.
I summarize my thesis in two statements: one—the relentless exploitation and destruction of the biosphere by the capitalist-industrial growth machine around the globe is rooted in a pathological domination complex of “civilized” humans toward the natural world. And two—the revival of interest in animistic worldviews and in the shamanic practices of traditional peoples, including the intentional use of hallucinogenic sacraments, is among the hopeful signs that the split between the sacred and the natural can be healed again.
In order to provide a context for this discussion, I begin by briefly describing my own history of experience and research in this area. As a psychologist, I have been involved in the field of consciousness studies, including altered states induced by drugs, plants and other means, for over 35 years. In the 1960′s I worked at Harvard University with Timothy Leary and Richard Alpert, doing research on the possible therapeutic applications of psychedelic drugs, such as LSD and psilocybin. During the 1970′s my work focused on the exploration of non-drug related methods for the transformation of consciousness, such as are found in Eastern and Western traditions of yoga, meditation, alchemy and newly discovered psychotherapeutic methods using deep altered states. During the 1980′s I came into contact with the work of Michael Harner and others, who have explored shamanic teachings and practices around the globe, primarily those involving non-ordinary states of consciousness induced by drumming, but also hallucinogens. I studied shamanic practices from various cultures, including those involving fasting, wilderness vision questing, sweat-lodge and others. My interest shifted more towards psychoactive or hallucinogenic plants, which have a history of use in shamanistic societies, rather than the newly discovered powerful drugs, the use of which often involves unknown risks. In the last few years, I have come to see the revival of interest in shamanism and sacred plants as part of the world-wide seeking for a renewal of the spiritual relationship with the natural world.
A recognition and respect for the spiritual essences inherent in nature is basic to the worldview of indigenous peoples, as it was for our own ancestors in pre-industrial societies. In shamanistic societies, that is societies in which the reality of other, non-material worlds is recognized, people have always devoted considerable attention to cultivating a direct perceptual and spiritual relationship with animals, plants and the Earth itself in all its magnificent variety. Our modern materialist worldview, with its obsessive focus on technological progress and on the control and exploitation of what are called “natural resources”, has become more or less completely dissociated from such a spiritual awareness of nature. This split between human spirituality and nature has roots in the ancient past, but a major source of it was the rise of mechanistic science in the 16th and 17th century (Metzner, 1993). The revival of animistic beliefs, the deep ecology and ecopsychology movements and the renewed interest in shamanic practices, including the use of hallucinogenic or entheogenic plants, represent a re-unification of science and spirituality, which have been divorced since the rise of mechanistic science in the 17th century. I believe spiritual values can again become the primary motivation for scientists. It should be obvious that this direction for science would be a lot healthier for all of us and for the planet, than science directed, as it is now primarily, towards generating weaponry or profit.
Common Elements of Shamanic/Hallucinogenic Experience
In order to focus the discussion on hallucinogenic plant sacraments, I will begin by quoting from the notes I made of my own first experience with ayahuasca. I came into contact with this Amazonian plant-medicine through an ethnobotanist who had researched the practices of Peruvian mestizo shamans, and had prepared the medicine according to the traditional recipes. The setting was a spacious house in rural Northern California. The attitude was open and respectful, treating the medicine as a sacrament. Here is the account:
We drank the brew, which has a taste that is a strange mixture of bitterness and syrupy sweetness, in almost total darkness, with only a candle or two. We listened to Mayan music. I began to feel very relaxed, heavy and soft, but also as if my head were expanding. A swaying tapestry of visions comes into view, at first mostly geometric patterns, then shapes and forms of plants, animals, humans, cities, temples, flying craft and the like. Particular images from time to time emerge out of the continuous flux, and then are re-absorbed back into it.
As the images of forms and objects recede back into the swaying fabric of visions, I realize that I am seeing them as if projected on the twisting coils of an enormous serpent, with glittering silvery and green designs on its skin. I cannot see either head or tail of the serpent, which gives me a rough sense of its size: it encompasses the entire two-story building. Curiously, the sight of this gigantic serpent does not evoke the slightest fear; on the contrary, my emotional response is one of awe and humility at the magnificence of this being and its spiritual power. I had heard that in the Amazon, the ayahuasceros regard the giant serpent as the “mother spirit” of all the other spirits of the forest, of the river and the air.
In the earlier phase, before I became aware of the giant mother serpent, I experienced the geometric patterns I was seeing with distaste verging on disgust: they seemed tacky, plastic and artificial, like the décor of a shopping mall or a Las Vegas casino. As I searched for the meaning of my reaction, I was shown how this was the human technocultural overlay on the natural world: I was looking at the human world! Then, as I accepted that, albeit with some regret, I was able to see through it to the pulsating energies of the real, spiritual world of underlying nature, embodied in the form of the giant Serpent Mother.
