The Gift

Love does not alter the beloved, it alters itself. – Soren Kierkegaard

Sitting Alone on Jingting Mountain
Li Bai 699-762 (Translated – Red Pine)

Flocks of birds disappear in the distance
Lone clounds wander away
Who never tires of my company
Only Jingting Mountain

Sometimes, I am propelled along by friends in such nice ways…

I have studied the DaoTeChing TaoTeChing off and on since I was 16 years of age. The use of the I Ching changed my life forever by it’s recommendations. I recognize a pivotal moment when I experience one, and the Oracle was the catalysis for the abrupt change in my life’s direction when I was just a lad.

So, recently my friend Terry gave me a copy of Lao-Tzu’s TaoTeChing (translated by Red Pine). It has given me a completely new understanding and background that I didn’t have before. I have learned much from it, and it is a delight to read! It is like a renewed romance, such excitement commingled with the long time familiar affection!

So, as I have said the TaoTeChing has been a long companion. Still I can dive into it, and find something fresh and new. It is a point of renewal for my so called spiritual side, which isn’t far from the artistic and family guy at any given time. (it’s all part of that onion)

I have not used the I-Ching as the Oracle in many years. I have found that using an Oracle whether it be the I Ching, Tarot or other devices can be a distraction from the learning process, and the gleaning that follows. This does not mean that I will never use it; I use it differently now instead as a focusing device. Here is how this works for me. I pick a passage randomly, and read it as poetry. I meditate on the passage for a long moment, then clear my head, and go forward. It does not direct me, but it gives a moment of stillness. For me, the reading is like drinking from a clear stream. It is the action that slakes the thirst, the desire.

Every Poetry Post Box that I either sell or give has the first and the last passage of the DaoTeChing:

The Way

The Way that can be experienced is not true;
The world that can be constructed is not true.
The Way manifests all that happens and may happen;
The world represents all that exists and may exist.

To experience without intention is to sense the world;
To experience with intention is to anticipate the world.
These two experiences are indistinguishable;
Their construction differs but their effect is the same.

Beyond the gate of experience flows the Way,
Which is ever greater and more subtle than the world.

The Sage

Honest people use no rhetoric;
Rhetoric is not honesty.
Enlightened people are not cultured;
Culture is not enlightenment.
Content people are not rich;
Riches are not contentment.

So the sage does not serve himself;
The more he does for others, the more he is satisfied;
The more he gives, the more he receives.
Nature flourishes at the expense of no one;
So the sage benefits all men and contends with none.

Every time I read a selection from the DaoTeChing, I feel like I am stepping into a timeless moment. Lao Tzu, or Lao Tan, whoever he truly was captured something; the dark of the moon, the creative wave, a point of bliss as all unfolds. One does not going around pushing, one allows. The best action, sometimes is non-action. We are so practiced in our haste and desires.

I may rant, I may rave, but when I get out of the way, it happens.

Bone-chilling Snow
Hānshān Déqīng 1564-1623 (Translated – Red Pine)

bone-chilling snow on a thousand peaks
wildraging wind from ten thousand hollows
when I first awake deep beneath my blanket
I forget my body is in a silent world

Thank all of you who have shared the path. Without your presence, without your love, it would be so much more difficult.

Bright Blessings,
Gwyllm

~~~~~~
On The Menu:
Soren Kierkegaard Quotes
Maneesh De Moor – Raindance
The Links
Poems From The Shih Ching
The Radha-Krishna Romance
Maneesh de Moor – Namaste
Artist: Edward Robert Hughes
~~~~~~~~~~~~~

Soren Kierkegaard Quotes:

A man who as a physical being is always turned toward the outside, thinking that his happiness lies outside him, finally turns inward and discovers that the source is within him.

Don’t forget to love yourself.

Love is all, it gives all, and it takes all.

Boredom is the root of all evil – the despairing refusal to be oneself.

Face the facts of being what you are, for that is what changes what you are.

Be that self which one truly is.

Concepts, like individuals, have their histories and are just as incapable of withstanding the ravages of time as are individuals. But in and through all this they retain a kind of homesickness for the scenes of their childhood.
~~~~~~~~~~~~~

Maneesh De Moor – Raindance

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Links:
Astronomers weigh in on Milky Way’s true colours
Infants Possess Intermingled Senses
RAW Week: My Weirdest Summer Ever, by Erik Davis
Make drug-driving illegal, but prevention is better
~~~~~~~~~~~~~~

Visiting Crecsent Pond
Cheng Hao 1032-1085 (translation – Red Pine)

We circle the shore of Crescent Pond
To the north is a tower that touches the sky
The world has changed in the autumn air
We pour a cup for the evening chill
The image of a cloud pauses on the water
The sound of a stream lingers beneath the trees
Our tasks are endless there’s no need to count
Let’s meet again our next day off

One Tiny Hut
Hanshan Deqing 1564-1623 (translation – Red Pine)

The shade of noble trees spreads in all directions
below the trees a tiny hut is perfectly secluded
beyond the sound of cart or horse or sign of human tracks
all day behind my door I sit alone cross-legged

~~~~~~~~~~~~~~

Poems From The Shih Ching

Starshine and Non-Being

Starshine asked Non-Being,
“Master, do you exist? Or do you not exist?”
Since he received no answer at all,
Starlight set himself to watch for Non-Being.
He waited to see if Non-Being would appear.
He kept his eyes fixed on the deep Void,
hoping to catch a glimpse of Non-Being.
All day long he looked.
He saw nothing.
He listened.
He heard nothing.
Then Starlight cried out at last: “This is IT!”
“This is the farthest yet! Who can reach it?
I can understand the absence of Being.
But who can understand the absence of Nothing?
If now, on top of all this, Non-Being exists,
Who can understand it?”
– Chuang-Tzu
~~

The Greater Master of Fate

Open wide the door of heaven!
On a black cloud I ride in splendour,
Bidding the whirlwind drive before me,
Causing the rainstorm to lay the dust.
– Ch’u Yuan
~~

Song of the Bronze Statue

Gone that emperor of Maoling,
Rider through the autumn wind,
Whose horse neighs at night
And has passed without trace by dawn.
The fragrance of autum lingers still
On those cassia trees by painted galleries,
But on every palace hall the green moss grows.
As Wei’s envoy sets out to drive a thousand li
The keen wind at the East Gate stings the statue’s eyes. . . .
From the ruined palace he brings nothing forth
But the moonshaped disk of Han,
True to his lord, he sheds leaden tears,
And withered orchids by the Xianyang Road
See the traveler on his way.
Ah, if Heaven had a feeling heart, it, too, must grow old!
He bears the disk off alone
By the light of the desolate moon,
The town far behind him, muted its lapping waves.
– Li He
~~

Bearer’s Song

When I was alive, I wandered in the streets of the Capital;
Now that I am dead, I am left to lie in the fields.
In the morning I drove out from the High Hall;
In the evening I lodged beneath the yellow springs.
When the white sun had sunk in the Western Chasm
I hung up my chariot and rested my four horses.
Now, even the Maker of All
Could not bring the life back to my limbs.
Shape and substance day by day will vanish.
Hair and teeth will gradually fall away.
Always from the days of old men has it been this way
And none born can escape this thing.
– Miu Hsi
~~

In the Wilds There is a Dead Doe

In the wilds there is a dead doe;
With white rushes we cover her.
There was a lady longing for the spring;
A fair knight seduced her.

In the woods there is a clump of oaks,
And in the wilds a dead deer
With white rushes well bound;
There was a lady fair as jade.

“Heigh, not so hasty, not so rough;
Heigh, do not touch my handkerchief.
Take care, or the dog will bark.”
– Anon
~~~~~~~~~~~~~~
The Radha-Krishna Romance
– Subhamoy Das

The Radha-Krishna amour is a love legend of all times. It’s indeed hard to miss the many legends and paintings illustrating Krishna’s love affairs, of which the Radha-Krishna affair is the most memorable. Krishna’s relationship with Radha, his favorite among the ‘gopis’ (cow-herding maidens), has served as a model for male and female love in a variety of art forms, and since the sixteenth century appears prominently as a motif in North Indian paintings. The allegorical love of Radha has found expression in some great Bengali poetical works of Govinda Das, Chaitanya Mahaprabhu, and Jayadeva the author of Geet Govinda.

