A Winter’s Afternoon…

In any circumstance good or bad, abandon

All hope from Buddhas and give up

All fears of suffering in Samsara.

Recognize that hope and fear are the

Magical display of your own mind

Of Primordial Purity.

Remain in the state where there is neither

Perceiver nor object of perception.

Let go into the immaculate space

Of Great Perfection beyond

Meditation or distractive disturbance.

– Tibetan Scroll
In Memory of Anna Marly…..

Leonard Cohen – Performing Anna Marlys’ ‘The Partisan”

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I came in from working all day in the cold, ear-ache and throat working overtime, but it was glorious, Beautiful Sun, and a gentle North West breeze… I will take the physical bs for the beauty…
Morgan stopped by our work-site, he was in a fine mood, back from visiting his lady friend back in Vermont and Maine….
This edition was brought about by Lo talking about Leonard Cohen the other day…. So without further ado….
On The Menu:

Zen Quotes

Leonard Cohen – The Gypsy Wife

Poetry: Leonard Cohen…

Assorted Images… Songs… Poems…
Blessings,
Gwyllm

Zen Quotes:
The clouds of sunset

Gather in the western sky,

And over the silent silvery Han

Rises a white jade moon.

Not often does life

Bring such beauty.

Where shall I see the moon

Next year?

– Su T’ung-Po (1037-1101)

The Way is vast and without favor.

The all-empty Tao is profound.

With an empty heart,

Its nature is easily learned,

Though its power encompasses the cosmos.

With its wisdom one may discern

Life’s great mysteries,

So that the heart may becomes pure

As the throne of the immortals.

– Loy Ching-Yuen (1873-1960)

The wind is the breath of heaven and earth.

Into every corner it unfolds and reaches;

Without choosing between high or low,

Exalted or humble, it touches everywhere.

– Song Yu (290-223 BCE)

Listening to Snow

Cold night, no wind, bamboo making noises,

Noises far apart, now bunched together,

Filtering the pine-flanked lattice.

Listening with ears is less fine

Than listening with the mind.

Beside the lamp I lay

Aside the half scroll of sutra

– Daito

Where subject and object are realized

As a single sphere

Happiness and sorrow mingle as one

Whatever circumstances I encounter,

I am free in the blissful realm

Of self-awakening Wisdom

– Milarepa

There is no help in changing

Your environment.

The obstacle is the mind,

Which must be overcome,

Whether at home or in the forest.

If you can do it in the forest,

Why not in the home?

Therefore, why change the environment?

– Ramana Maharshi

Evening mountains veiled in somber mist,

One path entering the wooded hill:

The monk has gone off, locking his pine door.

From a bamboo pipe a lonely trickle of water flows.

– Ishikawa Jozan (1583-1672)

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Leonard Cohen – The Gypsy Wife

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Poetry: Leonard Cohen

Waiting for Marianne from “Flowers for Hitler”
I have lost a telephone

with your smell in it
I am living beside the radio

all the stations at once

but I pick out a Polish lullaby

I pick it out of the static

it fades I wait I keep the beat

it comes back almost alseep
Did you take the telephone

knowing I’d sniff it immoderately

maybe heat up the plastic

to get all the crumbs of your breath
and if you won’t come back

how will you phone to say

you won’t come back

so that I could at least argue


Leonard Cohen – A Thousand kisses deep

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Millennium from “Flowers for Hitler”
This could be my little

book about love

if I wrote it–

but my good demon said:

‘Lay off documents!’

Everybody was watching me

burn my books–

I swung my liberty torch

happy as a gestapo brute;

the only thing I wanted to save

was a scar

a burn or two–

but my good demon said:

‘Lay off documents!

The fire’s not important!’

The pile was safely blazing.

I went home to take a bath.

I phoned my grandmother.

She is suffering from arthritis.

‘Keep well,’ I said, ‘don’t mind the pain.’

‘You neither,’ she said.

Hours later I wondered

did she mean

don’t mind my pain

or don’t mind her pain?

Whereupon my good demon said:

‘Is that all you can do?’

Well was it?

Was it all I could do?

There was the old lady

eating alone, thinking about

Prince Albert, Flanders Field,

Kishenev, her fingers too sore

for TV knobs;

but how could I get there ?

The books were gone

my address lists–

My good demon said again:

‘Lay off documents!

You know how to get there!’

And suddenly I did!

I remembered it from memory!

I found her

pouring over the royal family tree,

‘Grandma,’

I almost said,

‘you’ve got it upside down–’

‘Take a look,’ she said,

‘it only goes to George V.’

‘That’s far enough

you sweet old blood!’

‘You’re right!’ she sang

and burned the

London Illustrated Souvenir

I did not understand

the day it was

till I looked outside

and saw a fire in every

window on the street

and crowds of humans

crazy to talk

and cats and dogs and birds

smiling at each other!

Leonard Cohen – If it be your will

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Story Of Isaac
The door it opened slowly,

my father he came in,

I was nine years old.

And he stood so tall above me,

his blue eyes they were shining

and his voice was very cold.

He said, “I’ve had a vision

and you know I’m strong and holy,

I must do what I’ve been told.”

So he started up the mountain,

I was running, he was walking,

and his axe was made of gold.

Well, the trees they got much smaller,

the lake a lady’s mirror,

we stopped to drink some wine.

Then he threw the bottle over.

Broke a minute later

and he put his hand on mine.

Thought I saw an eagle

but it might have been a vulture,

I never could decide.

Then my father built an altar,

he looked once behind his shoulder,

he knew I would not hide.

You who build these altars now

to sacrifice these children,

you must not do it anymore.

A scheme is not a vision

and you never have been tempted

by a demon or a god.

You who stand above them now,

your hatchets blunt and bloody,

you were not there before,

when I lay upon a mountain

and my father’s hand was trembling

with the beauty of the word.

And if you call me brother now,

forgive me if I inquire,

“Just according to whose plan?”

When it all comes down to dust

I will kill you if I must,

I will help you if I can.

When it all comes down to dust

I will help you if I must,

I will kill you if I can.

And mercy on our uniform,

man of peace or man of war,

the peacock spreads his fan.

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When Helen Lived…

The problem is, if god is dead, then you lose the most important word in your language and you will need a substitute. God was one end, one extreme, and when one extreme disappears from your mental vision the necessary and inevitable is that you will fall to the other extreme, and that is what has happened… Instead of god, fuck has become the most important word in our language.—Osho, Strange Consequences

I awoke this morning at 4:20… 80) I know, I know…) wrapped in a dream, no a vision. Ever woken up to find yourself in a natural altered state? Hard to describe, this many hours on, but it was in the middle of a toss of I-Ching coins, with the universe spinning around within a chamber filled with beings. I woke up, promised myself I would remember everything, and I did, until I awoke from another dream where I was in a hotel in Northern Pakistan, holding a conversation with a Sufi master disguised as an inn-keeper one moment, and then various other characters following.. Ah… sleeping… not as safe or somber as one would expect. I found that a couple of hours having such altered mindscapes reveals the multiplicity of accessible states. You don’t need drugs, meditation, or any technique except what is already there inside awaiting to be revealed…
Editing the next issue of The Invisible College at this point, and getting closer, yes…. closer.
Warm Regards,
Gwyllm
On The Menu:

Quotes: Osho…

The MaryJane Links…

Michael Stearns – Planetary Unfolding

Coyote A Chippewa Legend

Poetry: William Butler Yeats For A Mid-Week Read…

Art: Helen Of Troy…

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The MaryJane Links…
Landlords Of Medical Cannabis Centers Threatened With Real Estate Forfeiture

Woman’s creative cannabis concealment causes concern during arrest

Minneapolis officers raid innocent family’s home, trade fire with frightened dad; no injuries

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MICHAEL STEARNS – PLANETARY UNFOLDING

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“Experience life in all possible ways –

good-bad, bitter-sweet, dark-light,

summer-winter. Experience all the dualities.

Don’t be afraid of experience, because

the more experience you have, the more

mature you become.”

-Osho

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Coyote A Chippewa Legend
Coyote was walking along a lake and saw a flock of ducks, which put him in the mood for a good duck dinner. So he stuffed a bag full of grass and walked past the ducks, stepping lively and singing a catchy tune.
“Where are you going?” asked one of the ducks.
“I am going to a circle,” replied Coyote.
“What’s in the bag?” asked the duck.
“Songs that I am bringing to the circle,” replied Coyote.
“Oh, please sing your songs for us,” the ducks all said.
“I’m very busy”
“Please, please, please, please ….”
“I’m running late …”
“Please, please, please, please….”
“Oh, alright. I’ll sing a song for you, but I need your help. All of you stand in three lines. The fattest ones in the front, those in the middle who are neither fat nor thin, and the thin ones in back. All of you close your eyes and dance and sing as loud as you can. Don’t anyone open your eyes or stop singing, because my songs are very powerful and if you do that you may go blind! Is everyone ready?”
“We are!” replied the ducks, and they fell into lines and began dancing and singing along with Coyote’s tune.
Coyote moved up and down the line, thumping the ducks on the head and stuffing them into his bag. The ducks were singing and dancing so hard that no one could hear the thumps or know what was happening.
This would have gone on till none were left, if not for one scraggly duck in the back who opened his eyes and saw what was going on. “Hey, he’s going to get us all!” cried the scraggly one.
At this, the other surviving ducks opened their eyes and made their getaway.
Coyote wasn’t too upset; he already had a lot of ducks in his bag. He went home and ate good for a good while.
The ducks went home and mourned their dead, and gave thanks to The Great Duck that one of them had been wise enough to open his eyes, and that the rest of them had been wise enough to listen to the one who gave warning.

_______
“Infinite emptiness will be mirrored

: two mirrors facing each other . But

if you have some idea, then you will

see your own idea in me.”

– Osho

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Poetry: William Butler Yeats For A Mid-Week Read…
TO A CHILD DANCING IN THE WIND

Dance there upon the shore;

What need have you to care

For wind or water’s roar?

And tumble out your hair

That the salt drops have wet;

Being young you have not known

The fool’s triumph, nor yet

Love lost as soon as won,

Nor the best labourer dead

And all the sheaves to bind.

What need have you to dread

The monstrous crying of wind?


WHEN HELEN LIVED
We have cried in our despair

That men desert,

For some trivial affair

Or noisy, insolent sport,

Beauty that we have won

From bitterest hours;

Yet we, had we walked within

Those topless towers

Where Helen walked with her boy,

Had given but as the rest

Of the men and women of Troy,

A word and a jest.


THE SORROW OF LOVE
The quarrel of the sparrows in the eaves,

The full round moon and the star-laden sky,

And the loud song of the ever-singing leaves,

Had hid away earth’s old and weary cry.

And then you came with those red mournful lips,

And with you came the whole of the world’s tears,

And all the sorrows of her labouring ships,

And all the burden of her myriad years.

And now the sparrows warring in the eaves,

The curd-pale moon, the white stars in the sky,

And the loud chaunting of the unquiet leaves

Are shaken with earth’s old and weary cry.

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The heart knows nothing of the past,

nothing of the future; it knows only of the

present. The heart has no time concept.”

-Osho

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One Year…

On The Menu:

One Year!

The Story Of The Sage of Herat

Yunus Emre Poetry…

Art: Gustave Moreau

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One Year!
Andrew, Catherine, & Eildon

This time last year, Catherine had delivered Eildon to the wide and wandering world…
We went to his first Birthday party tonight, and he was having quite a bit of fun. He had two lively playmates, Kelrith, and Ivy… sweet little ones!
He tore open some packages, had some cake, and generally charmed everyone.
It is truly amazing to see how much children grow from their first day to their first year. Here is to the little Guy! Happy B-day Eildon!
— —- — —- — —- — —-
The Story Of The Sage of Herat:

It has been told, that during the reign of Sultan Mahmud of Ghazna, there lived a certain Haidar Ali Jan. His father, Iskandar Khan, wanted to gain the patronage of the Sultan, so he sent Haidar Ali away to study spirituality under the guidance of a well known sage.
After Haidar Ali had mastered various exercises and spiritual recitals, taught in the Sufi schools, his father took him before Sultan Mahmud.
“Mighty Sultan Mahmud,” said Iskandar Khan, “I have had my eldest and most intelligent son specially trained in the ways of the Sufi, so that he might be given a good position in your court, knowing that you are a patron of learning!”
Sultan Mahmud did not look up, but just said, “Bring him back in a year!”
Slightly disappointed, but maintaining high hopes, Iskandar Khan sent Haidar Ali to study the works of the great Sufis of the past and to visit the shrines of the ancient masters, so that he would be better prepared the following year.
The next year, when he took Haidar Ali back to Sultan Mahmud’s court, he said, “Your Majesty, my son has covered long and difficult journeys and is now more knowledgeable in Sufi history and classical spiritual exercises. Please have him tested, so it can be proven that he will be a wonderful asset to your court.”
“Let him,” said Sultan Mahmud without hesitation, “return after another year!”
Over the next twelve months, Haidar Ali crossed the Amu Darya river and visited Bukhara and Samarqand, Qasr-i-Arifin and Tashkent, Dushambe and the turbats of the Sufi saints of Turkestan.
When he returned to the court, Sultan Mahmud of Ghazna took one look at him and said, “He may care to come back after a year!”
Haidar Ali made the pilgrimage to Mecca that year. He then traveled to India and in Persia he consulted rare books and never missed an opportunity to seek out and pay his respects to the great dervishes of the time.
When he returned to Ghazna, Sultan Mahmud said to him, “Now select a sheikh (teacher) if he will have you, and come back in a year!”
Another year was over and Iskandar Khan prepared to take his son to the court, however, this time Haidar Ali showed no interest in going before the Sultan. He sat at the feet of his sheikh in Herat and nothing that his father could say would move him.
“I have wasted my time and money, and my son has failed the tests imposed by Sultan Mahmud,” Iskandar Khan cried to his family and friends. He decided to abandoned his great plans for Haidar Ali and left him alone with his sheikh.
The day preset day for Haidar Ali to present himself at the court came and went. Sultan Mahmud said to his courtiers, “Prepare for a journey to Herat, for there is someone in that city I have to meet.”
When Sultan Mahmud’s entourage entered Herat to the sound of drums and trumpets, Haidar Ali and his sheikh were sitting in a garden sanctuary near by. Sultan Mahmud and his courtier Ayaz, approached the sanctuary and took off their shoes in respect.
“Welcome, Sultan Mahmud,” said the Sufi sheikh, and he pointed to Haidar Ali and said, “Here is the man who was nothing while he was a visitor at your court, but now, he is worthy of a visit from a king. Take him as your Sufi counselor, for he is ready!”

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Yunus Emre Poetry…

Dervishood
Dervishood tells me, you cannot become a dervish

So what can I tell you? You cannot become a dervish.
A dervish needs a wounded heart and eyes full of tears.

He needs to be as easy going as a sheep.

You can’t be a dervish.
He must be without hands when someone hits him.

He must be tongueless when cursed.

A dervish needs to be without any desire.

You can’t be a dervish.
You make a lot of sounds with your tongue, meaningful things.

You get angry about this and that.

You can’t be a dervish.
If it were all right to be angry on this path,

Muhammad himself would have gotten angry.

Because of your anger, you can’t be a dervish.
Unless you find a real path, unless you find a guide,

unless Truth grants you your portion,

you can’t be a dervish.
Therefore, dervish Yunus, come,

dive into the ocean now and then.

Unless you dive in the ocean, you cannot be a dervish.

The drink sent down from Truth,

we drank it, glory be to God.

And we sailed over the Ocean of Power,

glory be to God.
Beyond those hills and oak woods,

beyond those vineyards and gardens,

we passed in health and joy, glory be to God.
We were dry, but we moistened,

We grew wings and became birds,

we married one another and flew,

glory be to God.
To whatever lands we came,

in whatever hearts, in all humanity,

we planted the meanings Taptuk taught us,

glory be to God.
Come here, let’s make peace,

let’s not be strangers to one another.