Then I meet another serpent, more “normal” in its dimensions: in fact it is about the same size as me. It enters my body through my mouth and starts to slowly wind its way through my stomach and intestines over the next two or three hours. When it gets to the gut, there is some cramping, and incredibly loud sounds of gurgling and digesting are coming from my viscera. I become aware of a morphic resonance between serpent and intestines: the form of the snake is more or less a long intestinal tract, with a head and a tail end. Conversely, our gut is serpentine, with its twists and turns and its peristaltic movement. So the serpent, in winding its way through my intestinal tract is “teaching” my intestines how to be more powerful and effective.
Then I see several black-skinned people, dancing as they come toward me and recede away. They are always in pairs, like twins, moving in parallel fashion: I wonder whether they represent the spirits of the two paired plants of the ayahuasca tea. Then, as I’m lying sideways on a couch, a jaguar suddenly comes into me. It is an enormous black male, and he enters my body assuming the same semi-reclining position I was in. Shortly after I notice it, the jaguar is gone. Another time, as I am on my hands and knees, I distinctly feel a bird landing on my back. I am being briefly introduced to some of the different spirits that the ayahuasca medicine can access. The realization grows within me that with practice
and increased concentration, I would be able to hold the encounters with the different animal spirits for longer—and then be able to question them for divination. Don Fidel, one of the old ayahuasceros, says: “the visions come into you and heal you.”
Many images of old Mayan gods and underworld demons dancing: skeletal, crippled, diseased, skin flapping, blood dripping, pustular, bulbous, with gaping wounds and cut-off heads, toads on their necks, pierced with thorns. Their message, repeated several times, is: “you don’t have to do anything”. By incorporating death, decay and disease and other unimaginable horrors into their dance of transformation, a deep inner healing takes place, totally independent of any personal involvement on my part. I am astonished at being initiated into this ancient lineage of visionary healers.
It is late in the evening, and I am again on my hands and knees, feeling overwhelmed and exhausted by this gut-wrenching, yet soul-refreshing journey through the netherworlds of jungle, river and serpents. I lower my forehead to touch the ground: then I realize I am falling slowly through the earth, through soil and rock, moving faster and faster, and then dropping out the other side into deep space, vast in its darkness, exhilarating, filled with countless points of light, scintillae, luminous streaks and stars of the universe.
This account exemplifies many of the common elements that can be found in the anthropological literature on shamanism and the use of hallucinogenic plants, and that also tend to show up in the experiences of people taking such medicines in religious or therapeutic context. I will simply list these features, since there is not the space here to document them extensively:
1. The importance of set and setting, or intention and context, in determining the nature of the experience. This was a finding that came out of the psychedelic research in the 1960′s (Grinspoon and Bakalar, 1979).
2. The experience can be healing on physical, psychic and spiritual levels; this healing may involve the experience of being first dismembered, destroyed, or “killed”, and then reconstituted with a healthier, stronger body. The experience of dismemberment is a classic feature of shamanic healing worldwide. The “levels” are analytical concepts; during an actual experience they are not separated, but simultaneous and co-existent.
3. The experience can also provide access to hidden knowledge—this is the aspect of diagnosis, divination, or visioning; people come to refer to these plants as “plant teachers”.
4. There is a feeling and perception of access to other non-physical worlds, variously referred to as inner worlds, spirit worlds, otherworlds, alternate realities. The access may come through a journey to that world, or the spirit beings of that world may appear in our world, or the usual boundaries between the worlds seem to become permeable.
5. The experience may involve the perception of non-material, normally invisible, spirit beings. Such spirits are recognized as being associated with particular animals (e.g. serpent, jaguar), certain plants, trees or fungi, certain places (e.g. river, rainforest), deceased ancestors, and other non-ordinary entities (e.g. extra-terrestrials, elves). It can include the experiences of actually becoming or identifying with that spirit (e.g. the experience of becoming the jaguar); the healing and visioning is experienced as being done by or with the assistance of such spirits.
6. Listening to music or singing, or singing oneself, is an essential ingredient for productive hallucinogenic experiences. The rhythmic drive of the icaros in ayahuasca ceremonies, like the rhythmic pulse of the drumming in drumming-journeys, gives support for moving through the flow of visions, and prevents getting “stuck” or “hung up” in frightening or seductive experiences.
7. The traditional ceremonies are almost always done in darkness or low light; this apparently facilitates the emergence of visions. The exception is the peyote ceremony, done around a fire (though at night); here participants may see visions as they stare into the fire.
Some classic ritual forms for hallucinogen use