Krishna’s youthful dalliances with the ‘gopis’ are interpreted as symbolic of the loving interplay between God and the human soul. Radha’s utterly rapturous love for Krishna and their relationship is often interpreted as the quest for union with the divine. This kind of love is of the highest form of devotion in Vaishnavism, and is symbolically represented as the bond between the wife and husband or beloved and lover.

Radha, daughter of Vrishabhanu, was the mistress of Krishna during that period of his life when he lived among the cowherds of Vrindavan. Since childhood they were close to each other – they played, they danced, they fought, they grew up together and wanted to be together forever, but the world pulled them apart. He departed to safeguard the virtues of truth, and she waited for him. He vanquished his enemies, became the king, and came to be worshipped as a lord of the universe. She waited for him. He married Rukmini and Satyabhama, raised a family, fought the great war of Ayodhya, and she still waited. So great was Radha’s love for Krishna that even today her name is uttered whenever Krishna is refered to, and Krishna worship is though to be incomplete without the deification of Radha.

One day the two most talked about lovers come together for a final single meeting. Suradasa in his Radha-Krishna lyrics relates the various amorous delights of the union of Radha and Krishna in this ceremonious ‘Gandharva’ form of their wedding in front of five hundred and sixty million people of Vraj and all the gods and goddesses of heaven. The sage Vyasa refers to this as the ‘Rasa’. Age after age, this evergreen love theme has engrossed poets, painters, musicians and all Krishna devotees alike.
~~~~~~~~~~~~~~

Maneesh de Moor – Namaste

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The highest and most beautiful things in life are not to be heard about, nor read about, nor seen but, if one will, are to be lived. – Soren Kierkegaard

Seeing Off a Friend Leaving for Shu
Li Bai 701-762 (translation – Red Pine)

You’ve heard of the Cancong Road
How rugged it is and hard to travel
Mountains rise before your face
And clouds appear beside your horse
But the planks of Qin are shrouded by fragrant trees
And the walls of Shu are circled by the currents of spring
Ups and downs are surely fixed
You don’t need to ask Jun Ping

~~~~~~~~~~~~~~

Plutonian Drug

Within the eye of the eye

Within the eye of the eye
I placed an eye
polished and adorned
with her beauty
but suddenly fell
into the Quarter of Perfection
and now am freed from sight,
from even the eye of contemplation.

– Ayn al-Qozat Hamadani
~~~~~~

This entry is dedicated to our friend Craig McKewen, a fellow traveler, a teacher of many. Here is to his life, and the love that he shared with so many, by his example….

I have changed the format of this entry, and will probably keep it this way for at least awhile. The poetry is now moved up, as sometimes the stories are a bit long and all.

I have included 2 Coil videos, a first. Coil was a most delicious experiment starting out in the early-80′s, and ceasing to exist in 2004. They are not everyone’s cup of tea, but I find their work worthy of note, if not for the metaphysical/thelemic content over the years.

The story included this time is quite large, but I think its historical relevance is worth the read. The Plutonian Drug, is quite fascinating. Give it a go!

On the home side, Rowan is working away on preparation for his film, I am reading “Lao-Tzu’s TAOTECHING translated by Red Pine (a very nice gift!) and we are all figuring out our new smart phones. I discovered last night whilst looking at the local wifi connections that someone has a network named “Ron Weasley”… we have some serious Harry Potter Nerds around here I take it!

Hope the year is going well for you and yours!

Blessings,
Gwyllm
~~
On The Menu:
The Links
(Coil) A Journey to Avebury – Derek Jarman (1971)
Poetry: The Path of Divine Love
The Plutonian Drug
Coil – Bee Has The Photos
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The Links:
The Struggle For The Soul Of Israel
Dealing With The Dawks
The Indonesian Pyramid
Homeland Is Watching You Tweet!
Ten 100-year predictions that came true
~~~~~~
(Coil) A Journey to Avebury – Derek Jarman (1971)

~~~~~~
Poetry: The Path of Divine Love

I have loved in life
and I have been loved.
I have drunk the bowl of poison
from the hands of love as nectar,
and have been raised above life’s joy and sorrow.

My heart, aflame in love,
set afire every heart that came in touch with it.
My heart has been rent
and joined again;
My heart has been broken
and again made whole;
My heart has been wounded
and healed again;
A thousand deaths my heart has died,
and thanks be to love,
it lives yet.

I went through hell and saw there love’s raging fire,
and I entered heaven illumined with the light of love.
I wept in love
and made all weep with me;
I mourned in love
and pierced the hearts of men;
And when my fiery glance fell on the rocks,
the rocks burst forth as volcanoes.
The whole world sank in the flood
caused by my one tear;
With my deep sigh the earth trembled,
and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.

I bowed my head low in humility,
and on my knees I begged of love,
“Disclose to me, I pray thee, O love, thy secret.”
She took me gently by my arms and lifted me above the earth,
and spoke softly in my ear,
“My dear one,
thou thyself art love, art lover, and thyself art the beloved
whom thou hast adored.”
~ Hazrat Inayat Khan

~~

You!
always traversing the world
searching…
tell me:
what benefit has come of it?

That
which you are seeking
is with you;
and you seek
elsewhere
-’Ayn al-Qozat
~~

From before existence
our steed set out with love.

Our night,
forever illuminated
from the lamp of Union.

Until we return to non-existence
you will not find our lips dry
from that wine
un-forbidden in our path (madhhab).
– Ghazali
~~

O you who have left for Hajj,
where are you?
where are you?
The beloved is here!
Come, come!

The Beloved is your neighbor
what are you doing,
lost in the wilderness?

If you could see the formless face
of the Beloved
you’d know that you are the lord,
the house, and the Ka’ba!

So many times you set out on that road to that house;
Just once…
come to the roof of this house.

Yes, that house [Ka’ba] is subtle,
you’ve told me about it.
But show me something
about the Lord of that house!

If you saw that garden,
where are the flowers?
If you dove in God’s ocean,
where is a single soul-jewel?
– Rumi
~~~~~~

From 1934…

The Plutonian Drug
Clark Ashton Smith

‘It is remarkable.’ said Dr. Manners, ‘how the scope of our pharmacopoeia has been widened by interplanetary exploration. In the past thirty years, hundreds of hitherto unknown substances, employable as drugs or medical agents, have been found in the other worlds of our own system. It will be interesting to see what the Allan Farquar expedition will bring back from the planets of Alpha Centaurt when — or if — it succeeds in reaching then and returning to earth. I doubt, though, if anything more valuable than selenine will be discovered. Selenine, derived from a fossil lichen found by the first rocket-expedition to the moon in 1975, has, as you know, practically wiped out the old-time curse of cancer. In solution, it forms the base of an infallible serum, equally useful for cure or prevention.’

‘I fear I haven’t kept up on a lot of the new discoveries,’ said Rupert Balcoth the sculptor, Manners’ guest, a little apologetically. ‘Of course, everyone has heard of selenine. And I’ve seen frequent mention, recently, of a mineral water from Ganymede whose effects are like those of the mythical Fountain of Youth.’

‘You mean clithni, as the stuff is called by the Ganymedians. It is a clear, emerald liquid, rising in lofty geysers from the craters of quiescent volcanoes. Scientists believe that the drinking of clithni is the secret of the almost fabulous longevity of the Ganymedians; and they think that it may prove to be a similar elixir for humanity.’

‘Some of the extraplaaetary drugs haven’t been so beneficial to mankind, have they? ‘ queried Balcoth. ‘I seem to have heard of a Martian poison that has greatly facilitated the gentle art of murder. And I am told that mnophka, the Venerian narcotic, is far worse, in its effects on the human system, than is any terrestrial alkaloid.’

‘Naturally,’ observed the doctor with philosophic calm, ‘many of these new chemical agents are capable of due abuse. They share that liability with any number of our native drugs. Man, as ever; has the choice of good and evil… I suppose that the Martian poison you speak of is akpaloli, the juice of a common russet-yellow weed that grows in the oases of Mars. It is colorless, and without taste or odor. It kills almost instantly, leaving no trace, and imitating closely the symptoms of heart-disease. Undoubtedly many people have been made away with by means of a surreptitious drop of akpaloli in their food or medicine. But even akpaloli, if used in infinitesimal doses, is a very powerful stimulant, useful in cases of syncope, and serving, not infrequently to re-animate victims of paralysis in a quite miraculous manner.