We have saddled the horse

and trained it, glory be to God.
We became a trickle that grew into a river.

We took flight and dove into the sea,

and then we overflowed, glory be to God.
We came down to the valley for winter,

we did some good and some bad things.

Now it’s spring and we’ll return, glory be to God.
We became servants at Taptuk’s door.

Poor Yunus, raw and tasteless,

finally got cooked, glory be to God.

A single word can brighten the face
A single word can brighten the face

of one who knows the value of words.

Ripened in silence, a single word

acquires a great energy for work.
War is cut short by a word,

and a word heals the wounds,

and there’s a word that changes

poison into butter and honey.
Let a word mature inside yourself.

Withhold the unripened thought.

Come and understand the kind of word

that reduces money and riches to dust.
Know when to speak a word

and when not to speak at all.

A single word turns the universe of hell

into eight paradises.
Follow the Way. Don’t be fooled

by what you already know. Be watchful.

Reflect before you speak.

A foolish mouth can brand your soul.
Yunus, say one last thing

about the power of words –

Only the word “I”

divides me from God.

The drink sent down from Truth
The drink sent down from Truth,

we drank it, glory be to God.

And we sailed over the Ocean of Power,

glory be to God.
Beyond those hills and oak woods,

beyond those vineyards and gardens,

we passed in health and joy, glory be to God.
We were dry, but we moistened.

We grew wings and became birds,

we married one another and flew,

glory be to God.
To whatever lands we came,

in whatever hearts, in all humanity,

we planted the meanings Taptuk taught us,

glory be to God.
Come here, let’s make peace,

let’s not be strangers to one another.

We have saddled the horse

and trained it, glory be to God.
We became a trickle that grew into a river.

We took flight and drove into the sea,

and then we overflowed, glory be to God.
We became servants at Taptuk’s door.

Poor Yunus, raw and tasteless,

finally got cooked, glory be to God.

The lover is outcast and idle
My soul,

the way of the masters

is thinner than the thinnest.

What blocked Solomon’s way was an ant.
Night and day the lover’s

tears never end,

tears of blood,

remembering the Beloved.
“The lover is outcast and idle,”

they used to tell me.

It’s true.

It happened to me.
I tried to make sense of the Four Books,

until love arrived,

and it all became a single syllable.
You who claim to be dervishes

and to never do what God forbids –

the only time you’re free of sin

is when you’re in His hands.
Two people wer talking.

One said, “I wish I could see this Yunus.”

“I’ve seen him,” the other says,

“He’s just another old lover.”

Dreams For The Future

“Truth is more in the process than in the result.” – Krishnamurti

On The Music Box: Gaudi – Bass, Drum and Tears

In The Reading Room: Baba Ram Dass – Be Here Now

In The Glass – Absinthe (of course…..)
(Photo – Irina Sharkova)

Well, the New Year has come, and it found me in bed, trying to sleep as I had to get Morgan to the Airport at 5:00 or so in the morning. The alarm went off about 4:15 and I had been awake already, that internal clock really works when you give it a chance.
We had family and friends by last night, but I had to punk out around 10:30, which was a first is some 20 or more years. I am a bit unfocused, but I would like to make some observations/points:
I would like to say that I have high hopes for this coming year on many levels. Hope is something I have not had an abundance of in the last several years. 2007 was a pretty neat year for Caer Llwydd, and with many of our friends. I started the year with guarded hope, and it has proved out to have been a good one. I will make the same investment on 2008… Yes, we can turn the tides and many are working to make it a better place, we need to coordinate a bit on efforts, and the world view will shift.
This is where I make some observations on media items…..
PICKS OF THE YEAR

(they may or may not have been released this year, I just had to like them) 8o)
Picks Of The Year: Movies

Monsieur Ibrahim

Renegade (Blueberry)

The Fountain….

The Brothers Grimm
Picks Of the Year: Music

Raising Sand – Allison Krause & Robert Plant

We Create -Maps

Oxycanta

Fahrenheit Volume 6

All The Roadrunning – Mark Knopfler & Emmylou Harris
Picks of the Year: Books

Supernatural – Graham Hancock

The Gifts of Burning Man – Dale Pendell

The Hidden World – Ruck, Staple, Celdran, Hoffman

Orgies Of The Hemp Eaters – Hakim Bey & Abel Zug
Bright Blessings,
Gwyllm Llwydd

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On The Menu
Krishnamurti Quotes

Arcade Fire – No Car Go

Formless Creation

Poetry: The Immortal Friend

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The Quotes: Krishnamurti

“A consistent thinker is a thoughtless person, because he conforms to a pattern; he repeats phrases and thinks in a groove.”
” …In our relationship with children and young people, we are not dealing with mechanical devices that can be quickly repaired, but with living beings who are impressionable, volatile, sensitive, afraid, affectionate; and to deal with them we have to have great understanding, the strength of patience and love… “

“Insight is not an act of remembrance, the continuation of memory. Insight is like a flash of light. You see with absolute clarity, all the complications, the consequences, the intricacies. Then this very insight is action, complete. In that there are no regrets, no looking back, no sense of being weighed down, no discrimination. This is pure, clear insight – perception without any shadow of doubt. Most of us begin with certainty and as we grow older the certainty changes to uncertainty and we die with uncertainty. But if one begins with uncertainty, doubting, questioning, asking demanding, with real doubt about man’s behaviour, about all the religious rituals and their images and their symbols, then out of that doubt comes the clarity of certainty.”

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Arcade Fire – No Car Go

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Formless Creation -Krishnamurti

[This is the closing speech of one of the Camp K held in 1928]
From this Camp you will go away to all parts of the world, carrying with you, alas, also that which you have not understood. If that which you have not understood be the stronger, because of its strength it will pervert that which you have understood.
I would give you the flower of understanding which shall know no decay, so that you may keep it ever with you.
Truth is like a flame without definite form, it varies from moment to moment. No man can describe it, but by the light of Truth alone you must walk, if you would keep that flower of understanding with you always.
Because you will go away with phrases, with words, with half ideas, the full beauty of manifestation will escape you. I have heard people say, “I must give up music. I must no longer admire painting. I must no longer enjoy the shade of a tree and the glory of sunset, nor the reflection of the swallow of a still evening on the face of the waters.” If that is what you understand when I say that life is more important than its expressions, you will destroy the beauty of the expression, and then you will have to create that beauty again. Do you think that there is so much beauty around us in expression, in manifestation, only to be destroyed, to be put aside and not be admired?
As the water is necessary for the beauty of the lotus, and as the lotus makes the waters beautiful, so, when the expression of life is destroyed, when it is made hideous and horrible to behold, then life itself, which is in duke each one, becomes perverted, mutilated and ugly. So , friend, do not cease to admire beauty. Do not hold back the laughter that awakens in your heart when you see a dancing leaf. Do not thwart the expressions of life by misunderstanding the purpose of life. To bring that expression to perfection, to its fulfilment, life must be free, life must not be bound by traditions, by your stagnating moralities and beliefs. The expressions of life will then be naturally beautiful.
There have been many thousand people at these Camps and what could they not do in the world if they all understood! They could change the face of the world tomorrow. Its expression would become different because new life had been brought to it.
That is what I long to do. That is the only desire that burns in my heart. Because I see sadness and corruption, pain and suffering, passing ecstasies and passing fantasies, I would awaken life and bring it to its perfect fulfilment. You who are going away must realize your responsibility. Truth is not to be played with, nor to be corrupted by misunderstanding, but to be developed with full understanding of the purpose of life. If you have caught a glimpse of Truth, if you are walking on the path of understanding, you can change the thought and feeling of the world; but before you can change the world, you must change your own heart and mind. For this reason you have gathered together; for this reason you have been shaken to the very foundation – as I hope – of your structure. You have come to discover, in the light of the Truth, that which is lasting, that which shall stand against the storm, and distinguish it from that which is unimportant, trivial and to be set aside.
For that reason I have urged you to invite doubt, and to examine with understanding all that you have gathered through the ages. Adversity is a furnace through which everyone must pass. Great struggles , great sorrows, and great ecstasies unfold the Truth in its sublimity, in its simplicity. To welcome adversity – not thrust upon you by another – you must invite doubt. If doubt unconsciously insinuates itself into your heart, it will not purify it. You can only purify it by deliberately inviting doubt.
Those who would attain greatly, who would understand truly, must invite the future and let that future come into conflict with the fruit of the past, which is the present. But you do not want to do that. All your questions, all your thoughts and feelings have been about the past. You have judged everything that I have put before you by the past; but friend, Truth is neither bound by the past nor the present nor the future. To understand Truth, you must put aside all things that you have accumulated and not cling with fear o the past. However beautiful it may be. If the past seems so fruitful to you, if the past in its decay is so dear to you, if the past holds such sway over you, why are you here? You are here because you are faced with the future. To understand the future you must put aside the past and take the future to your heart and mind and cling to it desperately as a drowning man desires air. Not merely to dwell in some distant future, but to bring that future to the immediate present is the glory of man.
I tell you, friend, One greater than your books, your rites, your religions and your beliefs, is here, and if you would learn to understand the Truth you must put aside the past, however, comfortable, however pleasing, however delightful it may have been, and welcome the future. If you worship and cling to the past, you will be like the dead stumps of yesterday – no waters can revive their green shoots.
As you have to build greatly, you must bring that future, Truth, and life in its fulfilment, to the present. To create greatly, to create lastingly, you must understand, and so I say: Do not follow, do not obey, do not be loyal to any person except to yourself, and then you will be loyal to every passer-by.
Do not repeat after me words that you do not understand. Do not merely put on a mask of my ideas, for it will be an illusion and you will thereby deceive yourself.
I would build in your heart and mind that Truth which is of no form and hence eternal. I would change your heart and mind in the shadow of eternity. When you change and build on the love of life and its understanding, what you build will be everlasting.
I do not want to concern myself with the moulding of a door, which is but an expression of life. You can always change the expression of life, but if you would build eternally in the light of the Truth, you must ever give love to life, with new ideas and understanding to nourish it. The only eternal creation is that which is without form, with life itself and not with the expressions of life. You want me to create your expressions,to lay down disciplines for you to follow; you want me, who am the Life, to deal with the mouldings of the door. Because I do not concern myself with the expressions and manifestations of life, you are not satisfied; You want me to deal with the transitory instead of with the eternal.
Friend, I want to lay the foundation of Truth in your mind and heart. That is the work of life and therefore of the eternal. You have not so far been concerned with that foundation, you have not taken to heart and pondered over that Truth; you have all the time occupied yourself with the past, with small misunderstandings, with the corruption from obedience, with petty loyalties to individuals, with the adoration of passing mediators and gurus. Is it not better to seek the life eternal that shall nourish you always, than to seek shelters that vary from moment to moment, inviting you to their decay and stagnation?
Friend, believe me, I am saying all this out of the fullness of my heart. Because I am in love with that life which is in everyone, I would free that life; but you do not want that, you want the passing love, the fleeting comfort and the balm that shall heal your momentary pain. You desire what you perceive, but if your perception is limited and conditioned, your desire will be cause of your sorrow. But if your perception has no limitation, it it is beyond all beliefs and traditions, then your desire will have no limitations; it will be life itself. You are not in love with life: you are in love with the past, and life is not concerned with the past. Li
fe, like the swift-running waters, is always going forward and is never still and stagnant.
Because One greater than all these is with you, I hold it dear and precious that you should understand in the fullness of your heart and mind, and so create the light which shall be your guide, which is not the light of another, but your own. Go away with the mirror of Truth which shall reflect your life, with the love that is detached, and with the understanding of the Truth.

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Poetry:The Immortal Friend

Krishnamurti 1928
Oh! Listen,

I will sing to thee the song of my Beloved.
Where the soft green slopes of the still mountains

Meet the blue shimmering waters of the noisy sea,

Where the bubbling brook shouts in ecstasy,

Where the still pools reflect the calm heavens,

There thou wilt meet with my Beloved.
In the vale where the cloud hangs in loneliness

Searching the mountain for rest,

In the still smoke climbing heavenwards,

In the hamlet toward the setting sun,

In the thin wreaths of the fast disappearing clouds,

There thou wilt meet with my Beloved.
Among the dancing tops of the tall cypress,

Among the gnarled trees of great age,

Among the frightened bushes that cling to the earth,

Among the long creepers that hang lazily,

There thou wilt meet with my Beloved.
In the ploughed fields where noisy birds are feeding,

On the shaded path that winds along the full, motionless river,

Beside the banks where the waters lap,

Amidst the tall poplars that play ceaselessly with the winds,

In the dead tree of last summer’s lightning,

There thou wilt meet with my Beloved.
In the still blue skies,

Where heaven and earth meet

In the breathless air,

In the morn burdened with incense,

Among the rich shadows of a noon-day,

Among the long shadows of an evening,

Amidst the gay and radiant clouds of the setting sun,

On the path on the waters at the close of the day,

There thou wilt meet with my Beloved.
In the shadows of the stars,

In the deep tranquility of dark nights,

In the reflection of the moon on still waters,

In the great silence before the dawn,

Among the whispering of waking trees,

In the cry of the bird at morn,

Amidst the wakening of shadows,

Amidst the sunlit tops of the far mountains,

In the sleepy face of the world,

There thou wilt meet with my Beloved.
Keep still, O dancing waters,

And listen to the voice of my Beloved.
In the happy laughter of children

Thou canst hear Him.

The music of the flute

Is His voice.

The startled cry of a lonely bird

Moves thy heart to tears,

For thou hearest His voice.

The roar of the age-old sea

Awakens the memories

That have been lulled to sleep

By His voice.

The soft breeze that stirs

The tree-tops lazily

Brings to thee the sound

Of His voice.
The thunder among the mountains

fills thy soul

With the strength

Of His voice.

In the roar of a vast city,

through the voices of the night,

The cry of sorrow,

The shout of joy,

Through the ugliness of anger,

Comes the voice of my Beloved.
In the distant blue isles,

On the soft dewdrop,

On the breaking wave,

On the sheen of waters,

On the wing of the flying bird,

On the tender leaf of the spring,

Thou wilt see the face of my Beloved.
In the sacred temple,

In the halls of dancing,

On the holy face of the sannyasi,

In the lurches of the drunkard,

With the harlot and with the chaste,

Thou wilt meet with my Beloved.
On the fields of flowers,

In the towns of squalor and dirt,

With the pure and the unholy,

In the flower that hides divinity,

There is my well-Beloved.
Oh! the sea

Has entered my heart,

In a day,

I am living an hundred summers.

O, friend,

I behold my face in thee,

The face of my well-Beloved.
This is the song of my love.

The Metaphysical Circus…

The Tao is like a well:

used but never used up.

It is like the eternal void:

filled with infinite possibilities.
It is hidden but always present.

I don’t know who gave birth to it.

It is older than God.

The Metaphysical Circus…
This is perhaps the last posting this year to Turfing. It has been a year where Turfing reached an apex of daily post, to going to one or two (sometimes more or less) a week. As I got going on the editing of the Invisible College Magazine, and working more with my art, something had to give.
Sadly, that was the daily Turf. Yet, it still comes out, and maybe in not such an overwhelming manner. One of the main complaints I received over the last couple of years (amidst the praises & thumbs up) was the sheer volume of Turfing. The complaints generally were along the line that “Turfing is not a Blog, it is more of a magazine”…. which of course led to another direction.
This has been a good year, a year of transitions both physically, metaphysically and psychically for many including yours truly.
For one thing, I got back into my Art in a way I never expected. I must watch what I wish for at the the Solstice Fire, it is uncanny how things manifest when you are paying attention to the details… This culminated with a great little art show at Clinton Corner Cafe during the months of October through early December, and it looks like I have more shows coming in the spring, one being at Mirador as their Artist In Residence during the Art Walk event… (Mirador is a great store, and the home to my mural that looks like it will be unveiled again!)
There has been lots of changes, growth and new projects throughout the greater community this past year. I feel the great wheel is turning, and the path is opening up. This next year will see greater changes, and wonders yet.
Have a Happy New Year, and see you all very, very soon.
I pray, I pray.
Blessings,

Gwyllm
(Paul, Sarah & Gwyllm at Glen’s Birthday Party….)

