Weird day… started last night. tossed and turned all night. Drove Mary away, she headed to the living room. Rowan and friends sat up for the eclipse… Wish I had. I woke and dealt with biz that I would of preferred not to, but there ya go. Went over last night to our friends Doran’s house to work on pictures/prints for my art exhibit coming up this next month. First one in 8 or so years. Must get into the swing of things, I am bursting with light and energy…
Heading north to see my dad (who is 87) he is starting to fall down, and I have not seen him in months…
Nestor Peralas’ Memorial was held last night. Unfortunately it was put in the paper which lots, and I mean lots of people don’t get. I found out at 4:00pm Monday, only by going on-line… Sad, he touched so many people, but the ones he touched….. achhhh. We are planning an event for the ones who missed it…
I miss Nestor. Plain and simple. He was the humblest of warriors. May the Gods take him for company.
Bright Blessings,
Gwyllm
On The Menu…
The Links…
The Vision of Hasheesh
Recipe: Gaspo’s Zauber Cuchlis Hashish
Poetry: The Hashish Eater -or- the Apocalypse of Evil
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The Links:
Religious vandalism in the Netherlands
Second longest ‘Great Wall’ in Asia discovered in Iran
Walrus penis fetches $8,000 at auction
_________
The Vision of Hasheesh
by Bayard Taylor
Chapter 10 of The Lands of the Saracen.
A slightly different version was published in the April, 1854 edition of Putnam’s Monthly Magazine
“Exulting, trembling, raging, fainting,
Possessed beyond the Muse’s painting.”
–Collins.
During my stay in Damascus, that insatiable curiosity which leads me to prefer the acquisition of all lawful knowledge through the channels of my own personal experience, rather than in less satisfactory and less laborious ways, induced me to make a trial of the celebrated Hasheesh — that remarkable drug which supplies the luxurious Syrian with dreams more alluring and more gorgeous than the Chinese extracts from his darling opium pipe. The use of Hasheesh — which is a preparation of the dried leaves of the cannabis indica — has been familiar to the East for many centuries. During, the Crusades, it was frequently used by the Saracen warriors to stimulate them to the work of slaughter, and from the Arabic term of “Hashasheën” or Eaters of Hasheesh, as applied to them, the word “assassin” has been naturally derived. An infusion of the same plant gives to the drink called “bhang” which is in common use throughout India and Malaysia, its peculiar properties. Thus prepared, it is a more fierce and fatal stimulant than the paste of sugar and spices to which the Turk resorts, as the food of his voluptuous evening, reveries. While its immediate effects seem to be more potent than those of opium, its habitual use, though attended with ultimate and permanent injury to the system, rarely results in such utter wreck of mind and body as that to which the votaries of the latter drug inevitably condemn themselves.
A previous experience of the effects of hasheesh — which I took once, and in a very mild form, while in Egypt — was so peculiar in its character, that my curiosity, instead of being satisfied, only prompted me the more to throw myself, for once, wholly under its influence. The sensations it then produced were those, physically, of exquisite lightness and airiness — mentally, of a wonderfully keen perception of the ludicrous, in the most simple and familiar objects. During the half hour in which it lasted, I was at no time so far under its control, that I could not, with the clearest perception, study the changes through which I passed. I noted, with careful attention, the fine sensations which spread throughout the whole tissue of my nervous fibre, each thrill helping, to divest my frame of its earthly and material nature, until my substance appeared to me no grosser than the vapors of the atmosphere, and while sitting in the calm of the Egyptian twilight, I expected to be lifted up and carried away by the first breeze that should ruffle the Nile. While this process was going on, the objects by which I was surrounded assumed a strange and whimsical expression. My pipe, the oars which my boatmen plied, the turban worn by the captain, the water-jars and culinary implements, became in themselves so inexpressibly absurd and comical, that I was provoked into a long fit of laughter. The hallucination died away as gradually as it came, leaving me overcome with a soft and pleasant drowsiness from which I sank into a deep, refreshing sleep.
My companion and an English gentleman, who, with his wife, was also residing in Antonio’s pleasant caravanserai — agreed to join me in the experiment. The dragoman of the latter was deputed to procure a sufficient quantity of the drug. He was a dark Egyptian, speaking only the lingua franca of the East, and asked me, as he took the money and departed on his mission, whether he should get hasheesh “per ridere, o per dormire?” “Oh, per ridere, of course,” I answered; “and see that it be strong and fresh.” It is customary with the Syrians to take a small portion immediately before the evening meal, as it is thus diffused through the stomach and acts more gradually, as well as more gently, upon the system. As our dinner-hour was at sunset, I proposed taking hasheesh at that time, but my friends, fearing that its operation might be more speedy upon fresh subjects, and thus betray them into some absurdity in the presence of the other travellers, preferred waiting until after the meal. It was then agreed that we should retire to our room, which, as it rose like a tower one story higher than the rest of the building, was in a manner isolated, and would screen us from observation.
We commenced by taking a tea-spoonful each of the mixture which Abdallah had procured. This was about the quantity I had taken in Egypt, and as the effect then had been so slight, I judged that we ran no risk of taking an over-dose. The strength of the drug, however, must have been far greater in this instance, for whereas I could in the former case distinguish no flavor but that of sugar and rose leaves, I now found the taste intensely bitter and repulsive to the palate. We allowed the paste to dissolve slowly on our tongues, and sat some time, quietly waiting the result. But, having been taken upon a full stomach, its operation was hindered, and after the lapse of nearly an hour, we could not detect the least change in our feelings. My friends loudly expressed their conviction of the humbug of hasheesh, but I, unwilling to give up the experiment at this point, proposed that we should take an additional half spoonful, and follow it with a cup of hot tea, which, if there were really any virtue in the preparation, could not fail to call it into action. This was done, though not without some misgivings, as we were all ignorant of the precise quantity which constituted a dose, and the limits within which the drug could be taken with safety. It was now ten o’clock; the streets of Damascus were gradually becoming silent, and the fair city was bathed in the yellow lustre of the Syrian moon. Only in the marble court-yard below us, a few dragomen and mukkairee lingered under the lemon-trees, and beside the fountain in the centre.