‘Of course,’ he went on, ‘there is an infinite lot still to be learned about many of these ultra-terrene substances. Their virtues have often been discovered quite by accident — and in some cases, the virtue is still to be discovered.

‘For example, take mnophka, which you mentioned a little while ago. Though allied in a way, to the earthnarcotics, such as opium and hashish, it is of little use for anaesthetic or anodyne purposes. Its chief effects are an extraordinary acceleration of the time-sense, and a heightening and telescoping of all sensations, whether pleasurable or painful. The user seems to be living and moving at a furious whirlwind rate — even though he may in reality be lying quiescent on a couch. He exists in a headlong torrent of sense-impressions, and seems, in a few minutes, to undergo the experiences of years. The physical result is lamentable — a profound exhaustion, and an actual aging of the tissues, such as would ordinarily require the period of real time which the addict has “lived” through merely in his own illusion.

‘There are some other drugs, comparatively little known, whose effects, if possible, are even more curious than those of mnophka. I don’t suppose you have ever heard of plutonium?’

‘No, I haven’t,’ admitted Balcoth. ‘Tell me about it.’

‘I can do even better than that — I can show you some of the stuff, though it isn’t much to look at — merely a fine white powder.’

Dr. Manners rose from the pneumatic-cushioned chair in which he sat facing his guest, and went to a large cabinet of synthetic ebony, whose shelves were crowded with flasks, bottles, tubes, and cartons of various sizes and forms. Re turning, he handed to Balcoth a squat and tiny vial, twothirds filled with a starchy substance.

‘Plutonium,’ explained Manners, ‘as its name would indicate, comes from forlom, frozen Pluto, which only one terrestrial expedition has so far visited — the expedition led by the Cornell brothers, John and Augustine, which started in 1990 and did not return to earth till 1996, when nearly everyone had given it up as lost. John, as you may have heard, died during the returning voyage, together with half the personnel of the expedition: and the others reached earth with only one reserve oxygen-tank remaining.

This vial contains about a tenth of the existing supply of plutonium. Augustine Cornell, who is an old schoolfriend of mine gave it to me three years ago, just before he embarked with the Allan Farquar crowd. I count myself pretty lucky to own anything so rare.

‘The geologists of the party found the stuff when they began prying beneath the solidified gases that cover the surface of that dim, starlit planet, in an effort to learn a little about its composition and history. They couldn’t do much under the circumstances, with limited time and equipment; but they made some curious discoveries — of which plutonium was far from being the least.

‘Like selenine, the stuff is a bi-product of vegetable fossilization. Doubtless it is many billion years old, and dates back to the time when Pluto possessed enough internal heat to make possible the development of certain rudimentary plant-forms on its blind surface. It must have had an atmosphere then; though no evidence of former animal-life was found by the Cornells.

‘Plutonium, in addition to carbon, hydrogen, nitrogen, and oxygen, contains minute quantities of several unclassified elements. It was discovered in a crystalloid condition, but turned immediately to the fine powder that you see, as soon as it was exposed to air in the rocketship. It is readily soluble in water, forming a permanent colloid, without the least sign of deposit, no matter how long it remains in suspension.’

‘You say it is a drug?’ queried Balcoth. ‘What does it do to you?’

‘I’ll come to that in a minute — though the effect is pretty hard to describe. The properties of the stuff were discovered by chance: on the return journey from Pluto, a member of the expedition, half delirious with space-fever, got hold of the unmarked jar containing it and took a small dose, imagining that it was bromide of potassium. It served to complicate his delirium for a while — since it gave him some brand-new ideas about space and time.

‘Other people have experimented with it since then. The effects are quite brief (the influence never lasts more than half an hour) and they vary considerably with the individual. There is no bad aftermath, either neural, mental, or physical, as far as anyone has been able to determine. I’ve taken it myself, once or twice, and can testify to that.

‘Just what it does to one, I am not sure. Perhaps it merely produces a derangement or metamorphosis of sensations, like hashish; or perhaps it serves to stimulate some rudimentary organ, some dormant sense of the human brain. At any rate there is, as clearly as I can put it, an altering of the perception of time — of actual duration — into a sort of space-perception. One sees the past, and also the future, in relation to one’s own physical self, like a landscape stretching away on either hand. You don’t see very far, it is true -merely the events of a few hours in each direction; but it’s a very curious experience; and it helps to give you a new slant on the mystery of time and space. It is altogether different from the delusions of mnophka.’

‘It sounds very interesting,’ admitted Balcoth. ‘However, I’ve never tampered much vith narcotics myself; though I did experiment once or twice, in my young, romantic days with cannabis Indica. I had been reading Gautiet and Baudelaire, I suppose. Anyway, the result was rather disappointing.’

‘You didn’t take it long enough for your system to absorb a residuum of the drug, I imagine,’ said Manners. ‘Thus the effects were negligible, from a visionary standpoint, But plutonium is altogether different — you get the maximum result from the very first dose. I think it would interest you greatly, Balcoth, since you are a sculptor by profession: you would see some unusual plastic images, not easy to render in terms of Euclidean planes and angles. I’d gladly give you a pinch of it now, if you’d care to experiment.’

‘You’re pretty generous, aren’t you, since the stuff is so rare?’

‘I’m not being generous at all. For years, I’ve planned to write a monograph on ultra-terrestrial narcotics; and you might give me some valuable data. With your type of brain and your highly developed artistic sense, the visions of plutonium should be uncommonly clear and significant. All I ask is, that you describe them to me as fully as you can afterwards.’

‘Very well,’ agreed Balcoth. ‘I’ll try anything once.’ His curiosity was inveigled, his imagination seduced, by Manner’s account of the remarkable drug.

Manners brought out an antique whisky-glass, which he filled nearly to the rim with some golden-red liquid. Uncorking the vial of plutonium, he added to this fluid a small pinch of the fine white powder, which dissolved immediately and without effervescence.

‘The liquid is a wine made from a sweet Martian tuber known as ovvra,’ he explained. ‘It is light and harmless, and will counteract the bitter taste of the plutonium. Drink, it quickly and then lean back in your chair.’

Balcoth hesitated, eyeing the golden-red fluid.

‘Are you quite sure the effects will wear off as promptly as you say?’ he questioned. ‘It’s a quarter past nine now, and I’ll have to leave about ten to keep an appointment with one of my patrons at the Belvedere Club. It’s the billionaire, Claud Wishhaven. who wants me to do a bas-relief in pseudo-jade and neo-jasper for the hall of his country mansion. He wants something really advanced and futuristic. We’re to talk it over tonight — decide on the motifs, etc.’

“That gives you forty-five minutes,” assured the doctor — ‘and in thirty, at the most your brain and senses will be perfectly normal again. I’ve never known it to fail. You’ll have fifteen minutes to spare, in which to tell me all about your sensations.’

Balcoth emptied the little antique glass at a gulp and leaned back, as Manners had directed, on the deep pneumatic cushions of the chair; He seemed to be falling easily but endlessly into a mist that had gathered in the room with unexplainable rapidity; and through this mist he was dimly aware that Manners had taken the empty glass from his relaxing fingers. He saw the face of Manners far above him, small and blurred, as if in some tremendous perspective of alpine distance; and the doctor’s simple action seemed to be occurring in another world.

He continued to fall and float through eternal mist, in which all things were dissolved as in the primordial nebulae of chaos. After a timeless interval, the mist which had been uniformly gray and hueless at first, took on a flowing iridescence, never the same for two successive moments; and the sense of gentle falling turned to a giddy revolution, as if he were caught in an ever-accelerating vortex.

Coincidentally with his movement in this whirlpool of prismatic splendor, he seemed to undergo an indescribable mutation of the senses. The whirling colors, by subtle, ceaseless gradations, became recognizable as solid forms. Emerging, as if by an act of creation, from the infinite chaos, they appeared to take their place in an equally infinite vista. The feeling of movement, through decrescent spirals, was resolved into absolute immobility. Balcoth was no Ionger conscious of himself as a living organic body: he was an abstract eye, a discorporate center of visual awareness, stationed alone in space, and yet having an intimate relationship with the frozen prospect on which he peered from his ineffable vantage.

