Seven Hundred Years…

On The Music Box: Mercan Dede

Sunday was Rumi’s 700th Birthday, so with a bit of prompting from Mike Crowley, I put this together to celebrate…

Hope You enjoy!
Gwyllm
The Poetry of Rumi – Coleman Barks & Robert Bly perform

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Never be without remembrance of Him,

for His remembrance

gives strength and wings

to the bird of the Spirit.

If that objective of yours

is fully realized, that is

“Light upon Light”…
…But at the very least, by

practicing God’s remembrance

your inner being

will be illuminated

little by little and

you will achieve

some measure of detachment

from the world.


“One went to the door of the Beloved and

knocked. A voice asked, ‘Who is there?’

He answered, ‘It is I.’
The voice said, ‘There is no room for Me and Thee.’

The door was shut.
After a year of solitude and deprivation he returned and knocked.

A voice from within asked, ‘Who is there?’

The man said, ‘It is Thee.’

The door was opened for him.”


Thou and I
Joyful the moment when we sat in the bower, Thou and I;

In two forms and with two faces – with one soul, Thou and I.
The colour of the garden and the song of the birds give the elixir of immortality

The instant we come into the orchard, Thou and I.
The stars of Heaven come out to look upon us –

We shall show the moon herself to them, Thou and I.
Thou and I, with no ‘Thou’ or ‘I’, shall become one through our tasting;

Happy, safe from idle talking, Thou and I.
The spirited parrots of heaven will envy us –

Wen we shall laugh in such a way, Thou and I.
This is stranger, that Thou and I, in this corner here…

Are both in one breath here and there – Thou and I.

The garden of

Love

is green without

limit

and yields many

fruits

other than sorrow

and joy.

Love is beyond either

condition:

without spring,

without autumn,

it is always fresh.


Spring Giddiness
Today, like every other day, we wake up empty

and frightened. Don’t open the door to the study

and begin reading. Take down a musical instrument.

Let the beauty we love be what we do.

There are hundreds of ways to kneel and kiss the ground.
The breeze at dawn has secrets to tell you.

Don’t go back to sleep.

You must ask for what you really want.

Don’t go back to sleep.

People are going back and forth across the doorsill

where the two worlds touch.

The door is round and open.

Don’t go back to sleep.
I would love to kiss you.

The price of kissing is your life.

Now my loving is running toward my life shouting,

What a bargain, let’s buy it.
Daylight, full of small dancing particles

and the one great turning, our souls

are dancing with you, without feet, they dance.

Can you see them when I whisper in your ear?
All day and night, music,

a quiet, bright

reedsong. If it

fades, we fade.

Art as Flirtation and Surrender
In your light I learn how to love.

In your beauty, how to make poems.

You dance inside my chest,

where no one sees you,

but sometimes I do,

and that sight becomes this art.

Love Dogs

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Viewing the Distant Shore….

Featuring the art of Jesse M. King… who I have had a long love for, and her work has appeared here before of course…

This entry is all over the place, so dig in.
Our friend Mike Crowley is visiting as he is at a seminar in town for programmers. Nice evenings, long talks… hilarity!
Hope your weekend is a sweet one.
Download that magazine!

Listen to the radio!
Blessings,
Gwyllm
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Link Of The Day:Seymour Busts it open!

CNN:Busted-Bush Admin Funding Al Qaeda w/Iraq $$ Thru Lebanon Govt.

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The Wisdom Of Jerry Falwell
– “If you’re not a born-again Christian, you’re a failure as a human being.”
– “I hope I live to see the day when, as in the early days of our country, we won’t have any public schools. The churches will have taken them over again and Christians will be running them. What a happy day that will be!”
– “Grown men should not be having sex with prostitutes unless they are married to them.”
– “There is no separation of church and state. Modern US Supreme Courts have raped the Constitution and raped the Christian faith and raped the churches by misinterpreting what the Founders had in mind in the First Amendment to the Constitution.”
– “AIDS is the wrath of a just God against homosexuals. To oppose it would be like an Israelite jumping in the Red Sea to save one of Pharaoh’s charioteers.”
– “Textbooks are Soviet propaganda.”
– “The whole (global warming) thing is created to destroy America’s free enterprise system and our economic stability.”
– “(9/11 is the result of) throwing God out of the public square, out of the schools, the abortionists have got to bear some burden for this because God will not be mocked and when we destroy 40 million little innocent babies, we make God mad…I really believe that the pagans and the abortionists and the feminists and the gays and the lesbians who are actively trying to make that an alternative lifestyle, the ACLU, People for the American Way, all of them who try to secularize America…I point the thing in their face and say you helped this happen.”

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Gold-Tree and Silver-Tree

Once upon a time there was a king who had a wife, whose name was Silver-tree, and a daughter, whose name was Gold-tree. On a certain day of the days, Gold-tree and Silver-tree went to a glen, where there was a well, and in it there was a trout.
Said Silver-tree, “Troutie, bonny little fellow, am not I the most beautiful queen in the world?”
“Oh indeed you are not.”
“Who then?”
“Why, Gold-tree, your daughter.”
Silver-tree went home, blind with rage. She lay down on the bed, and vowed she would never be well until she could get the heart and the liver of Gold-tree, her daughter, to eat.
At nightfall the king came home, and it was told him that Silver-tree, his wife, was very ill. He went where she was, and asked her what was wrong with her.
“Oh! only a thing which you may heal if you like.”
“Oh! indeed there is nothing at all which I could do for you that I would not do.”
“If I get the heart and the liver of Gold-tree, my daughter, to eat, I shall be well.”
Now it happened about this time that the son of a great king had come from abroad to ask Gold-tree for marrying. The King now agreed to this, and they went abroad.
The king then went and sent his lads to the hunting-hill for a he-goat, and he gave its heart and its liver to his wife to eat; and she rose well and healthy.
A year after this Silver-tree went to the glen, where there was the well in which there was the trout.
“Troutie, bonny little fellow,” said she, ” am not I the most beautiful queen in the world?”
“Oh! indeed you are not.”
“Who then?”
“Why, Gold-tree, your daughter.”
“Oh! well, it is long since she was living. It is a year since I ate her heart and liver.”
“Oh! indeed she is not dead. She is married to a great prince abroad.”
Silver-tree went home, and begged the king to put the long-ship in order, and said, “I am going to see my dear Gold-tree, for it is so long since I saw her.” The long-ship was put in order, and they went away.
It was Silver-tree herself that was at the helm, and she steered the ship so well that they were not long at all hefore they arrived.
The prince was out hunting on the hills. Gold-tree knew the long-ship of her father coming.
“Oh!” said she to the servants, “my mother is coming, and she will kill me.”
“She shall not kill you at all; we will lock you in a room where she cannot get near you.”
This is how it was done; and when Silver-tree came ashore, she began to cry out: “Come to meet your own mother, when she comes to see you,” Gold-tree said that she could not, that she was locked in the room, and that she could not get out of it.
“Will you not put out,” said Silver-tree, “your little finger through the keyhole, so that your own mother may give a kiss to it?”
She put out her little finger, and Silver-tree went and put a poisoned stab in it, and Gold-tree fell dead.
When the prince came home, and found Gold-tree dead, he was in great sorrow, and when he saw how beautiful she was, he did not bury her at all, but he locked her in a room where nobody would get near her. In the course of time he married again, and the whole house was under the hand of this wife but one room, and he himself always kept the key of that room. On a certain day of the days he forgot to take the key with him, and the second wife got into the room. What did she see there but the most beautiful woman that she ever saw.
She began to turn and try to wake her, and she noticed the poisoned stab in her finger. She took the stab out, and Gold-tree rose alive, as beautiful as she was ever.
At the fall of night the prince came home from the hunting-hill, looking very downcast.
“What gift,” said his wife, “would you give me that I could make you laugh?”
“Oh! indeed, nothing could make me laugh, except Gold-tree were to come alive again.”
“Well, you’ll find her alive down there in the room.”
When the prince saw Gold-tree alive he made great rejoicings, and he began to kiss her, and kiss her, and kiss her. Said the second wife, “Since she is the first one you had it is better for you to stick to her, and I will go away.”
“Oh! indeed you shall not go away, but I shall have both of you.”
At the end of the year, Silver-tree went to the glen, where there was the well, in which there was the trout.
“Troutie, bonny little fellow,” said she, “am not I the most beautiful queen in the world?”
“Oh! indeed you are not.”
“Who then?”
“Why, Gold-tree, your daughter.”
“Oh! well, she is not alive. It is a year since I put the poisoned stab into her finger.”

“Oh! indeed she is not dead at all, at all.”
Silver-tree went home, and begged the king to put the long-ship in order, for that she was going to see her dear Gold-tree, as it was so long since she saw her. The long-ship was put in order, and they went away. It was Silver-tree herself that was at the helm, and she steered the ship so well that they were not long at all before they arrived.
The prince was out hunting on the hills. Gold-tree knew her father’s ship coming.
“Oh!” said she, “my mother is coming, and she will kill me.”
“Not at all,” said the second wife; “we will go down to meet her.”
Silver-tree came ashore. “Come down, Gold-tree, love,” said she, “for your own mother has come to you with a precious drink.”
“It is a custom in this country,” said the second wife, “that the person who offers a drink takes a draught out of it first.”
Silver-tree put her mouth to it, and the second wife went and struck it so that some of it went down her throat, and she fell dead. They had only to carry her home a dead corpse and bury her.
The prince and his two wives were long alive after this, pleased and peaceful.
I left them there.

—-

Three 19th Century Irish Poems…

A Lamentation: For the Death of Sir Maurice Fitzgerald, Knight, of Kerry, who was killed in Flanders, 1642.

-From The Irish, Clarence Mangan
There was lifted up one voice of woe,

One lament of more than mortal grief,

Through the wide South to and fro,

For a fallen Chief.

In the dead of night that cry thrilled through me,

I looked out upon the midnight air?

My own soul was all as gloomy,

As I knelt in prayer.
O’er Loch Gur, that night, once–twice-yea, thrice–

Passed a wail of anguish for the Brave

That half curled into ice

Its moon-mirroring wave.

Then uprose a many-toned wild hymn in

Choral swell from Ogra’s dark ravine,

And Mogeely’s Phantom Women

Mourned the Geraldine!
Far on Carah Mona’s emerald plains

Shrieks and sighs were blended many hours,

And Fermoy in fitful strains

Answered from her towers.

Youghal, Keenalmeaky, Eemokilly,

Mourned in concert, and their piercing keen

Woke wondering life the stilly

Glens of Inchiqueen.
From Loughmoe to yellow Dunanore

There was fear; the traders of Tralee

Gathered up their golden store,

And prepared to flee;

For, in ship and hall from night till morning,

Showed the first faint beamings of the sun,

All the foreigners heard the warning

Of the Dreaded One!
“This,” they spake, “portendeth death to us,

If we fly not swiftly from our fate!

Self-conceited idiots! thus

Ravingly to prate!

Not for base-born higgling Saxon trucksters

Ring laments like those by shore and sea!

Not for churls with souls like hucksters

Waileth our Banshee!
For the high Milesian race alone

Ever flows the music of her woe!

For slain heir to bygone throne,

And for Chief laid low!

Hark! … Again, methinks, I hear her weeping

Yonder! is she near me now, as then?

Or was but the night-wind sweeping

Down the hollow glen?


A Dream

– William Allingham

I heard the dogs howl in the moonlight night;

I went to the window to see the sight;

All the Dead that ever I knew

Going one by one and two by two.
On they pass’d, and on they pass’d;

Townsfellows all, from first to last;

Born in the moonlight of the lane,

Quench’d in the heavy shadow again.
Schoolmates, marching as when we play’d

At soldiers once–but now more staid;

Those were the strangest sight to me

Who were drown’d, I knew, in the awful sea.
Straight and handsome folk; bent and weak, too;

Some that I loved, and gasp’d to speak to;

Some but a day in their churchyard bed;

Some that I had not known were dead.
A long, long crowd–where each seem’d lonely,

Yet of them all there was one, one only,

Raised a head or look’d my way.

She linger’d a moment,–she might not stay.
How long since I saw that fair pale face!

Ah! Mother dear! might I only place

My head on thy breast, a moment to rest,

While thy hand on my tearful cheek were prest!
On, on, a moving bridge they made

Across the moon-stream, from shade to shade,

Young and old, women and men;

Many long-forgot, but remember’d then.
And first there came a bitter laughter;

A sound of tears the moment after;

And then a music so lofty and gay,

That every morning, day by day,

I strive to recall it if I may.


Song Of the Ghost

-Alfred Percival Graves
When all were dreaming

But Pastheen Power,

A light came streaming

Beneath her bower:

A heavy foot

At her door delayed,

A heavy hand

On the latch was laid.
“Now who dare venture,

At this dark hour,

Unbid to enter

My maiden bower?”

“Dear Pastheen, open

The door to me,

And your true lover

You’ll surely see.”
“My own true lover,

So tall and brave,

Lives exiled over

The angry wave.”

“Your true love’s body

Lies on the bier,

His faithful spirit

Is with you here.”
“His look was cheerful,

His voice was gay;

Your speech is fearful,

Your face is grey;

And sad and sunken

Your eye of blue,

But Patrick, Patrick,

Alas! ’tis you!”
Ere dawn was breaking

She heard below

The two cocks shaking

Their wings to crow. p. 136

“Oh, hush you, hush you,

Both red and grey,

Or will you hurry

My love away.
“Oh, hush your crowing,

Both grey and red,

Or he’ll be going

To join the dead;

Or, cease from calling

His ghost to the mould,

And I’ll come crowning

Your combs with gold.”
When all were dreaming

But Pastheen Power,

A light went streaming

From out her bower,

And on the morrow,

When they awoke,

They knew that sorrow

Her heart had broke.

Sigurd….

Hey There….
A little something to hold you over until things change again around here…
Bright Blessings,
Gwyllm
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The Links:

The Death of Peacekeeping and the Battle for Canada’s Soul

I- Doser….

“Cocaine” makers spin new “Censored” name

Where do visits from the dead fall under city codes?