I was seated alone, nearly in the middle of the room, talking with my friends, who were lounging upon a sofa placed in a sort of alcove, at the farther end, when the same fine nervous thrill, of which I have spoken, suddenly shot through me. But this time it was accompanied with a burning sensation at the pit of the stomach; and, instead of growing upon me with the gradual pace of healthy slumber, and resolving me, as before, into air, it came with the intensity of a pang, and shot throbbing along the nerves to the extremities of my body. The sense of limitation — of the confinement of our senses within the bounds of our own flesh and blood — instantly fell away. The walls of my frame were burst outward and tumbled into ruin; and, without thinking what form I wore — losing sight even of all idea of form — I felt that I existed throughout a vast extent of space. The blood, pulsed from my heart, sped through uncounted leagues before it reached my extremities; the air drawn into my lungs expanded into seas of limpid ether, and the arch of my skull was broader than the vault of heaven. Within the concave that held my brain, were the fathomless deeps of blue; clouds floated there, and the winds of heaven rolled them together, and there shone the orb of the sun. It was — though I thought not of that at the time — like a revelation of the mystery of omnipresence. It is diffcult to describe this sensation, or the rapidity with which it mastered me. In the state of mental exaltation in which I was then plunged, all sensations, as they rose, suggested more or less coherent images. They presented themselves to me in a double form: one physical, and therefore to a certain extent tangible; the other spiritual, and revealing itself in a succession of splendid metaphors. The physical feeling, of extended being was accompanied by the image of an exploding meteor, not subsiding into darkness, but continuing to shoot from its centre or nucleus — which corresponded to the burning spot at the pit of my stomach — incessant adumbrations of light that finally lost themselves in the infinity of space. To my mind, even now, this image is still the best illustration of my sensations, as I recall them; but I greatly doubt whether the reader w
ill find it equally clear.
My curiosity was now in a way of being satisfied; the Spirit (demon, shall I not rather say?) of Hasheesh had entire possession of me. I was cast upon the flood of his illusions, and drifted helplessly whithersoever they might choose to bear me. The thrills which ran through my nervous system became more rapid and fierce, accompanied with sensations that steeped my whole being in unutterable rapture. I was encompassed by a sea of light, through which played the pure, harmonious colors that are born of light. While endeavoring, in broken expressions, to describe my feelings to my friends, who sat looking upon me incredulously-not yet having been affected by the drug-I suddenly found myself at the foot of the great Pyramid of Cheops. The tapering courses of yellow limestone gleamed like gold in the sun, and the pile rose so high that it seemed to lean for support upon the blue arch of the sky. I wished to ascend it, and the wish alone placed me immediately upon its apex, lifted thousands of feet above the wheat-fields and palm-groves of Egypt. I cast my eyes downward, and, to my astonishment, saw that it was built, not of limestone, but of huge square plugs of Cavendish tobacco! Words cannot paint the overwhelming sense of the ludicrous which I then experienced. I writhed on my chair in an agony of laughter, which was only relieved by the vision melting away like a dissolving view; till, out of my confusion of indistinct images and fragments of images, another and more wonderful vision arose.
The more vividly I recall the scene which followed, the more carefully I restore its different features, and separate the many threads of sensation which it wove into one gorgeous web, the more I despair of representing its exceeding glory. I was moving over the Desert, not upon the rocking dromedary, but seated in a barque made of mother-of-pearl, and studded with jewels of surpassing lustre. The sand was of grains of gold, and my keel slid through them without jar or sound. The air was radiant with excess of light, though no sun was to be seen. I inhaled the most delicions perfumes; and harmonies, such as Beethoven may have heard in dreams, but never wrote, floated around me. The atmosphere itself was light, odor, music; and each and all sublimated beyond anything the sober senses are capable of receiving. Before me — for a thousand leagues, as it seemed — stretched a vista of rainbows, whose colors gleamed with the splendor of gems — arches of living amethyst, sapphire, emerald, topaz, and ruby. By thousands and tens of thousands, they flew past me, as my dazzling barge sped down the magnificent arcade; yet the vista still stretched as far as ever before me. I revelled in a sensuous elysium, which was perfect, because no sense was left ungratified. But beyond all, my mind was filled with a boundless feeling of triumph. My journey was that of a conqueror — not of a conqueror who subdues his race, either by Love or by Will, for I forgot that Man existed — but one victorious over the grandest as well as the subtlest forces of Nature. The spirits of Light, Color, Odor, Sound, and Motion were my slaves; and, having these, I was master of the universe.
Those who are endowed to any extent with the imaginative faculty, must have at least once in their lives experienced feelings which may give them a clue to the exalted sensuous raptures of my triumphal march. The view of a sublime mountain landscape, the hearing of a grand orchestral symphony, or of a choral upborne by the “full-voiced organ,” or even the beauty and luxury of a cloudless summer day, suggests emotions similar in kind, if less intense. They took a warmth and glow from that pure animal joy which degrades not, but spiritualizes and ennobles our material part, and which differs from cold, abstract, intellectual enjoyment, as the flaming diamond of the Orient differs from the icicle of the North. Those finer senses, which occupy a middle ground between our animal and intellectual appetites, were suddenly developed to a pitch beyond what I had ever dreamed, and being thus at one and the same time gratified to the fullest extent of their preternatural capacity, the result was a single harmonious sensation, to describe which human language has no epithet. Mahomet’s Paradise, with its palaces of ruby and emerald, its airs of musk and cassia, and its rivers colder than snow and sweeter than honey, would have been a poor and mean terminus for my arcade of rainbows. Yet in the character of this paradise, in the gorgeous fancies of the Arabian Nights, in the glow and luxury of all Oriental poetry, I now recognize more or less of the agency of hasheesh.
The fulness of my rapture expanded the sense of time; and though the whole vision was probably not more than five minutes in passing through my mind, years seemed to have elapsed while I shot under the dazzling myriads of rainbow arches. By and by, the rainbows, the barque of pearl and jewels, and the desert of golden sand, vanished; and, still bathed in light and perfume, I found myself in a land of green and flowery lawns, divided by hills of gently undulating outline. But, although the vegetation was the richest of earth, there were neither streams nor fountains to be seen; and the people who came from the hills, with brilliant garments that shone in the sun, besought me to give them the blessing of water. Their hands were full of branches of the coral honeysuckle, in bloom. These I took; and, breaking off the flowers one by one, set them in the earth. The slender, trumpet-like tubes immediately became shafts of masonry, and sank deep into the earth; the lip of the flower changed into a circular mouth of rose-colored marble, and the people, leaning over its brink, lowered their pitchers to the bottom with cords, and drew them up again, filled to the brim, and dripping with honey.
The most remarkable feature of these illusions was, that at the time when I was most completely under their influence, I knew myself to be seated in the tower of Antonio’s hotel in Damascus, knew that I had taken hasheesh, and that the strange, gorgeous and ludicrous fancies which possessed me, were the effect of it. At the very same instant that I looked upon the Valley of the Nile from the pyramid, slid over the Desert, or created my marvellous wells in that beautiful pastoral country, I saw the furniture of my room, its mosaic pavement, the quaint Saracenic niches in the walls, the painted and gilded beams of the ceiling, and the couch in the recess before me, with my two companions watching me. Both sensations were simultaneous, and equally palpable. While I was most given up to the magnificent delusion, I saw its cause and felt its absurdity most clearly. Metaphysicians say that the mind is incapable of performing two operations at the same time, and may attempt to explain this phenomenon by supposing a rapid and incessant vibration of the perceptions between the two states. This explanation, however, is not satisfactory to me; for not more clearly does a skilful musician with the same breath blow two distinct musical notes from a bugle, than I was conscious of two distinct conditions of being in the same moment. Yet, singular as it may seem, neither conflicted with the other. My enjoyment of the visions was complete and absolute, undisturbed by the faintest doubt of their reality; while, in some other chamber of my brain, Reason sat coolly watching them, and heaping the liveliest ridicule on their fantastic features. One set of nerves was thrilled with the bliss of the gods, while another was convulsed with unquenchable laughter at that very bliss. My highest ecstacies could not bear down and silence the weight of my ridicule, which, in its turn, was powerless to prevent me from running into other and more gorgeous absurdities. I was double, not “swan and shadow,” but rather, Sphinx-like, human and beast. A true Sphinx, I was a riddle and a mystery to myself.