Without surprise, he found that he was gazing simultaneously in two directions. On either hand, for a vast distance that was wholly void of normal perspective, a weird and peculiar landscape stretched away, traversed by an unbroken frieze or bas-relief of human figures that ran like a straight undeviating wall.

For awhile, the frieze was incomprehensible to Balcoth, he could make nothing of its glacial, flowing outlines with their background of repeated masses and complicated angles and sections of other human friezes that approached or departed, often in a very abrupt manner, from an unseen world beyond. Then the vision seemed to resolve and clarify itself, and he began to understand.

The bas-relief, he saw, was composed entirely of a repetition of his own figure; plainly distinct as the separate waves of a stream, and possessing a stream-like unity. Immediately before him, and for some distance on either hand. the figure was seated in a chair — the chair itself being subject to the same billowy repetition. The background was composed of the reduplicated figure of Dr. Manners, in another chair; and behind this, the manifold images of a medicine cabinet and a section of wall-paneling.

Following the vista on what, for lack of any better name, might be termed the left hand, Balcoth saw himself in the act of draining the antique glass, with Manners standing before him. Then, still further, he saw himself previous to this, with a background in which Manners was presenting him the glass, was preparing the dose of plutonium, was going to the cabinet for the vial, was rising from his pneumatic chair. Every movement, every attitude of the doctor and himself during their past conversation, was visioned in a sort of reverse order, reaching away, unalterable as a wall of stone sculpture, into the weird, eternal landscape. There was no break in the continuity of his own figure; but Manners seemed to disappear at times, as if into a fourth dimension. These times, he remembered later, were the occasions whem the doctor had not been in his line of vision. The perception was wholly visual; and though Balcoth saw his own lips and those of Manner’s parted in movements of speech, he could hear no word or other sound.

Perhaps the most singular feature of the vision was the utter absence of foreshortening. Though Balcoth seemed to behold it all from a fixed, immovable point, the landscape and the intersecting frieze presented themselves to him without diminution, maintaiaing a frontal fullness and distinctness to a distance that might have been many miles.

Continuing along the left-hand vista, he saw himself entering Manners’ apartments, and then encountered his image standing in the elevator that had borne him to the ninth floor of the hundred story hotel in which Manners lived. Then the frieze appeared to have an open street for background, with a confused, everchanging multitude of other faces and forms, of vehicles and sections of buildings, all jumbled together as in some old-time futuristic painting. Some of these details were full and clear, and others were cryptically broken,and blurred, so as to be scarcely recognizable. Everything, whatever its spatial position and relation, was re-arranged in the flowing frozen stream of this temporal pattern.

Balcoth retraced the three blocks from Manners’ hotel to his own studio, seeing all his past movements, whatever their direction in tri-dimensional space, as a straight line in the time-dimemion. At last he was in his studio; and there the frieze of his own figure receded into the eerie prospect of space-transmuted time among other friezes formed of actual sculptures. He beheld himself giving the final touches with his chisel to a symbolic statue at the afternoon’s end, with a glare of ruddy sunset falling through an unseen window and flushing the pallid marble. Beyond this there was a reverse fading of the glow, a thickening and blurring of the half-chiselled features of the image, a female form to which he had given the tentative name of Oblivion. At length, among half-seen statuary, the left-hand vista became indistinct, and melted slowly in amorphous mist. He had seen his own life as a continuous glaciated stream, stretching for about five hours into the past.

Reaching away on the right hand, he saw the vista of the fature. Here there was a continuation of his seated figure under the influence of the drug, opposite the continued basrelief of Dr. Manners and the repeated cabinet and wallpanels. After a considerable interval, he beheld himself in the act of rising from the chair. Standing erect, he seemed to be talking awhile, as in some silent antique film, to the listening doctor. After that, he was shaking hands with Manners, was leaving the apartment, was descending in the lift and following the open brightly-lighted street toward the Belvedere Club where he was to keep his appointment with Claud Wishhaven.

The Club was only three blocks away, on another street; and the shortest route, after the first block, was along a narrow alley between an office building and a warehouse. Balcoth had meant to take this alley; and in his vision, he saw the bas-relief of his future figure passing along the straight pavement with a background of deserted doorways and dim walls that towered from sight against the extinguished stars.

He seemed to be alone: there were no passers — only the silent, glimmering endlessly repeated angles of arc-lit walls and windows that accompanied his repeated figure. He saw himself following the alley, like a stream in some profound canyon; and there midway, the strange vision came to an abrupt inexplicable end, without the gradual blurring into formless mist, that had marked his retrospective view of the past.

The sculpture-like frieze with its architectural ground appeared to terminate, broken off clean and sharp, in a gulf of immeasurable blackness and nullity. The last wave-like duplication of his own person, the vague doorway beyond it, the glimmering alley-pavement, all were seen as if shorn asunder by a falling sword of darkness, leaving a vertical line of cleavage beyond which there was — nothing.

Balcoth had a feeling of utter detachment from himself, an eloignment from the stream of time, from the shores of space, in some abstract dimension. The experience, in its full realization, might have lasted for an instant only — or for eternity. Without wonder, without curiosity or reflection, like a fourth-dimensional Eye, he viewed simultaneously the unequal cross-sections of his own past and future.

After that timeless interval of complete perception, there began a reverse process of change. He, the all-seeing eye, aloof in super-space, was aware of movement, as if he were drawn back by some subtle thread of magnetism into the dungeon of time and space from which he had momentarily departed. He seemed to be following the frieze of his own seated body toward the right, with a dimly felt rhythm or pulsation in his movement that corresponded to the merging duplications of the figure. With curious clearness, he realized that the time-unit, by which these duplications were determined, was the beating of his own heart.

Now with accelerative swiftness, the vision of petrific form and space was re-dissolving into a spiral swirl of multitudinous colors, through which he was drawn upward. Presently he came to himself, seated in the pneumatic chair, with Dr. Manners opposite. The room seemed to waver a little, as if with some lingering touch of the weird transmutation; and webs of spinning iris hung in the corners of his eyes. Apart from this, the effect of the drug had wholly vanished, leaving, however, a singularly clear and vivid memory of the almost ineffable experience.

Dr. Manners began to question him at once, and Balcoth described his visionary sensations as fully and graphically as he could.

‘There is one thing I don’t understand,’ said Manners at the end with a puzzled frown. ‘According to your account, you must have seen five or six hours of the past, running in a straight spatial line, as a sort of continuous landscape; but the vista of the future ended sharply after you had followed it for three-quarters of an hour; or less. I’ve never known the drug to act so unequally: the past and future perspectives have always been about the same in their extent for others who have used plutoninum.’

‘Well,’ observed Balcoth, ‘the reaI marvel is that I could see into the future at all. In a way, I can understand the vision of the past. It was clearly composed of physical memories — of all my recent movements; and the background was formed of all the impressions my optic nerves had received during that time. But how could I behold something that hasn’t yet happened?’

‘There’s the mystery, of course,’ assented Manners. ‘I can think of only one explanation at all intelligible to our finite minds. This is, that all the events which compose the stream of time have already happened, are happening, and will continue to happen forever. In our ordinary state of consciousness, we perceive with the physical senses merely that moment which we call the present. Under the influence of plutonium, you were able to extend the moment of present cognition in both directions, and to behold simultaneously a portion of that which is normally beyond perception. Thus appeared the vision of yourself as a continuous, immobile body, extending through the time-vista.’

Balcoth, who had been standing, now took his leave. ‘I must be going,’ he said, ‘or I’ll be late for my appointment.’

‘I won’t detain you any longer,’ said Manners. He appeared to hesitate, and then added: ‘I’m still at a loss to comprehend the abrupt cleavage and termination of your prospect of the future. The alley in which it seemed to end was Falman Alley, I suppose — your shortest route to the Belvedere Club. If I were you, Balcoth, I’d take another route, even if it requires a few minutes extra.’

‘That sounds rather sinister,’ laughed Balcoth. ‘Do you think that something may happen to me in Falman Alley?’