Prelude To The Menu:

The Greatest Story Ever Told is an interesting series of videos extracted from a documentary. Whether you agree with it or not, there are some fascinating points made. We get to visit with Brad Steiger on his “Pre-Historic Nuclear War? Reflections on Worlds Before Our Own”… I first discovered this theory in “Morning of the Magicians” when I was 17. It is a fascinating subject… AE blesses us with his poetry and art including his wonderful ‘Madame Blavatsky’ which graces the beginning of this entry…
And of course my beloved Dao De Ching…

On The Menu:

Dao De Ching…. here and not here…

The Greatest Story Ever Told (3 entries on this…)

Pre-Historic Nuclear War? Reflections on Worlds Before Our Own

Poems From AE (George William Russell

Art: AE

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The Greatest Story Ever Told…

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When the great Tao is forgotten,

goodness and piety appear.

When the body’s intelligence declines,

cleverness and knowledge step forth.

When there is no peace in the family,

filial piety begins.

When the country falls into chaos,

patriotism is born.

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Look, and it can’t be seen.

Listen, and it can’t be heard.

Reach, and it can’t be grasped.
Above, it isn’t bright.

Below, it isn’t dark.

Seamless, unnamable,

it returns to the realm of nothing.

Form that includes all forms,

image without an image,

subtle, beyond all conception.
Approach it and there is no beginning;

follow it and there is no end.

You can’t know it, but you can be it,

at ease in your own life.

Just realize where you come from:

this is the essence of wisdom.

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A Pre-Historic Nuclear War? Reflections on Worlds Before Our Own
by Brad Steiger
I find myself now in the seventh decade of life still asking two questions that in one way or another the great majority of my 165 published books have sought to answer: 1.) Who are we as a species? 2.) What is our destiny?
The basic reason that I wrote Worlds Before Our Own (G.P. Putnam‘s Sons, 1978; Anomalist Books, 2007) is that I have always found it incredible that such sophisticated people as we judge ourselves to be, do not really know who we are.
Archaeologists, anthropologists, and various academicians who play the “origins of Man” game, reluctantly and only occasionally acknowledge instances where unique skeletal and cultural evidence from the prehistoric record suddenly appear long before they should — and in places where they should not. These irritating artifacts destroy the orderly evolutionary line that academia has for so long presented to the public. Consequently, such data have been largely left buried in site reports, forgotten storage rooms, and dusty archives where one suspects that there is a great deal of suppressed, ignored, and misplaced pre-historical cultural evidence that would alter the established interpretations of human origins and provide us with a much clearer definition of what it means to be human.
There is now a basic academic consensus that the “homo” lineage goes back at least three million years, and that an ancestor of modern man evolved about one million years ago. Homo Sapiens, the “thinking man,” (our own species), became the dominant planetary life form on a worldwide basis, about 40,000 years ago.
It is difficult enough to explain the sudden appearance of Homo Sapiens at that time, but it is an even more complex question to ponder why Neanderthal and Cro-Magnon man correspondingly disappeared. And academic warfare rages unceasingly over whether or not Neanderthal and our ancestors were two separate species or whether they interbred.
And just as scientists are adding to a growing body of evidence that humankind developed in Africa, a Hungarian excavation surrenders a Homo Sapiens skull fragment in a context more than 600,000 years out of alignment with the accepted calendar of man’s migrations across the planet. Hominid fossils are unearthed in Dmanisi, Georgia, indicative of 1.77 million years old; and a homind tooth found in Niocene deposits near the Maritsa River in Bulgaria is dated at seven million years old.
What happens to Darwinian evolution when there are such sites as the one in Australia, which yielded Homo Sapiens (modern man), Homo erectus (our million-year-old ancestor), and Neanderthal (our Stone Age cousin) in what appears to be a contemporaneous environment? Then there is the Tabun site where Homo Sapiens fragments were found in strata below (which means older than) classic Neanderthal bones. In August 2007, scientists dating fossils found in Kenya challenged the conventional view that Homo Habilis (1.44 million years) and Homo erectus (1.55 million years) evolved one after the other. Dating of new fossil evidence revealed that the two species lived side by side in Africa for almost half a million years.
Somewhere, in what would appear to be a biological and cultural free-for-all, there must lie the answer to that most important question: Who are we?
But just as we are trying our best to fit skeletal fragments together in a manner that will be found acceptable to what we believe we know about our origins, footprints are being found in stone, which, if they are what they appear to be, will make a total shambles of our accepted evolutionary calendar. In Pershing County, Nevada, a shoe print was found in Triassic limestone, strata indicative of 400 million years, in which the fossilized evidence clearly revealed finely wrought double-stitching in the seams.
Early in 1975, Dr. Stanley Rhine of the University of New Mexico announced his discovery of human-like footprints in strata indicative of 40 million years old. A few months before, a similar find was made in Kenton, Oklahoma. At almost the same time, a discovery of a footprint in stone was revealed in north-central Wisconsin.
In Death Valley, there is ample fossil and skeletal evidence to indicate that the desolate area was once a tropical Garden of Eden where a race of giants lived and fed themselves with palatable foods taken from the local lakes and forests.
To speak of a race of prehistoric giants in what is now the desert sands of Death Valley is simultaneously to refute the doctrine which decrees that man is a relative newcomer to the North and South American continents. While on the one hand, new radiocarbon dates demonstrate that the Bering Land Bridge and Cordilleran Ice Corridor were not passable until 9000 years ago, an increasing amount of physical evidence indicates that man was surely in this hemisphere much earlier than that recent date.
For one thing, corn, an American contribution to the dinner tables of the world, is said to be, at 9000 years, our oldest domesticated seed crop. Some agriculturist had to be in the Americas more than 9000 years ago in order to domesticate the seed. Ancient squash seeds, peanuts, and cotton balls dated at 8,500 years old found in Peru’s Nanchoc Valley constitute additional evidence that New World farming was well established. Conclusive proof that such ancient farmers did exist in the Americas was offered when a Humble Oil Company drill brought up Mexican corn pollen that was more than 80,000 years old.
The anomalous Indian blood seration and dentition, and the geographic distribution of the American Indian, demands an impossible genetic time scale in which to transform Asiatic immigrants to distinctive New World inhabitants.
Even if we attempt to keep some kind of peace with the accepted theories of New World habitation, we must grant more evolution in 40,000 years in North America than that which took place in more than one million years in Europe, Africa, and Asia.
Skulls found in California, which are clearly those of American Indians, have been dated at 50,000 years old. But we are left with another mystery. A 140,000 year old American Indian type skull (via metric analysis) has been found at an Iranian excavation site.
What of the lost Amerindian civilization of Cahokia, complete with pyramids and a great wall? One site, near the present city of St. Louis, may have contained a metropolis of more than 250,000 North American Indians.
And who constructed the mysterious seven-mile walls of the Berkeley and Oakland, California, hills?
And which pre-Mayan peoples engineered an elaborate waterworks in Yucatan to irrigate crops over 2000 years ago?
The Caracol Tower at Chichen Itza is a remarkable Mesoamerican observatory that seems to have correlated its findings with similar sites in North America, including Mesa Verde, Wichita, and Chaco Canyon.
One of the most heretical theories that I suggest in Worlds Before Our Own is that the cradle of civilization might possibly have traveled from the so-called New World to the Old. Now, in December 2007, years after Ruth Shady Solis found the ancient city of Caral, Peru, scientists have accepted the carbon dating of 2,627 B.C.E., thereby establishing the civilization in South America to be much older than the Harappa Valley towns and the pyramids of Egypt. Caral must now be recognized as “the mother of all civilizations,” the missing link of archaeology, the Mother City.
Scientific knowledge has seemingly been prized by the inhabitants of every culture, known and unknown. Rock engravings, which may be as old as 60 million years, depict in step-by-step illustrations an entire heart-transplant operation and a Cesarean section.
The ancient Egyptians used the equivalent of contraceptive jelly and had urine pregnancy tests. The cement used in filling Mayan dental cavities still holds after 1500 years.
No fabric is supposed to have been found until Egypt produced cloth material 5000 years ago. How, then, can we deal with the Russian site which provides spindle whorls and patterned fabric designs more than 80,000 years old?
Not only did the ancient Babylonians appear to use sulphur matches, but they had a technology sophisticated enough to employ complex electrochemical battery cells with wiring. There is also evidence of electric batteries and electrolysis in ancient Egypt, India, and Swahililand.
Remains of a metal-working factory of over 200 furnaces was found at what is now Medzamor in Russian Armenia. Although a temperature of over 1780 degrees is required to melt platinum, some pre-Incan peoples in Peru were making objects of the metal. Even today the process of extracting aluminium from bauxite is a complicated procedure, but Chou Chu, famous general of the Tsin era (265-316 A.D.), was interred with aluminium belt fasteners on his burial costume.
Carved bones, chalk, stones, together with what would appear to be greatly ornamented ”coins,” have been brought up from great depths during well-drilling operations. A strange, imprinted slab was found in a coal mine. The artefact was decorated with diamond-shaped squares with the face of an old man in each ”box.” In another coal-mine discovery, miners found smooth, polished concrete blocks which formed a solid wall. According to one miner’s testimony. he chipped one block open only to find the standard mixture of sand and cement that makes up most typical building blocks of today.
A gold necklace was found embedded in a lump of coal. A metal spike was discovered in a silver mine in Peru. An iron implement was found in a Scottish coal-bed. Estimated to be millions of years older than man is believed to have existed. A metal, bell-shaped vessel, inlaid with a silver floral design was blasted out of solid rock near Dorchester, Massachusetts.
Two hypotheses may explain the presence of these perplexing artifacts: 1) that they were manufactured by an advanced civilization on Earth which, due either to natural or technological catastrophe, was destroyed before our world’s own genesis; 2) that they are vestiges of a highly technological civilization of extraterrestrial origin, which visited this planet millions of years ago, leaving behind various artifacts.
Even if a highly advanced extraterrestrial race might have visited this planet in prehistoric times, it seems unlikely such common, everyday items as nails, necklaces, buckles and vases would have been carried aboard a spacecraft deposited in such widely separated areas; for such artifacts have been found in North and South America, Great Britain, the whole of Europe, Africa, Asia, and the Mid-East.
In spite of the general unpopularity of catastrophism, there does seem to be a number of recently discovered “proofs” of ancient cataclysmic changes in the Earth’s crust which may account for the nearly total disappearance of these prehistoric worlds. Geological evidence indicates that these changes were both sudden and drastic might have completely overwhelmed and destroyed the early inhabitants and their cultures.
Perhaps the most potentially mind-boggling evidence of an advanced prehistoric technology that might have blown its parent-culture away is to be found in those sites which ostensibly bear mute evidence of prehistoric nuclear warfare.
Large areas of fused green glass and vitrified cities have been found deep in the strata of archaeological digs at Pierrelatte in Gabon, Africa; the Euphrates Valley; the Sahara Desert; the Gobi Desert; Iraq; the Mojave Desert; Scotland; the Old and Middle Kingdoms of Egypt; and south-central Turkey. In contemporary times, such material as fused green glass has only been known at nuclear testing sites (where the sand had melted to form the substance). It is quite unsettling to some to consider it possible that these sites provide evidence of a prehistoric nuclear war. At the same time, scientists have found a number of uranium deposits that appear to have been mined or depleted in antiquity.
If it is possible that nuclear annihilation of a global civilization did occur in prehistoric times, it seems even more urgent to learn who we really are before we find ourselves doomed to repeat the lessons left to us, by a world before our own.

______________
Do you want to improve the world?

I don’t think it can be done.
The world is sacred.

It can’t be improved.

If you tamper with it, you’ll ruin it.

If you treat it like an object, you’ll lose it.
There is a time for being ahead,

a time for being behind;

a time for being in motion,

a time for being at rest;

a time for being vigorous,

a time for being exhausted;

a time for being safe,

a time for being in danger.
The Master sees things as they are,

without trying to control them.

She lets them go their own way,

and resides at the center of the circle.

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The Greatest Story Ever Told – Part 2

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Poems From AE (George William Russell

Babylon

The blue dusk ran between the streets: my love was winged within my mind,

It left to-day and yesterday and thrice a thousand years behind.

To-day was past and dead for me, for from to-day my feet had run

Through thrice a thousand years to walk the ways of ancient Babylon.

On temple top and palace roof the burnished gold flung back the rays

Of a red sunset that was dead and lost beyond a million days.

The tower of heaven turns darker blue, a starry sparkle now begins;

The mystery and magnificence, the myriad beauty and the sins

Come back to me. I walk beneath the shadowy multitude of towers;

Within the gloom the fountain jets its pallid mist in lily flowers.

The waters lull me and the scent of many gardens, and I hear

Familiar voices, and the voice I love is whispering in my ear.

Oh real as in dream all this; and then a hand on mine is laid:

The wave of phantom time withdraws; and that young Babylonian maid,

One drop of beauty left behind from all the flowing of that tide,

Is looking with the self-same eyes, and here in Ireland by my side.

Oh light our life in Babylon, but Babylon has taken wings,

While we are in the calm and proud procession of eternal things.


A New Being

I know myself no more, my child,

Since thou art come to me,

Pity so tender and so wild

Hath wrapped my thoughts of thee.

These thoughts, a fiery gentle rain,

Are from the Mother shed,

Where many a broken heart hath lain

And many a weeping head.


Dana

I am the tender voice calling “Away,”

Whispering between the beatings of the heart,

And inaccessible in dewy eyes

I dwell, and all unkissed on lovely lips,

Lingering between white breasts inviolate,

And fleeting ever from the passionate touch,

I shine afar, till men may not divine

Whether it is the stars or the beloved

They follow with rapt spirit. And I weave

My spells at evening, folding with dim caress,

Aerial arms and twilight dropping hair,

The lonely wanderer by wood or shore,

Till, filled with some deep tenderness, he yields,

Feeling in dreams for the dear mother heart

He knew, ere he forsook the starry way,

And clings there, pillowed far above the smoke

And the dim murmur from the duns of men.

I can enchant the trees and rocks, and fill

The dumb brown lips of earth with mystery,

Make them reveal or hide the god. I breathe

A deeper pity than all love, myself

Mother of all, but without hands to heal:

Too vast and vague, they know me not. But yet,

I am the heartbreak over fallen things,

The sudden gentleness that stays the blow,

And I am in the kiss that foemen give

Pausing in battle, and in the tears that fall

Over the vanquished foe, and in the highest,

Among the Danaan gods, I am the last

Council of mercy in their hearts where they

Mete justice from a thousand starry thrones.

Love

Ere I lose myself in the vastness and drowse myself with the peace,

While I gaze on the light and the beauty afar from the dim homes of men,

May I still feel the heart-pang and pity, love-ties that I would not release;

May the voices of sorrow appealing call me back to their succour again.

Ere I storm with the tempest of power the thrones and dominions of old,

Ere the ancient enchantment allure me to roam through the star-misty skies,

I would go forth as one who has reaped well what harvest the earth may unfold;

May my heart be o’erbrimmed with compassion; on my brow be the crown of the wise.

I would go as the dove from the ark sent forth with wishes and prayers

To return with the paradise blossoms that bloom in the Eden of light:

When the deep star-chant of the seraphs I hear in the mystical airs,

May I capture one tone of their joy for the sad ones discrowned in the night.

Not alone, not alone would I go to my rest in the heart of the love:

Were I tranced in the innermost beauty, the flame of its tenderest breath,

I would still hear the cry of the fallen recalling me back from above,

To go down to the side of the people who weep in the shadow of death.

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The Greatest Story Ever Told – Part 3

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True words aren’t eloquent;

eloquent words aren’t true.

Wise men don’t need to prove their point;

men who need to prove their point aren’t wise.
The Master has no possessions.

The more he does for others,

the happier he is.