If we accept the idea, growing out of scientific research, that set and setting are the crucial determinants of the content of a hallucinogenic experience, then the use of these substances in a ritual setting, with careful attention paid to conscious intention, is in fact the logical, as well as the traditional approach. Shamanic rituals involving hallucinogens are the intentional arrangement of the set and the setting for purposes of healing and divination.
The traditional shamanic rituals involving hallucinogenic plants are carefully structured experiences, in which a small group (12 – 15) of people come together with respectful, spiritual attitude to share a profound inner journey of healing and transformation, facilitated by these powerful catalysts. Music and/or singing is invariably a part of such rituals. There is a significant role and function of the guide or medicine person who conducts the ceremony. The traditional shamanic rituals involve very little or no talking among the participants except perhaps during a preparatory phase or after the experience to evaluate the teachings or visions received.
A second kind of ceremonial form has evolved in the Brazilian syncretic religious movements that use ayahuasca or hoasca. There are three such ayahuasca cults that have arisen in Brazil since the 1950s: Uniao de Vegetal, Santo Daime, and Barquinia. These differ considerably among themselves, but share some common features: they typically involve large groups of people, from around 30 to 40 to several hundred; they all involve some kind of chanting or singing, often rhythmic, and some involve dancing as well. Like the shamanic ceremonies, there is little or no overt discussion or description of experiences or of psychological issues.
Both of these kinds of ceremonies—the shamanic and the syncretic religious—are quite different from the psychotherapy rituals involving hallucinogens, group or individual, which have arisen in the West, and which one could call syncretic therapeutic. From an anthropological point of view it is perfectly appropriate to call psychotherapy a kind of ritual,—a purposive, intentional structuring of a state of consciousness. Psychoanalysis (originally called the “talking cure”) and most forms of psychotherapy use verbal dialogue as the means for exploring consciousness. In recent times more “experiential” forms have arisen, that may use breathing methods, movement, bodily contact, music, or hypnotic regression to induce profoundly altered states of consciousness. The use of psychedelics or empathogenics (such as MDMA) in individual or group psychotherapy can be considered in that context. Their use in structured ritualistic experiences represents a radical departure from conventional psychiatric practice with psychotropic medications, where drugs are simply given to the patient and assumed to work without the conscious participation of the patient or the doctor (Adamson, 1985; Grof, 1980).
I will briefly mention some of the variations on the traditional rituals involving hallucinogens. In the peyote ceremonies of the Native American Church, in North America, participants sit in a circle, in a tipi, on the ground, around a blazing central fire. The ceremony goes all night, and is conducted by a “roadman”, with the assistance of a drummer, a firekeeper, and a sageman (for purification). A staff and rattle are passed around and participants sing the peyote songs, which involve a rapid, rhythmic beat. The peyote ceremonies of the Huichol Indians of Northern Mexico also take place around a fire, with much singing and story-telling, after the long group pilgrimage to find the rare cactus.
The ceremonies of the san pedro cactus, in the Andean regions, are sometimes also done around a fire, with singing; but sometimes the curandero sets up an altar, on which are placed different symbolic figurines and objects, representing the light and dark spirits which one is likely to encounter.
The mushroom ceremonies (velada) of the Mazatec Indians of Mexico, involve the participants sitting or lying in a very dark room, with only a small candle. the healer, who may be a woman or man, sings almost uninterruptedly, throughout the night, weaving into her chants the names of Christian saints, her spirit allies and the spirits of the earth, the elements, animals and plants, the sky, the waters and the fire.
Traditional Indian ceremonies with ayahuasca also involve a small group sitting in a circle, in semi-darkness, while the initiated healers sing the songs (icaros), through which the healing and/or diagnosis takes place. These songs also have a fairly rapid rhythmic pulse, which keeps the flow of the experience moving along. Shamanic “sucking” methods of extracting toxic psychic residues or poisonous implants are sometimes used.
The ceremonies involving the African iboga plant, used by the Bwiti cult in Gabon, also involve an altar with ancestral and deity images, and people sitting on the floor with much chanting and some dancing. Ceremonies in North America and Europe in which I have been a participant-observer, have combined certain elements from the shamanic ritual form while keeping intact the basic essentials: the structure of the circle; the dedication of sacred ritual space with the invocation of protective and teaching spirit allies; the cultivation of a respectful, spiritual attitude; the semi-darkness; and the use of music, singing, rattling and drumming; the presence of a more experienced elder or guide. Some variation of the talking staff or singing staff is often used: with this practice, which orginated among the Indians of the Pacific Northwest, only the person who has the staff sings or speaks, and there is no discussion, questioning or analysis (as there might be in the therapeutic formats involving psychedelics).
While there are numerous other kinds of set-and-setting rituals using hallucinogens in the modern West, ranging from the casual, recreational “tripping” of a few friends to “rave” events of hundreds or thousands, combining Ecstasy (MDMA) with the continuous rhythmic pulse of “techno music”, my research has focussed on the traditional and neo-shamanic “medicine circles”, and what kind of transformations are undergone by participants in such circles.