‘I hope not — but I can’t guarantee that it won’t.’ Manners’ tone was oddly dry and severe. ‘You’d better do as I suggest.’

Balcoth felt the touch of a momentary shadow as he left the hotel — a premonition brief and light as the passing of some night-bird on noiseless wings. What could it mean -that gulf of infinite blackness into which the weird frieze of his future had appeared to plunge, like a frozen cataract? Was there a menace of some sort that awaited him in a particular place, at a particular moment?

He had a curious feeling of repetition, of doing something that he had done before, as he followed the street. Reaching the entrance of Falman Alley, he took out his watch. By walking briskly and following the alley, he would reach the Belvedere Club punctually. But if he went on around the next block, he would be a little late. Balcoth knew that his prospective patron, Claud Wishhaven, was almost a martinet in denanding punctuality from himself and from others. So he took the alley.

The place appeared to be entirely deserted, as in his vision. Midway, Balcoth approached the half-seen door — a rear entrance of the huge warehouse — which had formed the termination of the time prospect. The door was his last visual impression, for something descended on his head at that moment, and his consciousness was blotted out by the supervening night he had previsioned He had been sand- bagged, very quietly and efficiently, by a twenty-first century thug. The blow was fatal; and time, as far as Balcoth was concerned, had come to an end.
~~~~~~

Coil – Bee Has The Photos

~~~~~~
I was a Hidden Treasure,
and loved to be known intimately,
so I created the Heavens and the Earth,
so that they may come to intimately know Me

– Muhammad

Sweet Memory

This edition is dedicated to my friend Michael Bolan, who came back into our lives after an 18 year hiatus. We first met in the summer of 1969 in Santa Barbara. He was hobbling about with a broken leg/foot from a car accident. He had sandy blond hair, and was taken to wearing corduroy and velvet with usually a white shirt. We soon discovered that we were both head over heels in love with poetry, wine, and young women, and various other endeavors.

Michael and I also found out over time that we both liked David Bowie, (who I was introduced to by Steve Thoreson, who had a copy of Bowie’s second album, Space Oddity – I still have it on vinyl!)… anyway, this intro revolves to some degree around Mr. Bowie, and Mr. Bolan, who turned me onto the “Ziggy Stardust” album one late afternoon at his grandmother’s house in West Hollywood, (near Fairfax HS) when I had moved out of the country back to the city. It was a revelation. We sat listening to Ziggy, and I could hardly breathe. I thought it would become a classic, and I was right about that. Michael and I hunted down rare recordings that Bowie had done, which included the two songs featured in this edition, “Port Of Amsterdam” & “My Death”, both by Jacques Brel who we appreciated for his lyricism.

Mr. Bowie was the bee’s knees, and we enjoyed the fact that he pretty much broke with all of the noise and drama from the 60′s. His music and persona were just perfect for that moment in time. It fueled many a long evening between us, and our friends. As much as we appreciated the music of say, The Stones, or The Beatles, this music looked forward, and not back. I think this is important when you are in your late teens or your early 20′s. It seemed such a brave new world then.

Today is David Bowie’s 65th birthday. Yeah, lots of people are making it an occasion, and it is. Who thought the man would survive so long? I have included a link from the Guardian that talks a bit about his life. It is interesting, if nothing else. Now days, I don’t listen very often to his works. I haven’t really since the early 80′s. Taste change, and all of a sudden listening to his music was looking back over a chasm of time. I do appreciate his work with Brel, and Weil. I like the nod of the hat to say, the continuum that he rose out of. Few artist can do that, and Mr. Bowie did it with a certain grace.

Michael introduced me to Rimbaud and Baudelaire, and we both have shared a long and deep abiding love for Leonard Cohen’s poetry and song. On Michael’s visit, we took up the conversation as if it had never had stopped. The time sped as always, and we were making plans for the next get together when he is back to Portland. I owe him a phone call, and he owes me his email address! I am happy to know him after these 43 years, that seemingly blazed past with such blinding speed. Here is to sitting and talking about adventures in France back when, and to drinking absinthe together again when we next see each other.

Here is to friendship, love, and exploration.

Blessings,
Gwyllm
~~

On The Menu:
The Links
Pelt – The Film
Jean Genet Quotes
David Bowie – Port Of Amsterdam
The Quest Of The Queen’s Tears
Jacques Brel Lyrics/Poetry
David Bowie – My Death – live 1973
Art: Aladár Kacziány
~~~~~~
The Links:
Obummer…
Palestinian Sesame Street falls victim to US Congress
Happy Birthday David!
Becoming The Blue Lotus Ritual
~~~~~~
Pelt: The Film…
Rowan’s Senior Thesis. Check it out here: Pelt:The Film.

Also, please check out the IndieGoGo Fundraiser Site as well, which is a combination of Pelt and two other films. : Trifecta … Help support these thesis fims by leaving a comment or donating at the Trifecta site! Thanks!

(Pelt: The Film – Concept Art:Austin Hillebrecht)

~~~~~~

Jean Genet Quotes:

“She was happy, and perfectly in line with the tradition of those women they used to call “ruined,” “fallen,” feckless, bitches in heat, ravished dolls, sweet sluts, instant princesses, hot numbers, great lays, succulent morsels, everybody’s darlings . . . ”

“To achieve harmony in bad taste is the height of elegance.”

“I could not take lightly the idea that people made love without me.”

“My heart’s in my hand, and my hand is pierced, and my hand’s in the bag, and the bag is shut, and my heart is caught.”

“A man must dream a long time in order to act with grandeur, and dreaming is nursed in darkness.”
~~~~~~
David Bowie – Port Of Amsterdam

~~~~~~

~~~~~~
The Quest Of The Queen’s Tears
by Lord Dunsany

Sylvia, Queen of the Woods, in her woodland palace, held court, and made a mockery of her suitors. She would sing to them, she said, she would give them banquets, she would tell them tales of legendary days, her jugglers should caper before them, her armies salute them, her fools crack jests with them and make whimsical quips, only she could not love them.

This was not the way, they said, to treat princes in their splendor and mysterious troubadours concealing kingly names; it was not in accordance with fable; myth had no precedent for it. She should have thrown her glove, they said, into some lion’s den, she should have asked for a score of venomous heads of the serpents of Licantara, or demanded the death of any notable dragon, or sent them all upon some deadly quest, but that she could not love them—! It was unheard of—it had no parallel in the annals of romance.

And then she said that if they must needs have a quest she would offer her hand to him who first should move her to tears: and the quest should be called, for reference in histories or song, the Quest of the Queen’s Tears, and he that achieved them she would wed, be he only a petty duke of lands unknown to romance.

And many were moved to anger, for they hoped for some bloody quest; but the old lords chamberlain said, as they muttered among themselves in a far, dark end of the chamber, that the quest was hard and wise, for that if she could ever weep she might also love. They had known her all her childhood; she had never sighed. Many men had she seen, suitors and courtiers, and had never turned her head after one went by. Her beauty was as still sunsets of bitter evenings when all the world is frore, a wonder and a chill. She was as a sun-stricken mountain uplifted alone, all beautiful with ice, a desolate and lonely radiance late at evening far up beyond the comfortable world, not quite to be companioned by the stars, the doom of the mountaineer.

If she could weep, they said, she could love, they said.

And she smiled pleasantly on those ardent princes, and troubadours concealing kingly names.

Then one by one they told, each suitor prince the story of his love, with outstretched hands and kneeling on the knee; and very sorry and pitiful were the tales, so that often up in the galleries some maid of the palace wept. And very graciously she nodded her head like a listless magnolia in the deeps of the night moving idly to all the breezes its glorious bloom.

And when the princes had told their desperate loves and had departed away with no other spoil than of their own tears only, even then there came the unknown troubadours and told their tales in song, concealing their gracious names.

And there was one, Ackronnion, clothed with rags, on which was the dust of roads, and underneath the rags was war-scarred armour whereon were dints of blows; and when he stroked his harp and sang his song, in the gallery above maidens wept, and even old lords chamberlain whimpered among themselves and thereafter laughed through their tears and said: “It is easy to make old people weep and to bring idle tears from lazy girls; but he will not set a-weeping the Queen of the Woods.”

And graciously she nodded, and he was the last. And disconsolate went away those dukes and princes, and troubadours in disguise. Yet Ackronnion pondered as he went away.