The drug, which had been retarded in its operation on account of having been taken after a
meal, now began to make itself more powerfully felt. The visions were more grotesque than ever, but less agreeable; and there was a painful tension throughout my nervous system — the effect of over-stimulus. I was a mass of transparent jelly, and a confectioner poured me into a twisted mould. I threw my chair aside, and writhed and tortured myself for some time to force my loose substance into the mould. At last, when I had so far succeeded that only one foot remained outside, it was lifted off, and another mould, of still more crooked and intricate shape, substituted. I have no doubt that the contortions through which I went, to accomplish the end of my gelatinous destiny, would have been extremely ludicrous to a spectator, but to me they were painful and disagreeable. The sober half of me went into fits of laughter over them, and through that laughter, my vision shifted into another scene. I had laughed until my eyes overflowed profusely. Every drop that fell, immediately became a large loaf of bread, and tumbled upon the shop- board of a baker in the bazaar at Damascus. The more I laughed, the faster the loaves fell, until such a pile was raised about the baker, that I could hardly see the top of his head. “The man will be suffocated,” I cried, “but if he were to die, I cannot stop!”
My perceptions now became more dim and confused. I felt that I was in the grasp of some giant force; and, in the glimmering of my fading reason, grew earnestly alarmed, for the terrible stress under which my frame labored increased every moment. A fierce and furious heat radiated from my stomach throughout my system; my mouth and throat were as dry and hard as if made of brass, and my tongue, it seemed to me, was a bar of rusty iron. I seized a pitcher of water, and drank long and deeply; but I might as well have drunk so much air, for not only did it impart no moisture, but my palate and throat gave me no intelligence of having drunk at all. I stood in the centre of the room, brandishing my arms convulsively, and heaving sighs that seemed to shatter my whole being. “Will no one,” I cried in distress, “cast out this devil that has possession of me?” I no longer saw the room nor my friends, but I heard one of them saying, “It must be real; he could not counterfeit such an expression as that. But it don’t look much like pleasure.” Immediately afterwards there was a scream of the wildest laughter, and my countryman sprang upon the floor, exclaiming, “O, ye gods! I am a locomotive!” This was his ruling hallucination; and, for the space of two or three hours, he continued to pace to and fro with a measured stride, exhaling his breath in violent jets, and when he spoke, dividing his words into syllables, each of which he brought out with a jerk, at the same time turning his hands at his sides, as if they were the cranks of imaginary wheels. The Englishman, as soon as he felt the dose beginning to take effect, prudently retreated to his own room, and what the nature of his visions was, we never learned, for he refused to tell, and, moreover, enjoined the strictest silence on his wife.
By this time it was nearly midnight. I had passed through the Paradise of Hasheesh, and was plunged at once into its fiercest Hell. In my ignorance I had taken what, I have since learned, would have been a sufficient portion for six men, and was now paying a frightful penalty for my curiosity. The excited blood rushed through my frame with a sound like the roaring of mighty waters. It was projected into my eyes until I could no longer see; it beat thickly in my ears, and so throbbed in my heart, that I feared the ribs would give way under its blows. I tore open my vest, placed my hand over the spot, and tried to count the pulsations; but there were two hearts, one beating at the rate of a thousand beats a minute, and the other with a slow, dull motion. My throat, I thought, was filled to the brim with blood, and streams of blood were pouring from my ears. I felt them gushing warm down my cheeks and neck. With a maddened, desperate feeling, I fled from the room, and walked over the flat, terraced roof of the house. My body seemed to shrink and grow rigid as I wrestled with the demon, and my face to become wild, lean and haggard. Some lines which had struck me, years before, in reading Mrs. Browning’s “Rhyme of the Duchess May,” flashed into my mind: –
On the last verge, rears amain;
And he shivers, head and hoof, and the flakes of foam fall off;
That picture of animal terror and agony was mine. I was the horse, hanging poised on the verge of the giddy tower, the next moment to be borne sheer down to destruction. Involuntarily, I raised my hand to feel the leanness and sharpness of my face. Oh horror! the flesh had fallen from my bones, and it was a skeleton head that I carried on my shoulders! With one bound I sprang to the parapet, and looked down into the silent courtyard, then filled with the shadows thrown into it by the sinking moon. Shall I cast myself down headlong? was the question I proposed to myself; but though the horror of that skeleton delusion was greater than my fear of death, there was an invisible hand at my breast which pushed me away from the brink.
I made my way back to the room, in a state of the keenest suffering. My companion was still a locomotive, rushing to and fro, and jerking out his syllables with the disjointed accent peculiar to a steam-engine. His mouth had turned to brass like mine, and he raised the pitcher to his lips in the attempt to moisten it, but before he had taken a mouthful, set the pitcher down again with a yell of laughter, crying out: “How can I take water into my boiler, while I am letting off steam?”
But I was now too far gone to feel the absurdity of this, or his other exclamations. I was sinking deeper and deeper into a pit of unutterable agony and despair. For, although I was not conscious of real pain in any part of my body, the cruel tension to which my nerves had been subjected filled me through and through with a sensation of distress which was far more severe than pain itself. In addition to this, the remnant of will with which I struggled against the demon, became gradually weaker, and I felt that I should soon be powerless in his hands. Every effort to preserve my reason was accompanied by a pang of mortal fear, lest what I now experienced was insanity, and would hold mastery over me for ever. The thought of death, which also haunted me, was far less bitter than this dread. I knew that in the struggle which was going on in my frame, I was borne fearfully near the dark gulf, and the thought that, at such a time, both reason and will were leaving my brain, filled me with an agony, the depth and blackness of which I should vainly attempt to portray. I threw myself on my bed, with the excited blood still roaring wildly in my ears, my heart throbbing with a force that seemed to be rapidly wearing away my life, my throat dry as a potsherd, and my stiffened tongue cleaving to the roof of my mouth-resisting no longer, but awaiting my fate with the apathy of despair.