The more he gives to others,

the wealthier he is.
The Tao nourishes by not forcing.

By not dominating, the Master leads.

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The Coming of the Sun….

On The Music Box: Zakir Hussain – Music of the Deserts

Even that old horse

is something to see this

snow-covered morning

-Basho
On The Menu:

Giving Thanks

Holly King and Oak King

Poetry For The Winter Solstice…

Assorted Art & Photographs
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Giving Thanks…
This is the time of the year that I find quite to be just so wonderful… Fire time, darkness, family and friends. This has been a great year. The tide has turned in many arenas in the world. From Australia, to recent decisions in the US Supreme Court… All three Left Coast State Govt’s are suing the EPA over the blockage of better standards of fuel consumption proposed by California for Auto emissions etc…. and BALI! Yes, there were changes that move the future…
We have had a good year with our Art and The Invisible College Magazine. I want to thank the editors, artist and contributors and the dear readers especially for making The Invisible College Magazine what it has become over the last year. May it grow in wild and wonderful ways! It has been a year of new projects and wonderful results. More is to come I pray in the coming months…
-John, Mike-(St. Mungo), Gwyllm & Mary this past Spring-

This year we have made some wonderful new friends, and renewed other friendships.. It is nice seeing Ron S., and becoming better acquainted with Tim from Ireland & John Archdeacon, Leana & Richard, Kyle & Trish among so many and to finding Ms. Padrice again. There are so many good people in this world, if wishes were fishes I would have all of you swimming in the same shoal as us! I cannot begin to list everyone, but I think of all of you as often as I can. From the Clans down in Australia, across the US and Canada and Mexico, to family and other friends in Europe. Though we may only talk on email, or the ever so infrequent phone call; you all have moved me in my life. A special big hello to all those friends on Earthrites… where ever you may be!
We have the birth of Eildon to Catherine the partner of my nephew Andrew to celebrate, and the birth of other new bright lights coming into the world, from Australia, down to Santa Cruz and beyond… 80)
We have had our departures as well. Our friend Nestor Perala past away this summer suddenly. Our friend in Canada John Beresford died in September. Our dear Doris Gunn died just before Samhain (Halloween), and our acquaintance and inspiration Laura Huxley died a week or so ago.
These are the days and specifically on the Solstice that we acknowledge and honour those that have joined us, and those that have left us. Life, goes on. The great circle dance continues, and the nodes of individuation rise up into the light and then into the darkness from whence all comes from. We are the multiple faces and thoughts expressing the Goddess/God that we all are a part of. We are individuations of the greater life force. We are consciousness expressing…
At the turning of the year, we drink to our time in the light, to our coming time in the dark, and to the whirl of the year and world around us. Life is so full of beauty, celebrate it!
Okay… so the Solstice is here again. I want you to take time to be with your friends and loved ones, and to just enjoy the season and the time together. Love is the supreme revolutionary act. With it, we can move the universe, and surprise surprise, never in the way we actually intended to….
Bright Blessings On This Solstice!
Gwyllm

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Holly King and Oak King

The Holly King and the Oak King are part of Celtic mythology, and they represent two sides to the Greenman, or Horned God.
They battle twice a year, once at Yule and once at Midsummer (Litha) to see who would rule over the next half of the year. At Yule, the Oak King wins and at Litha, the Holly King is victorious. In other words, the Oak King rules over the lighter half of the year, and the Holly King over the darker half. The change from one to the other is a common theme for rituals at Yule, and also at Midsummer.
Another version of the Holly King and Oak King symbolism, is that they do not directly switch places twice a year, but rather both live simultaneously. The Oak King is born at Yule, and his strength grows through the spring, peaks at Beltane and then he weakens and dies at Samhain. The Holly King lives a reverse existence, and is born at Midsummer, waxes more powerful through the summer and fall, to his peak at Samhain.
His influence then lessens until Beltane, when it is his turn to pass away. In this perspective, the two Kings enjoy a more intricate interplay of power and is perhaps a better illustration of their duality. At any given time, they both exist but have varying levels of influence throughout the year.
Either way, each King represents different ideas. The time of the Oak King is for growth, development, healing, and new projects. The Holly King’s time is for rest, reflection, and learning.

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Poetry For The Winter Solstice…

To Juan at the Winter Solstice
There is one story and one story only

That will prove worth your telling,

Whether are learned bard or gifted child;

To it all lines or lesser gauds belong

That startle with their shining

Such common stories as they stray into.
Is it of trees you tell, their months and virtues,

Or strange beasts that beset you,

Of birds that croak at you the Triple will?

Or of the Zodiac and how slow it turns

Below the Boreal Crown,

Prison of all true kings that ever reigned?
Water to water, ark again to ark,

From woman back to woman:

So each new victim treads unfalteringly

The never altered circuit of his fate,

Bringing twelve peers as witness

Both to his starry rise and starry fall.
Or is it of the Virgin’s silver beauty,

All fish below the thighs?

She in her left hand bears a leafy quince;

When, with her right she crooks a finger smiling,

How may the King hold back?

Royally then he barters life for love.
Or of the undying snake from chaos hatched,

Whose coils contain the ocean,

Into whose chops with naked sword he springs,

Then in black water, tangled by the reeds,

Battles three days and nights,

To be spewed up beside her scalloped shore?
Much snow is falling, winds roar hollowly,

The owl hoots from the elder,

Fear in your heart cries to the loving-cup:

Sorrow to sorrow as the sparks fly upward.

The log groans and confesses

There is one story and one story only.
Dwell on her graciousness, dwell on her smiling,

Do not forget what flowers

The great boar trampled down in ivy time.

Her brow was creamy as the crested wave,

Her sea-blue eyes were wild

But nothing promised that is not performed.
Robert Graves


The Shortest Day
So the shortest day came, and the year died,

And everywhere down the centuries of the snow-white world

Came people singing, dancing,

To drive the dark away.

They lighted candles in the winter trees;

They hung their homes with evergreen;

They burned beseeching fires all night long

To keep the year alive,

And when the new year’s sunshine blazed awake

They shouted, reveling.

Through all the frosty ages you can hear them

Echoing behind us – Listen!!

All the long echoes sing the same delight,

This shortest day,

As promise wakens in the sleeping land:

They carol, fest, give thanks,

And dearly love their friends,

And hope for peace.

And so do we, here, now,

This year and every year.

Welcome Yule!!
Susan Cooper


I have news for you:
The stag bells, winter snows, summer has gone

Wind high and cold, the sun low, short its course

The sea running high.

Deep red the bracken; its shape is lost;

The wild goose has raised its accustomed cry,

cold has seized the birds’ wings;

season of ice, this is my news
(9th century Irish)


The Olde Year Now Away is Fled

(sung to Greensleeves) 13th Century English

The olde year now away is fled,

The new year it is entered

Then let us now our sins downtread

And joyfully all appear

Let’s be merry this holiday

And let us run with sport and play

Han sorrow, let’s cast care away –

God send you a happy new year
Come, give us more liquor when I do call

I’ll drink to each one in this hall

I hope that so loud I must not bawl

But unto me lend me an ear

Good fortune to my master send

And to my dame which is our friend

God bless us all, and so I end

And God send us a happy new year
Translation By Lawrence Rosenwald

The Wren Song

The Wren, the Wren the king of all birds,

St. Stephenses day, he was caught in the furze.

Although he is little, his honor is great,

Rise up, kind sir, and give us a trate.

We followed this Wren ten miles or more

Through hedges and ditches and heaps of snow,

We up with our wattles and gave him a fall

And brought him here to show you all.

For we are the boys that came your way

To bury the Wren on Saint Stephenses Day,

So up with the kettle and down with the pan!

Give us some help for to bury the Wren!
British Traditional…

A Leaf From The Tree of Songs
When harpers once in wooden hall

A shining chord would strike

Their songs like arrows pierced the soul

Of great and low alike
Aglow by hearth and candleflame

From burning branch ot ember

The mist of all their music sang

As if to ask in wonder
Is there a moment quite as keen

Or memory as bright

As light and fire and music (sweet)

To warm the winter’s night?

Adam Christianson


Sonnet at the Winter Solstice
This solstice is the return of the light

At which the sun stands still then to decide

That each succeeding day be made more bright

Although it takes until the other one

A moment at a time and day by day

The summer solstice greets winter’s work done

And pauses then to turn the other way
The yin and the yang of the year elide

And I am reminded of you somehow

Written in my heart and the sky above

As both winter and summer solstice now

Become two eyes in the face of my love
Another year the sun has smiled its way

Two eyes in the face of my love dawn day
Steven Curtis Lance

Running On Empty?

This is one of the vitrified hill forts up in the Highlands of Scotland. There has never been an adequate explanation how the stone was vitrified… given the supposed technologies of the past… One of those mysteries!
On The Menu:

Thoughts Leading Up To The Solstice…

The Links

Running On Empty?

Andy M. Stewart – Robert Burn’s ‘A Red, Red Rose

Lyrical Poetry Of Silly Wizard…
Bright Blessings,
Gwyllm

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You can now get your own printed copy of The Third Edition of The Invisible College! Check out the calendar as well… just click on the images at Lulu.com to get a preview!

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Thoughts Leading Up To The Solstice…
The Solstice bears down, and the darkness is now at its deepest. The northern lights hang a shimmering curtain far to the north, and the night sky is achingly beautiful further south here in Cascadia… It has been quite cold for Portland, the season may soon deliver its promised snow.
This is the time traditionally of deep contemplation, sitting by the fire staring into flames, or watching the night sky…. but it seems all are running around in the induced frenzy of the end-game of capital.
Food prices have risen 25% in the last few months in the US I heard today, and the main culprit is wheat and corn, and fuel cost….
Food supplies are down to 8 weeks (from 11 weeks – the poorest amount since 1980) across the world, and you know the poor are in for it if there is crop failures or weather problems again in the next year.
Corn is being eaten by vehicles instead of people, at a 1 to 1 ratio without a true energy relief. Sheer Madness. We are struggling to keep a model alive that is consuming the world, and threatening to take all of us with it for the profits of a few.
Now is the time to consider what we are to do in the coming year. This is the time to contemplate how we can change to help others and our selves out of a decaying, decadent system. Talk to your neighbors, start gardens, share plantings, changing our diets to ease the burden on others, and use those Bikes!
The Solstice bears down with the promise of change and the coming of new light. This is the time to push forward those dreams, those ideas that will touch others, and will bring renewal to the world.
Give the gift of Greater Love this Solstice; Love for all on this great and tumbling blue/green earth. Together, we can dream beauty into being. Together, we can bring about the changes that are needed to usher in a new awareness.
Friends, it is no longer just for ourselves and families, but for every being, especially those who will follow….

__________
The Links:

Heritage Ireland are proud to present a “live” webcast of the winter solstice at Newgrange.

Ancient Egyptians ahead of time

Visions of the Divine…

Burning Man backs solar-power project for Nevada towns

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Running On Empty?
When I was 36 years old, I got up one morning, went into my recording studio, sat down at my keyboards, and sat and stared at the wall. I sat there off and on for several days.
Where-as I could write 2-3 songs a day, with lyrics, and a basic structure, I was confronted with being completely empty. I cannot describe the horror of those days. I had been very prolific for 10 years, and then, I ran into the proverbial wall.
I withdrew from the world and went into a place that burned me down to the soul. I have never successfully written a full song since and committed it to recording (I can’t actually write music, but I can store most anything into memory if it has to do with creativity…) I gave up keyboards, and have only played since on stringed instruments.
I have found lately that after almost 20 years, I am beginning to compose again. I work out melodies for Rowan, so that he has something to practice. I have yet to try out lyrics, as my voice is a mess after all that time without singing, and smoking (I quit 17 years ago). I am working with the most wonderful of instruments, my mountain dulcimer that is now about 22 years as my companion. I put it away for several years, and then Rowan pulled it out one day last year and asked me for some lessons. It has been a slow tumble back into love again…
What the Muse takes away, she can also gift back. I don’t take her gifts lightly as I once did squandering youths’ bounties and endless energy. I played freely with her gifts, and didn’t listen to the wind as I should… I do now, and I feel very, very lucky to be apparently back in her graces again.
This time, it is dedicated to her, and may she be gentle with her old servant who has come back to service again.

80)
Gwyllm

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(Andy M. Stewart – Robert Burn’s ‘A Red, Red Rose)

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One of my favourite bands… Silly Wizard ( the song above was by its old singer, Andy M. Stewart…) They always impressed me. My friend Sam at Rhino Records introduced me to them. It was a real joy getting to know their music. Look it up, give it a listen!
G

_
(An early picture of Silly Wizard)

The Lyrical Poetry of Silly Wizard:

If I Was a Blackbird
I am a young maiden, my story is sad

For once I was carefree and in love with a lad

He courted me sweetly by night and by day

But now he has left me and gone far away
Chorus:

Oh if I was a blackbird, could whistle and sing

I’d follow the vessel my true love sails in

And in the top rigging I would there build my nest

And I’d flutter my wings o’er his broad golden chest
He sailed o’er the ocean, his fortune to seek

I missed his caresses and his kiss on my cheek

He returned and I told him my love was still warm

He turned away lightly and great was his scorn
He offered to take me to Donnybrook Fair

To buy me fine ribbons, tie them up in my hair

He offered to marry and to stay by my side

But then in the morning he sailed with the tide
My parents they chide me, and will not agree

Saying that me and my true love married should never be

Ah but let them deprive me, or let them do what they will

While there’s breath in my body, he’s the one that I love still
Male perspective…
I am a young sailor, my story is sad

For once I was carefree and a bold sailor lad

I courted a lassie by night and by day

But now she has left me and gone far away
Chorus:

Oh if I was a blackbird, could whistle and sing

I’d follow the vessel my true love sails in

And in the top rigging I would there build my nest

And I’d flutter my wings o’er her lily-white breast
Or if I was a scholar and could handle a pen

One secret love letter to my true love I’d send

And I’d tell of my sorrow, my grief and my pain

Since she’s gone and left me in yon flowery glen
I sailed o’er the ocean, my fortune to seek

Though I missed her caress and her kiss on my cheek

I returned and I told her my love was still warm

But she turned away lightly and great was her scorn
I offered to take her to Donnybrook Fair

And to buy her fine ribbons to tie up her hair

I offered to marry and to stay by her side

But she said in the morning she sailed with the tide
My parents they chide me, and will not agree

Saying that me and my false love married should never be

Ah but let them deprive me, or let them do what they will

While there’s breath in my body, she’s the one that I love still

—–

This is in the old version of Scots’ English… You might look the words up!

Donald McGillavry / O’Neill’s Cavalry March
Donald’s gane up the hill hard and hungry,

Donald comes down the hill wild and angry;

Donald will clear the gouk’s nest cleverly,

Here’s to the king and Donald Macgillavry.

Come like a weighbauk, Donald Macgillavry,

Come like a weighbauk, Donald Macgillavry,

Balance them fair, and balance them cleverly:

Off wi’the counterfeit, Donald Macgillavry.
Donald’s run o’er the hill but his tether, man,

As he were wud, or stang’d wi’ an ether, man;

When he comes back, there’s some will look merrily:

Here’s to King James and Donald Macgillavry.

Come like a weaver, Donald Macgillavry,

Come like a weaver, Donald Macgillavry,

Pack on your back, and elwand sae cleverly;

Gie them full measure, my Donald Macgillavry.
Donald has foughten wi’ rief and roguery;

Donald has dinner’d wi banes and beggary,

Better it were for Whigs and Whiggery

Meeting the devil than Donald Macgillavry.

Come like a tailor, Donald Macgillavry,

Come like a tailor, Donald Macgillavry,

Push about, in and out, thimble them cleverly,

Here’s to King James and Donald Macgillavry.
Donald’s the callan that brooks nae tangleness;

Whigging and prigging and a’newfangleness,

They maun be gane: he winna be baukit, man:

He maun hae justice, or faith he’ll tak it, man.