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THE STORY OF SIGURD

[This is a very old story: the Danes who used to fight with the English in King Alfred’s time knew this story. They have carved on the rocks pictures of some of the things that happen in the tale, and those carvings may still be seen. Because it is so old and so beautiful the story is told here again, but it has a sad ending–indeed it is all sad, and all about fighting and killing, as might be expected from the Danes.]
Onceupon a time there was a King in the North who had won many wars, but now he was old. Yet he took a new wife, and then another Prince, who wanted to have married her, came up against him with a great army. The old King went out and fought bravely, but at last his sword broke, and he was wounded and his men fled. But in the night, when the battle was over, his young wife came out and searched for him among the slain, and at last she found him, and asked whether he might be healed. But he said `No,’ his luck was gone, his sword was broken, and he must die. And he told her that she would have a son, and that son would be a great warrior, and would avenge him on the other King, his enemy. And he bade her keep the broken pieces of the sword, to make a new sword for his son, and that blade should be called Gram.
Then he died. And his wife called her maid to her and said, `Let us change clothes, and you shall be called by my name, and I by yours, lest the enemy finds us.’
So this was done, and they hid in a wood, but there some strangers met them and carried them off in a ship to Denmark. And when they were brought before the King, he thought the maid looked like a Queen, and the Queen like a maid. So he asked the Queen, `How do you know in the dark of night whether the hours are wearing to the morning?’
And she said:
`I know because, when I was younger, I used to have to rise and light the fires, and still I waken at the same time.’
`A strange Queen to light the fires,’ thought the King.
Then he asked the Queen, who was dressed like a maid, `How do you know in the dark of night whether the hours are wearing near the dawn?’
`My father gave me a gold ring,’ said she, `and always, ere the dawning, it grows cold on my finger.’
`A rich house where the maids wore gold,’ said the King. `Truly you are no maid, but a King’s daughter.’
So he treated her royally, and as time went on she had a son called Sigurd, a beautiful boy and very strong. He had a tutor to be with him, and once the tutor bade him go to the King and ask for a horse.
`Choose a horse for yourself,’ said the King; and Sigurd went to the wood, and there he met an old man with a white beard, and said, `Come! help me in horse-choosing.’
Then the old man said, `Drive all the horses into the river, and choose the one that swims across.’
So Sigurd drove them, and only one swam across. Sigurd chose him: his name was Grani, and he came of Sleipnir’s breed, and was the best horse in the world. For Sleipnir was the horse of Odin, the God of the North, and was as swift as the wind.
But a day or two later his tutor said to Sigurd, `There is a great treasure of gold hidden not far from here, and it would become you to win it.’
But Sigurd answered, `I have heard stories of that treasure, and I know that the dragon Fafnir guards it, and he is so huge and wicked that no man dares to go near him.’
`He is no bigger than other dragons,’ said the tutor, `and if you were as brave as your father you would not fear him.’
`I am no coward,’ says Sigurd; `why do you want me to fight with this dragon?’
Then his tutor, whose name was Regin, told him that all this great hoard of red gold had once belonged to his own father. And his father had three sons–the first was Fafnir, the Dragon; the next was Otter, who could put on the shape of an otter when he liked; and the next was himself, Regin, and he was a great smith and maker of swords.
Now there was at that time a dwarf called Andvari, who lived in a pool beneath a waterfall, and there he had hidden a great hoard of gold. And one day Otter had been fishing there, and had killed a salmon and eaten it, and was sleeping, like an otter, on a stone. Then someone came by, and threw a stone at the otter and killed it, and flayed off the skin, and took it to the house of Otter’s father. Then he knew his son was dead, and to punish the person who had killed him he said he must have the Otter’s skin filled with gold, and covered all over with red gold, or it should go worse with him. Then the person who had killed Otter went down and caught the Dwarf who owned all the treasure and took it from him.
Only one ring was left, which the Dwarf wore, and even that was taken from him.
Then the poor Dwarf was very angry, and he prayed that the gold might never bring any but bad luck to all the men who might own it, for ever.
Then the otter skin was filled with gold and covered with gold, all but one hair, and that was covered with the poor Dwarf’s last ring.
But it brought good luck to nobody. First Fafnir, the Dragon, killed his own father, and then he went and wallowed on the gold, and would let his brother have none, and no man dared go near it.
When Sigurd heard the story he said to Regin:
`Make me a good sword that I may kill this Dragon.’
So Regin made a sword, and Sigurd tried it with a blow on a lump of iron, and the sword broke.
Another sword he made, and Sigurd broke that too.
Then Sigurd went to his mother, and asked for the broken pieces of his father’s blade, and gave them to Regin. And he hammered and wrought them into a new sword, so sharp that fire seemed to burn along its edges.
Sigurd tried this blade on the lump of iron, and it did not break, but split the iron in two. Then he threw a lock of wool into the river, and when it floated down against the sword it was cut into two pieces. So Sigurd said that sword would do. But before he went against the Dragon he led an army to fight the men who had killed his father, and he slew their King, and took all his wealth, and went home.
When he had been at home a few days, he rode out with Regin one morning to the heath where the Dragon used to lie. Then he saw the track which the Dragon made when he went to a cliff to drink, and the track was as if a great river had rolled along and left a deep valley.
Then Sigurd went down into that deep place, and dug many pits in it, and in one of the pits he lay hidden with his sword drawn. There he waited, and presently the earth began to shake with the weight of the Dragon as he crawled to the water. And a cloud of venom flew before him as he snorted and roared, so that it would have been death to stand before him.
But Sigurd waited till half of him had crawled over the pit, and then he thrust the sword Gram right into his very heart.
Then the Dragon lashed with his tail till stones broke and trees crashed about him.
Then he spoke, as he died, and said:
`Whoever thou art that hast slain me this gold shall be thy ruin, and the ruin of all who own it.’
Sigurd said:
`I would touch none of it if by losing it I should never die. But all men die, and no brave man lets death frighten him from his desire. Die thou, Fafnir,’ and then Fafnir died.
And after that Sigurd was called Fafnir’s Bane, and Dragonslayer.
Then Sigurd rode back, and met Regin, and Regin asked him to roast Fafnir’s heart and let him taste of it.
So Sigurd put the heart of Fafnir on a stake, and roasted it. But it chanced that he touched it with his finger, and it burned him. Then he put his finger in his mouth, and so tasted the heart of Fafnir.
Then immediately he understood the language of birds, and he heard the Woodpeckers say:
`There is Sigurd roasting Fafnir’s heart for another, when he should taste of it himself and learn all wisdom.’
The next bird said:
`There lies Regin, ready to bet
ray Sigurd, who trusts him.’
The third bird said:
`Let him cut off Regin’s head, and keep all the gold to himself.’
The fourth bird said:
`That let him do, and then ride over Hindfell, to the place where Brynhild sleeps.’
When Sigurd heard all this, and how Regin was plotting to betray him, he cut off Regin’s head with one blow of the sword Gram.
Then all ‘he birds broke out singing:
`We know a fair maid, A fair maiden sleeping; Sigurd, be not afraid, Sigurd, win thou the maid Fortune is keeping.
`High over Hindfell Red fire is flaming, There doth the maiden dwell She that should love thee well, Meet for thy taming.
`There must she sleep till thou Comest for her waking Rise up and ride, for now Sure she will swear the vow Fearless of breaking.’
Then Sigurd remembered how the story went that somewhere, far away, there was a beautiful lady enchanted. She was under a spell, so that she must always sleep in a castle surrounded by flaming fire; there she must sleep for ever till there came a knight who would ride through the fire and waken her. There he determined to go, but first he rode right down the horrible trail of Fafnir. And Fafnir had lived in a cave with iron doors, a cave dug deep down in the earth, and full of gold bracelets, and crowns, and rings; and there, too, Sigurd found the Helm of Dread, a golden helmet, and whoever wears it is invisible. All these he piled on the back of the good horse Grani, and then he rode south to Hindfell.
Now it was night, and on the crest of the hill Sigurd saw a red fire blazing up into the sky, and within the flame a castle, and a banner on the topmost tower. Then he set the horse Grani at the fire, and he leaped through it lightly, as if it had been through the heather. So Sigurd went within the castle door, and there he saw someone sleeping, clad all in armour. Then he took the helmet off the head of the sleeper, and behold, she was a most beautiful lady. And she wakened and said, `Ah! is it Sigurd, Sigmund’s son, who has broken the curse, and comes here to waken me at last?’
This curse came upon her when the thorn of the tree of sleep ran into her hand long ago as a punishment because she had displeased Odin the God. Long ago, too, she had vowed never to marry a man who knew fear, and dared not ride through the fence of flaming fire. For she was a warrior maid herself, and went armed into the battle like a man. But now she and Sigurd loved each other, and promised to be true to each other, and he gave her a ring, and it was the last ring taken from the dwarf Andvari. Then Sigurd rode away, and he came to the house of a King who had a fair daughter. Her name was Gudrun, and her mother was a witch. Now Gudrun fell in love with Sigurd, but he was always talking of Brynhild, how beautiful she was and how dear. So one day Gudrun’s witch mother put poppy and forgetful drugs in a magical cup, and bade Sigurd drink to her health, and he drank, and instantly he forgot poor Brynhild and he loved Gudrun, and they were married with great rejoicings.
Now the witch, the mother of Gudrun, wanted her son Gunnar to marry Brynhild, and she bade him ride out with Sigurd and go and woo her. So forth they rode to her father’s house, for Brynhild had quite gone out of Sigurd’s mind by reason of the witch’s wine, but she remembered him and loved him still. Then Brynhild’s father told Gunnar that she would marry none but him who could ride the flame in front of her enchanted tower, and thither they rode, and Gunnar set his horse at the flame, but he would not face it. Then Gunnar tried Sigurd’s horse Grani, but he would not move with Gunnar on his back. Then Gunnar remembered witchcraft that his mother had taught him, and by his magic he made Sigurd look exactly like himself, and he looked exactly like Gunnar. Then Sigurd, in the shape of Gunnar and in his mail, mounted on Grani, and Grani leaped the fence of fire, and Sigurd went in and found Brynhild, but he did not remember her yet, because of the forgetful medicine in the cup of the witch’s wine.
Now Brynhild had no help but to promise she would be his wife, the wife of Gunnar as she supposed, for Sigurd wore Gunnar’s shape, and she had sworn to wed whoever should ride the flames. And he gave her a ring, and she gave him back the ring he had given her before in his own shape as Sigurd, and it was the last ring of that poor dwarf Andvari. Then he rode out again, and he and Gunnar changed shapes, and each was himself again, and they went home to the witch Queen’s, and Sigurd gave the dwarf’s ring to his wife, Gudrun. And Brynhild went to her father, and said that a King had come called Gunnar, and had ridden the fire, and she must marry him. `Yet I thought,’ she said, `that no man could have done this deed but Sigurd, Fafnir’s bane, who was my true love. But he has forgotten me, and my promise I must keep.’
So Gunnar and Brynhild were married, though it was not Gunnar but Sigurd in Gunnar’s shape, that had ridden the fire.
And when the wedding was over and all the feast, then the magic of the witch’s wine went out of Sigurd’s brain, and he remembered all. He remembered how he had freed Brynhild from the spell, and how she was his own true love, and how he had forgotten and had married another woman, and won Brynhild to be the wife of another man.
But he was brave, and he spoke not a word of it to the others to make them unhappy. Still he could not keep away the curse which was to come on every one who owned the treasure of the dwarf Andvari, and his fatal golden ring.
And the curse soon came upon all of them. For one day, when Brynhild and Gudrun were bathing, Brynhild waded farthest out into the river, and said she did that to show she was Guirun’s superior. For her husband, she said, had ridden through the flame when no other man dared face it.
Then Gudrun was very angry, and said that it was Sigurd, not Gunnar, who had ridden the flame, and had received from Brynhild that fatal ring, the ring of the dwarf Andvari.
Then Brynhild saw the ring which Sigard had given to Gudrun, and she knew it and knew all, and she turned as pale as a dead woman, and went home. All that evening she never spoke. Next day she told Gunnar, her husband, that he was a coward and a liar, for he had never ridden the flame, but had sent Sigurd to do it for him, and pretended that he had done it himself. And she said he would never see her glad in his hall, never drinking wine, never playing chess, never embroidering with the golden thread, never speaking words of kindness. Then she rent all her needlework asunder and wept aloud, so that everyone in the house heard her. For her heart was broken, and her pride was broken in the same hour. She had lost her true love, Sigurd, the slayer of Fafnir, and she was married to a man who was a liar.
Then Sigurd came and tried to comfort her, but she would not listen, and said she wished the sword stood fast in his heart.
`Not long to wait,’ he said, `till the bitter sword stands fast in my heart, and thou will not live long when I am dead. But, dear Brynhild, live and be comforted, and love Gunnar thy husband, and I will give thee all the gold, the treasure of the dragon Fafnir.’
Brynhild said:
`It is too late.’
Then Sigurd was so grieved and his heart so swelled in his breast that it burst the steel rings of his shirt of mail.
Sigurd went out and Brynhild determined to slay him. She mixed serpent’s venom and wolf’s flesh, and gave them in one dish to her husband’s younger brother, and when he had tasted them he was mad, and he went into Sigurd’s chamber while he slept and pinned him to the bed with a sword. But Sigurd woke, and caught the sword Gram into his hand, and threw it at the man as he fled, and the sword cut him in twain. Thus died Sigurd, Fafnir’s bane, whom no ten men could have slain in fair fight. Then Gudrun
wakened and saw him dead, and she moaned aloud, and Brynhild heard her and laughed; but the kind horse Grani lay down and died of very grief. And then Brynhild fell a-weeping till her heart broke. So they attired Sigurd in all his golden armour, and built a great pile of wood on board his ship, and at night laid on it the dead Sigurd and the dead Brynhild, and the good horse, Grani, and set fire to it, and launched the ship. And the wind bore it blazing out to sea, flaming into the dark. So there were Sigurd and Brynhild burned together, and the curse of the dwarf Andvari was fulfilled.