My companion was now approaching the same condition, but as the effect of the drug on him had been less violent, so his stage of suffering was more clamorous. He cried out to me that he was dying, implored me to help him, and reproached me vehemently, because I lay there silent, motionless, and apparently careless of his danger. “Why will he disturb me?” I thought; “he thinks he is dying, but what is death to madness? Let him die; a thousand deaths were more easily borne than the pangs I suffer.” While I was sufficiently conscious to hear his exclamations, they only provoked my keen anger; but after a time, my senses became clouded, and I sank into a stupor. As near as I can judge, this must have been three o’clock in the morning, rather more than five hours after the hasheesh began to take effect. I lay thus all the following day and night, in a state of gray, blank oblivion, broken only by a single wandering gleam of consciousness. I recollect hearing François’ voice. He told me afterwards that I arose, attempted to dress myself, drank two cups of coffee, and then fell back into the same death-like stupor; but of all this, I did not retain the least knowledge. On the morning of the second day, after a sleep of thirty hours, I awoke again to the world, with a system utterly prostrate and unstrung, and a brain clouded with the lingering images of my visions. I knew where I was, and what had happened to me, but all that I saw still remained unreal and shadowy. There was no taste in what I ate, no refreshment in what I drank, and it required a painful effort to comprehend what was said to me and return a coherent answer. Will and Reason had come back, but they still sat unsteadily upon their thrones.
My friend, who was much further advanced in his recovery, accompanied me to the adjoining bath, which I hoped would assist in restoring me. It was with great difficulty that I preserved the outward appearance of consciousness. In spite of myself, a veil now and then fell over my mind, and after wandering for years, as it seemed, in some distant world, I awoke with a shock, to find myself in the steamy halls of the bath, with a brown Syrian polishing my limbs. I suspect that my language must have been rambling and incoherent, and that the menials who had me in charge understood my condition, for as soon as I had stretched myself upon the couch which follows the bath, a glass of very acid sherbet was presented to me, and after drinking it I experienced instant relief. Still the spell was not wholly broken, and for two or three days I continued subject to frequent involuntary fits of absence, which made me insensible, for the time, to all that was passing around me. I walked the streets of Damascus with a strange consciousness that I was in some other place at the same time, and with a constant effort to reunite my divided perceptions.
Previous to the experiment, we had decided on making a bargain with the shekh for the journey to Palmyra. The state, however, in which we now found ourselves, obliged us to relinquish the plan. Perhaps the excitement of a forced march across the desert, and a conflict with the hostile Arabs, which was quite likely to happen, might have assisted us in throwing off the baneful effects of the drug; but all the charm which lay in the name of Palmyra and the romantic interest of the trip, was gone. I was without courage and without energy, and nothing remained for me but to leave Damascus.
Yet, fearful as my rash experiment proved to me, I did not regret having made it. It revealed to me deeps of rapture and of suffering which my natural faculties never could have sounded. It has taught me the majesty of human reason and of human will, even in the weakest, and the awful peril of tampering with that which assails their integrity. I have here faithfully and fully written out my experience, on account of the lesson which it may convey to others. If I have unfortunately failed in my design, and have but awakened that restless curiosity which I have endeavored to forestall, let me beg all who are thereby led to repeat the experiment upon themselves, that they be content to take the portion of hasheesh which is considered sufficient for one man, and not, like me, swallow enough for six. 
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Gaspo’s Zauber Cuchlis Hashish
Rules: warn your guests too wait one hour after the first brownie until they have a second one. The buzz from eating is different than smoking it, and even the heaviest smokers may have a hard time recognizing the effects at first.
Ingredients:
200g butter (margarine wont work)
200g unsweetened schokolade
250g sugar
4 eggs
200g flour
splash vanilla extract
100g dark schokolade (regular candy type)
2-3 grams of hashish per person
Directions:
1) over low heat, melt butter in saucepan.
2) once butter is just slightly bubbling, mix in ground up hash and stir for 5-10 minutes, taking the pan off the heat every now and then to keep the butter from steaming too much.
3) melt unsweetened schokolade (reform type) into butter, stirring constantly.
4) when all schokolade is melted totally, splash a few drops of vanilla in. If you can hear the vanilla sink to the bottom and sizzle, the mix is hot enough. so, remove from heat. if it doesn’t sizzle, then your low setting is low enough. I usually just turn off the heat, but leave the pan on the burner (ceramic stove).
5) stir in the sugar little by little (so it doesn’t clump)
6) once all the sugar is mixed in, beat the eggs and mix them in.
7) add the flour (stir in first so it doesn’t blow all around), and use an electric mixer on LOW (it’s a waste to splash magic all over the kitchen) until the whole bit is smooth and no lumps or pockets of flour.
break dark schokolade into nickel size chunks, and stir in.
9) pour mix into shallow pan (2-3cm), and pop in medium heat oven for about 30-40min. NOTE: I never time the puppies, I just look at ‘em and know. A toothpick will come out with just a little brown color when they are done.
NOTES:
The longer you cook the hash and butter together, the sooner the effects seem to come on. Don’t let the butter bubble too much, or you can taste the hash in the end-product.
Vary the sugar according to the bitterness off the hash. I can’t really explain that, but if you eat raw hash, you’ll know what I mean.
Vary the flour to get chewy/fluffy brownies. about 1dl of buttermilk is pretty good too added just before the sugar, add extra five minutes before adding the eggs.
When you put the dark schokolade in, this is the time to add other things like chopped walnuts, M&M’s, pecans, and so on. I like this white schokolade with pralines added (also looks cool with white swirls in the end product). I’m going to try caramel one of these days too.
Hash oil will work too, although it if you can smell any alcohol in the oil, you should heat the alcohol out before mixing into the butter. If the hash oil is potent, a 1/4 to 1/2 gram dose per person is recommended.
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The Hashish Eater -or- the Apocalypse of Evil
Clark Ashton Smith
Bow down: I am the emperor of dreams;
I crown me with the million-colored sun
Of secret worlds incredible, and take
Their trailing skies for vestment when I soar,
Throned on the mounting zenith, and illume
The spaceward-flown horizons infinite.
Like rampant monsters roaring for their glut,
The fiery-crested oceans rise and rise,
By jealous moons maleficently urged
To follow me for ever; mountains horned
With peaks of sharpest adamant, and mawed
With sulphur-lit volcanoes lava-langued,
Usurp the skies with thunder, but in vain;
And continents of serpent-shapen trees,
With slimy trunks that lengthen league by league,
Pursue my light through ages spurned to fire
By that supreme ascendance; sorcerers,
And evil kings, predominanthly armed
With scrolls of fulvous dragon-skin whereon
Are worm-like runes of ever-twisting flame,
Would stay me; and the sirens of the stars,
With foam-like songs from silver fragrance wrought,
Would lure me to their crystal reefs; and moons
Where viper-eyed, senescent devils dwell,
With antic gnomes abominably wise,
Heave up their icy horns across my way.