Basic features of the emerging worldview associated with shamanic-hallucinogenic practices

The basic model of reality, the understanding of the cosmos, that is revealed by such experiences, is basically similar to that shared by indigenous shamanistic cultures, and radically different from the prevailing Western paradigm associated with mechanistic science. (However, many features of the traditional shamanic worldview overlap to a considerable degree with the most recent and growing edge theories and findings of post-modern science). Since there is no space here to document these basic ideas, or present the evidence for them, I will merely state them here, at the risk of oversimplification. I believe that were one to question a number of long-term shamanic practitioners, with or without hallucinogens, in traditional and modern societies, something like this worldview would be shared by most of them.
1. The fundamental reality of the universe is a continuum, a unitive field or fabric, of energy and consciousness, that is beyond time, space and all forms, and yet within them.
2. In traditional Asian religions, this unitive field is variously referred to as Tao, or Brahman. Some Native North Americans refer to it as Wakan-Tanka, the Creator Spirit. In the systems language of post-modern science it is seen as an infinitely complex system of interrelationships, or “web of life” (Capra, 1996; Goldsmith, 1993).
3. The world or cosmos is multidimensional. In most shamanic traditions we have upper, middle and lower worlds; in some mythic-shamanic traditions we have five, seven, nine or more worlds; in esoteric traditions there are usually seven “levels of consciousness”. In modern systems theory, we speak of the multiple levels of wholes and parts: clusters of galaxies, galaxies, solar systems and planets; biosphere, ecosystems, populations and species; societies, sub-cultures, organizations, tribes and families; organisms, organ systems, cells, molecules, atoms and sub-atomic particles.
4. The universal unitive field or cosmic continuum has a basic symmetrical polarity, referred to by names such as yin/yang, light/dark, positive/negative charge, male/female, electric/magnetic, Father Sky—Mother Earth and numerous others. These polarities can be observed and experienced at all levels of reality, from the macrocosmic to the microscopic.
5. The symmetrically polarized basic continuum differentiates, at all levels, into an infinite variety of names and forms, images and objects, identities and beings. We can recognize this multiplicity at the level of galaxies, stars and planets; in the biological diversity of plant and animal species on Earth; in the cultural diversity of human societies; and in the psychic multiplicity of our inner life.
6. Since we are part of the unified system of interdependence, just like every other being, we can never actually be outside of it, like a detached “objective” observer. But since the unified field is energy, we are energetically connected to every other form and being in the universe. And since the field is consciousness, this enables us, as human beings, to attune with, identify with, and communicate with any and every other life-form, object or being in the universe, from the macrocosmic to the microscopic.
7. It will be seen that the the above is a re-statement of the belief system of animism—which sees all material and biological forms as animated by life and consciousness; and of shamanism, which practices methods of intentionally attuning and identifying with all kinds of forms and beings, via the unifying field of consciousness which links us all. Whereas the so-called “higher religions” associated with literate, urban, industrial civilization tend to be monotheistic, with a single (usually male) deity; the religious beliefs associated with animism and shamanism is polytheistic, with an enormous variety in the names and forms of gods and goddesses, particularized for each culture and its mythic tradition. It is not uncommon for participants in sessions with hallucinogenic plants to perceive or feel the presence of deities or spirits from many different cultures, including some with whom they have no genetic, biographical or geographical connection.
Significance of the animistic revival in the present world situation