__________

The Poetic Edda

(The Lays Of The Gods)
THE VOLUSPO

1. Hearing I ask | from the holy races,

From Heimdall’s sons, | both high and low;

Thou wilt, Valfather, | that well I relate

Old tales I remember | of men long ago.
2. I remember yet | the giants of yore,

Who gave me bread | in the days gone by;

Nine worlds I knew, | the nine in the tree

With mighty roots | beneath the mold.
3. Of old was the age | when Ymir lived;

Sea nor cool waves | nor sand there were;

Earth had not been, | nor heaven above,

But a yawning gap, | and grass nowhere.
4. Then Bur’s sons lifted | the level land,

Mithgarth the mighty | there they made;

The sun from the south | warmed the stones of earth,

And green was the ground | with growing leeks.
5. The sun, the sister | of the moon, from the south

Her right hand cast | over heaven’s rim;

No knowledge she had | where her home should be,

The moon knew not | what might was his,

The stars knew not | where their stations were.
6. Then sought the gods | their assembly-seats,

The holy ones, | and council held;

Names then gave they | to noon and twilight,

Morning they named, | and the waning moon,

Night and evening, | the years to number.
7. At Ithavoll met | the mighty gods,

Shrines and temples | they timbered high;

Forges they set, and | they smithied ore,

Tongs they wrought, | and tools they fashioned.
8. In their dwellings at peace | they played at tables,

Of gold no lack | did the gods then know,–

Till thither came | up giant-maids three,

Huge of might, | out of Jotunheim.
9. Then sought the gods | their assembly-seats,

The holy ones, | and council held,

To find who should raise | the race of dwarfs

Out of Brimir’s blood | and the legs of Blain.
10. There was Motsognir | the mightiest made

Of all the dwarfs, | and Durin next;

Many a likeness | of men they made,

The dwarfs in the earth, | as Durin said.
11. Nyi and Nithi, | Northri and Suthri,

Austri and Vestri, | Althjof, Dvalin,

Nar and Nain, | Niping, Dain,

Bifur, Bofur, | Bombur, Nori,

An and Onar, | Ai, Mjothvitnir.
12. Vigg and Gandalf) | Vindalf, Thrain,

Thekk and Thorin, | Thror, Vit and Lit,

Nyr and Nyrath,– | now have I told–

Regin and Rathsvith– | the list aright.
13. Fili, Kili, | Fundin, Nali,

Heptifili, | Hannar, Sviur,

Frar, Hornbori, | Fræg and Loni,

Aurvang, Jari, | Eikinskjaldi.
14. The race of the dwarfs | in Dvalin’s throng

Down to Lofar | the list must I tell;

The rocks they left, | and through wet lands

They sought a home | in the fields of sand.
15. There were Draupnir | and Dolgthrasir,

Hor, Haugspori, | Hlevang, Gloin,
Dori, Ori, | Duf, Andvari,

Skirfir, Virfir, | Skafith, Ai.
16. Alf and Yngvi, | Eikinskjaldi,

Fjalar and Frosti, | Fith and Ginnar;

So for all time | shall the tale be known,

The list of all | the forbears of Lofar.
17. Then from the throng | did three come forth,

From the home of the gods, | the mighty and gracious;

Two without fate | on the land they found,

Ask and Embla, | empty of might.
18. Soul they had not, | sense they had not,

Heat nor motion, | nor goodly hue;

Soul gave Othin, | sense gave Hönir,

Heat gave Lothur | and goodly hue.
19. An ash I know, | Yggdrasil its name,

With water white | is the great tree wet;

Thence come the dews | that fall in the dales,

Green by Urth’s well | does it ever grow.
20. Thence come the maidens | mighty in wisdom,

Three from the dwelling | down ‘neath the tree;

Urth is one named, | Verthandi the next,–

On the wood they scored,– | and Skuld the third.

Laws they made there, and life allotted

To the sons of men, and set their fates.
21. The war I remember, | the first in the world,

When the gods with spears | had smitten Gollveig,

And in the hall | of Hor had burned her,

Three times burned, | and three times born,

Oft and again, | yet ever she lives.
22. Heith they named her | who sought their home,

The wide-seeing witch, | in magic wise;

Minds she bewitched | that were moved by her magic,

To evil women | a joy she was.
23. On the host his spear | did Othin hurl,

Then in the world | did war first come;

The wall that girdled | the gods was broken,

And the field by the warlike | Wanes was trodden.
24. Then sought the gods | their assembly-seats,

The holy ones, | and council held,

Whether the gods | should tribute give,

Or to all alike | should worship belong.
25. Then sought the gods | their assembly-seats,

The holy ones, | and council held,

To find who with venom | the air had filled,

Or had given Oth’s bride | to the giants’ brood.
26. In swelling rage | then rose up Thor,–

Seldom he sits | when he such things hears,–

And the oaths were broken, | the words and bonds,

The mighty pledges | between them made.
27. I know of the horn | of Heimdall, hidden

Under the high-reaching | holy tree;

On it there pours | from Valfather’s pledge

A mighty stream: | would you know yet more?
28. Alone I sat | when the Old One sought me,

The terror of gods, | and gazed in mine eyes:

“What hast thou to ask? | why comest thou hither?

Othin, I know | where thine eye is hidden.”
29. I know where Othin’s | eye is hidden,

Deep in the wide-famed | well of Mimir;

Mead from the pledge | of Othin each mom

Does Mimir drink: | would you know yet more?
30. Necklaces had I | and rings from Heerfather,

Wise was my speech | and my magic wisdom;

Widely I saw | over all the worlds.
31. On all sides saw I | Valkyries assemble,

Ready to ride | to the ranks of the gods;

Skuld bore the shield, | and Skogul rode next,

Guth, Hild, Gondul, | and Geirskogul.

Of Herjan’s maidens | the list have ye heard,

Valkyries ready | to ride o’er the earth.
32. I saw for Baldr, | the bleeding god,

The son of Othin, | his destiny set:
Famous and fair | in the lofty fields,

Full grown in strength | the mistletoe stood.
33. From the branch which seemed | so slender and fair

Came a harmful shaft | that Hoth should hurl;

But the brother of Baldr | was born ere long,

And one night old | fought Othin’s son.

34. His hands he washed not, | his hair he combed not,

Till he bore to the bale-blaze | Baldr’s foe.

But in Fensalir | did Frigg weep sore

For Valhall’s need: | would you know yet more?
35. One did I see | in the wet woods bound,

A lover of ill, | and to Loki like;
By his side does Sigyn | sit, nor is glad

To see her mate: | would you know yet more?
36. From the east there pours | through poisoned vales

With swords and daggers | the river Slith.

. . . . . . . . . .

. . . . . . . . . .
37. Northward a hall | in Nithavellir

Of gold there rose | for Sindri’s race;

And in Okolnir | another stood,

Where the giant Brimir | his beer-hall had.
38. A hall I saw, | far from the sun,

On Nastrond it stands, | and the doors face north,

Venom drops | through the smoke-vent down,

For around the walls | do serpents wind.
39. I saw there wading | through rivers wild

Treacherous men | and murderers too,

And workers of ill | with the wives of men;

There Nithhogg sucked | the blood of the slain,

And the wolf tore men; | would you know yet more?
40. The giantess old | in Ironwood sat,

In the east, and bore | the brood of Fenrir;

Among these one | in monster’s guise

Was soon to steal | the sun from the sky.
41. There feeds he full | on the flesh of the dead,

And the home of the gods | he reddens with gore;

Dark grows the sun, | and in summer soon

Come mighty storms: | would you know yet more?
42. On a hill there sat, | and smote on his harp,

Eggther the joyous, | the giants’ warder;

Above him the cock | in the bird-wood crowed,

Fair and red | did Fjalar stand.
43. Then to the gods | crowed Gollinkambi,

He wakes the heroes | in Othin’s hall;

And beneath the earth | does another crow,

The rust-red bird | at the bars of Hel.
44. Now Garm howls loud | before Gnipahellir,

The fetters will burst, | and the wolf run free;

Much do I know, | and more can see

Of the fate of the gods, | the mighty in fight.
45. Brothers shall fight | and fell each other,

And sisters’ sons | shall kinship stain;
Hard is it on earth, | with mighty whoredom;

Axe-time, sword-time, | shields are sundered,

Wind-time, wolf-time, | ere the world falls;

Nor ever shall men | each other spare.
46. Fast move the sons | of Mim, and fate

Is heard in the note | of the Gjallarhorn;

Loud blows Heimdall, | the horn is aloft,

In fear quake all | who on Hel-roads are.
47. Yggdrasil shakes, | and shiver on high

The ancient limbs, | and the giant is loose;

To the head of Mim | does Othin give heed,

But the kinsman of Surt | shall slay him soon.
48. How fare the gods? | how fare the elves?

All Jotunheim groans, | the gods are at council;

Loud roar the dwarfs | by the doors of stone,

The masters of the rocks: | would you know yet more?
49. Now Garm howls loud | before Gnipahellir,

The fetters will burst, | and the wolf run free

Much do I know, | and more can see

Of the fate of the gods, | the mighty in fight.
50. From the east comes Hrym | with shield held high;

In giant-wrath | does the serpent writhe;

O’er the waves he twists, | and the tawny eagle

Gnaws corpses screaming; | Naglfar is loose.
51. O’er the sea from the north | there sails a ship

With the people of Hel, | at the helm stands Loki;

After the wolf | do wild men follow,

And with them the brother | of Byleist goes.
52. Surt fares from the south | with the scourge of branches,

The sun of the battle-gods | shone from his sword;

The crags are sundered, | the giant-women sink,

The dead throng Hel-way, | and heaven is cloven.
53. Now comes to Hlin | yet another hurt,

When Othin fares | to fight with the wolf,

And Beli’s fair slayer | seeks out Surt,

For there must fall | the joy of Frigg.
54. Then comes Sigfather’s | mighty son,

Vithar, to fight | with the foaming wolf;

In the giant’s son | does he thrust his sword

Full to the heart: | his father is avenged.
55. Hither there comes | the son of Hlothyn,

The bright snake gapes | to heaven above;

. . . . . . . . . .

Against the serpent | goes Othin’s son.
56. In anger smites | the warder of earth,–

Forth from their homes | must all men flee;-

Nine paces fares | the son of Fjorgyn,

And, slain by the serpent, | fearless he sinks.
57. The sun turns black, | earth sinks in the sea,

The hot stars down | from heaven are whirled;

Fierce grows the steam | and the life-feeding flame,

Till fire leaps high | about heaven itself.
58. Now Garm howls loud | before Gnipahellir,

The fetters will burst, | and the wolf run free;

Much do I know, | and more can see

Of the fate of the gods, | the mighty in fight.
59. Now do I see | the earth anew

Rise all green | from the waves again;

The cataracts fall, | and the eagle flies,

And fish he catches | beneath the cliffs.
60. The gods in Ithavoll | meet together,

Of the terrible girdler | of earth they talk,
And the mighty past | they call to mind,

And the ancient runes | of the Ruler of Gods.
61. In wondrous beauty | once again

Shall the golden tables | stand mid the grass,

Which the gods had owned | in the days of old,

. . . . . . . . . .
62. Then fields unsowed | bear ripened fruit,

All ills grow better, | and Baldr comes back;

Baldr and Hoth dwell | in Hropt’s battle-hall,

And the mighty gods: | would you know yet more?
63. Then Hönir wins | the prophetic wand,

. . . . . . . . . .

And the sons of the brothers | of Tveggi abide

In Vindheim now: | would you know yet more?
[61. The Hauksbok version of the first two lines runs:
“The gods shall find there, | wondrous fair,

The golden tables | amid the grass.”
64. More fair than the sun, | a hall I see,

Roofed with gold, | on Gimle it stands;

There shall the righteous | rulers dwell,

And happiness ever | there shall they have.
65. There comes on high, | all power to hold,

A mighty lord, | all lands he rules.

. . . . . . . . . .

. . . . . . . . . .
66. From below the dragon | dark comes forth,

Nithhogg flying | from Nithafjoll;

The bodies of men on | his wings he bears,

The serpent bright: | but now must I sink.

A Change In The Weather…

Not so often, not so frequent. I think I am running out of juice, or need a bit of a break. Turfing has been going for over 2 years, and it has been pretty much an everyday event. I love working with it, don’t get me wrong… It is just that the format has to be simplified down, and I need to step back and rethink it all a bit.. There will still be poetry and the like; links, articles, art, but just not as frequently or so much.
Thanks for the support over the last 2 years…
Gwyllm

A Bit Of William Butler Yeats ….
The Harp of Aengus
Edain came out of Midhir’s hill, and lay

Beside young Aengus in his tower of glass,

Where time is drowned in odour-laden winds

And Druid moons, and murmuring of boughs,

And sleepy boughs, and boughs where apples made

Of opal and ruhy and pale chrysolite

Awake unsleeping fires; and wove seven strings,

Sweet with all music, out of his long hair,

Because her hands had been made wild by love.

When Midhir’s wife had changed her to a fly,

He made a harp with Druid apple-wood

That she among her winds might know he wept;

And from that hour he has watched over none

But faithful lovers.


Towards Break Of Day
Was it the double of my dream

The woman that by me lay

Dreamed, or did we halve a dream

Under the first cold gleam of day?
I thought: “There is a waterfall

Upon Ben Bulben side

That all my childhood counted dear;

Were I to travel far and wide

I could not find a thing so dear.’

My memories had magnified

So many times childish delight.
I would have touched it like a child

But knew my finger could but have touched

Cold stone and water. I grew wild.

Even accusing Heaven because

It had set down among its laws:

Nothing that we love over-much

Is ponderable to our touch.
I dreamed towards break of day,

The cold blown spray in my nostril.

But she that beside me lay

Had watched in bitterer sleep

The marvellous stag of Arthur,

That lofty white stag, leap

From mountain steep to steep.

and…. ending with an old favourite which we ended the first entry with:
The Song of Wandering Aengus
I went out to the hazel wood,

Because a fire was in my head,

And cut and peeled a hazel wand,

And hooked a berry to a thread;

And when white moths were on the wing,

And moth-like stars were flickering out,

I dropped the berry in a stream

And caught a little silver trout.

When I had laid it on the floor

I went to blow the fire aflame,

But something rustled on the floor,

And some one called me by my name:

It had become a glimmering girl

With apple blossom in her hair

Who called me by my name and ran

And faded through the brightening air.

Though I am old with wandering

Through hollow lands and hilly lands,

I will find out where she has gone,

And kiss her lips and take her hands;

And walk among long dappled grass,

And pluck till time and times are done

The silver apples of the moon,

The golden apples of the sun.
~ Mike Crowley and Gwyllm ~

Time Is Moving Really, Really Really Slooooowwww

Gotta Hop, here it is for today!
Gwyllm
On The Menu:

The Quotes

Time Is Moving Really, Really Really Sloooowwww….

Coyote vs. Duck

The Poetry of Tobacco Indian….

Art: Aubrey Beardsley

_______________
The Quotes:

“Few people are capable of expressing with equanimity opinions which differ from the prejudices of their social environment. Most people are even incapable of forming such opinions.”
“Yesterday I was a dog. Today I’m a dog. Tomorrow I’ll probably still be a dog. Sigh! There’s so little hope for advancement.”
“Golf and sex are about the only things you can enjoy without being good at.”
“All paid jobs absorb and degrade the mind.”
“For a successful technology, reality must take precedence over public relations, for Nature cannot be fooled.”