King he was of Afarmah, Lool and Haf, over-lord of Zeroora and hilly Chang, and duke of the dukedoms of Molong and Mlash, none of them unfamiliar with romance or unknown or overlooked in the making of myth. He pondered as he went in his thin disguise.

Now by those that do not remember their childhood, having other things to do, be it understood that underneath fairyland, which is, as all men know, at the edge of the world, there dwelleth the Gladsome Beast. A synonym he for joy.

It is known how the lark in its zenith, children at play out-of-doors, good witches and jolly old parents have all been compared—how aptly!—with this very same Gladsome Beast. Only one “crab” he has (if I may use slang for a moment to make myself perfectly clear), only one drawback, and that is that in the gladness of his heart he spoils the cabbages of the Old Man Who Looks After Fairyland,—and of course he eats men.

It must further be understood that whoever may obtain the tears of the Gladsome Beast in a bowl, and become drunken upon them, may move all persons to shed tears of joy so long as he remains inspired by the potion to sing or to make music.

Now Ackronnion pondered in this wise: that if he could obtain the tears of the Gladsome Beast by means of his art, withholding him from violence by the spell of music, and if a friend should slay the Gladsome Beast before his weeping ceased—for an end must come to weeping even with men—that so he might get safe away with the tears, and drink them before the Queen of the Woods and move her to tears of joy. He sought out therefore a humble knightly man who cared not for the beauty of Sylvia, Queen of the Woods, but had found a woodland maiden of his own once long ago in summer. And the man’s name was Arrath, a subject of Ackronnion, a knight-at-arms of the spear-guard: and together they set out through the fields of fable until they came to Fairyland, a kingdom sunning itself (as all men know) for leagues along the edges of the world. And by a strange old pathway they came to the land they sought, through a wind blowing up the pathway sheer from space with a kind of metallic taste from the roving stars. Even so they came to the windy house of thatch where dwells the Old Man Who Looks After Fairyland sitting by parlour windows that look away from the world. He made them welcome in his star-ward parlour, telling them tales of Space, and when they named to him their perilous quest he said it would be a charity to kill the Gladsome Beast; for he was clearly one of these that liked not its happy ways. And then he took them out through his back door, for the front door had no pathway nor even a step—from it the old man used to empty his slops sheer on to the Southern Cross—and so they came to the garden wherein his cabbages were, and those flowers that only blow in Fairyland, turning their faces always towards the comet, and he pointed them out the way to the place he called Underneath, where the Gladsome Beast had his lair. Then they manoeuvered. Ackronnion was to go by the way of the steps with his harp and an agate bowl, while Arrath went round by a crag on the other side. Then the Old Man Who Looks After Fairyland went back to his windy house, muttering angrily as he passed his cabbages, for he did not love the ways of the Gladsome Beast; and the two friends parted on their separate ways.

Nothing perceived them but that ominous crow glutted overlong already upon the flesh of man.

The wind blew bleak from the stars.

At first there was dangerous climbing, and then Ackronnion gained the smooth, broad steps that led from the edge to the lair, and at that moment heard at the top of the steps the continuous chuckles of the Gladsome Beast.

He feared then that its mirth might be insuperable, not to be saddened by the most grievous song; nevertheless he did not turn back then, but softly climbed the stairs and, placing the agate bowl upon a step, struck up the chaunt called Dolorous. It told of desolate, regretted things befallen happy cities long since in the prime of the world. It told of how the gods and beasts and men had long ago loved beautiful companions, and long ago in vain. It told of the golden host of happy hopes, but not of their achieving. It told how Love scorned Death, but told of Death’s laughter. The contented chuckles of the Gladsome Beast suddenly ceased in his lair. He rose and shook himself. He was still unhappy. Ackronnion still sang on the chaunt called Dolorous. The Gladsome Beast came mournfully up to him. Ackronnion ceased not for the sake of his panic, but still sang on. He sang of the malignity of time. Two tears welled large in the eyes of the Gladsome Beast. Ackronnion moved the agate bowl to a suitable spot with his foot. He sang of autumn and of passing away. The the beast wept as the frore hills weep in the thaw, and the tears splashed big into the agate bowl. Ackronnion desperately chaunted on; he told of the glad unnoticed things men see and do not see again, of sunlight beheld unheeded on faces now withered away. The bowl was full. Ackronnion was desperate: the Beast was so close. Once he thought that its mouth was watering!—but it was only the tears that had run on the lips of the Beast. He felt as a morsel! The Beast was ceasing to weep! He sang of worlds that had disappointed the gods. And all of a sudden, crash! and the staunch spear of Arrath went home behind the shoulder, and the tears and the joyful ways of the Gladsome Beast were ended and over for ever.

And carefully they carried the bowl of tears away leaving the body of the Gladsome Beast as a change of diet for the ominous crow; and going by the windy house of thatch they said farewell to the Old Man Who Looks After Fairyland, who when he heard of the deed rubbed his hands together and mumbled again and again, “And a very good thing, too. My cabbages! My cabbages!”

And not long after Ackronnion sang again in the sylvan palace of the Queen of the Woods, having first drunk all the tears in his agate bowl. And it was a gala night, and all the court were there and ambassadors from the lands of legend and myth, and even some from Terra Cognita.

And Ackronnion sang as he never sang before, and will not sing again. O, but dolorous, dolorous, are all the ways of man, few and fierce are his days, and the end trouble, and vain, vain his endeavor: and woman—who shall tell of it?—her doom is written with man’s by listless, careless gods with their faces to other spheres.

Somewhat thus he began, and then inspiration seized him, and all the trouble in the beauty of his song may not be set down by me: there was much of gladness in it, and all mingled with grief: it was like the way of man: it was like our destiny.

Sobs arose at his song, sighs came back along echoes: seneschals, soldiers, sobbed, and a clear cry made the maidens; like rain the tears came down from gallery to gallery.

All round the Queen of the Woods was a storm of sobbing and sorrow.