Having presented some of the fundamental features of the animistic, indigenous worldview which is associated with the revival of interest in shamanic practices, including the use of hallucinogens, I now want to address the question of what this means in the context of the present world situation. What does it mean that people in large numbers are now returning to these ancient traditions of spiritual and healing practice in our world of multinational industrial corporations, of computers and electronic networks?
It is widely understood that the capitalist-industrial growth system, which now dominates the world both economically and politically, is ravaging the biosphere life-support systems and shredding the very fabric of life on this planet. The annual State of the World reports issued by the Worldwatch Institute document the full extent of the catastrophe with depressing regularity (Brown et al., 1997). In 1992, over 1500 scientists from 69 countries issued the World Scientists Warning to Humanity, which stated: “Human beings and the natural world are on a collision course…. A great change is required if vast human misery is to be avoided and our global home on this planet is not to be irretrievably mutilated.” Human civilization on this Earth appears to have produced a situation of ecological melt-down.
To return to my earlier argument, I am saying that the unprecedented industrial-technological assault on the biosphere we are witnessing in our time, is rooted in part in the mechanistic science of the modern world, which deliberately divorced itself from spirituality, values and consciousness. There exists a vast separative gulf in common understanding between what we regard as sacred and what we regard as natural. And yet, out of the experiences of millions of individuals in the Western world with hallucinogenic sacraments, as well as other shamanic practices, we are seeing the re-emergence of the ancient integrative worldview that sees all of life as an interdependent web of relationships, that needs to be carefully protected and preserved.
One can see the parallels in several cultural movements that seek to correct the dangerous imbalance in humanity’s relation to nature: in deep ecology and ecofeminism which call for a respectful, egalitarian, ecocentric attitude towards the natural world; in the organic gardening and farming movements, which seek to return to traditional methods avoiding chemical fertilizers and pesticides; in the movement to increased use of herbal, nutritional and complementary medicine; and in several other philosophical, scientific and religious movements including bioregionalism, ecopsychology, living systems theory, creation spirituality, ecotheology, and others (Ruether, 1992; Spretnak, 1991; Metzner, 1997; Weil, 1990).
In these diverse movements, from many disciplines, to transform our human perceptions, attitudes and practices in relation to the Earth towards a healthier, non-exploitative, non-dominating recognition of interrelatedness, the respectful use of entheogenic plant medicines in spiritual/therapeutic contexts may yet come to play a highly significant role.
Notes
1. This paper is based in part on a presentation made at the conference of the International Transpersonal Association (ITA), May 1996, in Manaus, Brazil.
2. A note on terminology: I use the terms “psychedelic”, “hallucinogenic” and “entheogenic” interchangeably. Some object to the term “hallucinogenic” since a hallucination is an illusory perception and these substances do not in fact induce hallucinations. But the original meaning of the Latin alucinare is to “wander in one’s mind”; and travelling or journeying, in inner space, are actually quite appropriate descriptive metaphors for the experience induced by these substances. So I would like to rehabilitate the term “hallucinogen”.
3. Terence McKenna (1991) has written of an “archaic revival”, but to my mind it is the revival of animism that is the crucial paradigm change here. The fact that animism held sway in the archaic period is in some ways besides the point.