______________
Time Is Moving Really, Really Really Sloooowwww….

_______
Coyote vs. Duck

Coyote became disturbed because he had a sick daughter. He thought Duck had done something against his children in order to make them sick. So Coyote determined to bring harm to Duck. He met Duck at a certain place and ordered that Duck should run to a point with his eyes closed. This Duck did. When he opened them again, he found himself in the hole of a big rock, a little cave high on the face of a cliff. There was no way out for Duck.
Coyote took Duck’s wife and children, whom he treated badly. In time, Coyote had more children from this woman, and these he took good care of.
Duck tried constantly to get out of the cave, without success. At last Bat camped nearby, and every day, when he went to hunt rabbits, his children could hear someone crying. They told Bat, and he flew upward to look. On his way he killed rabbits and hung them on his belt. Finally he found Duck, who was very weak from lack of food.
“Who is there?” asked Bat. “I am Duck.” Bat asked, “How did you come up here?” Duck said, “Coyote caused me to lose my way with my eyes closed. He got rid of me in order to steal my wife.” Then Bat said “Throw yourself down.” Duck was afraid to try. So Bat told him, “Throw down a small rock.” This Duck did and Bat caught it on his back. He said, “That is exactly the way I will catch you. You will not be hurt.”
Duck still feared that Bat would not catch him. Bat continued to urge him to let himself fall. Several times Duck almost let himself go, but drew back. At least he thought, “Suppose I am killed; I shall die here anyway; I am as good as dead now.”
Duck closed his eyes as Bat commanded, and let himself fall. Bat caught him gently and put Duck safely on the ground. Bat then took Duck to his home and said, “Do not use the fire-sticks that are near my fireplace, but use those stuck behind the tent poles, at the sides of the tent.”
Then he entered, and Duck saw the sticks at the sides of the tent, but only thought them to be fine canes, too handsome for stirring the fire. He saw a number of sticks laying around that were charred on the ends. He took one of these and stirred the embers. Oh, how the sticks cried. All the other sticks called out, “Duck has burned our younger brother.”
These sticks were Bat’s children, and they all ran away. Duck became frightened at what he had done, and went out and hid in the brush. Bat came and called to him, “Come back! You have done no harm.”
For a long time Duck seemed afraid that Bat would punish him. Then he thought, “I’ve already been as good as dead, so I have nothing more to fear, even if they should kill me.” Duck went back into the tent. But Bat did not hurt him and gave him plenty of rabbit meat to eat. Soon Duck was strong again.
Duck said to Bat, “Coyote took my wife and children; I think I shall go and look for them.” Believing him to be strong enough, Bat encouraged him to go. Duck went to his old camp, but he found it deserted. He followed tracks leading from it, and after a while found some tracks other than his own children’s.
“I think Coyote has got children from my wife,” he thought, and he became very angry. Coyote came along with Duck’s wife. She was carrying a very large basket. Inside were Coyote’s children, well kept; but Duck’s children sat on the outer edge of the basket. Nearly falling off. These were dirty and miserable.
Duck caught the basket with a finger and pulled it back. “What are you doing, children?” the woman said. “Don’t do that; you must not catch hold of something and hold me back.” Duck continued to pull at the basket. At last she turned to look at the children and saw Duck. He said to her, “Why do you take care of Coyote’s children, while my children are dirty and uncared for? Why do you not treat my children properly?”
The woman was ashamed and did not answer. Then he asked her, “Where will you camp now?” When she told him, he said to her, “Go to the place where Coyote told you to camp, but when you put up the shelter, make the grass very thin on one side and very thick on the side on which you are, so I can reach Coyote.”
The woman arrived at the camping place. Coyote asked, “To whom have you been talking now?” She replied, “I have not met nor talked with anyone. Why do you always ask me that?” She then put up the shelter as Duck had directed her. Immediately Duck began to blow. He blew softly, but again, again, and again, until he made it freezing cold.
Coyote could not sleep. He thrust his spear through the sides of the shelter in all directions and nearly speared the Duck. Coyote said to his wife, “I knew that you met someone. It must have been Duck, who is making it so cold.” Duck continued to blow and blow. At last Coyote burrowed himself down into the fireplace ashes, hoping to warm himself there. But it was of no use. Coyote froze to death before morning.
Duck let all of Coyote’s children go free where they wished. Then he took his wife and his children back to their old home, where they had lived before all of the disruption began.

____________

The Poetry of Tobacco Indian….
Coyote Morning

Old men

and old coyote dogs

boil their dreams in the sun

served steaming within a bowl

filled with shadows

rolling sticks onto the ground

and making wild songs

while they smack their lips

and spit out the dust

blown in by the winds

nameless

and place-less

but hard to ignore.

—-

Carrying the Feather
On this side

a feather is carried

it is carried on the other side

when we are over there

they put a feather on my heart

and i was laid down there

like a drum

singing came down from the sky

and pounded my skin
i remembered who i was then

i remembered where i had been


Coyote Gulch
Coyote runs along the river

trees

offer their roots to the rhythm

which is deeper

quieter

moving with the sun

my memories are a 4-legged

song.


Water that is Stopped
Sitting in the waters

the old one tied a cord

tied it up with knots

singing his dreams as he sat there

there it is

somewhere in there

the medicine you were weeping for

yes

there is plenty of it

yes

many have cried thinking it was lost

the sky has followed itself

into his arms

he has allowed himself to depend upon the clear sky

it may be just as I have said

that he was there

gathered with the sky

counting his knots

each time that you wept

counting the medicine that is there
i know how to speak clearly

The Origin Myth…

Catching Up With It All:

A busy week past for Rowan… he was accepted into a summer intensive program at the Ashland Shakespeare Festival with 64 other Juniors from around the US and Canada. He is very excited! He will be there for the first 2 weeks in August. He also landed his first job, doing something he loves: serving as a video camera man for a local video company for the summer… He is about to do his SAT test, (he is a bit tweaked on that one!) and has been taking Improv Classes on the weekend. Oh Yeah… He gets up at 5:30 a couple mornings or more a week to go practice with the Wasabi Krakens, a local Dragon Boat racing team. Rowan also has embarked on a new adventure in his personal life that has made him very happy.
The Magazine is doing well at this point, even with all the trouble with Bluehost.com and our static IP address. If you have trouble, please email me at: IC at-sign earthrites.org (substitute @ for at-sign and remove the spaces ). We are now moving earthrites.org away from bluehost.com. Just to much of a bumpy ride for us all….
Turfing may grow a bit intermittent for awhile, lots of stuff going on and the 2 hours or so for assemblage…. are needed elsewhere. We will shorten it down for a bit…
Hope this finds you well!
If you haven’t seen it yet (and I am sure you have heard of it…!)

Please check out the new Invisible College PDF Magazine! Free, or if you feel so inclined; by donation!

We Have Added 12 Hours Of New Music To The Radio Station!

Please Check It Out!

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Turn On – Paste Into – Your Internet Radio Player!

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Bright Blessings,
Gwyllm

__
On The Menu:

The Links

The Origin Myth of Yaje

DMT EXPERIENCE

A visit with William Butler Yeats

Art: Main Pieces – Jesse M. King

________________
The Links:

007′s creator ‘was in plot to frame witch’

‘My stroke left me with foreign accent’

Impossible peaks under Antarctica’s ice

Ghost hunting serious business for locals

________________
The Origin Myth of Yaje

It was a woman. Her name was gaphi mahso/Yaje Woman. It happened in the

beginning of time. In the beginning of time, when the Anaconda-Canoe was

ascending into the rivers to settle mankind all over the land, there

appeared the Yaje Woman. The canoe had arrived at a place called dia vii,

the House of the Waters, and the men were sitting in the first maloca when

the Yaje Woman arrived. She stood in front of the maloca, and there she

gave birth to her child; yes, that was where she gave birth.
The Yaje Woman took a tooka plant and cleaned herself and the child. This

is a plant the leaves of which are red as blood on the underside, and she

took these leaves and with them she cleaned the child. The leaves were

shiny red, brilliant red, and so was the umbilical cord. It was red and

yellow and white, shining brightly. It was a long umbilical cord, a large

piece of it. She is the mother of the yaje vine.

_______


DMT EXPERIENCE – A composite essay of my first two DMT trips

Scott Fossel
disclaimer: This is a pale reflection of a bottomless mystery.

The things I say it is, it is now – these are but linguistic

shrouds I am able to cloak it in. Please don’t think you know DMT

from having read this, you don’t. But DO please go and try some,

go extract it from a plant – then you will KNOW. Oh, this is my

experience, you can ask me any questions you like. Everything

here is with closed eyes unless otherwise indicated – this is

really the only way to go DEEP.

The small wooden pipe was in my mouth and a match was coming to light it.

The scenario almost seemed like smoking pot except I knew the taste to be

very wrong as the complex, sweetly acrid smoke filled my lungs. Anyway, my

pulse never raced like this from the anticipation of getting stoned.
The first thing was a sense of dropping away, but to say downward would be

too simple. There were all sorts of frequency modulations and crescendoed

stacatto pops as the trip descended. This sound data was quiveringly

involved with these visual architectonic dream waters that were beginning

to emerge, dripping and slipping amongst themselves, and my being became

overwhelmed by vacuous, gravity-like suction experiences which impelled me

further in. Around me I felt a crowding in of beings as if the Celtic

Faerie land of Fay had become momentarily co-present with where I was. I

sensed them, but did not experience these creatures. The sucking experience

took over for a while then, driving the morphological acrobatics of

spacelove that lay before me. There was something about it that makes me

think of a voluptuous alien seductress with big, fat lips pulling me to her

body in the weirdest feeling embrace ever. It felt like I was being smeared

sensually and lustfully around the space in some sort of vacuum-tube

funhouse. At this point (maybe a minute into the experience) I started

picking up something like the Escher painting of all those sets of stairs

with figures descending by all manners of gravity, only its surfaces were

emerald isles of what I can only describe as fractal Medusa liquid,

serpentine and sexy. There was a thought that I was in a room full of

aliens and they were playing with me, but that somehow they had conspired

to make me this way – the alien carney music bar on the planet Tatooine in

the Star Wars trilogy seems relevant.
Then I had the thought (which just seems to pop up and not really pertain):

“What have I done! How did I get this way?” Meaning, how did I come to

enter something so foreign that my petty human ontological premises and

hopeful body of knowledge seem like a wrench trying to adjust a camel? At

that point I lost any touch with my body and was thrust forward into

complete and utter amazement. The world became so crammed full of intricacy

to the nth that it seemed every nook and cranny in my spacetime was

exfoliating little crystalline dancing worlds, bellowing ecstasy. It moved

like snakes move: all rippling of muscle and sun glinting scales. I cannot

emphasize enough the catapulting, titanic motions of this iridescent zigzag

bottlerocket, this nuanced, whittling circus of form, this Brobignagian

roller coaster safari across the jeweled plains of wonderland, straining

the limits of the knowable.
This is where I was when I felt a certain sort of shockwave across the dome

of the sky which gave me memory of the real world. I then entered this

whole journey that I would call extrication. Going in was “intrication” or

delving into intricacy, so coming back out was sensibly extrication. The

experience was very literally an incedible groping back out of this wild

wooly thing until I made it “out”, which afterwards I realized was only the

physical action of opening my eyes. The pipe was in my mouth – its touching

my lips had been the reality shockwave I’d felt. The woman who was handling

the pipe for me looked like a fractal Medusa as well, but incarnate – she

was buzzing all over with this really freaky energy. I said something like,

“You expect me to call this a mouth?”, a comment which was silenced by the

stem of the pipe. One toke and I was out of my body again, yanked back

through the scrim of the worlds into the blast furnaces of heaven.
I “came to” in some sense at this point and realized that I could do

anything in a space like this, could instantly unfold my richest possible

imaginings. “O.K.”, I said to myself, “What about trying to do what you

believe possible by your perceptual theory of higher dimensional

experience?” You see, I got the idea that there is no reason why, in an

inner experience, one has to have visions only in front of one. I began to

believe this was an imprint that years of bringing the external world into

construction of inner spaces had created, but was not necessary. I then

tried to imagine what it would be like to see in every direction at once,

i.e. what would a ball look like if you could see every side of it at once?

I could sense it but not imagine it in my mind. So this is the challenge I

set myself. It not only seemed to work (though with everything else going

on inside, it was a bit like trying to do a sensitive physics experiment in

the midst of a drunken bacchanal) but it did so immediately. I rushed

upwards into this superspace that was a spun galactic ecology of stars, a

swarming hive of dragonfly constellations . . . This was very profound, but

in doing it, it seemed I had reduced the alien quality of what had been

going on previous to this excursion.
I let my will go then and tumbled forward into elfland. Terence McKenna is

apt in calling these entities “elves”. They are elves/not-elves. They don’t

appear, they kind of ooze out of the woodwork seductively and before you

know it they’re there – the whole realm is infested with these creatures

like nothing else you could ever imagine. They do sing things that are like

“self-dribbling jeweled basketballs” or whatever you want to call them.

They make Faberge egg concoctions with ingredient lists like: 1) space, 2)

lust, 3) politics, 4) circus sideshows, 5) time, 6) gall bladders, 7)

existential notions of polyfidelity, 8-) cucumbers, 9) Beethoven’s 5th

symphony, 10) the smell of petunias, and so on. This is somewhat of an

arbitrary list, but the point is, all my categories of mind fell away

because they were being ceaselessly synthesized and re-synthesized into

these hyperdimensional objects, undulating, ululating along. It makes me

think of getting home from school when your mother says that she’s baked

you some treats, only these are like no treats Mom ever made, and when you

see them you almost want to say, “Aw, mom, you shouldn’t have. I mean you

really shouldn’t have”. What you do with these elves is some sort of a game

of catch, only the physics of the game has been replaced by the physics of

synesthesia. In catching the things they threw, in playing with them, I

participated in the ineffable mysteries that they were. This place is the

Joycean “Merry go raum”. Being there I came to understand the Heraclitus

fragment: “The Aeon is a child at play with colored balls”. It is this. As

well I understand, “Still the first day, All Fool’s Day, here at the

center.” It is this too.
So for what seemed like centuries I played with the trippy freaky elves and

they kept bringing me into atrium after atrium in the antics annex, and all

I could do was wonder when we would get to their front door. As far as I

know, we never did. Instead they said many things, though I can’t say they

used what we would call a voice to accomplish this communication. I

remember only parts of this. At first they said, “Build this”, indicating

hyperspace. Later they amended this by saying, “Build it. He will come.”

from the movie Field of Dreams. Very funny.
Then it was as though alarms started to go off, and the whole space was

going through these quivering emergency elaborations. I get the image of a

submarine movie sequence when I think back on this, just when it has been

discovered on the surface, the periscope retracts and the whole interior

goes into haywire, preparatory gymnastics as all the hatches are battened

down. There is a phenomenally high-energy dynamic associated with this

part, as they try to get you out and shut the great bronze dancing doors of

hyperspace. It is as if everything is charged with imponderable

electricities and is racing around because someone shouted: “Places

everyone!!” They start cramming your soul out of there with a million hands

at once, grabbing you by twelve dimensions you never knew your body had.