But no, she would not weep.
~~~~~~
Jacques Brel Lyrics/Poetry

If You Should Go Away

If you go away on this summer’s day, Then you might as well take the sun away
All the birds that flew in the summer sky
When our love was new and our hearts were high
When the day was young and the nights were long
And the moon stood still for the night bird’s song
If you go away, if you go away, if you go away.
But if you stay, I’ll make you a day
Like no day has been, or will be again
We’ll sail on the sun, we’ll ride on the rain
And talk to the trees and worship the wind
But if you go, I’ll understand
Leave me just enough love to fill up my hand
If you go away, if you go away, if you go away.
If you go, as I know you will
You must tell the world to stop turning
Till you return again, if you ever do,
For what good is love without loving you?
Can I tell you now, as you turn to go
I’ll be dying slowly till the next hello
If you go away, if you go away, if you go away.
But if you stay, I’ll make you a night
Like no night has been, or will be again
I’ll sail on your smile, I’ll ride on your touch
I’ll talk to your eyes that I love so much
But if you go, I won’t cry
Though the good is gone from the word goodbye
If you go away, if you go away, if you go away
. If you go away, as I know you must
There is nothing left in this world to trust
Just an empty room, full of empty space
Like the empty look I see on your face
I’d have been the shadow of your shadow
If you might have kept me by your side
If you go away, if you go away, if you go away.
~~

Amsterdam

In the port of Amsterdam
There’s a sailor who sings
Of the dreams that he brings
From the wide open sea
In the port of Amsterdam
There’s a sailor who sleeps
While the riverbank weeps
With the old willow tree
In the port of Amsterdam
There’s a sailor who dies
Full of beer, full of cries
In a drunken down fight
And in the port of Amsterdam
There’s a sailor who’s born
On a muggy hot morn
By the dawn’s early light
In the port of Amsterdam
Where the sailors all meet
There’s a sailor who eats
Only fishheads and tails
He will show you his teeth
That have rotted too soon
That can swallow the moon
That can haul up the sails
And he yells to the cook
With his arms open wide
Bring me more fish
Put it down by my side
Then he wants so to belch
But he’s too full to try
So he gets up and laughs
And he zips up his fly
In the port of Amsterdam
You can see sailors dance
Paunches bursting their pants
Grinding women to paunch
They’ve forgotten the tune
That their whiskey voice croaks
Splitting the night with the
Roar of their jokes
And they turn and they dance
And they laugh and they lust
Till the rancid sound of
The accordion bursts
Then out to the night
With their pride in their pants
With the slut that they tow
Underneath the street lamps
In the port of Amsterdam
There’s a sailor who drinks
And he drinks and he drinks
And he drinks once again
He drinks to the health
Of the whores of Amsterdam
Who have promised their love
To a thousand other men
They’ve bargained their bodies
And their virtue long gone
For a few dirty coins
And when he can’t go on
He plants his nose in the sky
And he wipes it up above
And he pisses like I cry
For an unfaithful love
In the port of Amsterdam
In the port of Amsterdam
~~

NEXT

Naked as sin, an army towel
Covering my belly
Some of us blush, somehow
Knees turning to jelly
Next, next
I was still just a kid
There were a hundred like me
I followed a naked body
A naked body followed me
next, next
I was still just a kid
When my innocence was lost
In a mobile army whorehouse
Gift for the army, free of cost
Next, next
Me, I really would have liked
A little touch of tenderness
Maybe a word, a smile
An hour of happiness
But, next, next
Oh, it wasn’t so tragic
The high heavens did not fall
But how much of that time
I hated being there at all
Next, next
Now I always will recall
The brothel truck, the flying flags
The queer lieutenant who slapped
Our asses as if we were fags
Next, next
I swear on the wet head
Of my first case of gonorrhea
It is his ugly voice
That I forever hear
Next, next
That voice that stinks of whiskey
Of corpses and of mud
It is the voice of nations
It is the thick voice of blood
Next, next
And since the each woman
I have taken to bed
Seems to laugh in my arms
To whisper through my head
Next, next
All the naked and the dead
Should hold each other’s hands
As they watch me scream at night
In a dream no one understands
Next, next
And when I am not screaming
In a voice grown dry and hollow
I stand on endless naked lines
Of the following and the followed
Next, next
One day I’ll cut my legs off
Or burn myself alive
Anything, I’ll do anything
To get out of line to survive
Not ever to be next
Not ever to be next.
~~

IF WE ONLY HAVE LOVE

If we only have love
Then tomorrow will dawn
And the days of our years
Will rise on that morn
If we only have love
To embrace without fears
We will kiss with our eyes
We will sleep without tears
If we only have love
With our arms open wide
Then the young and the old
Will stand at our side
If we only have love
Love that’s falling like rain
Then the parched desert earth
Will grow green again
If we only have love
For the hymn that we shout
For the song that we sing
Then we’ll have a way out
If we only have love
We can reach those in pain
We can heal all our wounds
We can use our own names
If we only have love
We can melt all the guns
And then give the new world
To our daughters and sons
If we only have love
Then Jerusalem stands
And then death has no shadow
There are no foreign lands
If we only have love
We will never bow down
We’ll be tall as the pines
Neither heroes nor clowns
If we only have love
Then we’ll only be men
And we’ll drink from the Grail
To be born once again
Then with nothing at all
But the little we are
We’ll have conquered all time
All space, the sun, and the stars

~~
David Bowie – My Death – live 1973

~~

Morning Dew

“These be fine things, an if they be not sprites. That’s a brave god, and bears celestial liquor. I will kneel to him.” – William Shakespeare

Greetings.
It has been a heck of a week here at Caer Llwydd. My sister-in-law, Claudia past on New Years Day, and on Thursday morning I was informed my step-brother Mike Ward past away in his sleep in Arizona. He was a couple of years older than me, and as teen-agers we shared a room for awhile. I had always been fond of him. Claudia’s funeral is going on today, 11 years plus a day after my half-brother and Claudia wed. My heart goes out to members of the family, and friends.

Life is peculiar in the way it takes its twist and turns. Claudia was incredibly happy to have just moved back to her native home in the Seattle area. Sad. Mike had spent years teaching in High Schools, and coaching young swimmers having been a superb one himself. Everyone thought him to be in excellent health, though a bit heavy.

I dedicate this entry to Claudia and Mike, and to those whose lives they touched.

Gwyllm
~~~~~~
On The Menu:
The Links
Jim Fadiman Interview Link: Invisible College #6!
The Tempest Quotes
Clannad – Morning Dew
The Sonnets
Clannad – New Grange

~~~~~~
The Links:
Alan Moore talking about science and imagination
The Weirdest Events of 2011 according to the Telegraph
Black Keys Interview
Anonymous Takes on Germany’s Far-Right
~~~~~~
Jim Fadiman Interview Link: Invisible College #6!

(Jim and Tashi at Powell’s Hawthorne in Portland, this last November)
Here is the full interview of Jim Fadiman Conducted by our Diane Darling! Enjoy!
Click On The Title!
~~~~~~
The Tempest Quotes:
(Eleanor Fortescue-Brickdale – “Prospero and Ariel”)

“I prithee,
Remember I have done thee worthy service,
Told thee no lies, made no mistakes, served
Without or grudge or grumblings. Thou did promise
To bate me a full year.”
~~
“As wicked dew as e’er my mother brushed
With raven’s feather from unwholesome fen
Drop on you both! A southwest blow on ye
And blister you all o’er!”
~~
“There’s nothing ill can dwell in such a temple.
If the ill spirit have so fair a house,
Good things will strive to dwell with’t.”
~~
“All things in common nature should produce
Without sweat or endeavour.”
~~
“O heaven, O earth, bear witness to this sound,
and crown what I profess with kind event
If I speak true; if hollowly, invert
what best is boded me to mischief: I,
Beyond all limit of what else i’ th’ world,
Do love, prize, honour you.”

~~~~~~
Clannad – Morning Dew

~~~~~~
The Sonnets:


From Mr. Shakespeare, of course…

Sonnet 29: When in disgrace with fortune and men’s eyes

When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state
And trouble deaf heaven with my bootless cries
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess’d,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.
~~

Sonnet 130: My mistress’ eyes are nothing like the sun

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask’d, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.
~~
Sonnet 05: Those hours that with gentle work did frame

Those hours, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same
And that unfair which fairly doth excel:
For never-resting time leads summer on
To hideous winter and confounds him there;
Sap check’d with frost and lusty leaves quite gone,
Beauty o’ersnow’d and bareness every where:
Then, were not summer’s distillation left,
A liquid prisoner pent in walls of glass,
Beauty’s effect with beauty were bereft,
Nor it nor no remembrance what it was:
But flowers distill’d though they with winter meet,
Leese but their show; their substance still lives sweet.
~~

Sonnet 13: O that you were yourself, but love you are

O, that you were yourself! but, love, you are
No longer yours than you yourself here live:
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination: then you were
Yourself again after yourself’s decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter’s day
And barren rage of death’s eternal cold?
O, none but unthrifts! Dear my love, you know
You had a father: let your son say so.
~~~~~~
Clannad – New Grange

~~~~~~
(William Hamilton – Prospero & Ariel)

“Sometimes a thousand twangling instruments
Will him about mine ears; and sometime voices,
That if I then had waked after long sleep,
Will make me sleep again, and then in dreaming
The clouds methought would open and show riches
Ready to drop upon me, that when I waked
I cried to dream again.”

– William Shakespeare, The Tempest, 3.2

Cold Mountain

As Long As I Live

As long as I live I will eat and drink
The grief of loving You.
I will never give it up to anyone
Even when I am dead.

Tomorrow
At the Resurrection
I will walk forward with this violent thirst
Still storming my head.
– Ayn al-Qozat Hamadani

A belated entry. I hope this finds you all well, with the New Year peering over thy shoulder. Lovely time last night at friends.

We are awaiting news on my sister in law Claudia, who had an aneurysm Monday evening. She is being removed from the ventilator today. Our thoughts are with her, and with my brother Chris. I was best man at their wedding, 11 years ago next Saturday the 6th. Life takes such odd turns.

Blessings,
Gwyllm
~~~~~~

On The Menu:
The Links
Wishery (Disney Remix)
January
Cold Mountain
Bloom (Disney Remix)
Art: Harold Gaze
~~~~~~

The Links:
Flashback! Psychedelic research returns
It’s The Fair Play…
Bees Have Moods?
The War On Drugs.. (Thanks To John!)
~~~~~~~