Come like a cobler, Donald Macgillavry,

Come like a cobler, Donald Macgillavry;

Beat them, and bore them, and lingel them cleverly,

Up wi’ King James and Donald Macgillavry.
Donald was mumpit wi mirds and mockery;

Donald was blinded wi’ blads o’ property;

Arles ran high, but makings were naething, man,

Lord, how Donald is flyting and fretting, man.

Come like the devil, Donald Macgillavry,

Come like the devil, Donald Macgillavry;

Skelp them and scaud them that proved sae unbritherly,

Up wi King James and Donald Macgillavry!


Golden, Golden
Slowly, slowly, walk the path,

And you might never stumble or fall.

Slowly, slowly, walk the path,

And you might never fall in love at all.
CHORUS:

Golden, golden, is her hair,

Like the morning sun over fields of corn.

Golden, golden, is her love,

So sweet and clear and warm.
Lonely, lonely, is the heart

That ne’er another can call its own.

Lonely, lonely, lies the part

That has to live all alone.
Wildly, wildly, beats the heart

With a rush of love like a mountain stream.

Wildly, wildly, play your part

As free as a wild bird’s dream


Hame, Hame, Hame,
Hame, hame, hame, o hame fain wad I be–

O hame, hame, hame, to my ain countree!
When the flower is i’ the bud and the leaf is on the tree

The larks shall sing me hame in my ain countree;

Hame, hame, hame, o hame fain wad I be–

O hame, hame, hame, to my ain countree!
The green leaf o’ loyaltie ‘s beginning for to fa’

The bonnie white rose it is withering an’ a’;

But I’ll water ‘t wi’ the blude of usurping tyrannie

An’ green it will graw in my ain countree
O, there ‘s nocht now frae ruin my country can save Instant Song Lyrics

But the keys o’ kind heaven, to open the grave;

That a’ the noble martyrs wha died for loyaltie

May rise again an’ fight for their ain countree
The great now are gane, a’ wha ventured to save

The new grass is springing on the tap o’ their grave;

But the sun through the mirk blinks blythe in my e’e

‘I’ll shine on ye yet in your ain countree.’
Hame, hame, hame, o hame fain wad I be–

O hame, hame, hame, to my ain countree!

( I would like to dedicate this one to my friend Tomas Brawley…)
The Fisherman’s Song
By the storm-torn shoreline a woman is standing

The spray strung like jewels in her hair

And the sea tore the rocks near

the desolate landing

as though it had known she stood there.
Chorus:

For she had come down to condemn that wild ocean

for the murderous loss of her man,

His boat sailed out on Wednesday morning

And it’s feared it’s gone down with all hands.
Oh and white were the wave-caps

And wild was their parting

So fierce is the warring of love,

But she prayed to the gods

Both of men and of sailors

Not to cast their cruel nets o’er her love.
There’s a school on the hill

Where the songs of dead fathers

Are led toward tempests and gales,

Where their God-given wings

Are clipped close to their bodies,

And their eyes are bound-’round with ships’ sails.
What force leads a man

To a life filled with danger

High on seas or a mile underground?

It’s when need is his master

And poverty’s no stranger,

And there’s no other work to be found.

—-

Invisible College Print Release!

http://stores.lulu.com/Gwyllm

We are happy to announce that The Invisible College 3rd Edition Magazine has finally been released in printed format!
After much gnashing of teeth and incredibly long correspondences with LuLu.com, The Invisible College 3rd Edition is now available for purchase. It contains 104 pages, full colour… (It is a POD – print on demand publication)
If you get a chance you can check out the web version of The Invisible College here: Web Editions – Invisible College This version differs, in that some articles are shorter, fewer pictures, and a web only article appears.
You can also get the full magazine in a 300dpi down load from LuLu.com as well btw.
As we said: Full Colour,(with no Advertisements!) this printed edition we feel will be a highly sought after collectible publication. Check It Out…. 8o)
Stay tuned for more publications soon!

———

On The Menu:

Laura Huxley Passes Away….

White Lotus Interview with Laura Huxley (1998)

Poems From Aldous….

Art: Gwyllm

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Laura Huxley Passes Away….

Laura Achera Huxley passed away this Thursday at the age of 96.
I was privileged to have met her and sat and talked with her several years ago at MindStates when I was stage/event managing for Jon Hanna (thanks Jon!)
Laura and I talked about her favourite subject; children. She did much over the years to help little ones around the world with her charitable and foundation works. She personified words put into action. She touched many, many people, and her presence will be missed.
A blessed voyage to the Western Lands Laura, may you be re-united with Aldous….
___________
White Lotus Interview with Laura Huxley (1998)
Ganga: Laura, I consider you a national resource and treasure.
Laura: Thank you very much. A national resource, that is very impressive. You mean I pay my taxes. Is that what you mean?
Ganga: I mean a real inspiration. I hope you will share, after being a yogini all your life, some insights for people new to the path. I wanted to get at some of your secrets.
Laura: There are no secrets, really. It is difficult because it seems so complicated. Probably, the secret is to be less complicated. We of course love to make complications—look at the way we live. We have this tremendous amount of information, and probably it is really not so necessary. Maybe if you just drink water, you are kind to people and walk a little bit it’s all done already. But we cannot resist this sophistication.
I’ve done a little yoga, not as a professional, and every time I have a good teacher, like recently Cheri Clampett, I see the immense possibilities and subtleties in this discipline. It’s a little bit like music. Each asana is like a piece of music that has a certain characteristic, a certain power. One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have—space inside which makes more space for openness outside.
Ganga: Space in the mind. Space in the body.
Laura: Yes, space in the body, space in the mind. .
Ganga: How did you get into yoga? What brought you to it?
Laura: My introduction was reading a book on a streetcar going downtown Los Angeles, many years ago. Someone told me about it and I bought one of the very early books on yoga. It was in 1945, when I played in the L.A. Philharmonic Orchestra. I took a lesson and immediately could see how wonderful it was. I already had this idea of the empty spine even before I knew about yoga. I always felt the spine is central. Why didn’t anyone ever speak about it?

Top
Ganga: What do you mean by the empty spine?
Laura: The spine should be empty so that energy moves up and down. I always felt this way as a child. Yoga is a natural thing. One time I think I was at the hairdresser and they had those uncomfortable chairs so I put up my feet like this [sitting cross-legged]. Somebody said, “Can you give me some yoga lessons?” They thought right away that I knew about yoga because I sat in a comfortable way.
Yogananda was already around when I started, and I met him and I met a few others. But when you speak about “this secret”, there are no secrets really. Most of it is just common sense. I call it visionary common sense. Although it is inspirational, it is just common sense. It is attention and openness.
You have so many different kinds of yoga. I met Iyengar in Switzerland with Krishnamurti and [acclaimed violinist] Yehudi Menuhin. He was giving a lesson to Yehudi and Krishnamurti. Then I asked for a lesson and finally he gave me some. They were very strong lessons and very good of course. It was strange because I was standing on my head and he came and he slapped my derriere and I thought I was going to fall—but I didn’t.
Ganga: He is famous for that.
Laura: He’s famous for that, yes.
Ganga:You’ve met so many extraordinary people. Can you say more about some of them?
Laura: Yes, I have. There was always an intensity in Krishnamurti. There was that tremendous intensity most of the time. It was as though he were ready to explode. And sometimes he was also playful. I stayed in his house in Madras. Somehow I felt that what he was saying was to be discussed and absorbed, but he could be easily misunderstood. He was fiery natured. And very elegant! A man of tremendous refinement in all that was visual, in materials, in all the senses, totally refined and ready to discuss anything and be very strong about it. We discussed healing, my work with human potential and Aldous’ research with psychedelics.
Ganga:Drugs are such an extraordinary problem in our society and there is such hysteria. Do you think there is a positive aspect that is being overlooked and the baby is being thrown out with the bath water.
Laura: Oh, certainly. There is danger in everything that we do. We are to eat food otherwise we don’t live and sometimes we eat food that is very damaging.
Ganga: Or we become addicted to food.
Laura: Or addicted to food. Oh, yes, addiction to food is unfortunately really grave, also to alcohol or to anything else. But these drugs can be such an extraordinary gift, really. Some, not all drugs. Again, how can we speak about “drugs”? It is like speaking about the human race—each person is different, each drug is different!
Ganga: There are different classes of drugs and they are all being lumped together.
Laura: Yes, but they don’t consider nicotine as a drug. Why don’t they put it together with all the other drugs? And alcohol is certainly one of the most abused drugs since ever and ever, since Dionysus. They say have a glass of wine at dinner, which was done in the Latin countries. In Italy we always had a glass of wine at dinner. It is a good thing. But if you have dozens of glasses of wine at dinner it is not so good. Paracelsius said that the difference between a good medicine and a poison is the dosage.
Ganga: There is a big resurgence of interest in shamanism as well as “plant teachers”. Do you think this is a good direction and what would you advise people?

Top
Laura:I would advise them to study everything that they ingest. Study first of all their own organism and see what kind of reaction they might have. Some people just cannot take certain foods. That’s all. People are allergic. Some people are allergic to orange juice, can you imagine? Orange juice is very healthy isn’t it? Yet some people cannot drink it without having an allergic reaction. Also, who is the person giving it to you? With whom area you taking it? And where, and even why. It can be a tremendous gift but it also might be a dangerous gift.
Ganga: Like electricity.
Laura: Like electricity, exactly.
Ganga: How have psychedelics helped or harmed or influenced you?
Laura: I was deeply affected. They gave me a much wider view of the world, as well as a much wider view of our ignorance, and ignorance, according to the Buddha, is our basic difficulty. Psychedelics and the process of aging make that clear to me all the time.
Ganga: Let’s come back to yoga. You are eighty-six and you are extraordinarily alert and aware and interested in so many things. Do you attribute some of this to yoga? Is this something that was innate in you or did your yoga practice help?
Laura: It’s always nature and nurture together. The practice of yoga certainly is a fantastic practice. I only wish I would do it more. I find I can do it alone but it is much better if I have some guidance. Although I can do it alone it is a little bit sloppy. Ultimately, all of those techniques try to bring more oxygen to the brain. We can think and love better if we have more oxygen.
Ganga:Do you have a pranayama practice? Do you work with your breath?
Laura: I do it and don’t do it. Lately I have not been very disciplined. You would think that as you get older you would be more disciplined. As I get older I get less disciplined. I just play around!
Ganga:Maybe that is good! Aldous, of course, was an extraordinary person. He’s been called a prophet of the present age. He’s been called the father of the psychedelic 60’s, one of the fathers. What were your times with him like?
Laura: They were extraordinary years, not many years but extraordinary years, because we had this basic, extraordinary relationship. We had so many interests in common. He would be in one room and run to my room and say, “look what I found”. He was always researching, and of course researching on many different levels. I was interested in these things even before I married him but that accelerated and made my own knowing much wider and deeper. Wider and deeper, that is what I would say. Even more than anything else, those were the exchanges. But more than anything was the extraordinary kindness of this man, for everyone really. He started very young to be well known, when he was 20. Of course as a writer he was sardonic and ironic and all of that. But as a person he was always very, very kind. You can find reports from the time he was fifteen that he was always considerate with people. But as a writer he was very ironic and shocking and all of those things that made him famous. There was a sense of humor, strong and sophisticated. I never saw the part that was cynical, however. He was never cynical. One of the things that was said about him when he was young was that he had a contempt for the masses. On the contrary, he had a concern for the masses. He had a tremendous concern for people who did not have the possibilities and the privileges that he, you or I had—access to knowledge, to really be able to improve ourselves because we didn’t have to work ten hours a day in the mines or somewhere like that.
Ganga: You mentioned his kindness. In the beginning of our discussion you said that kindness was one of the most important things. Isn’t that how Aldous summed up his life’s insights once when he was asked by someone? What was his reply, treat each other a little kinder?
Laura: Be a little kinder to each other. There was a prodigious group of people, all doctors, Ph.D.’s, probably Nobel Prize winners, and they said, “Mr. Huxley, Would you tell us something that you found from your research?” He was so precise and deep in research. He said, ” It is a little embarrassing that after years of experience, study and research all I can tell you is to be a little kinder to each other.”
Ganga:There is nothing more profound.
Laura: Yes, that is right.
Ganga: His epochal book, Brave New World, was just voted the fifth best novel of our time. What were the early days like with him and Timothy Leary and Ram Dass? You were around for a lot of that.
Laura: Yes. Timothy was always fun. He was always a charming man. We went to Copenhagen together and Ram Dass was there too, for a big conference. Tim gave LSD to half a dozen people, or maybe many more. The next day it was all over the newspapers. Aldous kept saying, “Tim, just keep it private, keep it quiet because we want to research it.” Tim could not keep it quiet.
Ganga: They debated that amongst themselves, didn’t they? Aldous wanted to keep it for scientists and religious people and Timothy wanted to give it to the masses.
Laura: Yes, to everybody.
Ganga: Do you think it was a mistake in retrospect?
Laura: In retrospect it did do some harm because there has not been much research for thirty years, no research in drugs, LSD and psychedelics. Now it is beginning again. After thirty years one should be able to use it properly, particularly for short term therapy, for enhancement of talent, certainly for the dying or very sick people so that they can detach from the body more easily. There are many other substances, it is not only LSD that does that. So in that sense it was not good what Tim did. On the one hand we know some people were hurt, but on the other hand it accelerated this awareness that there is more to ourselves than we think there is. It did open the eyes and feelings and the hearts of many people. I think it would have been better to keep it quiet just for another few years, but Timothy couldn’t.
Ganga: Aldous left us on the same day that John Kennedy did?
Laura: That was ironic because the two men were both very good men and very much concerned with humanity. Aldous died in this house so quietly and so serenely and Kennedy being shot like that, really a contrast. I wonder if they met that afternoon? I hope they did. The ironic thing also is that we were invited twice to go to the White House and for some reason, some stupid reason, we didn’t go. And it would have been very good if we had gone. In fact when we were in Copenhagen in ’61 we thought, now we are going to the White House and give it to them, this group of people some opening with psychedelics. We didn’t do it. Today is the anniversary of Robert Kennedy’s death, which was really as tragic.
Ganga: One’s yoga eventually expresses itself in one’s action in the world and I think you have been exemplary in that. Can you talk a little bit about children as our ultimate investment?
Laura: That is what I am involved in mostly now. The situation with children is not good in this country, nor in other countries. It may be much worse in other countries. It is not just because of the lack of money. It is the lack of the awareness that children are very open, smart and knowing people when they are still very little. Afterwards they close down. Then they become like everyone and we have to work again to open up. One of the reasons is that people become pregnant without preparation. Sixty-eight percent of the pregnancies in the United States are neither prepared for nor expected. Of those sixty-eight percent, quite a bit end in abortion, but still there are a large number of children that come in this world without being expected. The preparation for conception to me is one of the most important things, if we are we interested in the general progress of our species.
Ganga: Moving toward conscious conception.
Laura: Yes, conscious conception. In other words you make love for the pleasu
re and the passion and for the love that two people have for each other. But then there is also this other thing. Are we going to make love to have a child? One has to be clear to do that. If you decide that you are making love to have a child then you are to prepare. Prepare physiologically, spiritually, and know that you have enough money to give him what you have to give him. Very often mothers go to work right away after the child is born and, unless the father or someone else stays home, this is quite serious. A baby has to be near its kin most of the time when he is little for three, four or five years. To give him this grounding, this feeling of connection, this feeling of relationship, is the most important thing.
That is why my work is now Our Ultimate Investment I have a project that I have been carrying out in Nevada City and am trying to put it in the public schools. It is called “Teens and Toddlers” which is a project for prevention of teenage pregnancy. I get children, young people fourteen, fifteen, sixteen and even up to eighteen, to take care of toddlers two or three years old. Toddlers are so powerful and so egocentric and teenagers are also so powerful, so egocentric. Here they are put in a school situation where they are to relate to these little giants and to think about them, instead of thinking about their own needs and all of that–which is a natural thing for all of us. When you are fourteen, fifteen years old it is even more so.
Ganga: What insight does it give them?
Laura: The first insight is, after two hours of working with the children, they are exhausted. That’s the first insight. Then they say, “What, I would have to continue with this for 24 hours a day!” The baby has all these needs, almost continuously, every hour you have to do something for the baby. They always decide to wait until they are 25 or 30 years old to have a baby. In the groups that we have made up in the North, there has been not a single unwanted pregnancy.
Ganga: That’s fantastic.
Laura: Yes, it is because the teenage pregnancy is such a tragic thing. It is such a sad and tragic thing because the children who have children do it because they think they are going to be loved. They are going to be loved, but they have to give love to be loved otherwise the child becomes depressed. Isolated and depressed. In other words apathetic. There have been many experiments with cameras. I speak about babies all the time, a baby tries to get the attention of the mother for awhile by looking and moving and it cries, and cries. Then after awhile, if there is no response from the mother, it just gives up. You can see already the giving up in relationship. There is a lot of that in the world. So teenagers have to be sustained; they have to be given something to live for and something that involves them without having to make a child, a human being. It is extraordinary. I come in this house and if I want to put in a new bathroom I have to ask the city to come and check. But anybody can make a baby without any checking, without thinking. This type of parenting can be tragic because one of the greatest actions a human being can do is to create another life. I call children “our ultimate investment.”
Ganga: That is a great phrase.
Laura: Yes, but it has a double meaning. They are also the ultimate investment for tobacco companies or the liquor industry or the gun industry. Children are the ultimate investment of all of those that want to make money, to sell, to dominate. So there are two meanings. They are our ultimate investment for anyone who is honest and ethical and loving, but also for all the commerce.
Ganga: It cuts both ways.
Laura: It is a very important work and I hope I can do it and that it can be done regardless of me. There is a little bit more awareness we need to have about all this. Things are happening! Every four hours a gun kills a child. Every fifty-nine seconds a teenager becomes pregnant. Can you imagine, every fifty-nine seconds? Today is Saturday. By Wednesday night there will be one million more people on Earth. Aldous’ book was about that sixty-five years ago. As long as there is no control of population, the population explosion will make it so easy for politicians to dominate.
Ganga: It is interesting that the population explosion started at the same time as the nuclear explosion—the baby boom and the atomic bomb. What is your view of spirituality? I think that is what you’ve been expressing in our discussion but can you verbalize it?
Laura: I believe more in concrete spirituality rather than in a spirituality that is divided from the body and from nature. There are four verses of William Blake.
Man has no Body distinct from his Soul;