Finally, the thing shuts and there is a sense of finality to that, but just

as soon you are on to the next thing.
Slowly then it begins to make farewells and say its goodbyes. Ancient

mythos holds that the world is supported by turtles “all the way down”, but

as I came out of it, my sense was of jeweled great glass revolving

elevators all the way down. I remember thinking that I was passing back

through the 50,000 veils that the Sufis say the mystery has, one by one,

and I clearly remember the awe I felt that each one of them was closed,

sealed, and put away in a unique and voluptuous, succulent way. It was

without question the most beautiful goodbye I have known in this life.

There was no regret of leaving or longing not to leave, just an

overpowering acceptance of the imminent return. This went on and upon

opening my eyes I had this very zap experience and I was right back in this

world, amazingly enough, only ten minutes gone. Slight tracers on light and

then these gone too. I was amazed of the idea that one could go back there,

could in fact just go there, that where I had been felt entirely like it

was a whole hyperspace, raging right next door. I remember saying, and

being very sure of this as I still am now, “Those are the gods”. By which I

meant, of all the things I’ve experienced in life, they are the most like

real living gods, and should be called that. It was very interesting to me

that I didn’t need to process a whole lot, which I usually require after

the mushrooms. Instead, I think I was in a state of being so existentially

surpassed by the quality of what I had just been a part of, that I couldn’t

muster any sort of conceptual or descriptive response to it at all. By

default, I was left with just a purity of acceptance for it – I just simply

had nothing to put to it in any sense. Instead I resorted to looking wildly

and deeply into other peoples eyes and by some existential-perceptual

force, to impress upon them the utter beauty of what I had just been. This

seemed to work somewhat, though probably not. I definitely felt I had been

closer to the core of the real than ever before and that this mystery is

front and center to who we are as humans, who we really are. I felt very

connected to my universe, very sensitive and strong and in touch with

things. Because I apparently have the gift of being able to remember it

quite well (others do not), I have to live with memory of its being out

there somewhere: very real, very powerful, very alive. There has not been

an hour to pass since I did it that I haven’t thought of it and tried again

to reference it to this world, failing. I do feel it is a very important

experience to have as a human being, and in some sense a whole lot safer

than mushrooms or acid. I say this because I am aware that I usually have

time and opportunity in a traditional trip to come up with weird ideas and

believe them which can be hell to integrate when things return to normal.

DMT seems to be so awe-inspiring, one is just so floored by it, that there

is no chance for trying to figure it out.
This is left for when you return, spacecraft still steaming.

_____________

A visit with William Butler Yeats…

IN THE SEVEN WOODS
by: William Butler Yeats (1865-1939)
I have heard the pigeons of the Seven Woods

Make their faint thunder, and the garden bees

Hum in the lime-tree flowers; and put away

The unavailing outcries and the old bitterness

That empty the heart. I have forgot awhile

Tara uprooted, and new commonness

Upon the throne and crying about the streets

And hanging its paper flowers from post to post,

Because it is alone of all things happy.

I am contented, for I know that Quiet

Wanders laughing and eating her wild heart

Among pigeons and bees, while that Great Archer,

Who but awaits His hour to shoot, still hangs

A cloudy quiver over Pairc-na-lee.

RED HANRAHAN’S SONG ABOUT IRELAND
The old brown thorn-trees break in two high over Cummen Strand,

Under a bitter black wind that blows from the left hand;

Our courage breaks like an old tree in a black wind and dies,

But we have hidden in our hearts the flame out of the eyes

Of Cathleen, the daughter of Houlihan.

The wind has bundled up the clouds high over Knocknarea,

And thrown the thunder on the stones for all that Maeve can say.

Angers that are like noisy clouds have set our hearts abeat;

But we have all bent low and low and kissed the quiet feet

Of Cathleen, the daughter of Houlihan.

The yellow pool has overflowed high up on Clooth-na-Bare,

For the wet winds are blowing out of the clinging air;

Like heavy flooded waters our bodies and our blood;

But purer than a tall candle before the Holy Rood

Is Cathleen, the daughter of Houlihan.

THE SORROW OF LOVE
HE quarrel of the sparrows in the eaves,

The full round moon and the star-laden sky,

And the loud song of the ever-singing leaves,

Had hid away earth’s old and weary cry.

And then you came with those red mournful lips,

And with you came the whole of the world’s tears,

And all the sorrows of her labouring ships,

And all the burden of her myriad years.

And now the sparrows warring in the eaves,

The curd-pale moon, the white stars in the sky,

And the loud chaunting of the unquiet leaves

Are shaken with earth’s old and weary cry.

A Wizard of a Day!

People say, “Don’t you think you ought to be able to do it by yourself?” And I love this question because the answer is: You can’t do it by yourself. That’s the entire message of the last 10,000 years of human history. The self is insufficient. The ego will not suffice…you must humble yourself to the point where you admit that you can’t do it unless you have help from someone whose idea of home is a cow flop.—Terence McKenna

If you haven’t seen it yet (and I am sure you have heard of it…!)

Please check out the new Invisible College PDF Magazine! Free, or if you feel so inclined; by donation!

The Site was having problems yesterday due to disc corruption problems at Bluehost, and the fact that my dedicated IP address, was down AGAIN
Never the less, ’tis a Wizard of a Day here in Portland… Getting ready for the weekend etc.
Big changes for Rowan this last week, details later. Crossing that bridge into the adult world at a rapid clip.
Off to see friends, sell books and generally start on the next edition, dealing with Indesign etc…
Congratulations to Clark and his wife on 39 years of marriage!
Gwyllm

—–

On The Menu:

The Links

Koan: Mokusen’s Hand

Dimethyltryptamine Experience Description

Four From The Tao Te Ching

Wizard of Oz illustrations for some odd reason….

____________
The Links:

Weird Gravity in Canada Blamed on Hefty Glaciers

Tunnel open again at Silbury hill

OxyContin’s Deception Costs Firm $634M

Armless, One-Legged Driver Leads Chase

____________
Mokusen’s Hand
Mokusen Hiki was living in a temple in the province of Tamba. One of his adherents complained of the stinginess of his wife.

Mokusen visited the adherent’s wife and showed her his clenched fist before her face.

“What do you mean by that?” asked the surprised woman.

“Suppose my fist were always like that. What would you call it?” he asked.

“Deformed,” replied the woman.

Then he opened his hand flat in her face and asked: “Suppose it were always like that. What then?”

“Another kind of deformity,” said the wife.

“If you understand that much,” finished Mokusen, “you are a good wife.” Then he left.

After his visit, this wife helped her husband to distribute as well as to save.

_________
Dimethyltryptamine Experience Description

(from the old Disembodied Eye Site….)

Well, I finally got around to trying this stuff out. The first attempt was supposed to be about 30 mg, but problems with my smoking technique (the heat chased the liquid D up the stem of the glass pipe, where it sat-while I, unaware of this predicament, torched the hell out of the bowl to little effect). I took three hits-my guess is that I got about 15 mg total. It was very difficult for me to inhale (almost as soon as it hit my lungs it made me want to cough… but it wasn’t hard holding it in when I could get it in).
Now, I’ve trained my lungs to hold in large amounts of smoke for REALLY long periods of time (I amaze my friends and small animals). Due to the fact that I have heard that D effects start in about 30 to 60 seconds, I figured that I should only hold my hits in about 10 to 15 seconds each. I found it a bit hard to be calm/calculating while dealing with vaporizing the D and trying to make sure that it didn’t all go up in smoke out of the top of the bowl. Nevertheless, I got three small hits in.
The effects at this dosage seemed very similar to 5-MeO-DMT, except more colorful. Distinct tryptamine geometric visuals, a flattening and shifting of the visual plane. Most of the time I had my eyes closed. It was a pleasant experience, but I wasn’t transported to hyperspace. The effects lasted about ten minutes. I was (again) amazed at how quickly it wore off. I now am definitely sure that I didn’t get a big enough dose on my past two 5-MeO-DMT experiments as well. I determined that I didn’t get enough this time, after seeing what remained in the stem of the pipe.
A couple of hours later I decided to have another go at it. This second time I’m pretty sure that I got about 30 mg. The first hit went fine. The second hit (pretty big) I started to cough out, but I caught my cough and only about 1/4 of the smoke got out. My eyes started watering badly. For those unfamiliar with D, yes… it does smell/taste like burning plastic. It was REALLY hard on my throat. I held this hit in pretty long, but the physical reaction (cough/scratchy throat/watering eyes), and the onset of effects caused me to hand the pipe and lighter to my wife. Almost immediately after I did this, I motioned her to give them back to me. Fuck it… I was going to make damn sure that I had as much of the D in me as I could force in. I took a third hit-again torched the bowl in my impatience (causing a little bit of D to run up the stem… but remember, I still had the extra D that wasn’t used the time before in the pipe-I had liquified it and allowed it to drip back into the bowl). I closed my eyes and lay back.
Welcome to the FUN HOUSE. Let me say that this was unlike anything that I have ever experienced on psychedelics. I was transported to a completely different place. It is very hard for me to explain what it was like, but I’ll try. I can say that everything that I have read about this experience is true, but only as an analogy. It is hard for me to even think about D as a psychedelic or entheogen. It seemed like it is more like a window to a different dimension.
What didn’t happen. I didn’t really see the “chrysanthemum.” I didn’t hear the “ripping of cellophane/membrane buzz sound.” I didn’t “see” elves (but believe me they were there!). I now think that McKenna’s word “tykes” is more appropriate (but the romantic in me likes the “elves” concept).
What did happen. It took me a while to really figure out what was going on, and what I was viewing. Actually, I still haven’t really figured it out. The best (inadequate) way that I can explain it is that I was viewing a series of rapidly changing bright green hallways. They were like square tubing with variegated medium green and lighter brighter florescent green stripes. They seemed to be about five feet square, and while at first it seemed like I was just viewing them, shifting in front of me, it later seemed like I was actually traveling down them at a really rapid rate. The feeling was similar to being a pin-ball in a pin-ball machine, or being washed down a drain through pipes at a really fast rate, with lots of twists and turns.
And then I remembered the thoughts “pay attention” and “look for the elves.” Another reason that it reminded me of a pinball machine was the sounds. HIgh speed bouncing spring noises. Then I realized that this was the elves talking. They were like excited children who had inhaled helium. I didn’t see them, but boy did I hear them. They were bouncing off the walls. They were saying “C’m here, C’m here” over and over again. Behind me, to my side, in front of me. When I focused on looking at where the voice was coming from, my vision shifted to a different green tunnel. The voices were frantic, happy, silly. At one point I felt like one of them had hit me in the chest-knocking me flat, and then happily bounced out of me again.
Then, something really weird happened. In the lower left hand corner of my vision an object appeared. THhole time I was looking at it I kept thinking “What the fuck am I looking at?” My inadequate description: It looked like a flower, sort of. It was a white/cream color. It was shaped like a clam shell-hinged like two hands placed together at the wrists. Where the fingers would be, were thin white tendrils or filaments that looked like the plumes of ostrich feathers. At first it was a closed clam shell, but as I stared at it, it opened up.
Inside were very tiny creatures. I can’t decide if they were living or mechanical, but they moved like slow insects. Visually, they looked a lot like ants, except that the three sections weren’t connected (and I think perhaps there were only two sections per bug). They were very brightly colored-blue and red… sort of like a hard enamel paint-job. They were moving in the manner of ants, except much slower. And, they were moving in space (they weren’t necessarily walking on the flower). They were sort of circling the center of the “flower” which seemed to be an antenna, or some kind of robotic stamen. The movement made me think of an assembly line, or the inner workings of a mechanical watch. The creatures reminded me a lot of the tiny human figures in some of Salvador Dali’s paintings. Hell, the whole experience reminded me of a Dali painting.
Even as I made this connection, some of them looked more human. These creatures now seemed to be flowing into a tiny tube, each of them equidistant-inside the tube, slowly moving in a blue oily liquid. At this point what I was looking at seemed very tiny, and sort of started to fade. I opened my eyes, and my room was pulsing with the strange tryptamine visual distortions (but I could tell that it was my room). I closed my eyes again, and the vision was fading fast-now everything was a dark, subdued purple. I could hear the faint voices of the elves, bouncing around still… still saying “C’m here, C’m here,” although it felt/seemed like they were saying goodbye. I opened my eyes to some mild visual distortion. 15 minutes had past. The doorbell rang-my wife and I had ordered Chinese food. My wife has been sick, so I had to go to the door and deal with the mundane details of paying the delivery guy and getting the food.
When I described what had happened to my wife, she said she wished she had been video-taping me, due to the totally insane looks that I had on my face (ah, damn… a documentary moment lost). The thing is, I was trying to convince h
er that I had been to/seen a totally different dimension/world than this one. How do you convince someone who hasn’t been there? My overall impression of this D dimension/vision was that it was very futuristic… it reminded me of computer animation. Indeed, the whole experience seems like it could be replicated through computer animation (although you would lose the feeling of astonishment, the feeling of it being REAL, and the feeling of having been there).
Needless to say, this was very exciting for me, and has consumed much of my thoughts for the past two days (did the D on the 19th). Mainly, I am just astonished. I keep thinking “What the hell was I looking at?” Certainly, this D dimension is stranger than my mind could create-well maybe not stranger, but it certainly doesn’t remind me of anything that I would think of on my own.

———–

Four From The Tao Te Ching….
10. Harmony

Embracing the Way, you become embraced;

Breathing gently, you become newborn;

Clearing your mind, you become clear;

Nurturing your children, you become impartial;

Opening your heart, you become accepted;

Accepting the world, you embrace the Way.
Bearing and nurturing,

Creating but not owning,

Giving without demanding,

This is harmony.


11. Tools

Thirty spokes meet at a nave;

Because of the hole we may use the wheel.

Clay is moulded into a vessel;

Because of the hollow we may use the cup.

Walls are built around a hearth;

Because of the doors we may use the house.

Thus tools come from what exists,

But use from what does not.


12. Substance

Too much colour blinds the eye,

Too much music deafens the ear,

Too much taste dulls the palate,

Too much play maddens the mind,

Too much desire tears the heart.
In this manner the sage cares for people:

He provides for the belly, not for the senses;

He ignores abstraction and holds fast to substance.


13. Self

Both praise and blame cause concern,

For they bring people hope and fear.

The object of hope and fear is the self –

For, without self, to whom may fortune and disaster occur?
Therefore,

Who distinguishes himself from the world may be given the world,

But who regards himself as the world may accept the world.

Number 23….

If you haven’t seen it yet (and I am sure you have heard of it…!)

Please check out the new Invisible College PDF Magazine! Free, or if you feel so inclined; by donation!