But naught deters me from the goal ordained
By suns and eons and immortal wars,
And sung by moons and motes; the goal whose name
Is all the secret of forgotten glyphs
By sinful gods in torrid rubies writ
For ending of a brazen book; the goal
Whereat my soaring ecstasy may stand
In amplest heavens multiplied to hold
My hordes of thunder-vested avatars,
And Promethèan armies of my thought,
That brandish claspèd levins. There I call
My memories, intolerably clad
In light the peaks of paradise may wear,
And lead the Armageddon of my dreams
Whose instant shout of triumph is become
Immensity’s own music: for their feet
Are founded on innumerable worlds,
Remote in alien epochs, and their arms
Upraised, are columns potent to exalt
With ease ineffable the countless thrones
Of all the gods that are or gods to be,
And bear the seats of Asmodai and Set
Above the seventh paradise.
Supreme
In culminant omniscience manifold,
And served by senses multitudinous,
Far-posted on the shifting walls of time,
With eyes that roam the star-unwinnowed fields
Of utter night and chaos, I convoke
The Babel of their visions, and attend
At once their myriad witness. I behold
In Ombos, where the fallen Titans dwell,
With mountain-builded walls, and gulfs for moat,
The secret cleft that cunning dwarves have dug
Beneath an alp-like buttress; and I list,
Too late, the clam of adamantine gongs
Dinned by their drowsy guardians, whose feet
Have fell the wasp-like sting of little knives
Embrued With slobber of the basilisk
Or the pail Juice of wounded upas. In
Some red Antarean garden-world, I see
The sacred flower with lips of purple flesh,
And silver-Lashed, vermilion-lidded eyes
Of torpid azure; whom his furtive priests
At moonless eve in terror seek to slay
With bubbling grails of sacrificial blood
That hide a hueless poison. And I read
Upon the tongue of a forgotten sphinx,
The annulling word a spiteful demon wrote
In gall of slain chimeras; and I know
What pentacles the lunar wizards use,
That once allured the gulf-returning roc,
With ten great wings of furlèd storm, to pause
Midmost an alabaster mount; and there,
With boulder-weighted webs of dragons’ gut
Uplift by cranes a captive giant built,
They wound the monstrous, moonquake-throbbing bird,
And plucked from off his saber-taloned feet
Uranian sapphires fast in frozen blood,
And amethysts from Mars. I lean to read
With slant-lipped mages, in an evil star,
The monstrous archives of a war that ran
Through wasted eons, and the prophecy
Of wars renewed, which shall commemorate
Some enmity of wivern-headed kings
Even to the brink of time. I know the blooms
Of bluish fungus, freaked with mercury,
That bloat within the creators of the moon,
And in one still, selenic and fetor; and I know
What clammy blossoms, blanched and cavern-grown,
Are proffered to their gods in Uranus
By mole-eyed peoples; and the livid seed
Of some black fruit a king in Saturn ate,
Which, cast upon his tinkling palace-floor,
Took root between the burnished flags, and now
Hath mounted and become a hellish tree,
Whose lithe and hairy branches, lined with mouths,
Net like a hundred ropes his lurching throne,
And strain at starting pillars. I behold
The slowly-thronging corals that usurp
Some harbour of a million-masted sea,
And sun them on the league-long wharves of gold
Bulks of enormous crimson, kraken-limbed
And kraken-headed, lifting up as crowns
The octiremes of perished emperors,
And galleys fraught with royal gems, that sailed
From a sea-fled haven.
Swifter and stranger grow
The visions: now a mighty city looms,
Hewn from a hill of purest cinnabar
To domes and turrets like a sunrise thronged
With tier on tier of captive moons, half-drowned
In shifting erubescence. But whose hands
Were sculptors of its doors, and columns wrought
To semblance of prodigious blooms of old,
No eremite hath lingered there to say,
And no man comes to learn: for long ago
A prophet came, warning its timid king
Against the plague of lichens that had crept
Across subverted empires, and the sand
Of wastes that cyclopean mountains ward;
Which, slow and ineluctable, would come
To take his fiery bastions and his fanes,
And quench his domes with greenish tetter. Now
I see a host of naked gents, armed
With horns of behemoth and unicorn,
Who wander, blinded by the clinging spells
O hostile wizardry, and stagger on
To forests where the very leaves have eyes,
And ebonies like wrathful dragons roar
To teaks a-chuckle in the loathly gloom;
Where coiled lianas lean, with serried fangs,
From writhing palms with swollen boles that moan;
Where leeches of a scarlet moss have sucked
The eyes of some dead monster, and have crawled
To bask upon his azure-spotted spine;
Where hydra-throated blossoms hiss and sing,
Or yawn with mouths that drip a sluggish dew
Whose touch is death and slow corrosion. Then
I watch a war of pygmies, met by night,
With pitter of their drums of parrot’s hide,
On plains with no horizon, where a god
Might lose his way for centuries; and there,
In wreathèd light and fulgors all convolved,
A rout of green, enormous moons ascend,
With rays that like a shivering venom run
On inch-long swords of lizard-fang.
Surveyed
From this my throne, as from a central sun,
The pageantries of worlds and cycles pass;
Forgotten splendors, dream by dream, unfold
Like tapestry, and vanish; violet suns,
Or suns of changeful iridescence, bring
Their rays about me like the colored lights
Imploring priests might lift to glorify
The face of some averted god; the songs
Of mystic poets in a purple world
Ascend to me in music that is made
From unconceivèd perfumes and the pulse
Of love ineffable; the lute-players
Whose lutes are strung with gold of the utmost moon,
Call forth delicious languors, never known
Save to their golden kings; the sorcerers
Of hooded stars inscrutable to God,
Surrender me their demon-wrested scrolls,
lnscribed with lore of monstrous alchemies
And awful transformations.