for that call’d Body is a portion of Soul

discern’d by the five senses,

the chief inlets of Soul in this age.
And what he says is that the way that the soul is expressed now, and the only way it expresses itself in this age, is through the senses. He doesn’t mean tomorrow or in the next century, but in this age. How do I know you or how do you know me unless there is a connection? The connection comes by speaking, seeing, being present, or through hearing if you are not present. Everything has to come through the senses, as though the soul is speaking out through the senses. We are not yet communicating with extrasensory perception. Blake speaks about the soul in this age, not in the future. So how can we express the soul in this age, in this life, except through our body?
Ganga: Which also means through our works, our life.
Laura: What we do, what we feel, what we express, certainly.
Ganga: What would you say about the darkness in the world, in life?
Laura:The darkness. It is there. There is light. There is darkness. There is high and there is low. But in the world now it seems to me this struggle between light and darkness is more evident than ever. I don’t know if it is more evident because I look into it more or because there are just so many wonderful people, and much more so than we even know, trying to do something to help. And look what’s happening now in India, the land of Gandhi, with atomic bombs. Power is just so much part of the human being because power is survival. But I wonder if that is the best way to survive, by killing someone else.
Ganga: To move from darkness to light, you have an exquisite and sensitive use of light here. The way you have different colors and there is a lot of beauty around, nature is practically coming in the windows. What do you say about beauty and bringing beauty into our lives? What is your understanding of beauty as you’ve gone through the years?
Laura:To me it is a great savior. It’s almost an addiction, and also because you can always do it better. You know what I mean, you can do gardening a little bit better. For instance I just try to keep rooms empty, but I don’t succeed. Beauty, well, it’s one of the greatest, greatest gifts. I feel sorry sometimes because people are so worried and so involved in something that they don’t have even five minutes to look at something beautiful. I find beauty almost everywhere. Now more and more I find almost everything beautiful. That is why I have great difficulty in throwing away things because I think they are quite beautiful. Even the garbage, but I have to throw that away!
Ganga: Do you have any advice to new people starting yoga, to young people starting yoga, that would help them throughout their life?
Laura:My advice is very simple. Just do it. Just do it! I think that they stop because they do it so much and then it is too much. I think it probably should be done continuously. Also, to think about yoga not as something that you do fifteen minutes a day or half an hour a day. The awareness that yoga and gives can be used when you wash dishes.
Ganga: In all areas of your life.
I just thought of something else. You have such lovely couches and furniture here but every time I’ve been here we always sit on the floor. Is that one of your secrets?
Laura: Probably it is. Most furniture is not made for people—they are made for the people who sell them. I would much rather sit on the floor. Very rarely do I find a table and a chair that is comfortable. But the floor is comfortable. Some people sit on their feet—three-fourths of the earth sits like that. I would tell to young people to sit on their heels. Children do that naturally so if they never had furniture they would do it. It’s wonderful for all parts of the body.
Ganga: We’ve talked about conscious conception and conscious birth. What can you say about conscious aging, conscious dying?
Laura: There is no way not to know that one is aging, but how much attention do you pay to it and of what kind, morbid or healthy? Morbid attention is when we focus only on the shortcomings that come with aging, which are inevitable, and think that everything that is wrong is a result of aging. Healthy attention is to improve what can be improved and to accept what we cannot improve. And, one would hope that age teaches us how to be more aware of other people’s feelings.
Many times I thought I was dying. I think, “this is it”, but I never did die. So it is always still a question of a projection of our imagination. One time I thought I was dying (remember, you were there) and I didn’t so it is very difficult to speak about it. We don’t know what happens when, one by one, all the senses go and the body is already starting this disintegration. So we don’t know how our mind and our feeling will be. I have seen several deaths, too many deaths in my life, and they were all different. Each one was different. It didn’t seem to be necessarily connected with the life of the person. Some people that were not particularly developed or outstanding or spiritual died very easily. Some other people were on a very high level and had a difficult time in dying. So I don’t know, but it’s certainly something to think about because it could happen at any moment. I think that, at least in my experience, it is difficult when there is unfinished work. That makes it difficult to think of dying when what you have to do is not quite done. Of course it’s never quite done.
Since I was young my wish has been to die in perfect health—I mean to die with a body that is not destroyed by illness but a body that is consumed by its own long burning fire. Such a wish may be judged as an expression of hubris—I don’t know—but it is a project that cannot hurt anyone and may even be a blessing to those that love us.
Ganga: What inspired you to do service work and work with children?
Laura: Service. Service or giving is the other side of receiving. Giving and receiving is a full circle: a full circle feels more natural than a half circle.
Children. Initially it was emotional and personal experiences that turned my attention to children—that was the start. It continued not only emotionally, but also logically, for it is clear that our society can improve only if the next generation is given the chance, through loving and intelligent education, to be better developed than the present one. That is why my foundation is called Our Ultimate Investment. For many of us it is obvious that children are our ultimate investment, but unfortunately children are also the ultimate investment of the gun, tobacco and the liquor industries.
Ganga: Any final thoughts that you can share?
Laura: What I say is focus your mind and respect your body. But mostly love your heart. I think that is where to begin, from there and then it goes out.
Ganga: What do you mean love your heart?
Laura: Love your heart. It really is to love yourself to begin with and help everybody else in doing the same. But the heart being the center. You can focus your mind. You can respect your body. All of that is important. Then if you love your heart, this can be transmitted to other people. I mean you can help anybody that wants to do the same.
Have we covered the world and all the wisdom of the ages?
Ganga: Yes.
Laura: Of the ages of eighty-six, in any case.
Ganga: Thank you.
RESOURCE: Our Ultimate Investment

Post Office Box 1868

Los Angeles, CA 90028

213-461-8248
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Poems From Aldous….

SONG OF POPLARS
Shepherd, to yon tall poplars tune your flute:

Let them pierce keenly, subtly shrill,

The slow blue rumour of the hill;

Let the grass cry with an anguish of evening gold,

And the great sky be mute.

Then hearken how the poplar trees unfold

Their buds, yet close and gummed and blind,

In airy leafage of the mind,

Rustling in silvery whispers the twin-hued scales

That fade not nor grow old.

“Poplars and fountains and you cypress spires

Springing in dark and rusty flame,

Seek you aught that hath a name?

Or say, say: Are you all an upward agony

Of undefined desires?

“Say, are you happy in the golden march

Of sunlight all across the day?

Or do you watch the uncertain way

That leads the withering moon on cloudy stairs

Over the heaven’s wide arch?

“Is it towards sorrow or towards joy you lift

The sharpness of your trembling spears?

Or do you seek, through the grey tears

That blur the sky, in the heart of the triumphing blue,

A deeper, calmer rift?”

So; I have tuned my music to the trees,

And there were voices, dim below

Their shrillness, voices swelling slow

In the blue murmur of hills, and a golden cry

And then vast silences.

Vision
I had been sitting alone with books,

Till doubt was a black disease,

When I heard the cheerful shout of rooks

In the bare, prophetic trees.
Bare trees,

prophetic of new birth,

You lift your branches clean and freeTo be a beacon to the earth,

A flame of wrath for all to see.
And the rooks in the branches laugh and shout

To those that can hear and understand:

“Walk through the gloomy ways of doubt

With the torch of vision in your hand.”


Misplaced Love
Red wine that slowly leaned and brimmed the shell

Of pearl, where lips had touched, as light and swift

As naked petals of the rose adrift

Upon the lazy-luted ritournelle

Of summer bee-song: laughing as they fell,

Gold memories: dream incense, childhood’s gift,

Blue as the smoke that far horizons lift,

Tenuous as the wings of Ariel: –
These treasured things I laid upon the pyre;

And the flame kindled, and I fanned it high,A

nd, strong in hope, could watch the crumbling past.

Eager I knelt before the waning fire,

Phoenix, to greet thine immortality…

But there was naught but ashes at the last.


Sympathy
The irony of being two…!

Grey eyes, wide open suddenly,

Regard me and enquire; I see a face

Grave and unquiet in tenderness.

Heart-rending question of women – never answered:

“Tell me, tell me, what are you thinking of?”

Oh, the pain and foolishness of love!

What can I do but make my old grimace,

Ending it with a kiss, as I always do?

On The Cusp

The Cantelope…
Side by side in the crowded streets,

Amid its ebb and flow,

We walked together one autumn morn;

(‘Twas many years ago!)
The markets blushed with fruits and flowers;

(Both Memory and Hope!)

You stopped and bought me at the stall,

A spicy cantelope.
We drained together its honeyed wine,

We cast the seeds away;

I slipped and fell on the moony rinds,

And you took me home in a dray!
The honeyed wine of your love is drained;

I limp from the fall I had;

The snow-flakes muffle the empty stall,

And everything is sad.
The sky is an inkstand, upside down,

It splashes the world with gloom;

The earth is full of skeleton bones,

And the sea is a wobbling tomb!
– Bayard Taylor

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A return to theme… I had pretty much finished this entry last Friday, but life got in the way… and luckily, it brought a change to the whole set up. I changed out poetry, added an article and revamped the whole thing.
Pounding away on ideas, weather is dire so the head whirls with the coming year. I am all for the continual changes, and the gifts of a blind future.
I’ve talked to many people in the last few days, and it smells of hope, it feels like there is a sea-change in the air…
Much is going on, and things are beginning to unfold. Here is to a brilliant Solstice, and all that it brings, and says goodbye to….

Bright Blessings,
Gwyllm

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On The Menu:

Shameless Self Promotion…

Edith Piaf – Non, je ne regrette rien

The Links

The Vision of Hasheesh

Bayard Taylor – An American In The East…His Poetic Works…

Edith Piaf – Padam, Padam

Art: Rudolf Ernst

Announcing The Gwyllm Llwydd – 2008 Calendar!

I have finally decided to put my art out there as a calendar… 12 months of Surreal Enjoyment… So if you feel so inclined, here is your chance to decorate your house with a bit of madness! 8o)

Get Your Gwyllm Calendar here!
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Edith Piaf – Non, je ne regrette rien (1961)

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The Links:

A hug from Amma

Tracing Business Acumen to Dyslexia

Neanderthal-human hybrid ‘a myth’

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The Vision of Hasheesh

by Bayard Taylor
Chapter X of The Lands of the Saracen. (A slightly different version was published in the April, 1854 edition of Putnam’s Monthly Magazine)
“Exulting, trembling, raging, fainting, Possessed beyond the Muse’s painting.”

–Collins.
During my stay in Damascus, that insatiable curiosity which leads me to prefer the acquisition of all lawful knowledge through the channels of my own personal experience, rather than in less satisfactory and less laborious ways, induced me to make a trial of the celebrated Hasheesh — that remarkable drug which supplies the luxurious Syrian with dreams more alluring and more gorgeous than the Chinese extracts from his darling opium pipe. The use of Hasheesh — which is a preparation of the dried leaves of the cannabis indica — has been familiar to the East for many centuries. During, the Crusades, it was frequently used by the Saracen warriors to stimulate them to the work of slaughter, and from the Arabic term of “Hashasheën” or Eaters of Hasheesh, as applied to them, the word “assassin” has been naturally derived. An infusion of the same plant gives to the drink called “bhang” which is in common use throughout India and Malaysia, its peculiar properties. Thus prepared, it is a more fierce and fatal stimulant than the paste of sugar and spices to which the Turk resorts, as the food of his voluptuous evening, reveries. While its immediate effects seem to be more potent than those of opium, its habitual use, though attended with ultimate and permanent injury to the system, rarely results in such utter wreck of mind and body as that to which the votaries of the latter drug inevitably condemn themselves.
A previous experience of the effects of hasheesh — which I took once, and in a very mild form, while in Egypt — was so peculiar in its character, that my curiosity, instead of being satisfied, only prompted me the more to throw myself, for once, wholly under its influence. The sensations it then produced were those, physically, of exquisite lightness and airiness — mentally, of a wonderfully keen perception of the ludicrous, in the most simple and familiar objects. During the half hour in which it lasted, I was at no time so far under its control, that I could not, with the clearest perception, study the changes through which I passed. I noted, with careful attention, the fine sensations which spread throughout the whole tissue of my nervous fibre, each thrill helping, to divest my frame of its earthly and material nature, until my substance appeared to me no grosser than the vapors of the atmosphere, and while sitting in the calm of the Egyptian twilight, I expected to be lifted up and carried away by the first breeze that should ruffle the Nile. While this process was going on, the objects by which I was surrounded assumed a strange and whimsical expression. My pipe, the oars which my boatmen plied, the turban worn by the captain, the water-jars and culinary implements, became in themselves so inexpressibly absurd and comical, that I was provoked into a long fit of laughter. The hallucination died away as gradually as it came, leaving me overcome with a soft and pleasant drowsiness from which I sank into a deep, refreshing sleep.
My companion and an English gentleman, who, with his wife, was also residing in Antonio’s pleasant caravanserai — agreed to join me in the experiment. The dragoman of the latter was deputed to procure a sufficient quantity of the drug. He was a dark Egyptian, speaking only the lingua franca of the East, and asked me, as he took the money and departed on his mission, whether he should get hasheesh “per ridere, o per dormire?” “Oh, per ridere, of course,” I answered; “and see that it be strong and fresh.” It is customary with the Syrians to take a small portion immediately before the evening meal, as it is thus diffused through the stomach and acts more gradually, as well as more gently, upon the system. As our dinner-hour was at sunset, I proposed taking hasheesh at that time, but my friends, fearing that its operation might be more speedy upon fresh subjects, and thus betray them into some absurdity in the presence of the other travellers, preferred waiting until after the meal. It was then agreed that we should retire to our room, which, as it rose like a tower one story higher than the rest of the building, was in a manner isolated, and would screen us from observation.
We commenced by taking a tea-spoonful each of the mixture which Abdallah had procured. This was about the quantity I had taken in Egypt, and as the effect then had been so slight, I judged that we ran no risk of taking an over-dose. The strength of the drug, however, must have been far greater in this instance, for whereas I could in the former case distinguish no flavor but that of sugar and rose leaves, I now found the taste intensely bitter and repulsive to the palate. We allowed the paste to dissolve slowly on our tongues, and sat some time, quietly waiting the result. But, having been taken upon a full stomach, its operation was hindered, and after the lapse of nearly an hour, we could not detect the least change in our feelings. My friends loudly expressed their conviction of the humbug of hasheesh, but I, unwilling to give up the experiment at this point, proposed that we should take an additional half spoonful, and follow it with a cup of hot tea, which, if there were really any virtue in the preparation, could not fail to call it into action. This was done, though not without some misgivings, as we were all ignorant of the precise quantity which constituted a dose, and the limits within which the drug could be taken with safety. It was now ten o’clock; the streets of Damascus were gradually becoming silent, and the fair city was bathed in the yellow lustre of the Syrian moon. Only in the marble court-yard below us, a few dragomen and mukkairee lingered under the lemon-trees, and beside the fountain in the centre.