The end of the week is looming, and the weather is beautiful here. My friend Morgan past through last night, and we got to hang for a bit. He took away my old G3 laptop that had been donated to Earthrites.org by friends, vowing to fix it up and to convert me to a MAC user. So, we will see what we will see…
Some nice stuff in this edition. I found the RAW article online, and could not resist. It is pretty funny, and it was published originally in Fortean Times back in 1977. We have some old lyrics/poetry of the hexing kind, and some interesting tile work as well.
Enjoy,
Gwyllm
On The Menu:

The Links

The 23 Phenomenon Robert Anton Wilson

It Is All In The Chant: Songs of Power

Art: John Moyr Smith ~ From a set of twelve tiles illustrating the Idylls of the King designed by John Moyr Smith for Minton, c. 1875.
John Moyr Smith, (1839-1912) was one of the most original and idiosyncratic 19th Century designers. His quirky and fantastic designs creating a familiar and stimulating resonance within the viewer’s experience, but always retaining an edginess.

____________
The Links:

2,700-year-old fabric found in Greece

Inquring Minds Want To Know: Have you seen any nuclear material?

To Treat the Dead

Russian Scientist Blames Global Warming on Tunguska Meteorite?

_____________
The 23 Phenomenon Robert Anton Wilson
I first heard of the 23 enigma from William S Burroughs, author of Naked Lunch, Nova Express, etc. According to Burroughs, he had known a certain Captain Clark, around 1960 in Tangier, who once bragged that he had been sailing 23 years without an accident. That very day, Clark’s ship had an accident that killed him and everybody else aboard. Furthermore, while Burroughs was thinking about this crude example of the irony of the gods that evening, a bulletin on the radio announced the crash of an airliner in Florida, USA. The pilot was another captain Clark and the flight was Flight 23.
Burroughs began collecting odd 23s after this gruesome synchronicity, and after 1965 I also began collecting them. Many of my weird 23s were incorporated into the trilogy Illuminatus! which I wrote in collaboration with Robert J Shea in 1969–1971. I will mention only a few of them here, to give a flavour to those benighted souls who haven’t read Illuminatus! yet:
In conception, Mom and Dad each contribute 23 chromosomes to the fœtus. DNA, the carrier of the genetic information, has bonding irregularities every 23rd Angstrom. Aleister Crowley, in his Cabalistic Dictionary, defines 23 as the number of “life” or “a thread”, hauntingly suggestive of the DNA life-script. On the other hand, 23 has many links with termination: in telegraphers’ code, 23 means “bust” or “break the line”, and Hexagram 23 in I Ching means “breaking apart”. Sidney Carton is the 23rd man guillotined in the old stage productions of A Tale of Two Cities. (A few lexicographers believe this is the origin of the mysterious slang expression “23 Skiddoo!”.)
Some people are clusters of bloody synchronicities in 23. Burroughs discovered that the bootlegger “Dutch Schultz” (real name: Arthur Flegenheimer) had Vincent “Mad Dog” Coll assassinated on 23rd Street in New York when Coll was 23 years old. Schultz himself was assassinated on 23 October. Looking further into the Dutch Schultz case, I found that Charlie Workman, the man convicted of shooting Schultz, served 23 years of a life sentence and was then paroled.
Prof. Hans Seisel of the University of Chicago passed the following along to Arthur Koestler, who published it in The Challenge of Chance. Seisel’s grandparents had a 23 in their address, his mother had 23 both as a street number and apartment number, Seisel himself once had 23 as both his home address and his law office address, etc. While visiting Monte Carlo, Seisel’s mother read a novel, Die Liebe der Jeannie Ney, in which the heroine wins a great deal by betting on 23 at roulette. Mother tried betting on 23 and it came up on the second try.
Adolf Hitler was initiated into the Vril Society (which many consider a front for the Illuminati) in 1923. The Morgan Bank (which is regarded as the financial backer of the Illuminati by the John Birch Society) is at 23 Wall Street in Manhattan. When Illuminatus! was turned into a play, it premiered in Liverpool on 23 November (which is also Harpo Marx’s birthday). Ken Campbell, producer of Illuminatus!, later found, on page 223 of Jung’s Memories, Dreams, Reflections, a weird dream about Liverpool, which Campbell says describes the street intersection of the theatre where Illuminatus! opened (Jung, of course, was the first psychologist to study weird coincidences of this sort and to name them synchronicities). Campbell also claims that Hitler lived briefly in Liverpool when he was 23 years old, but I haven’t found the reference for that.
Recently, I was invited to join an expedition to the Bermuda Triangle. I declined because of other commitments, but “the crew that never rests” (Sir Walter Scott’s name for the Intelligence – or idiocies – who keep pestering us with this kind of phenomenon) refused to let me off the hook that easily. A few days after the expedition left, I turned on the television and caught an advertisement for the new film, Airport 77. The advertisement began with an actor shouting “Flight 23 is down in the Bermuda Triangle!”
A week later, Charles Berlitz, author of The Bermuda Triangle, claimed he had found a submerged pyramid “twice the size of the pyramids of Cheops” in the waters down there. You will find that monstrous edifice described in Illuminatus!, and it is specifically said to be “twice the size of the pyramid of Cheops” – but Shea and I thought we were writing fiction when we composed that passage in 1971. In 1977, Berlitz claims it is real.
I now have almost as many weird 23s in my files as Fort once had records of rains of fish, and people are always sending me new ones.
Euclid’s Geometry begins with 23 axioms.
As soon as I became seriously intrigued by collecting weird 23s, one of my best friends died – on 23 December.
My two oldest daughters were born on 23 August and 23 February respectively.
According to Omar Garrison’s Tantra: The Yoga of Sex, in addition to the well-known 28-day female sex cycle, there is also a male sex cycle of 23 days.
Burroughs, who tends to look at the dark side of things, sees 23 chiefly as the death number. In this connection, it is interesting that the 23rd Psalm is standard reading at funerals.
Heathcote Williams, editor of The Fanatic, met Burroughs when he (Williams) was 23 years old and living at an address with a 23 in it. When Burroughs told him, gloomily, “23 is the death number”, Williams was impressed; but he was more impressed when he discovered for the first time that the building across the street from his house was a morgue.
Bonnie and Clyde, the most popular bank-robbers of the 1930s, lived out most American underground myths quite consciously, and were shot to death by the Texas Rangers on 23 May, 1934. Their initials, B and C, have the Cabalistic values of 2–3.
W, the 23rd letter of the English alphabet, pops up continually in these matters. The physicist who collaborated with Carl Jung on the theory of synchronicity was Wolfgang Pauli. William Burroughs first called the 23 mystery to my attention. Dutch Schultz’s assassin was Charlie Workman. Adam Weishaupt and / or George Washington, the two (or one) chief source of 18th-century Illuminism, also come to mind. Will Shakespeare was born and died on 23 April.
(I have found some interesting 46s – 46 is 2 x 23 – but mostly regard them as irrelevant. Nonetheless, the 46th Psalm has a most peculiar structure. The 46th word from the beginning is shake and the 46th word from the end, counting back, is spear.)
Through various leads, I have become increasingly interested in Sir Francis Bacon as a possibly ringleader of the 17th-century Illuminati (Some evidence for this can be found in Francis Yates’s excellent The Rosicrucian Enlightenment). Bacon, in accord with custom, was allowed to pick the day for his own elevation to knighthood by Elizabeth I. He picked 23 July.
Dr John Lilly refers to “the crew that never rests” as Cosmic Coincidence Control Center and warns that they pay special attention to those who pay attention to them. I conclude this account with the most mind-boggling 23s to have intersected my own life.
On 23 July 1973, I had the impression that I was being contacted by some sort of advanced intellect from the system of the double star Sirius. I have had odd psychic experiences of that sort for many years, and I always record them carefully, but refuse to take any of them literally, until or unless supporting evidence of an objective nature turns up. This particular experience, however, was especially staggering, both intellectually and emotionally, so I spent the rest of the day at the nearest large library researching Sirius. I found, among other things, that 23 July is very closely associated with that star.
On 23 July, ancient Egyptian priests began a series of rituals to Sirius, continuing until 8 September. Since Sirius is known as the “Dog
Star”, being in the constellation Canis Major, the period 23 July – 8 September became known as “the dog days”.
My psychic “Contact” experience continued, off and on, for nearly two years, until October 1974, after which I forcibly terminated it by sheer stubborn willpower (I was getting tired of wondering whether I was specially selected for a Great Mission of interstellar import, or was just going crazy).
After two years of philosophic mulling on the subject (late 1974 – early 1976), I finally decided to tune in one more time to the Sirius–Earth transmissions, and try to produce something objective. On 23 July 1976, using a battery of yogic and shamanic techniques, I opened myself to another blast of Cosmic Wisdom and told the Transmitters that I wanted something objective this time around.
The next week, Time magazine published a full-page review of Robert KG Temple’s The Sirius Mystery, which claims that contact between Earth and Sirius occurred around 4500 BC in the Near East. The 23 July festivals in Egypt were part of Temple’s evidence, but I was more amused and impressed by his middle initials, K.G., since Kallisti Gold is the brand of very expensive marijuana smoked by the hero of Illuminatus!.
The same week as that issue of Time, i.e. still one week after my 23rd experiment, Rolling Stone published a full-page advertisement for a German Rock group called Ramses. One of the group was named Winifred, which is the name of one of the four German Rock musicians in Illuminatus!, and the advertisement included a large pyramid with an eye atop it, the symbol of the Illuminati.
Coincidence? Synchronicity? Higher Intelligence? Higher Idiocy?
Of course, the eye on the pyramid was a favourite symbol of Aleister Crowley, who called himself Epopt of the Illuminati, and subtitled his magazine, The Equinox, “A Review of Scientific Illuminism”. And 2/3 equals .66666666 etc. – Crowley’s magick number repeated endlessly. Readers of this piece might find it amusing to skim through The Magical Revival and Aleister Crowley and the Hidden God, two books by Kenneth Grant, a former student of Crowley’s (and note the initials K.G. again!). You will find numerous references, cloudy and occult, linking Crowley in some unspecified way with Sirius.
The actor who played Padre Pederastia in the National Theatre production of Illuminatus! informed me that he once met Crowley on a train. “Mere coincidence”, if you prefer. But the second night of the National Theatre run, the actors cajoled me into doing a walk-on as an extra in the Black Mass scene. And, dear brothers and sisters, that is how I found myself, stark naked, on the stage of the National Theatre, bawling Crowley’s slogan “Do what thou wilt shall be the whole of the law”, under the patronage of Her Majesty the Queen.
As a fortean, I am, of course, an ontological agnostic and I never believe anything literally. But I will never cease to wonder how much of this was programmed by Uncle Aleister before I was ever born, and I’m sure that last bit, my one moment on the stage of the National Theatre, was entirely Crowley’s work.
If you look up Crowley’s Confessions, you’ll find that he began the study of magick in 1898, at the age of 23.

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It Is All In The Chant: Songs of Power

Mill Chant used by Witches in Devonshire
Air, wheel, Air blow,

Make the mill of magic go

Turn the power we send to you

Eman hetan, hau he hu!
Fire bright, Fire burn

Make the mill of magic turn.

Spin the power we send to you.

Eman hetan hau he hu!
Water bubble, water flow,

Turn the mill of magic so.

Grind the power we send to you,

Eman hetan, hau he hu!
Earth ye be our kith and kin,

Make the mill of magic spin.

Send the power we send to you,

Eman hetan, hau he hu!


17th Century Shapeshifting Song
Cunning and art he did not lack;

Aye, her whistle would fetch him back.
O, I shall go into a hare

With sorrow and sighing and mickle care,

And I shall do in the Devil’s name

Aye, till I be fetched hame.

-Hare, take heed of a bitch greyhound

Will harry thee all these fells around,

For here come I in Our Lady’s name

All but to fetch thee hame.
Cunning and art he did not lack;

Aye, her whistle would fetch him back.

Yet I shall go into a trout

With sorrow and sighing and mickle doubt,

And show thee many a merry game

Ere that I be fetched hame.

-Trout, take heed of an otter lank

Will harry thee close from bank to bank,

For here I come in Our Lady’s name

All but to fetch thee hame.

Cunning and art he did not lack;

Aye, her whistle would fetch him back.
Yet I shall go into a bee

With mickle horror and dread of thee,

And flit to hive in the Devil’s name

Ere that I be fetched hame.

-Bee, take head of a swallow hen

Will harry thee close, both butt and ben,

For here come I in Our Lady’s name

All for to fetch thee hame.

Cunning and art he did not lack;

Aye, her whistle would fetch him back.
Yet I shall go into a mouse

And haste me unto the miller’s house,

There in his corn to have good game

Ere that I be fetched hame.

-Mouse, take heed of a white tib-cat

That never was baulked of mouse or rat,

For I’ll crack thy bones in Our Lady’s name:

Thus shalt thou be fetched hame.
Cunning and art he did not lack;

Aye, her whistle would fetch him back.


Hind Horn
In Scotland there was a babie born,

And his name it was called young Hind Horn.

Lilie lal, etc. With a fal lal, etc.
He sent a letter to our king

That he was in love with his daughter Jean.
He’s gien to her a silver wand,

With seven living lavrocks sitting thereon.
She’s gien to him a diamond ring,

With seven bright diamonds set therein.
“When this ring grows pale and wan,

You may know by it my love is gane.
One day as he looked his ring upon,

He saw the diamonds pale and wan.
He left the sea and came to land,

And the first that he met was an old beggar man.
“What news, what news?” said young Hind Horn;

“No news, no news,” said the old beggar man.
“No news,” said the beggar, “no news at a’,

But there’s a wedding in the king’s ha.
“But there is a wedding in the king’s ha,

That has halden these forty days and twa.”
“Will ye lend me your begging coat?

And I’ll lend you my scarlet cloak.
“Will you lend me your beggar’s rung?

And I’ll gie you my steed to ride upon.
“Will you lend me your wig o hair,

To cover mine, because it is fair?”
The auld beggar man was bound for the mill,

But young Hind Horn for the king’s hall.
The auld beggar man was bound for to ride,

But young Hind Horn was bound for the bride.
When he came to the king’s gate,

He sought a drink for Hind Horn’s sake.
The bride came down with a glass of wine,

When he drank out of the glass, and dropt in the ring.
“O got ye this by sea or land?