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(Ernest Normand – White Slave)

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Anouar Brahem – kashf

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Modern Irish Poetry: Paul Durcan

Margaret Thatcher Joins IRA
At a ritual ceremony in a fairy ring fort

Near Bodenstown Graveyard Co. Kildare

(Burial place of Theobald Wolfe Tone)

Margaret Thatcher joined the IRA

And the IRA joined Margaret Thatcher.
Black dresses were worn by all for the occasion

In which a historical union was consummated.
On the circular bank of the rath,

Gunmen and High Tories crawled on all fours

Jangling their testicles;

While the sun gleamed off their buttocks.
At the navel of the rath

Waltzed Ruraí Ó Brádaigh,

His arms round Mrs Thatcher

In a sweet embrace.

Behind them Messrs

Airey Neave & Daithí O’Connell

Shared a seat on a pig.
Proceedings concluded

With Sir Ó Brádaigh, an Thatcher, an Neave, agus Sir O’Connell

playing cops and robbers in souterrains.
Meanwhile in his leaba (his grave)

In nearby Bodenstown

Theobald Wolfe Tone was to be observed

Revolving sixty revolutions per minute;

This came as no suprise to observers

Since Tone was a thoroughgoing dissenter

And never would have had truck

With the likes of Margaret Thatcher or the IRA.

Making love outside Áras an Uachtaráin.’
When I was a boy, myself and my girl

Used bicycle up to the Phoenix Park;

Outside the gates we used lie in the grass

Making love outside Áras an Uachtaráin.’
Often I wondered what de Valera would have thought

Inside in his ivory tower

If he knew that we were in his green, green grass

Making love outside Áras an Uachtaráin.’
Because the odd thing was – oh how odd it was –

We both revered Irish patriots

And we dreamed our dreams of a green, green flag

Making love outside Áras an Uachtaráin.’
But even had our names been Diarmaid and Gráinne

We doubted de Valera’s approval

For a poet’s son and a judge’s daughter

Making love outside Áras an Uachtaráin.’
I see him now in the heat-haze of the day

Blindly stalking us down;

And, levelling an ancient rifle, he says, ‘Stop

Making love outside Áras an Uachtaráin.’


The Man whose Name was Tom-and-Ann
When you enter a room where there is a party in progress

Normally you ignore the introductions:

This is Tom; and Jerry; and Micky; and Mouse –

They are all much the same – male mouths

Malevolent with magnanimity or females

Grinning gratuitously: but tonight

I paid attention when I was introduced to a man

Whose name was Tom-and-Ann:

All night I looked hard at him from all angles,

Even going so far as to look down his brass neck,

But all I could see was a young, middle-aged man

With coal-black hair cut in a crew-cut such

As would make you freeze, or faint, of electric shock:

Nobody had noticed that his wife was not with him:

She was at another party being introduced to my wife

Who, when she came home, started humming

‘Tonight I met a woman whose name was Ann-and Tom.’
Well, next time I throw a party for all the Foleys in Ireland,

God help us, I will do the introductions myself:

‘Darling Donal, – This is Tom-and-Ann

And his beautiful wife Ann-and-Tom.’
(Gyula Tornai – In The Harem)

Stepping Forward….

“Acid is not for every brain – only the healthy, happy, wholesome, handsome, hopeful, humorous, high-velocity should seek these experiences. This elitism is totally self-determined. Unless you are self-confident, self-directed, self-selected, please abstain.”