If I will
I am at once the vision and the seer,
And mingle with my ever-streaming pomps,
And still abide their suzerain: I am
The neophyte who serves a nameless god,
Within whose fane the fanes of Hecatompylos
Were arks the Titan worshippers might bear,
Or flags to pave the threshold; or I am
The god himself, who calls the fleeing clouds
Into the nave where suns might congregate
And veils the darkling mountain of his face
With fold on solemn fold; for whom the priests
Amass their monthly hecatomb of gems
Opals that are a camel-cumbering load,
And monstrous alabraundines, won from war
With realms of hostile serpents; which arise,
Combustible, in vapors many-hued
And myrrh-excelling perfumes. It is I,
The king, who holds with scepter-dropping hand
The helm of some great barge of orichalchum,
Sailing upon an amethystine sea
To isles of timeless summer: for the snows
Of Hyperborean winter, and their winds,
Sleep in his jewel-builded capital,
Nor any charm of flame-wrought wizardry,
Nor conjured suns may rout them; so he fees,
With captive kings to urge his serried oars,
Hopeful of dales where amaranthine dawn
Hath never left the faintly sighing lote
And lisping moly. Firm of heart, I fare
Impanoplied with azure diamond,
As hero of a quest Achernar lights,
To deserts filled with ever-wandering flames
That feed upon the sullen marl, and soar
To wrap the slopes of mountains, and to leap
With tongues intolerably lengthening
That lick the blenchèd heavens. But there lives
(Secure as in a garden walled from wind)
A lonely flower by a placid well,
Midmost the flaring tumult of the flames,
That roar as roars a storm-possessed sea,
Impacable for ever; and within
That simple grail the blossom lifts, there lies
One drop of an incomparable dew
Which heals the parchèd weariness of kings,
And cures the wound of wisdom. I am page
To an emperor who reigns ten thousand years,
And through his labyrinthine palace-rooms,
Through courts and colonnades and balconies
Wherein immensity itself is mazed,
I seek the golden gorget he hath lost,
On which, in sapphires fine as orris-seed,
Are writ the names of his conniving stars
And friendly planets. Roaming thus, I hear
Like demon tears incessant, through dark ages,
The drip of sullen clepsydrae; and once
In every lustrum, hear the brazen clocks
Innumerably clang with such a sound
As brazen hammers make, by devils dinned
On tombs of all the dead; and nevermore
I find the gorget, but at length I find
A sealèd room whose nameless prisoner
Moans with a nameless torture, and would turn
To hell’s red rack as to a lilied couch
From that whereon they stretched him; and I find,
Prostrate upon a lotus-painted floor,
The loveliest of all beloved slaves
My emperor hath, and from her pulseless side
A serpent rises, whiter than the root
Of some venefic bloom in darkness grown,
And gazes up with green-lit eyes that seem
Like drops of cold, congealing poison.
Hark!
What word was whispered in a tongue unknown,
In crypts of some impenetrable world?
Whose is the dark, dethroning secrecy
I cannot share, though I am king of suns,
And king therewith of strong eternity,
Whose gnomons with their swords of shadow guard
My gates, and slay the intruder? Silence loads
The wind of ether, and the worlds are still
To hear the word that flees mine audience.
In simultaneous ruin, al my dreams
Fall like a rack of fuming vapors raised
To semblance by a necromant, and leave
Spirit and sense unthinkably alone
Above a universe of shrouded stars
And suns that wander, cowled with sullen gloom,
Like witches to a Sabbath. . . . Fear is born
In crypts below the nadir, and hath crawled
Reaching the floor of space, and waits for wings
To lift it upward like a hellish worm
Fain for the flesh of cherubim. Red orbs
And eyes that gleam remotely as the stars,
But are not eyes of suns or galaxies,
Gather and throng to the base of darkness; flame
Behind some black, abysmal curtain burns,
Implacable, and fanned to whitest wrath
By raisèd wings that flail the whiffled gloom,
And make a brief and broken wind that moans
As one who rides a throbbing rack. There is
A Thing that crouches, worlds and years remote,
Whose horns a demon sharpens, rasping forth
A note to shatter the donjon-keeps of time,
Or crack the sphere of crystal. All is dark
For ages, and my toiling heart-suspends
Its clamor as within the clutch of death
Tightening with tense, hermetic rigors. Then,
In one enormous, million-flashing flame,
The stars unveil, the suns remove their cowls,
And beam to their responding planets; time
Is mine once more, and armies of its dreams
Rally to that insuperable throne
Firmed on the zenith.
Once again I seek
The meads of shining moly I had found
In some anterior vision, by a stream
No cloud hath ever tarnished; where the sun,
A gold Narcissus, loiters evermore
Above his golden image. But I find
A corpse the ebbing water will not keep,
With eyes like sapphires that have lain in hell|
And felt the hissing coals; and all the flowers
About me turn to hooded serpents, swayed
By flutes of devils in lascivious dance
Meet for the nod of Satan, when he reigns
Above the raging Sabbath, and is wooed
By sarabands of witches. But I turn
To mountains guarding with their horns of snow
The source of that befoulèd rill, and seek
A pinnacle where none but eagles climb,
And they with failing pennons. But in vain
I flee, for on that pylon of the sky
Some curse hath turned the unprinted snow to flame
Red fires that curl and cluster to my tread,
Trying the summit’s narrow cirque. And now
I see a silver python far beneath-
Vast as a river that a fiend hath witched
And forced to flow reverted in its course
To mountains whence it issued. Rapidly
It winds from slope to crumbling slope, and fills
Ravines and chasmal gorges, till the crags
Totter with coil on coil incumbent. Soon
It hath entwined the pinnacle I keep,
And gapes with a fanged, unfathomable maw
Wherein Great Typhon and Enceladus
Were orts of daily glut. But I am gone,
For at my call a hippogriff hath come,
And firm between his thunder-beating wings
I mount the sheer cerulean walls of noon
And see the earth, a spurnèd pebble, fall
Lost in the fields of nether starsand seek
A planet where the outwearied wings of time
Might pause and furl for respite, or the plumes
Of death be stayed, and loiter in reprieve
Above some deathless lily: for therein
Beauty hath found an avatar of flowers-
Blossoms that clothe it as a colored flame
From peak to peak, from pole to sullen pole,
And turn the skies to perfume. There I find
A lonely castle, calm, and unbeset
Save by the purple spears of amaranth,
And leafing iris tender-sworded. Walls
Of flushèd marble, wonderful with rose,
And domes like golden bubbles, and minarets
That take the clouds as coronal-these are mine,
For voiceless looms the peaceful barbican,
And the heavy-teethed portcullis hangs aloft
To grin a welcome. So I leave awhile
My hippogriff to crop the magic meads,
And pass into a court the lilies hold,
And tread them to a fragrance that pursues
To win the portico, whose columns, carved
Of lazuli and amber, mock the palms
Of bright Aidennic forests-capitalled
With fronds of stone fretted to airy lace,
Enfolding drupes that seem as tawny clusters
Of breasts of unknown houris; and convolved
With vines of shut and shadowy-leavèd flowers
Like the dropt lids of women that endure
Some loin-dissolving ecstasy. Through doors
Enlaid with lilies twined luxuriously,
I enter, dazed and blinded with the sun,
And hear, in gloom that changing colors cloud,
A chuckle sharp as crepitating ice
Upheaved and cloven by shoulders of the damned
Who strive in Antenora. When my eyes
Undazzle, and the cloud of color fades,
I find me in a monster-guarded room,
Where marble apes with wings of griffins crowd
On walls an evil sculptor wrought, and beasts
Wherein the sloth and vampire-bat unite,
Pendulous by their toes of tarnished bronze,
Usurp the shadowy interval of lamps
That hang from ebon arches. Like a ripple
Borne by the wind from pool to sluggish pool
In fields where wide Cocytus flows his bound,
A crackling smile around that circle runs,
And all the stone-wrought gibbons stare at me
With eyes that turn to glowing coals. A fear
That found no name in Babel, flings me on,
Breathless and faint with horror, to a hall
Within whose weary, self-reverting round,
The languid curtains, heavier than palls,
Unnumerably depict a weary king
Who fain would cool his jewel-crusted hands
In lakes of emerald evening, or the field
Of dreamless poppies pure with rain. I flee
Onward, and all the shadowy curtains shake
With tremors of a silken-sighing mirth,
And whispers of the innumerable king,
Breathing a tale of ancient pestilence
Whose very words are vile contagion. Then
I reach a room where caryatids,
Carved in the form of voluptuous Titan women,
Surround a throne flowering ebony
Where creeps a vine of crystal. On the throne
There lolls a wan, enormous Worm, whose bulk,
Tumid with all the rottenness of kings,
Overflows its arms with fold on creasèd fold
Obscenely bloating. Open-mouthed he leans,
And from his fulvous throat a score of tongues,
Depending like to wreaths of torpid vipers,
Drivel with phosphorescent slime, that runs
Down all his length of soft and monstrous folds,
And creeping among the flowers of ebony,
Lends them the life of tiny serpents. Now,
Ere the Horror ope those red and lashless slits
Of eyes that draw the gnat and midge, I turn
And follow down a dusty hall, whose gloom,
Lined by the statues with their mighty limbs,
Ends in golden-roofèd balcony
Sphering the flowered horizon.