Or got ye it off a dead man’s hand?”
“I got not it by sea, I got it by land,

And I got it, madam, out of your own hand.”
“O I’ll cast off my gowns of brown,

And beg wi you frae town to town.
“O I’ll cast off my gowns of red,

And I’ll beg wi you to win my bread.”
“Ye needna cast off your gowns of brown,

For I’ll make you lady o many a town.
“Ye needna cast off your gowns of red,

It’s only a sham, the begging o my bread.”
The bridegroom he had wedded the bride,

But young Hind Horn he took her to bed.
<

Into Glorious May…

On The Music Box: Shen – Outlines

It seems that my provider Bluehost.com had our dedicated IP number turned off, like forever… making it difficult for people to download the magazine… If you haven’t downloaded The new edition of The Invisible College yet… here is the link!

Beautiful here in Portland… Clouds fleeting overhead (well, starting to loom) coolish. I walked out this morning to the most astounding beauty… the garden almost roaring with delight, the robins flitting and the squirrels playing. We live in paradise, and yes the cup is half full.
On the Menu

Peters’ Picks – Tomorrow Never Knows (From The Las Vegas Cirque De Soliel show)

Fairy Help – The Phouka

Poetry: The Voice of Pierre de Ronsard
Have a beautiful one… if you cannot access the magazine, email: IC at earthrites.org change the at for a @ sign, take out the spaces.
Bright Blessings,
Gwyllm

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Peters’ Picks: Tomorrow Never Knows…

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Fairy Help – The Phouka

The Phouka is a friendly being, and often helps the farmer at his work if he is treated well and kindly. One day a farmer’s son was minding cattle in the field when something rushed past him like the wind; but he was not frightened, for he knew it was the Phouka on his way to the old mill by the moat where the fairies met every night. So he called out,” Phouka, Phouka! show me what you are like, and I’ll give you my big coat to keep you warm.” Then a young bull came to him lashing his tail like mad; but Phadrig threw the coat over him, and in a moment he was quiet as a lamb, and told the boy to come to the mill that night when the moon was up, and he would have good luck.
So Phadrig went, but saw nothing except sacks of corn all lying about on the ground, for the men had fallen asleep, and no work was done. Then he lay down also and slept, for he was very tired: and when he woke up early in time morning there was all the meal ground, though certainly the men had not done it, for they still slept. And this happened for three nights, after which Phadrig determined to keep awake and watch.
Now there was an old chest in the mill, and he crept into this to hide, and just looked through the keyhole to see what would happen. And exactly at midnight six little fellows came in, each, carrying a sack of corn upon his back; and after then came an old man in tattered rags of clothes, and he bade them turn the mill, and they turned and turned till all was ground.
Then Phadrig ran to tell his father, and the miller determined to watch, the next night with his son, and both together saw the same thing happen.
“Now,” said the farmer, “I see it is the Phouka’s work, and let him work if it pleases him, for the men are idle and lazy and only sleep. So I’ll pack the whole set off to-morrow, and leave the grinding of the corn to this excellent old Phouka.”
After this the farmer grew so rich that there was no end to his money, for he had no men to pay, and all his corn was ground without his spending a penny. Of course the people wondered much over his riches, but he never told them about the Phouka, or their curiosity would have spoiled the luck.
Now Phadrig went often to the mill and hid in the chest that he might watch the fairies at work; but he had great pity for the poor old Phouka in his tattered clothes, who yet directed everything and had hard work of it sometimes keeping the little Phoukas in order. So Phadrig, out of love and gratitude, bought a blue suit of cloth and silk and laid it one night on the floor of the mill just where the old Phouka always stood to give his orders to the little men, and then he crept into the chest to watch.
“How is this?” said the Phouka when he saw the clothes. “Are these for me? I shall be turned into a fine gentleman.”
And he put them on, and then began to walk up and down admiring himself. But suddenly he remembered the corn and went to grind as usual, then stopped and cried out–”No, no. No more work for me. Fine gentlemen don’t grind corn. I’ll go out and see a little of the world and show my fine clothes.” And he kicked away the old rags into a corner, and went out.
No corn was ground that night, nor the next, nor the next; all the little Phoukas ran away, and not a sound was heard in the mill. Then Phadrig grew very sorry for the loss of his old friend, and used to go out into the fields and call out, “Phouka, Phouka! come back to me. Let me see your face.” But the old Phouka never came back, and all his life long Phadrig never looked on the face of his friend again. However, the farmer had made so much money that he wanted no more help; and he sold the mill, and reared up Phadrig to be a great scholar and a gentleman, who had his own house and land and servants. And in time he married a beautiful lady, so beautiful that the people said she must be daughter to the king of the fairies.
A strange thing happened at the wedding, for when they all stood up to drink the bride’s health, Phadrig saw beside him a golden cup filled with wine. And no one knew how, the golden cup had come to his hand; but Phadrig guessed it was the Phouka’s gift, and he drank the wine without fear and made his bride drink also. And ever after their lives were happy and prosperous, and the golden cup was kept as a treasure in the family, and the descendants of Phadrig have it in their possession to this day.

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The Voice of Pierre de Ronsard

ODE À CASSANDRE – ODE TO CASSANDRA
Sweetheart let us together go and see

If this morning’s rose which opened up

Her crimson robe to Father Sun,

Has not this even shed the folds

Of her crimson dress and her damask cheek

With its colour so like your own.
Alas! Look – in how short a space

Sweetheart she has upon this place

Alas! Alas! let drop her beauty!

Oh Mother Nature harsh and strong

Since such a flower lasts scarce so long

As from the dawn to eventide.
So hear my words my own sweetheart

While your young days are in full bloom,

Gather the rosebuds of youth today –

Its fresh green newness will not stay –

As with this flower will come old age

To tarnish all your beauty.

Mignonne, allons voir si la rose

Qui ce matin avait déclose

Sa robe de pourpre au soleil,

A point perdu cette vesprée

Les plis de sa robe pourprée,

Et son teint au votre pareil.
Las! Voyez comme en peu d’espace,

Mignonne, elle a dessus la place,

Las, las ses beautéz laissé cheoir!

O vrayment marastre Nature,

Puisqu’une telle fleur ne dure

Que du matin jusques au soir!
Donc, si vous me croyez, mignonne,

Tandis que vostre âge fleuronne

En sa plus verte nouveauté,

Cueillez, cueillez vostre jeunesse:

Comme à ceste fleur, la vieillesse

Fera ternir vostre beauté.

——–
AVANT LE TEMPS TES TEMPES FLEURIRONT –

BEFORE ITS TIME YOUR BROW WILL BE IN BLOOM
‘Before its time your brow will be in bloom,

‘Your end will be defined by too few days,

‘Before the evening falls your day will fade,

‘Betrayed by hope your thoughts will perish soon.
‘Your lines will vanish – I shall not be moved,

‘In your collapse my destiny will hang.

‘For I was born to abuse the poets’ gang

‘And our descendants will but mock your mood.
‘You’ll be the laughing-stock of the common man,

‘You’ll build your castles on the shifting sands,

‘And useless are your paintings in the skies.’
Those were the words of the nymph who drives me mad,

When heaven, witness to the words she said,

With a well-aimed flash sent omens to my eyes.

‘Avant le temps tes tempes fleuriront,

‘De peu de jours ta fin sera bornée,

‘Avant le soir se clorra ta journée,

‘Trahis d’espoir tes pensers periront:
‘Sans me flechir tes escrits fletriront,

‘En ton desastre ira ma destinée,

‘Pour abuser les poètes je suis née,

‘De tes souspirs nos neveux se riront.
‘Tu seras fait du vulgaire la fable,

‘Tu bastiras sur l’incertain du sable,

‘Et vainement tu peindras dans les cieux.’
Ainsi disoit la Nymphe qui m’affolle,

Lorsque le ciel, tesmoin de sa parolle,

D’un dextre éclair fut presage à mes yeux.

——-
JE VOUS ENVOIE UN BOUQUET QUE MA MAIN –

I SEND YOU A BOUQUET THAT WITH MY HANDS
I send you a bouquet that with my hands

I have selected from these full-blown flowers:

If they had not been plucked in the evening hours,

Tomorrow they would all lie in the sand.
Let that be an example to you all:

Your charms, although they may be in full flower,

Will very soon be withered, dry and brown,

And like these blossoms, they will shortly fall.
For time speeds onward, time speeds on, my lady,

Alas! it’s we who must speed on, not time,

And soon we’ll be surrendered to the blade:
And these loves we are speaking of, so fine,

There’ll be no news of them when we are the past:

So love me now, so long your beauty lasts.


Je vous envoie un bouquet que ma main

Vient de trier de ces fleurs épanouies:

Qui ne les eut à ces vêpres cueillies,

Tombées à terre elles fussent demain.
Cela vous soit un exemple certain

Que vos beautés, bien qu’elles soient fleuries,

En peu de temps seront toutes flétries,

Et, comme fleurs, périront tout soudain.
Le temps s’en va, le temps s’en va ma Dame,

Las! le temps non, mais nous nous en allons,

Et tôt serons étendus sous la lame:
Et des amours desquelles nous parlons,

Quand serons morts, n’en sera plus nouvelle:

Donc, aimez-moi, cependant qu’êtes belle.
(Turner – Queen Mabs’ Cave)

MON RÊVE FAMILIER – RECURRENT DREAM

If you haven’t downloaded The new edition of The Invisible College yet… here is the link!

Exciting times here at EarthRites.org. New Magazine, and loads of new music coming up on the radio… look to EarthRites in the next few weeks for tonnes of updates, new features, poetry and the like…
Hope this finds you well.
Gwyllm

On The Menu:
The Links

God Is God

Daniel O’ Rourke

A Visit With Verlaine….

Dania – Foug el nakal

Art: Henry Meynell Rheam
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The Links:

Rise of the Internet Police State

Myth of the Basque Witches

Vatican’s first drug trial

The Return Of Annie Sprinkles!: Dotty-Mouthed

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God Is God (may be a repeat, but I still loves it, I do)