I was seated alone, nearly in the middle of the room, talking with my friends, who were lounging upon a sofa placed in a sort of alcove, at the farther end, when the same fine nervous thrill, of which I have spoken, suddenly shot through me. But this time it was accompanied with a burning sensation at the pit of the stomach; and, instead of growing upon me with the gradual pace of healthy slumber, and resolving me, as before, into air, it came with the intensity of a pang, and shot throbbing along the nerves to the extremities of my body. The sense of limitation — of the confinement of our senses within the bounds of our own flesh and blood — instantly fell away. The walls of my frame were burst outward and tumbled into ruin; and, without thinking what form I wore — losing sight even of all idea of form — I felt that I existed throughout a vast extent of space. The blood, pulsed from my heart, sped through uncounted leagues before it reached my extremities; the air drawn into my lungs expanded into seas of limpid ether, and the arch of my skull was broader than the vault of heaven. Within the concave that held my brain, were the fathomless deeps of blue; clouds floated there, and the winds of heaven rolled them together, and there shone the orb of the sun. It was — though I thought not of that at the time — like a revelation of the mystery of omnipresence. It is diffcult to describe this sensation, or the rapidity with which it mastered me. In the state of mental exaltation in which I was then plunged, all sensations, as they rose, suggested more or less coherent images. They presented themselves to me in a double form: one physical, and therefore to a certain extent tangible; the other spiritual, and revealing itself in a succession of splendid metaphors. The physical feeling, of extended being was accompanied by the image of an exploding meteor, not subsiding into darkness, but continuing to shoot from its centre or nucleus — which corresponded to the burning spot at the pit of my stomach — incessant adumbrations of light that finally lost themselves in the infinity of space. To my mind, even now, this image is still the best illustration of my sensations, as I recall them; but I greatly doubt whether the reader will find it equally clear.
My curiosity was now in a way of being satisfied; the Spirit (demon, shall I not rather say?) of Hasheesh had entire possession of me. I was cast upon the flood of his illusions, and drifted helplessly whithersoever they might choose to bear me. The thrills which ran through my nervous system became more rapid and fierce, accompanied with sensations that steeped my whole being in unutterable rapture. I was encompassed by a sea of light, through which played the pure, harmonious colors that are born of light. While endeavoring, in broken expressions, to describe my feelings to my friends, who sat looking upon me incredulously-not yet having been affected by the drug-I suddenly found myself at the foot of the great Pyramid of Cheops. The tapering courses of yellow limestone gleamed like gold in the sun, and the pile rose so high that it seemed to lean for support upon the blue arch of the sky. I wished to ascend it, and the wish alone placed me immediately upon its apex, lifted thousands of feet above the wheat-fields and palm-groves of Egypt. I cast my eyes downward, and, to my astonishment, saw that it was built, not of limestone, but of huge square plugs of Cavendish tobacco! Words cannot paint the overwhelming sense of the ludicrous which I then experienced. I writhed on my chair in an agony of laughter, which was only relieved by the vision melting away like a dissolving view; till, out of my confusion of indistinct images and fragments of images, another and more wonderful vision arose.
The more vividly I recall the scene which followed, the more carefully I restore its different features, and separate the many threads of sensation which it wove into one gorgeous web, the more I despair of representing its exceeding glory. I was moving over the Desert, not upon the rocking dromedary, but seated in a barque made of mother-of-pearl, and studded with jewels of surpassing lustre. The sand was of grains of gold, and my keel slid through them without jar or sound. The air was radiant with excess of light, though no sun was to be seen. I inhaled the most delicions perfumes; and harmonies, such as Beethoven may have heard in dreams, but never wrote, floated around me. The atmosphere itself was light, odor, music; and each and all sublimated beyond anything the sober senses are capable of receiving. Before me — for a thousand leagues, as it seemed — stretched a vista of rainbows, whose colors gleamed with the splendor of gems — arches of living amethyst, sapphire, emerald, topaz, and ruby. By thousands and tens of thousands, they flew past me, as my dazzling barge sped down the magnificent arcade; yet the vista still stretched as far as ever before me. I revelled in a sensuous elysium, which was perfect, because no sense was left ungratified. But beyond all, my mind was filled with a boundless feeling of triumph. My journey was that of a conqueror — not of a conqueror who subdues his race, either by Love or by Will, for I forgot that Man existed — but one victorious over the grandest as well as the subtlest forces of Nature. The spirits of Light, Color, Odor, Sound, and Motion were my slaves; and, having these, I was master of the universe.
Those who are endowed to any extent with the imaginative faculty, must have at least once in their lives experienced feelings which may give them a clue to the exalted sensuous raptures of my triumphal march. The view of a sublime mountain landscape, the hearing of a grand orchestral symphony, or of a choral upborne by the “full-voiced organ,” or even the beauty and luxury of a cloudless summer day, suggests emotions similar in kind, if less intense. They took a warmth and glow from that pure animal joy which degrades not, but spiritualizes and ennobles our material part, and which differs from cold, abstract, intellectual enjoyment, as the flaming diamond of the Orient differs from the icicle of the North. Those finer senses, which occupy a middle ground between our animal and intellectual appetites, were suddenly developed to a pitch beyond what I had ever dreamed, and being thus at one and the same time gratified to the fullest extent of their preternatural capacity, the result was a single harmonious sensation, to describe which human language has no epithet. Mahomet’s Paradise, with its palaces of ruby and emerald, its airs of musk and cassia, and its rivers colder than snow and sweeter than honey, would have been a poor and mean terminus for my arcade of rainbows. Yet in the character of this paradise, in the gorgeous fancies of the Arabian Nights, in the glow and luxury of all Oriental poetry, I now recognize more or less of the agency of hasheesh.
The fullness of my rapture expanded the sense of time; and though the whole vision was probably not more than five minutes in passing through my mind, years seemed to have elapsed while I shot under the dazzling myriads of rainbow arches. By and by, the rainbows, the barque of pearl and jewels, and the desert of golden sand, vanished; and, still bathed in light and perfume, I found myself in a land of green and flowery lawns, divided by hills of gently undulating outline. But, although the vegetation was the richest of earth, there were neither streams nor fountains to be seen; and the people who came from the hills, with brilliant garments that shone in the sun, besought me to give them the blessing of water. Their hands were full of branches of the coral honeysuckle, in bloom. These I took; and, brea
king off the flowers one by one, set them in the earth. The slender, trumpet-like tubes immediately became shafts of masonry, and sank deep into the earth; the lip of the flower changed into a circular mouth of rose-colored marble, and the people, leaning over its brink, lowered their pitchers to the bottom with cords, and drew them up again, filled to the brim, and dripping with honey.
The most remarkable feature of these illusions was, that at the time when I was most completely under their influence, I knew myself to be seated in the tower of Antonio’s hotel in Damascus, knew that I had taken hasheesh, and that the strange, gorgeous and ludicrous fancies which possessed me, were the effect of it. At the very same instant that I looked upon the Valley of the Nile from the pyramid, slid over the Desert, or created my marvellous wells in that beautiful pastoral country, I saw the furniture of my room, its mosaic pavement, the quaint Saracenic niches in the walls, the painted and gilded beams of the ceiling, and the couch in the recess before me, with my two companions watching me. Both sensations were simultaneous, and equally palpable. While I was most given up to the magnificent delusion, I saw its cause and felt its absurdity most clearly. Metaphysicians say that the mind is incapable of performing two operations at the same time, and may attempt to explain this phenomenon by supposing a rapid and incessant vibration of the perceptions between the two states. This explanation, however, is not satisfactory to me; for not more clearly does a skilful musician with the same breath blow two distinct musical notes from a bugle, than I was conscious of two distinct conditions of being in the same moment. Yet, singular as it may seem, neither conflicted with the other. My enjoyment of the visions was complete and absolute, undisturbed by the faintest doubt of their reality; while, in some other chamber of my brain, Reason sat coolly watching them, and heaping the liveliest ridicule on their fantastic features. One set of nerves was thrilled with the bliss of the gods, while another was convulsed with unquenchable laughter at that very bliss. My highest ecstacies could not bear down and silence the weight of my ridicule, which, in its turn, was powerless to prevent me from running into other and more gorgeous absurdities. I was double, not “swan and shadow,” but rather, Sphinx-like, human and beast. A true Sphinx, I was a riddle and a mystery to myself.
The drug, which had been retarded in its operation on account of having been taken after a meal, now began to make itself more powerfully felt. The visions were more grotesque than ever, but less agreeable; and there was a painful tension throughout my nervous system — the effect of over-stimulus. I was a mass of transparent jelly, and a confectioner poured me into a twisted mould. I threw my chair aside, and writhed and tortured myself for some time to force my loose substance into the mould. At last, when I had so far succeeded that only one foot remained outside, it was lifted off, and another mould, of still more crooked and intricate shape, substituted. I have no doubt that the contortions through which I went, to accomplish the end of my gelatinous destiny, would have been extremely ludicrous to a spectator, but to me they were painful and disagreeable. The sober half of me went into fits of laughter over them, and through that laughter, my vision shifted into another scene. I had laughed until my eyes overflowed profusely. Every drop that fell, immediately became a large loaf of bread, and tumbled upon the shop- board of a baker in the bazaar at Damascus. The more I laughed, the faster the loaves fell, until such a pile was raised about the baker, that I could hardly see the top of his head. “The man will be suffocated,” I cried, “but if he were to die, I cannot stop!”
My perceptions now became more dim and confused. I felt that I was in the grasp of some giant force; and, in the glimmering of my fading reason, grew earnestly alarmed, for the terrible stress under which my frame labored increased every moment. A fierce and furious heat radiated from my stomach throughout my system; my mouth and throat were as dry and hard as if made of brass, and my tongue, it seemed to me, was a bar of rusty iron. I seized a pitcher of water, and drank long and deeply; but I might as well have drunk so much air, for not only did it impart no moisture, but my palate and throat gave me no intelligence of having drunk at all. I stood in the centre of the room, brandishing my arms convulsively, and heaving sighs that seemed to shatter my whole being. “Will no one,” I cried in distress, “cast out this devil that has possession of me?” I no longer saw the room nor my friends, but I heard one of them saying, “It must be real; he could not counterfeit such an expression as that. But it don’t look much like pleasure.” Immediately afterwards there was a scream of the wildest laughter, and my countryman sprang upon the floor, exclaiming, “O, ye gods! I am a locomotive!” This was his ruling hallucination; and, for the space of two or three hours, he continued to pace to and fro with a measured stride, exhaling his breath in violent jets, and when he spoke, dividing his words into syllables, each of which he brought out with a jerk, at the same time turning his hands at his sides, as if they were the cranks of imaginary wheels. The Englishman, as soon as he felt the dose beginning to take effect, prudently retreated to his own room, and what the nature of his visions was, we never learned, for he refused to tell, and, moreover, enjoined the strictest silence on his wife.
By this time it was nearly midnight. I had passed through the Paradise of Hasheesh, and was plunged at once into its fiercest Hell. In my ignorance I had taken what, I have since learned, would have been a sufficient portion for six men, and was now paying a frightful penalty for my curiosity. The excited blood rushed through my frame with a sound like the roaring of mighty waters. It was projected into my eyes until I could no longer see; it beat thickly in my ears, and so throbbed in my heart, that I feared the ribs would give way under its blows. I tore open my vest, placed my hand over the spot, and tried to count the pulsations; but there were two hearts, one beating at the rate of a thousand beats a minute, and the other with a slow, dull motion. My throat, I thought, was filled to the brim with blood, and streams of blood were pouring from my ears. I felt them gushing warm down my cheeks and neck. With a maddened, desperate feeling, I fled from the room, and walked over the flat, terraced roof of the house. My body seemed to shrink and grow rigid as I wrestled with the demon, and my face to become wild, lean and haggard. Some lines which had struck me, years before, in reading Mrs. Browning’s “Rhyme of the Duchess May,” flashed into my mind: —
On the last verge, rears amain;

And he shivers, head and hoof, and the flakes of foam fall off;
That picture of animal terror and agony was mine. I was the horse, hanging poised on the verge of the giddy tower, the next moment to be borne sheer down to destruction. Involuntarily, I raised my hand to feel the leanness and sharpness of my face. Oh horror! the flesh had fallen from my bones, and it was a skeleton head that I carried on my shoulders! With one bound I sprang to the parapet, and looked down into the silent courtyard, then filled with the shadows thrown into it by the sinking moon. Shall I cast myself down headlong? was the question I proposed to myself; but though the horror of that skeleton delusion was greater than my fear of death, there was an invisible hand at my breast which pushed me away from the brink.