St. Timothy

The Wonders of Craigslist…
I just watched our old washer and broken down freezer disappear off our driveway… in 3 or so minutes. I have been trying to get rid of this stuff for months. Thank You Craigslist!
Some varied stuff today…

Some Dead Can Dance, a short missive from Sasha, a couple from Tim… A bit of Donovan and then there is the eternal: Tao Te Ching. I have been spending lots of time lately with it. I recommend a reading for all. Tim was right.
Hope Tuesday is a beauty for you!
Gwyllm

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The Links

Peters’ Picks: Dead Can Dance – The Carnival Is Over

One From Sasha

Two From Tim

Donovan & Shawn Phillips

Four Excerpts From The Tao Te Ching

Illustrations: Elenore Plaisted Abbott (1875-1935)

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The Links:

Human Brain Has Origin in Lowly Worm

The wave that destroyed Atlantis

Scientist takes on the psychic

Fire in sky mystery

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Peters’ Picks: Dead Can Dance – The Carnival Is Over

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One From Sasha

The Illegal Search for Self Awareness
I am completely convinced that there is a wealth of information built into us, with miles of intuitive knowledge tucked away in the genetic material of every one of our cells. Something akin to a library containing uncountable reference volumes, but without some means of access, there is no way to even begin to guess at the extent of quality of what is there. The psychedelic drugs allow exploration of this interior world, and insights into its nature.
Our generation is the first ever to have made the search for self-awareness a crime, if it is done with the use of plants or chemical compounds as the means of opening the psychic doors. But the urge to become aware is always present, and it increases in intensity as one grows older.
This is the search that has been a part of human life from the very first moments of consciousness. The knowledge of his own mortality, knowledge which places him apart from his fellow animals, is what gives Man the right, the license, to explore the nature of his own soul and spirit, to discover what he can about the components of the human psyche.
How is it then, that the leaders of our society have seen fit to try to eliminate this one very important means of learning and self-discovery, this means which has been used, respected, and honored for thousands of years, in every human culture of which we have a record? Why has peyote, for instance, which has served for centuries as a means by which a person may open his soul to an experience of God, been classified by our government as a Schedule I material, along with cocaine, heroin, and PCP? … Part of the answer may lie in an increasing trend in our culture towards both paternalism (authorities supply need and thus are able to dictate conduct) and provincialism (a narrowness of outlook, a single code of ethics)…
The government and the Church decided that psychedelic drugs were dangerous to society and with the help of the press, it was made clear that this was the way to social chaos and spiritual disaster.
What was unstated, of course, was the oldest rule of all: Thou shalt not oppose nor embarrass those in power without being punished.
—Alexander Shulgin in PiHKAL.

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Two From Tim:

BEWARE OF MONOTHEISM
Monotheism is the primitive religion which centers human consciousness on Hive Authority. There is One God and His Name is (substitute Hive-Label). If there is only One God then there is no choice, no option, no selection of reality. There is only Submission or Heresy. The word Islam means “submission.” The basic posture of Christianity is kneeling. Thy will be done. Monotheism therefore does no harm to hive-oriented terrestrials (Stages 10, 11 and 12) who eagerly seek to lay-off responsibility on some Big Boss. Monotheism does profound mischief to those who are evolving to post-hive stages of reality. Advanced mutants (Stages 13 to 18) do make the discovery that “All is One,” as the realization dawns that “My Brain creates all the realities that I experience.” The discovery of Self is frightening because the novitiate possessor of the Automobile Body and the Automobile Brain must accept all the power that the hive religions attributed to the jealous Jehovah. The First Commandment of all monotheisms is: I am the Lord, thy God: Thou shalt have no other Gods before me. All monotheisms are vengeful, aggressive, expansionist, intolerant.
Stage 10: Islam-Catholicism

Stage 11: Protestant Evangelism

Stage 12: Communist-Dulles Imperialism
It is the duty of a monotheist to destroy any competitive heresy. Concepts such as devil, hell, guilt, eternal damnation, sin, evil are fabrications by the hive to insure loyalty to Hive Central. All these doctrines are precisely designed to intimidate and crush Individualism. The process of mutating into Self-hood plunges the mutant into this cross fire of neurogenetic moral flak. Most of the freak-outs, bad trips and hellish experiences are caused by Monotheistic Morality. Again, it must be emphasized, that Monotheism is a necessary stage. Monotheism is a technology, a tool, to bring pre-civilized tribespeople and caste-segregated primitives into the collectives necessary to develop the post-hive, post-terrestrial technologies.
The major evolutionary step is taken when the individual says: “There is only one God who creates the universe. This God is my Brain. As the driver of this Brain I have created a universe in which there are innumerable other Gods of equal post-hive autonomy with whom I seek to interest. And my universe was, itself, created by a Higher Level of Divinity—DNA, whose mysteries and wonders I seek to understand and harmonize with.”
From The Intelligence Agents by Dr. Timothy Leary, Ph.D.