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Daniel O’ Rourke
People may have heard of the renowned adventures of Daniel O’Rourke, but how few are there who know that the cause of all his perils, above and below, was neither more nor less than his having slept under the walls of the Phooka’s tower. I knew the man well: he lived at the bottom of Hungry Hill, just at the right hand side of the road as you go towards Bantry. An old man was he at the time that he told me the story, with gray hair, and a red nose; and it was on the 25th of June, l8l3, that I heard it from his own lips, as he sat smoking his pipe under the old poplar tree, on as fine an evening as ever shone from the sky. I was going to visit the caves in Dursey Island, having spent the morning at Glengariff.
“I am often axed to tell it, sir,” said he, ” so that this is not the first time. The master’s son, you see, had come from beyond foreign parts in France and Spain, as young gentlemen used to go, before Buonaparte or any such was heard of; and sure enough there was a dinner given to all the people on the ground, gentle and simple, high and low, rich and poor. The ould gentlemen were the gentlemen, after all, saving your honour’s presence They’d swear at a body a little, to be sure, and, may be, give one a cut of a whip now and then, but we were no losers by it in the end; – and they were so easy and civil, and kept such rattling houses, and thousands of welcomes ; – and there was no grinding for rent, and few agents; and there was hardly a tenant on the estate that did not taste of his landlord’s bounty often and often in the year; – but now it’s another thing: no matter for that, sir, for I’d better be telling you my story.
“Well, we had every thing of the best, and plenty of it; and. we ate, and we drank, and we danced, and the young master by the same token danced with Peggy Barry, from the Bohereen – a lovely young couple they were, though they are both low enough now. To make a long story short, I got, as a body may say, the same thing as tipsy almost, for I can’t remember ever at all, no ways, how it was I left the place: only I did leave it, that’s certain. Well, I thought,. for all that, in myself, I’d just step to Molly Cronohan’s, the fairy woman, to speak a word about the bracket heifer what was bewitched; and so as I was crossing the stepping-stones of the ford of Ballyasheenough, and was looking up at the stars and blessing myself – for why? it was Lady-day – I missed my foot, and souse I fell into the water. ‘ Death alive!’ thought I, ‘ I’ll be drowned now!’ However, I began swimming, swimming, swimming away for the dear life, till at last I got ashore, somehow or other, but never the one of me can tell how, upon a dissolute island.
“I wandered and wandered about there, without knowing where I wandered, until at last I got into a big bog. The moon was shining as bright as day, or your fair lady’s eyes, sir (with your pardon for mentioning her), and I looked east and west, and north and south, and every way, and nothing did I see but bog, bog, bog; – I could never find out how I got into it; and my heart grew cold with fear, for sure and certain I was that it would be my berrin place. So I sat down upon a stone which, as good luck would have it, was close by me, and I began to scratch my head and sing the Ullagone – when all of a sudden the moon grew black, and I looked up, and saw something for all the world as if it was moving down between me and it, and I could not tell what it was. Down it came with a pounce, and looked at me full in the face; and what was it but an eagle? as fine a one as ever flew from the kingdom of Kerry. So he looked at me in the face, and says he to me, ‘ Daniel O’Rourke,’ says he, ‘ how do you do?’ ‘ Very well, I thank you, sir,’ says I: ‘I hope you’re well ; ‘ wondering out of my senses all the time how an eagle came to speak like a Christian. ‘ What brings you here, Dan?’ says he. ‘ Nothing at all, sir, says I:’ only I wish I was safe home again.’ ‘Is it out of the island you want to go, Dan?’ says he. ‘ ‘T is, sir,’ says I : so I up and told him how I had taken a drop too much, and fell into the water; how I swam to the island; and how I got into the bog and did not know my way out of it. ‘ Dan,’ says he, after a minute’s thought, though it is very improper for you to get drunk on Lady-day, yet as you are a decent sober man, who ‘tends mass well, and never flings stones at me nor mine, nor cries out after us in the fields – my life for yours,’ says he ; ‘ so get up on my back, and grip me well for fear you’d fall off, and I’ll fly you out of the bog.’ ‘I am afraid,’ says I, ‘your honour’s making game of me; for who ever heard of riding a horseback on an eagle before ?’ ‘ ‘Pon the honour of a gentleman,’ says he, putting his right foot on his breast, ‘I am quite in earnest; and so now either take my offer or starve in the bog – besides, I see that your weight is sinking the stone.’
It was true enough as he said, for I found the stone every minute going from under me. I had no choice; so thinks I to myself, faint heart never won fair lady, and this is fair persuadance – ‘ I thank your honour,’ says I, ‘for the loan of your civility; and I’ll take your kind offer.’ I therefore mounted upon the back of the eagle, and held him tight enough by the throat, and up be flew in the air like a lark. Little I knew the trick he was going to serve me. Up – up – up – God knows how far up he flew. ‘Why, then,’ said I to him – thinking he did not know the right road home – very civilly, because why? – I was in his power entirely;-’ sir,’ says I, ‘ please your honour’s glory, and with humble submission to your better judgment, if you’d fly down a bit, you’re now just over my cabin, and I could be put down there, and many thanks to your worship.’
” ‘Arrah, Dan,’ said he, ‘do you think me a fool? Look down in the next field, and don’t you see two men and a gun? By my word it would be no joke to be shot this way, to oblige a drunken blackguard that I picked up off of a could stone in a bog.’ ‘ Bother you,’ said I to myself, but I did not speak out, for where was the use? Well, sir, up he kept, flying, flying, and I asking him every minute to fly down, and all to no use. Where in the world are you going,. sir?’ says I to him. ‘Hold your tongue, Dan,’ says he: ‘mind your own business, and don’t be interfering with the business of other people.’ ‘Faith, this is my business, I think,’ says I. ‘ Be quiet, Dan,’ says he: so I said no more.
“At last where should we come to, but to the moon itself. Now you can’t see it from this, but there is, or there was in my time a reaping-hook sticking out of the side of the moon, this way, (drawing the figure thus O~ on the ground with the end of his stick).
“Dan,’ said the eagle, ‘ I’m tired with this long fly; I had no notion ‘t was so far.’ ‘ And my lord, sir,’ said I,’ who in the world axed you to fly so far – was it I? did not I beg, and pray, and beseech you to stop half an hour ago?’
‘There’s no use talking, Dan,’ said he; ‘ I’m tired bad enough, so you must get off, and sit down on the moon until I rest myself.’ ‘ Is it sit down on the moon?’ said I; ‘ is it upon that little round thing, then? why, then, sure I’d fall off in a minute, and be kilt and split, and smashed all to bits:
you are a vile deceiver, – so you are.’ Not at all, Dan,’ said he: ‘ you can catch fast hold of the reaping-hook that’s sticking out of the side of the moon, and ’twill keep you up.’ ‘I won’t, then,’ said I. ‘ May be not,’ said he, quite quiet. ‘ If you don’t, my man, I shall just give you a shake, and one slap of my wing, and send you down to the ground, where every bone in your body will be smashed as small as a drop of dew on a cabbage-leaf in the morning.’ ‘Why, then, I’m in a fine way,’ said I to myself, ‘ ever to have come along with the likes of you;’ and so giving him a hearty curse in Irish, for fear he’d know what I said, I got off his back with a heavy heart, took a hold of the reaping-hook, and sat down upon the moon; and a mighty cold seat it was, I can tell you that.
“When he had me there fairly landed, he turned about on me, and said, ‘ Good morning to you, Daniel O’Rourke,’ said he: ‘ I think I’ve nicked you fairly now. You robbed my nest last year,’ (’twas true enough for him, but how he found it out is hard to say,) ‘and in return you are freely welcome to cool your heels dangling upon the moon like a cockthrow.’
” ‘Is that all; and is this the way you leave me, you brute, you?’ says I. ‘You ugly unnatural baste, and is this the way you serve me at last? Bad luck to yourself, with your hook’d nose, and to all your breed, you blackguard.’ ‘Twas all to no manner of use: he spread out his great big wings, burst out a laughing, and flew away like lightning. I bawled after him to stop; but I might have called and bawled for ever, without his minding me. Away he went, and I never saw him from that day to this – sorrow fly away with him I You may be sure I was in a disconsolate condition, and kept roaring out for the bare grief, when all at once a door opened right in the middle of the moon, creaking on its hinges as if it had not been opened for a month before. I suppose they never thought of greasing ‘em, and out there walks – who do you think but the man in the moon himself? I knew him by his bush.
” ‘Good morrow to you, Daniel O’Rourke,’ said he: ‘ How do you do?’ ‘ Very well, thank your honour,’ said I. ‘I hope your honour’s well.’ ‘What brought you here, Dan?’ said he. So I told him told I was a little overtaken in liquor at the master’s, and how I was cast on a dissolute island, and how I lost my way in the bog, and how the thief of an eagle promised to fly me out of it, and how instead of that he had fled me up to the moon.
” ‘Dan,’ said the man in the moon, taking a pinch of snuff when I was done, ‘ you must not stay here.’ ‘ Indeed, sir,’ says I, ‘ ’tis much against my will I’m here at all ; but how am I to go back?’ ‘ That’s your business,’ said he, Dan: mine is to tell you that here you must not stay, so be off in less than no time.’ ‘I’m doing no harm,’ says I, ‘ only holding on hard by the reaping-hook, lest I fall off.’ ‘ That’s what you must not do, Dan,’ says he. ‘ Pray, sir,’ says I, ‘ may I ask how many you are in family, that you would not give a poor traveller lodging: I’m sure ’tis not so often you’re troubled with strangers coming to see you, for ‘t is a long way. ‘I’m by myself, Dan,’ says he; ‘but you ‘d better let go the reaping-hook.’ ‘ Faith, and with your leave,’ says I, ‘I’ll not let go the grip, and the more you bids me, the more I won’t let go ; – so I will.’ ‘ You had better, Dan,’ says he again. ‘Why, then, my little fellow,’ says I, taking the whole weight of him with my eye from head to foot, ‘there are two words to that bargain; and I’ll not budge, but you may if you like.’ ‘We’ll see how that is to be,’ says he; and back he went, giving the door such a great bang after him (for it was plain he was huffed), that I thought the moon and all would fall down with it.
“Well, I was preparing myself to try strength him, when back again he comes, with the kitchen cleaver in his hand, and without saying a word, he gives two bangs to the handle of the reaping-hook that was keeping me up, and whap.! it came in two. ‘ Good morning to you, Dan,’ says the spiteful little old blackguard, when he saw me cleanly falling down with a bit of the handle in my hand: ‘I thank you for your visit, and fair weather after you, Daniel.’ I had not time to make any answer to him, for I was turning over and over, and rolling and rolling at the rate of a fox-hunt. ‘ God help me,’ says I, ‘but this is a pretty pickle for a decent man to be seen in at this time of night: I am now sold fairly.’ The word was not out of my mouth, when whiz ! what should fly by close to my ear but a flock of wild geese; all the way from my own bog of Ballyasheenough, else how should they know me? the ould gander, who was their general, turning about his head, cried out to me, ‘Is that you, Dan?’ ‘ The same,’ said I, not a bit daunted now at what he said, for I was by this time used to all kinds of bedevilment and, besides, I knew him of ould. ‘Good morrow to you,’ says he, ‘Daniel O’Rourke: how are you in health this morning?’ ‘ Very well, sir,’ says I, ‘I thank you kindly,’ drawing my breath, for I was mightily in want of some. ‘ I hope your honour’s the same. I think ’tis falling you are, Daniel,’ says he. You may say that, sir,’ says I. ‘ And where are you going all the way so fast?’ said the gander. So I told him how I had taken the drop, and how I came on the island, and how I lost my way in the bog, and how the thief of an eagle flew m&amp; up to the moon, and how the man in the moon turned me out. ‘ Dan,’ said he, ‘ I’ll save you: put out your hand and catch me by the leg, and I’ll fly you home.’ ‘ Sweet is your hand in a pitcher of honey, my jewel,’ says I, though all the time I thought in myself that I don’t much trust you; but there was no help, so I caught the gander by the leg, and away I and the other geese flew after him as fast as hops.
“We flew, and we flew, and we flew, until we came right over the wide ocean. I knew it well, for I saw Cape Clear to my right’ hand, sticking up out of the water. ‘ Ah! my lord,’ said I to the goose, for I thought it best to keep a civil tongue in my head any way, ‘ fly to land if you please.’
‘It is impossible, you see, Dan,’ said he, ‘ for a while, because you see we are going to Arabia.’ To Arabia !’ said I; ‘ that’s surely some place in foreign parts, far away. Oh I Mr. Goose : why then, to be sure, I’m a man to be pitied among you.’ ‘ Whist, whist, you fool,’ said he, ‘hold your tongue; I tell you Arabia is a very decent sort of place, as like West Carbery as one egg is like another, only there is a little more sand there.’
“Just as we were talking, a ship hove in sight, scudding so beautiful before the wind: ‘ Ah! then, sir,’ said I, ‘will you drop me on the ship, if you please?’ ‘We are not fair over it,’ said he. ‘We are,’ said I. ‘We are not,’ said he ‘If I dropped you now, you would go splash into the sea.’ ‘ I would not,’ says I: ‘ I know better than that, for it is just clean under us, so let me drop now at once.’
” ‘If you must, you must,’ said h
e. ‘ There, take your own way;’ and be opened his claw, and faith he was right – sure enough I came down plump into the very bottom of the salt sea! Down to the very bottom I went, and I gave myself up then for ever, when a whale walked up to me, scratching himself after his night’s sleep, and looked me full in the face, and never the word did he say, but lifting up his tail, he splashed me all over again with the cold salt water, till there wasn’t a dry stitch upon my whole carcass; and I heard somebody saying – ‘t was a voice I knew too – ‘ Getup, you drunken brute, off of that;’ and with that I woke up, and there was Judy with a tub full of water, which she was splashing all over me ; – for, rest her soul though she was a good wife, she never could bear to see me in drink, and had a bitter hand of her own.
Get up,’ said she again: ‘and of all places in the parish, would no place sarve your turn to lie down upon but under the ould walls of Carrigaphooka? an uneasy resting I am sure you had of it.’ And sure enough I had; for I was fairly bothered out of my senses with eagles, and men of the moon, and flying ganders, and whales, driving me through bogs, and up to the moon, and down to the bottom of the green ocean. If I was in drink ten times over, long would it be before I’d lie down in the same spot again, I know that.”

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A Visit With Verlaine….

ART POÉTIQUE – POETIC ART

(À Charles Morice) (to Charles Morice)
Music: prefer it, everywhere,

And let the medley be uneven:

More vague, more soluble in air,

It strikes no pose, it needs no leaven.
Next, it’s important that you choose

Your words with Error’s benefice:

We love the blurred refrains that fuse

The Pointed with the Imprecise.
This is the veiled yet lovely eye,

This, the broad noonday light that trembles;

Or in less heated autumn sky,

Stars shining in cerulean jumbles.
For it is Nuance we esteem:

Away with colour, only nuance!

For only nuance can affiance

Woodwind to horn and dream to dream.
The cruel wit, the impure laugh,

The murderous barb, keep far from you:

That garlic of the vulgar chef

Brings tears to angels in the blue.
Take eloquence and wring its neck!

And while you’re throttling eloquence,

Knock into Rhyme a bit of sense:

Where will it stop, with none to check?
O who shall hymn the wrongs of Rhyme?

What cloth-eared child or ranting fellow

Forged us this gem not worth a dime,

That to the rasp rings false and hollow?
Music, more music! At all times!

Be yours the verse that soars above,

Descried when fleet-winged souls remove

To other loves, in other climes.
Be yours the verse that boldly scatters

Itself on fretful morning wind,

That smells of thyme and tamarind…

The rest is nothing but belles-lettres.

De la musique avant toute chose,

Et pour cela préfère l’Impair

Plus vague et plus soluble dans l’air,

Sans rien en lui qui pèse ou qui pose.
Il faut aussi que tu n’ailles point

Choisir tes mots sans quelque méprise:

Rien de plus cher que la chanson grise

Où l’Indécis au Précis se joint.
C’est des beaux yeux derrière des voiles,

C’est le grand jour tremblant de midi,

C’est, par un ciel d’automne attiédi,

Le bleu fouillis des claires étoiles!
Car nous voulons la Nuance encor,

Pas la Couleur, rien que la nuance!

Oh! la nuance seule fiance

Le rêve au rêve et la flûte au cor!
Fuis du plus loin la Pointe assassine,

L’Esprit cruel et le Rire impur,

Qui font pleurer les yeux de l’Azur,

Et tout cet ail de basse cuisine!
Prends l’éloquence et tords-lui son cou!

Tu feras bien, en train d’énergie,

De rendre un peu la Rime assagie.

Si l’on n’y veille, elle ira jusqu’où?
Ô qui dira les torts de la Rime?

Quel enfant sourd ou quel nègre fou

Nous a forgé ce bijou d’un sou

Qui sonne creux et faux sous la lime?
De la musique encore et toujours!

Que ton vers soit la chose envolée

Qu’on sent qui fuit d’une âme en allée

Vers d’autres cieux à d’autres amours.
Que ton vers soit la bonne aventure

Éparse au vent crispé du matin

Qui va fleurant la menthe et le thym

Et tout le reste est littérature.

_
MON RÊVE FAMILIER – RECURRENT DREAM
I often dream this penetrating dream:

A stranger, yet she is my lover.

She understands me, and each time

Is not the same, nor quite another.
She understands me and my heart,

Lucid for her alone, ceases to grieve.

For she alone can soothe the hurt

Her tears give to my soul relief.
What colour is her hair? I cannot tell.

Her name? Both resonant and gentle

Like those belovèd exiles in the grave.
Her gaze is like the sculpted stone.

Her voice is distant, calm, and grave,

Like those dear voices that have gone.

Je fais souvent ce rêve étrange et pénétrant

D’une femme inconnue, et que j’aime, et qui m’aime,

Et qui n’est, chaque fois, ni tout à fait la même

Ni tout à fait une autre, et m’aime et me comprend.
Car elle me comprend, et mon coeur, transparent

Pour elle seule, hélas! cesse d’être un problème

Pour elle seule, et les moiteurs de mon front blême

Elle seule les sait rafraîchir, en pleurant.
Est-elle brune, blonde ou rousse? – Je l’ignore.

Son nom? Je me souviens qu’il est doux et sonore,

Comme ceux des aimés que la Vie exila.
Son regard est pareil au regard des statues,

Et pour sa voix, lointaine, et calme, et grave, elle a

L’inflexion des voix chères qui se sont tues.

_
L’HEURE DU BERGER – EVENING STAR

The moon lies red

on fog-shrouded horizons;

under weaving mists

the plain falls in smoky sleep,

frogs cry in shivering reeds.
Waterlilies close

their corollas; far poplars

stand silhouetted,

stiff-close-set, uncertain ghosts;

fireflies seek the shrubberies;
owls wake, soundlessly

labour black air with heavy

pinions; the zenith

fills with hooded lamps. – White,

Venus appears. – It is night.

La lune est rouge au brumeux horizon;

Dans un brouillard qui danse la prairie

S’endort fumeuse, et la grenouille crie

Par les joncs verts où circule un frisson;
Les fleurs des eaux referment leurs corolles;

Des peupliers profilent aux lointains,

Droits et serrés, leurs spectres incertains;

Vers les buissons errent les lucioles;
Les chats-huants s’éveillent, et sans bruit

Rament l’air noir avec leurs ailes lourdes,

Et le zénith s’emplit de lueurs sourdes.

Blanche, Vénus émerge, et c’est la Nuit.

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Dania – Foug el nakal (the Music is great, the video a bit daft)

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