Ere my heart
Hath hushed the panic tumult of its pulses,
I listen, from beyond the horizon’s rim,
A mutter faint as when the far simoom,
Mounting from unknown deserts, opens forth,
Wide as the waste, those wings of torrid night
That shake the doom of cities from their folds,
And musters in its van a thousand winds
That, with disrooted palms for besoms, rise,
And sweep the sands to fury. As the storm,
Approaching, mounts and loudens to the ears
Of them that toil in fields of sesame,
So grows the mutter, and a shadow creeps
Above the gold horizon like a dawn
Of darkness climbing zenith-ward. They come,
The Sabaoth of retribution, drawn
From all dread spheres that knew my trespassing,
And led by vengeful fiends and dire alastors
That owned my sway aforetime! Cockatrice,
Chimera, martichoras, behemoth,
Geryon, and sphinx, and hydra, on my ken
Arise as might some Afrit-builded city
Consummate in the lifting of a lash
With thunderous domes and sounding obelisks
And towers of night and fire alternate! Wings
Of white-hot stone along the hissing wind
Bear up the huge and furnace-hearted beasts
Of hells beyond Rutilicus; and things
Whose lightless length would mete the gyre of moons
Born from the caverns of a dying sun
Uncoil to the very zenith, half-disclosed
From gulfs below the horizon; octopi
Like blazing moons with countless arms of fire,
Climb from the seas of ever-surging flame
That roll and roar through planets unconsumed,
Beating on coasts of unknown metals; beasts
That range the mighty worlds of Alioth rise,
Afforesting the heavens with mulitudinous horns
Amid whose maze the winds are lost; and borne
On cliff-like brows of plunging scolopendras,
The shell-wrought towers of ocean-witches loom;
And griffin-mounted gods, and demons throned
On-sable dragons, and the cockodrills
That bear the spleenful pygmies on their backs;
And blue-faced wizards from the worlds of Saiph,
On whom Titanic scorpions fawn; and armies
That move with fronts reverted from the foe,
And strike athwart their shoulders at the shapes
The shields reflect in crystal; and eidola
Fashioned within unfathomable caves
By hands of eyeless peoples; and the blind
Worm-shapen monsters of a sunless world,
With krakens from the ultimate abyss,
And Demogorgons of the outer dark,
Arising, shout with dire multisonous clamors,
And threatening me with dooms ineffable
In words whereat the heavens leap to flame,
Advance upon the enchanted palace. Falling
For league on league before, their shadows light
And eat like fire the arnaranthine meads,
Leaving an ashen desert. In the palace
I hear the apes of marble shriek and howl,
And all the women-shapen columns moan,
Babbling with terror. In my tenfold fear,
A monstrous dread unnamed in any hall,
I rise, and flee with the fleeing wind for wings,
And in a trice the wizard palace reefs,
And spring to a single tower of flame,
Goes out, and leaves nor shard nor ember! Flown
Beyond the world upon that fleeing wind
I reach the gulf’s irrespirable verge,
Where fads the strongest storm for breath, and fall,
Supportless, through the nadir-plungèd gloom,
Beyond the scope and vision of the sun,
To other skies and systems.
In a world
Deep-wooded with the multi-colored fungi
That soar to semblance of fantastic palms,
I fall as falls the meteor-stone, and break
A score of trunks to atom powder. Unharmed
I rise, and through the illimitable woods,
Among the trees of flimsy opal, roam,
And see their tops that clamber hour by hour
To touch the suns of iris. Things unseen,
Whose charnel breath informs the tideless air
With spreading pools of fetor, follow me,
Elusive past the ever-changing palms;
And pittering moths with wide and ashen wings
Flit on before, and insects ember-hued,
Descending, hurtle through the gorgeous gloom
And quench themselves in crumbling thickets. Heard
Far off, the gong-like roar of beasts unknown
Resounds at measured intervals of time,
Shaking the riper trees to dust, that falls
In clouds of acrid perfume, stifling me
Beneath an irised pall.
Now the palmettoes
Grow far apart, and lessen momently
To shrubs a dwarf might topple. Over them
I see an empty desert, all ablaze
With ametrysts and rubies, and the dust
Of garnets or carnelians. On I roam,
Treading the gorgeous grit, that dazzles me
With leaping waves of endless rutilance,
Whereby the air is turned to a crimson gloom
Through which I wander blind as any Kobold;
Till underfoot the grinding sands give place
To stone or metal, with a massive ring
More welcome to mine ears than golden bells
Or tinkle of silver fountains. When the gloom
Of crimson lifts, I stand upon the edge
Of a broad black plain of adamant that reaches,
Level as windless water, to the verge
Of all the world; and through the sable plain
A hundred streams of shattered marble run,
And streams of broken steel, and streams of bronze,
Like to the ruin of all the wars of time,
To plunge with clangor of timeless cataracts
Adown the gulfs eternal.
So I follow
Between a river of steel and a river of bronze,
With ripples loud and tuneless as the clash
Of a million lutes; and come to the precipice
From which they fall, and make the mighty sound
Of a million swords that meet a million shields,
Or din of spears and armour in the wars
Of half the worlds and eons. Far beneath
They fall, through gulfs and cycles of the void,
And vanish like a stream of broken stars
into the nether darkness; nor the gods
Of any sun, nor demons of the gulf,
Will dare to know what everlasting sea
Is fed thereby, and mounts forevermore
In one unebbing tide.