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How to Handle Doubters

…it’s really quite simple. Whenever you hear anyone sounding off on internal freedom and conciousness-expanding foods and drugs, whether pro or con, check out these questions:
1. Is your expert talking from direct experience, or simply repeating cliches? Theologians and intellectuals often deprecate “experience” in favor of fact and concept. This classic debate is falsely labeled. Most often it becomes a case of “experience” vs. “inexperience”.
2. Do his words spring from a spiritual or mundane point of view? Is he motivated by a dedicated quest for answers to basic questions, or is he protecting his own social-psychological position, his own game investment? Is he struggling towards sainthood, or is he maintaining his status as a hard-boiled scientist or hard-boiled cop?
3. How would his argument sound if it was heard in a different culture? (for example, in an African jungle hut, a ghat on the Ganges, or on another planet inhabited by a form of life superior to ours) or in a different time (for example, in Periclean Athens, or in a Tibetan monestery, or in a bull session led by any one of the great religious leaders – founders – messiahs)? Or how would it sound to other species of life on our planet today – to the dolphins, to the conciousness of the redwood tree? In other words, try to break out of your usual tribal game set and listen with the ears of another one of God’s creatures.
4. How would the debate sound to you if you were fatally diseased with a week to live, and thus less comitted to mundane issues?…
5. Is this point of view one which opens up or closes down? Are you being urged to explore, experience, or gamble out of spiritual faith, join somone who shares your cosmic ignorance on a collaborative voyage of discovery? Or are you being pressured to close off, protect your gains, play it safe, accept the authoritative voice of someone who knows best?
6. When we speak, we say little about the subject matter and disclose mainly the state of our own mind. Does your psychedelic expert use terms which are positive, pro-life, spiritual, inspiring, opening, based on faith in the future, faith in your potential or does he betray a mind obsessed by danger, material concern, by imaginary terrors, administrative caution or essential distrust in your potential? Dear friends, there is nothing in life to fear; no spiritual gain can be lost.
7. If he is against what he calls “artificial methods of illumination,” ask him what constitutes the natural. Words? Rituals? Tribal customs? Alkaloids? Psychedelic vegetables?
8. If he is against biochemical assistance, where does he draw the line? Does he use nicotine? alcohol? penicillin? vitamins? convential sacremental substances?
9. If your advisor is against LSD, what is he for? If he forbids you the psychedelic key to revelation, what does he offer you instead?
From The Politics of Ecstacy by Timothy Leary

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Donovan & Shawn Phillips…

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Four Excerpts From The Tao Te Ching

34

The great Tao flows everywhere.

All things are born from it,

yet it doesn’t create them.

It pours itself into its work,

yet it makes no claim.

It nourishes infinite worlds,

yet it doesn’t hold on to them.

Since it is merged with all things

and hidden in their hearts,

it can be called humble.

Since all things vanish into it

and it alone endures,

it can be called great.

It isn’t aware of its greatness;

thus it is truly great.
35

She who is centered in the Tao

can go where she wishes, without danger.

She perceives the universal harmony,

even amid great pain,

because she has found peace in her heart.
Music or the smell of good cooking

may make people stop and enjoy.

But words that point to the Tao

seem monotonous and without flavor.

When you look for it, there is nothing to see.

When you listen for it, there is nothing to hear.

When you use it, it is inexhaustible.
36

If you want to shrink something,

you must first allow it to expand.

If you want to get rid of something,

you must first allow it to flourish.

If you want to take something,

you must first allow it to be given.

This is called the subtle perception

of the way things are.
The soft overcomes the hard.

The slow overcomes the fast.

Let your workings remain a mystery.

Just show people the results.
37

The Tao never does anything,

yet through it all things are done.
If powerful men and women

could venter themselves in it,

the whole world would be transformed

by itself, in its natural rhythms.

People would be content

with their simple, everyday lives,

in harmony, and free of desire.
When there is no desire,

all things are at peace.