I made my way back to the room, in a state of the keenest suffering. My companion was still a locomotive, rushing to and fro, and jerking out his syllables with the disjointed accent peculiar to a steam-engine. His mouth had turned to brass like mine, and he raised the pitcher to his lips in the attempt to moisten it, but before he had taken a mouthful, set the pitcher down again with a yell of laughter, crying out: “How can I take water into my boiler, while I am letting off steam?”
But I was now too far gone to feel the absurdity of this, or his other exclamations. I was sinking deeper and deeper into a pit of unutterable agony and despair. For, although I was not conscious of real pain in any part of my body, the cruel tension to which my nerves had been subjected filled me through and through with a sensation of distress which was far more severe than pain itself. In addition to this, the remnant of will with which I struggled against the demon, became gradually weaker, and I felt that I should soon be powerless in his hands. Every effort to preserve my reason was accompanied by a pang of mortal fear, lest what I now experienced was insanity, and would hold mastery over me for ever. The thought of death, which also haunted me, was far less bitter than this dread. I knew that in the struggle which was going on in my frame, I was borne fearfully near the dark gulf, and the thought that, at such a time, both reason and will were leaving my brain, filled me with an agony, the depth and blackness of which I should vainly attempt to portray. I threw myself on my bed, with the excited blood still roaring wildly in my ears, my heart throbbing with a force that seemed to be rapidly wearing away my life, my throat dry as a potsherd, and my stiffened tongue cleaving to the roof of my mouth-resisting no longer, but awaiting my fate with the apathy of despair.
My companion was now approaching the same condition, but as the effect of the drug on him had been less violent, so his stage of suffering was more clamorous. He cried out to me that he was dying, implored me to help him, and reproached me vehemently, because I lay there silent, motionless, and apparently careless of his danger. “Why will he disturb me?” I thought; “he thinks he is dying, but what is death to madness? Let him die; a thousand deaths were more easily borne than the pangs I suffer.” While I was sufficiently conscious to hear his exclamations, they only provoked my keen anger; but after a time, my senses became clouded, and I sank into a stupor. As near as I can judge, this must have been three o’clock in the morning, rather more than five hours after the hasheesh began to take effect. I lay thus all the following day and night, in a state of gray, blank oblivion, broken only by a single wandering gleam of consciousness. I recollect hearing François’ voice. He told me afterwards that I arose, attempted to dress myself, drank two cups of coffee, and then fell back into the same death-like stupor; but of all this, I did not retain the least knowledge. On the morning of the second day, after a sleep of thirty hours, I awoke again to the world, with a system utterly prostrate and unstrung, and a brain clouded with the lingering images of my visions. I knew where I was, and what had happened to me, but all that I saw still remained unreal and shadowy. There was no taste in what I ate, no refreshment in what I drank, and it required a painful effort to comprehend what was said to me and return a coherent answer. Will and Reason had come back, but they still sat unsteadily upon their thrones.
My friend, who was much further advanced in his recovery, accompanied me to the adjoining bath, which I hoped would assist in restoring me. It was with great difficulty that I preserved the outward appearance of consciousness. In spite of myself, a veil now and then fell over my mind, and after wandering for years, as it seemed, in some distant world, I awoke with a shock, to find myself in the steamy halls of the bath, with a brown Syrian polishing my limbs. I suspect that my language must have been rambling and incoherent, and that the menials who had me in charge understood my condition, for as soon as I had stretched myself upon the couch which follows the bath, a glass of very acid sherbet was presented to me, and after drinking it I experienced instant relief. Still the spell was not wholly broken, and for two or three days I continued subject to frequent involuntary fits of absence, which made me insensible, for the time, to all that was passing around me. I walked the streets of Damascus with a strange consciousness that I was in some other place at the same time, and with a constant effort to reunite my divided perceptions.
Previous to the experiment, we had decided on making a bargain with the shekh for the journey to Palmyra. The state, however, in which we now found ourselves, obliged us to relinquish the plan. Perhaps the excitement of a forced march across the desert, and a conflict with the hostile Arabs, which was quite likely to happen, might have assisted us in throwing off the baneful effects of the drug; but all the charm which lay in the name of Palmyra and the romantic interest of the trip, was gone. I was without courage and without energy, and nothing remained for me but to leave Damascus.
Yet, fearful as my rash experiment proved to me, I did not regret having made it. It revealed to me deeps of rapture and of suffering which my natural faculties never could have sounded. It has taught me the majesty of human reason and of human will, even in the weakest, and the awful peril of tampering with that which assails their integrity. I have here faithfully and fully written out my experience, on account of the lesson which it may convey to others. If I have unfortunately failed in my design, and have but awakened that restless curiosity which I have endeavored to forestall, let me beg all who are thereby led to repeat the experiment upon themselves, that they be content to take the portion of hasheesh which is considered sufficient for one man, and not, like me, swallow enough for six.

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Bayard Taylor – An American In The East…His Poetic Works…

BEDOUIN SONG
From the Desert I come to thee

On a stallion shod with fire;

And the winds are left behind

In the speed of my desire.

Under thy window I stand,

And the midnight hears my cry:

I love thee, I love but thee,

With a love that shall not die

Till the sun grows cold,

And the stars are old,

And the leaves of the Judgment Book Unfold!

Look from thy window and see

My passion and my pain;

I lie on the sands below,

And I faint in thy disdain.

Let the night-winds touch thy brow

With the heat of my burning sigh,

And melt thee to hear the vow

Of a love that shall not die

Till the sun grows cold,

And the stars are old,

And the leaves of the Judgment Book Unfold!

My steps are nightly driven,

By the fever in my breast,

To hear from thy lattice breathed

The word that shall give me rest.

Open the door of thy heart,

And open thy chamber door,

And my kisses shall teach thy lips

The love that shall fade no more

Till the sun grows cold,

And the stars are old,

And the leaves of the Judgment Book Unfold!

DAUGHTER OF EGYPT
Daughter of Egypt, veil thine eyes!

I cannot bear their fire;

Nor will I touch with sacrifice

Those altars of desire.

For they are flames that shun the day,

And their unholy light

Is fed from natures gone astray

In passion and in night.

The stars of Beauty and of Sin,

They burn amid the dark,

Like beacons that to ruin win

The fascinated bark.

Then veil their glow, lest I forswear

The hopes thou canst not crown,

And in the black waves of thy hair

My struggling manhood drown!


TYRE
The wild and windy morning is lit with lurid fire;

The thundering surf of ocean beats on the rocks of Tyre, —

Beats on the fallen columns and round the headland roars,

And hurls its foamy volume along the hollow shores,

And calls with hungry clamor, that speaks its long desire:

“Where are the ships of Tarshish, the mighty ships of Tyre?”

Within her cunning harbor, choked with invading sand,

No galleys bring their freightage, the spoils of every land,

And like a prostrate forest, when autumn gales have blown,

Her colonnades of granite lie shattered and o’erthrown;

And from the reef the pharos no longer flings its fire,

To beacon home from Tarshish the lordly ships of Tyre.

Where is thy rod of empire, once mighty on the waves, —

Thou that thyself exalted, till Kings became thy slaves?

Thou that didst speak to nations, and saw thy will obeyed, —

Whose favor made them joyful, whose anger sore afraid, —

Who laid’st thy deep foundations, and thought them strong and sure,

And boasted midst the waters, Shall I not aye endure?

Where is the wealth of ages that heaped thy princely mart?

The pomp of purple trappings; the gems of Syrian art;

The silken goats of Kedar; Sabæa’s spicy store;

The tributes of the islands thy squadrons homeward bore,

When in thy gates triumphant they entered from the sea

With sound of horn and sackbut, of harp and psaltery?

Howl, howl, ye ships of Tarshish! the glory is laid waste:

There is no habitation; the mansions are defaced.

No mariners of Sidon unfurl your mighty sails;

No workmen fell the fir-trees that grow in Shenir’s vales

And Bashan’s oaks that boasted a thousand years of sun,

Or hew the masts of cedar on frosty Lebanon.

Rise, thou forgotten harlot! take up thy harp and sing:

Call the rebellious islands to own their ancient king:

Bare to the spray thy bosom, and with thy hair unbound,

Sit on the piles of ruins, thou throneless and discrowned!

There mix thy voice of wailing with the thunders of the sea,

And sing thy songs of sorrow, that thou remembered be!

Though silent and forgotten, yet Nature still laments

The pomp and power departed, the lost magnificence:

The hills were proud to see thee, and they are sadder now;

The sea was proud to bear thee, and wears a troubled brow,

And evermore the surges chant forth their vain desire:

“Where are the ships of Tarshish, the mighty ships of Tyre?”

Edith Piaf – Padam, Padam

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The Hasheesh Eaters….

Thursday in the Great North Wetness… Rained again last night, I thought our Basement would start leaking again it was pounding sooooo much. Supposedly the great i-5 will be opened this evening, though I wonder about the mud etc. The coast is still a huge mess. It could be food-drops etc. in the next couple of daze…
Watched a great little film outa Canada last night: “Snow Cake”, Recommended. Alan Rickman, Sigourney Weaver, Carrie-Ann Moss and a cast of very tweaked people dealing with death, autism, and the changing of the seasons. Perfect winter fare. Lots of love in this film, and it is a keeper.
It looks like the error in printing on the Invisible College Magazine may be cleared up. I will let you know when it is available…
Just obtained a Wacom Tablet…. Amazing Device! This will be changing my whole approach to art… Thanks to John @ Godzero for his encouragement.

Announcing The Gwyllm Llwydd – 2008 Calendar!

I have finally decided to put my art out there as a calendar… 12 months of Surreal Enjoyment… So if you feel so inclined, here is your chance to decorate your house with a bit of madness! 8o)

Get Your Gwyllm Calendar here!

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Off to make the world a tidier place!
Gwyllm

On The Menu:

The Links

Repeat Entry: Hashish – The Drug of a Nation

THE TALE OF TWO HASHISH-EATERS

On The Wings Of Love – The Poetry of Hafiz

Art: Rudolf Ernst

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The Links:

In a parallel universe, this theory would make sense

Astronaut Edgar Mitchell searches for ‘inclusive view of reality’

Let us kill all the teddy bears

Alameda distiller helps make absinthe legitimate again

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And on this occasion, I would like to repeat:

Hashish – The Drug of a Nation

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THE TALE OF TWO HASHISH-EATERS (Traditional)

From 1001 Arabian Nights

There was once, my lord and crown upon my head, a man in a certain city, who was a fisherman by trade and a hashish-eater by occupation. When he had earned his daily wage, he would spend a little of it on food and the rest on a sufficiency of that hilarious herb. He took his hashish three times a day: once in the morning on an empty stomach, once at noon, and once at sundown. Thus he was never lacking in extravagent gaity. Yet he worked hard enough at his fishing, though sometimes in a very extravagent fashion.
On a certain evening, for instance, when he had taken a larger dose of his favorite drug than usual, he lit a tallow candle and sat in front of it, asking himself eager questions and answering with obliging wit. After some hours of this delight, he became aware of the cool silence of the night about him and the clear light of a full moon abouve his head, and exclaimed affably to himself: “Dear friend, the silent streets and the cool of the moon invite us to a walk. Let us go forth, while all the world is in bed and none may mar our solitary exaltation.” Speaking in this way to himself, the fisherman left his house and began to walk towards the river; but, as he went, he saw the light of the full moon lying in the roadway and took it to be the water of the river. “My dear old friend the fisherman,” he said, “get your line and take the best of the fishing, while your rivals are indoors.” So he ran back and fetched his hook and line, and cast into the glittering patch of moonlight on the road.
Soon an enormous dog, tempted by the smell of the bait, swallowed the hook greedily and then, feeling the barb, made desperate efforts to get loose. The fisherman struggled for some time against this enormous fish, but at last he was pulled over and rolled into the moonlight. Even then he would not let go his line, but held on grimly, uttering frightened cries. “Help, help, good Mussulmans!” he shouted. “Help me to secure this mighty fish, for he is dragging me into the deeps! Help, help, good friends, for I am drowning!” The guards of that quarter ran up at the noise and began laughing at the fisherman’s antics; but when he yelled: “Allah curse you, O sons of bitches! Is it a time to laugh when I am drowning?” they grew angry and, after giving him a sound beating, dragged him into the presence of the kadi.
At this point Shahrazad saw the approach of morning and discreetly fell silent.
BUT WHEN THE SEVEN-HUNDRED-AND-NINETY-EIGHTH NIGHT HAD COME SHE said:
Allah had willed that the kadi should also be addicted to the use of hashish; recognizing that the prisoner was under that jocund influence, he rated the guards soundly and dismissed them. Then he handed over the fisherman to his slaves that they might give him a bed for calm sleep. After a pleasant night and a day given up to the consumption of excellent food, the fisherman was called to the kadi in the evening and received by him like a brother. His host supped with him; and then the two sat opposite the lighted candles and each swallowed enough hashish to destroy a hundred-year-old elephant. When the drug exalted their natural dispositions, they undressed completely and began to dance about, singing and committing a thousand extravagances.

Now it happened that the Sultan and his wazir were walking through the city, disguised as merchants, and heard a strange noise rising from the kadi’s house. They entered through the unlatched door and found two naked men, who stopped dancing at their entrance and welcomed them without the least embarrassment. The Sultan sat down to watch his venerable kadi dance again; but when he saw that the other man had a dark and lively zabb, so long that the eye might not carry to the end of it, he whispered in his wazir’s startled ear: “As Allah lives, our kadi is not as well hung as his guest!” “What are you whispering about?” cried the fisherman. “I am the Sultan of this city and I order you to watch my dance respectfully, otherwise I will have your head cut off. I am the Sultan, this is my wazir; I hold the whole world like a fish in the palm of my right hand.” The Sultan and his wazir realized that they were in the presence of two hashish-eaters, and the wazir, to amuse his master, addressed the fisherman, saying: “How long have you been Sultan, dear master, and can you tell me what has happened to your predecessor?” “I deposed the fellow,” answered the fisherman. “I said: ‘Go Away!’ and he went away.”
“Did he not protest?” asked the wazir.
“Not at all,” replied the fisherman. “He was delighted to be relased from the burden of kingship. He abdicated with such good grace that I keep him by me as a servant. He is an excellent dancer. When he pines for his throne, I tell him stories. Now I want to piss.” So saying, he lifted up his interminable tool and, walking over to the Sultan, seemed to be about to discharge upon him.
“I also want to piss,” exclaimed the kadi, and took up the same threatening position in front of the wazir. The two victims shouted with laughter and fled from that house, crying over their shoulders: “God’s curse on all hashish-eaters!”
Next morning, that the jest might be complete, the Sultan called the kadi and his guest before him. “O discreet pillar of our law,” he said, “I have called you to me because I wish to learn the most convenient manner of pissing. Should one squat and carefully lift the robe, as religion prescribes? Should one stand up, as is the unclean habit of unbelievers? Or should one undress completely and piss against one’s friends, as is the custom of two hashish-eaters of my acquaintance?”
Knowing that the Sultan used to walk about the city in disguise, the kadi realized in a flash the identity of his last night’s visitors, and fell on his knees, crying: “My lord, my lord, the hashish spake in these indelicacies, not I!”
But the fisherman, who by his careful daily taking of the drug was always under its effect, called somewhat sharply: “And what of it? You are in your palace this morning, we were in our palace last night.”
“O sweetest noise in all our kingdom,” answered the delighted King, “as we are both Sultans of this city, I think you had better henceforth stay with me in my palace. If you can tell stories, I trust that you will at once sweeten our hearing with a chosen one.”
“I will do so gladly, as soon as you have pardoned my wazir,” replied the fisherman; so the Sultan bade the kadi rise and sent him back forgiven to his duties.

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On The Wings Of Love – The Poetry of Hafiz

School of Truth

O fool, do something, so you won’t just stand there looking dumb.

If you are not traveling and on the road, how can you call yourself a guide?
In the School of Truth, one sits at the feet of the Master of Love.

So listen, son, so that one day you may be an old father, too!
All this eating and sleeping has made you ignorant and fat;

By denying yourself food and sleep, you may still have a chance.
Know this: If God should shine His lovelight on your heart,

I promise you’ll shine brighter than a dozen suns.
And I say: wash the tarnished copper of your life from your hands;

To be Love’s alchemist, you should be working with gold.
Don’t sit there thinking; go out and immerse yourself in God’s sea.

Having only one hair wet with water will not put knowledge in that head.
For those who see only God, their vision

Is pure, and not a doubt remains.
Even if our world is turned upside down and blown over by the wind,

If you are doubtless, you won’t lose a thing.
O Hafiz, if it is union with the Beloved that you seek,

Be the dust at the Wise One’s door, and speak!


Let Thought Become Your Beautiful Lover

Let thought become the beautiful Woman.
Cultivate your mind and heart to that depth
That it can give you everything

A warm body can.
Why just keep making love with God’s child– Form
When the Friend Himself is standing

Before us

So open-armed?
My dear,

Let prayer become your beautiful Lover
And become free,

Become free of this whole world

Like Hafiz.


We Might Have To Medicate You

Resist your temptation to lie

By speaking of separation from God,
Otherwise,

We might have to medicate

You.
In the ocean

A lot goes on beneath your eyes.
Listen,

They have clinics there too

For the insane

Who persist in saying things like:
“I am independent from the

Sea,
God is not always around
Gently

Pressing against

My body.”


Like The Morning Breeze

Like the morning breeze, if you bring to the morning good deeds,

The rose of our desire will open and bloom.
Go forward, and make advances down this road of love;

In forward motion, the pain is great.
To beg at the door of the Winehouse is a wonderful alchemy.

If you practice this, soon you will be converting dust into gold.
O heart, if only once you experience the light of purity,

Like a laughing candle, you can abandon the life you live in your head.
But if you are still yearning for cheap wine and a beautiful face,

Don’t go out looking for an enlightened job.
Hafiz, if you are listening to this good advice,

The road of Love and its enrichment are right around the curve.

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