What nimbus-cloud
Or night of sudden and supreme eclipse,
Is on the suns opal? At my side
The rivers run with a wan and ghostly gleam
Through darkness falling as the night that falls
From spheres extinguished. Turning, I behold
Betwixt the sable desert and the suns,
The poisèd wings of all the dragon-rout,
Far-flown in black occlusion thousand-fold
Through stars, and deeps, and devastated worlds,
Upon my trail of terror! Griffins, rocs,
And sluggish, dark chimeras, heavy-winged
After the ravin of dispeopled lands,
And harpies, and the vulture-birds of hell,
Hot from abominable feasts, and fain
To cool their beaks and talons in my blood
All, all have gathered, and the wingless rear,
With rank on rank of foul, colossal Worms,
Makes horrent now the horizon. From the wan
I hear the shriek of wyvers, loud and shrill
As tempests in a broken fane, and roar
Of sphinxes, like relentless toll of bells
From towers infernal. Cloud on hellish cloud
They arch the zenith, and a dreadful wind
Falls from them like the wind before the storm,
And in the wind my riven garment streams
And flutters in the face of all the void,
Even as flows a flaffing spirit, lost
On the pit s undying tempest. Louder grows
The thunder of the streams of stone and bronze
Redoubled with the roar of torrent wings
Inseparable mingled. Scarce I keep
My footing in the gulfward winds of fear,
And mighty thunders beating to the void
In sea-like waves incessant; and would flee
With them, and prove the nadir-founded night
Where fall the streams of ruin. But when I reach
The verge, and seek through sun-defeating gloom
To measure with my gaze the dread descent,
I see a tiny star within the depths-
A light that stays me while the wings of doom
Convene their thickening thousands: for the star
increases, taking to its hueless orb,
With all the speed of horror-changèd dreams,
The light as of a million million moons;
And floating up through gulfs and glooms eclipsed
It grows and grows, a huge white eyeless Face
That fills the void and fills the universe,
And bloats against the limits of the world
With lips of flame that open . . .
Once upon a time there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work. One day he was walking along the shore. As he looked down the beach, he saw a human figure moving like a dancer. He smiled to himself to think of someone who would dance to the day. So he began to walk faster to catch up. As he got closer, he saw that it was a young man and the young man wasn’t dancing, but instead he was reaching down to the shore, picking up something and very gently throwing it into the ocean. As he got closer he called out,”Good morning! What are you doing?” The young man paused, looked up and replied, “Throwing starfish in the ocean.” “I guess I should have asked, why are you throwing starfish in the ocean?” “The sun is up and the tide is going out. And if I don’t throw them in they’ll die.” “But, young man, don’t you realize that there are miles and miles of beach and starfish all along it. You can’t possibly make a difference!” The young man listened politely. Then bent down, picked another starfish and threw it into the sea, past the breaking waves and said, “It made a difference for that one.”
Yesterday (the 8th of August) was Rowan’s 17th Birthday! He has been studying at the Ashland Shakespearean Festival for the last week and a half. The house has been unusually quiet since he has been gone! 
Ireland was not separated from general European speculation when much of that was concerned with the supernatural. Dr. Adam Clarke tells in his unfinished autobiography how) when he was at school in Antrim towards the end of the eighteenth century, a schoolfellow told him of Cornelius Agrippa’s book on Magic and that it had to be chained or it would fly away of itself. Presently he heard of a farmer who had a copy and after that made friends with a wandering tinker who had another. Lady Gregory and I spoke of a friend’s visions to an old countryman. He said “he must belong to a society”; and the people often attribute magical powers to Orangemen and to Freemasons, and I have heard a shepherd at Doneraile speak of a magic wand with Tetragramaton Agla written upon it. The visions and speculations of Ireland differ much from those of England and France, for in Ireland, as in Highland Scotland, we are never far from the old Celtic mythology; but there is more likeness than difference. Lady Gregory’s story of the witch who in semblance of a hare, leads the hounds such a dance, is the best remembered of all witch stories. It is told, I should imagine, in every countryside where there is even a fading memory of witchcraft. One finds it in a sworn testimony given at the trial of Julian Cox, an old woman indicted for witchcraft at Taunton in Somersetshire in 1663 and quoted by Joseph Glanvill. “The first witness was a huntsman, who swore that he went out with a pack of hounds to hunt a hare, and not far from Julian Cox her house he at last started a hare: the dogs hunted her very close, and the third ring hunted her in view, till at last the huntsman perceiving the hare almost spent and making towards a great bush, he ran on the other side of the bush to take her up and preserve her from the dogs; but as soon as he laid hands on her, it proved to be Julian Cox, who had her head grovelling on the ground, and her globes (as he expressed it) upward. He knowing her, was so affrighted that his hair on his head stood on end; and yet spake to her, and ask’d her what brought her there; but she was so far out of breath that she could not make him any answer; his dogs also came up full cry to recover the game, and smelled at her and so left off hunting any further. And the huntsman with his dogs went home presently sadly affrighted.” Dr. Henry More, the Platonist, who considers the story in a letter to Glanvill, explains that Julian Cox was not turned into a hare, but that “Ludicrous Daemons exhibited to the sight of this huntsman and his dogs, the shape of a hare, one of them turning himself into such a form, another hurrying on the body of Julian near the same place,” making her invisible till the right moment had come. “As I have heard of some painters that have drawn the sky in a huge landscape, so lively, that the birds have flown against it, thinking it free air, and so have fallen down. And if painters and jugglers, by the tricks of legerdemain can do such strange feats to the deceiving of the sight, it is no wonder that these aerie invisible spirits have far surpassed them in all such prestigious doings, as the air surpasses the earth for subtlety.” Glanvill has given his own explanation of such cases elsewhere. He thinks that the sidereal or airy body is the foundation of the marvel, and Albert de Rochas has found a like foundation for the marvels of spiritism. “The transformation of witches,” writes Glanvill, “into the shapes of other animals
is very conceivable; since then, ’tis easy enough to imagine that the power of imagination may form those passive and pliable vehicles into those shapes,” and then goes on to account for the stories where an injury, say to the witch hare. is found afterwards upon the witch’s body precisely as a French hypnotist would account for the stigmata of a saint. “When they feel the hurts in their gross bodies, that they receive in their airy vehicles, they must be supposed to have been really present, at least in these latter, and ’tis no more difficult to apprehend, how the hurts of those should be translated upon their other bodies, than how diseases should be inflicted by the imagination, or how the fancy of the mother should wound the foettis, as several credible relations do attest.”
is the author/translator of over 100 books, including 12 volumes of poetry in Irish and a number of volumes of bilingual haiku. A member of Aosdana, the Irish Academy of Arts and Letters, he has given readings in Europe, the US, India, Australia and Japan. He has translated into Irish the selected poems of, among others, Francisco X. Alarcon, S. Heaney, G. Grass, W M Roggeman, Said, M. Augustin, P. Huchel, G. Trakl, G. Heym, H. Schertenleib and his Irish-language versions of haiku masters Issa, Buson, Shiki, Santoka and others are much loved in his native country.