Wishery (Disney Remix)

~~~~~~~
January

“The name, given to the month of ‘January’, is derived from the ancient Roman name ‘Janus’ who presided over the gate to the new year. He was revered as the ‘God of Gateways’, ‘of Doorways’ and ‘of the Journey.’ Janus protected the ‘Gate of Heaven’, known as the ‘Lord of Beginnings’, is associated with the ‘Goddess Juno-Janus’, and often symbolized by an image of a face that looks forwards and backwards at the same time. This symbolism can easily be associated with the month known by many as the start of a new year which brings new opportunities. We cast out the old and welcome in the new. It is the time when many reflect on events of the previous year and often resolve to redress or improve some aspect of daily life or personal philosophy.”
– Mysitcal World Wide Web

“January is here, with eyes that keenly glow,
A frost-mailed warrior
striding a shadowy steed of snow.”
– Edgar Fawcett

“Nature has undoubtedly mastered the art of winter gardening and even the most experienced gardener can learn from the unrestrained beauty around them.”
– Vincent A. Simeone

“Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.”
– Robert Frost, Stopping by Woods on a Snowy Evening

“The shortest day has passed, and whatever nastiness of weather we may look forward to in January and February, at least we notice that the days are getting longer. Minute by minute they lengthen out. It takes some weeks before we become aware of the change. It is imperceptible even as the growth of a child, as you watch it day by day, until the moment comes when with a start of delighted surprise we realize that we can stay out of doors in a
twilight lasting for another quarter of a precious hour.”
– Vita Sackville-West

“January is the quietest month in the garden. … But just because it looks quiet doesn’t mean that nothing is happening. The soil, open to the sky, absorbs the pure rainfall while microorganisms convert tilled-under fodder into usable nutrients for the next crop of plants. The feasting earthworms tunnel along, aerating the soil and preparing it to welcome the seeds and bare roots to come.”
– Rosalie Muller Wright, Editor of Sunset Magazine, 1/99

“There are two seasonal diversions that can ease the bite of any winter. One is the January thaw. The other is the seed catalogues.”
– Hal Borland

“Here’s to thee, old apple tree
Whence thou mayest bud
Whence thou mayest blow
Whence thou mayest bear apples enow.”
– Wassailing Songs, England, January 5th

“In order to set the calendar right, the Roman senate, in 153 BC, declared January 1st to be the beginning of the new year. During the Middle Ages, the Church remained opposed to celebrating New Year’s Day. January 1st has been celebrated as a holiday by Western nations for only about the past 400 years.”
– New Year’s Day

“You’d be so lean, that blast of January
Would blow you through and through. Now, my fair’st friend,
I would I had some flowers o’ the spring that might
Become your time of day.”
– William Shakespeare, The Winter’s Tale, Act IV Scene 4

“The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me
And I cannot, cannot go.
The giant trees are bending
Their bare boughs weighed with snow.
And the storm is fast descending,
And yet I cannot go.
Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing dear can move me;
I will not, cannot go.”
– Emily Bronte, Spellbound

~~~~~~~
THE COLD MOUNTAIN POEMS, tr. Gary Snyder

1
The path to Han-shan’s place is laughable,
A path, but no sign of cart or horse.
Converging gorges – hard to trace their twists
Jumbled cliffs – unbelievably rugged.
A thousand grasses bend with dew,
A hill of pines hums in the wind.
And now I’ve lost the shortcut home,
Body asking shadow, how do you keep up?

2
In a tangle of cliffs, I chose a place –
Bird paths, but no trails for me.
What’s beyond the yard?
White clouds clinging to vague rocks.
Now I’ve lived here – how many years –
Again and again, spring and winter pass.
Go tell families with silverware and cars
“What’s the use of all that noise and money?”

3
In the mountains it’s cold.
Always been cold, not just this year.
Jagged scarps forever snowed in
Woods in the dark ravines spitting mist.
Grass is still sprouting at the end of June,
Leaves begin to fall in early August.
And here I am, high on mountains,
Peering and peering, but I can’t even see the sky.

4
I spur my horse through the wrecked town,
The wrecked town sinks my spirit.
High, low, old parapet walls
Big, small, the aging tombs.
I waggle my shadow, all alone;
Not even the crack of a shrinking coffin is heard.
I pity all those ordinary bones,
In the books of the Immortals they are nameless.

5
I wanted a good place to settle:
Cold Mountain would be safe.
Light wind in a hidden pine –
Listen close – the sound gets better.
Under it a gray haired man
Mumbles along reading Huang and Lao.
For ten years I havn’t gone back home
I’ve even forgotten the way by which I came.

6
Men ask the way to Cold Mountain
Cold Mountain: there’s no through trail.
In summer, ice doesn’t melt
The rising sun blurs in swirling fog.
How did I make it?
My heart’s not the same as yours.
If your heart was like mine
You’d get it and be right here.

7
I settled at Cold Mountain long ago,
Already it seems like years and years.
Freely drifting, I prowl the woods and streams
And linger watching things themselves.
Men don’t get this far into the mountains,
White clouds gather and billow.
Thin grass does for a mattress,
The blue sky makes a good quilt.
Happy with a stone under head
Let heaven and earth go about their changes.

8
Clambering up the Cold Mountain path,
The Cold Mountain trail goes on and on:
The long gorge choked with scree and boulders,
The wide creek, the mist blurred grass.
The moss is slippery, though there’s been no rain
The pine sings, but there’s no wind.
Who can leap the word’s ties
And sit with me among the white clouds?

9
Rough and dark – the Cold Mountain trail,
Sharp cobbles – the icy creek bank.
Yammering, chirping – always birds
Bleak, alone, not even a lone hiker.
Whip, whip – the wind slaps my face
Whirled and tumbled – snow piles on my back.
Morning after morning I don’t see the sun
Year after year, not a sign of spring.

10
I have lived at Cold Mountain
These thirty long years.
Yesterday I called on friends and family:
More than half had gone to the Yellow Springs.
Slowly consumed, like fire down a candle;
Forever flowing, like a passing river.
Now, morning, I face my lone shadow:
Suddenly my eyes are bleared with tears.

11
Spring water in the green creek is clear
Moonlight on Cold Mountain is white
Silent knowledge – the spirit is enlightened of itself
Contemplate the void: this world exceeds stillness.

12
In my first thirty years of life
I roamed hundreds and thousands of miles.
Walked by rivers through deep green grass
Entered cities of boiling red dust.
Tried drugs, but couldn’t make Immortal;
Read books and wrote poems on history.
Today I’m back at Cold Mountain:
I’ll sleep by the creek and purify my ears.

13
I can’t stand these bird songs
Now I’ll go rest in my straw shack.
The cherry flowers are scarlet
The willow shoots up feathery.
Morning sun drives over blue peaks
Bright clouds wash green ponds.
Who knows that I’m out of the dusty world
Climbing the southern slope of Cold Mountain?

14
Cold Mountain has many hidden wonders,
People who climb here are always getting scared.
When the moon shines, water sparkles clear
When the wind blows, grass swishes and rattles.
On the bare plum, flowers of snow
On the dead stump, leaves of mist.
At the touch of rain it all turns fresh and live
At the wrong season you can’t ford the creeks.

15
There’s a naked bug at Cold Mountain
With a white body and a black head.
His hand holds two book scrolls,
One the Way and one its Power.
His shack’s got no pots or oven,
He goes for a long walk with his shirt and pants askew.
But he always carries the sword of wisdom:
He means to cut down sensless craving.

16
Cold Mountain is a house
Without beans or walls.
The six doors left and right are open
The hall is sky blue.
The rooms all vacant and vague
The east wall beats on the west wall
At the center nothing.

Borrowers don’t bother me
In the cold I build a little fire
When I’m hungry I boil up some greens.
I’ve got no use for the kulak
With hs big barn and pasture –
He just sets uo a prison for himself.
Once in he can’t get out.
Think it over –
You know it might happen to you.

17
If I hide out at Cold Mountain
Living off mountain plants and berries –
All my lifetime, why worry?
One follows his karma through.
Days and months slip by like water,
Time is like sparks knocked off flint.
Go ahead and let the world change –
I’m happy to sit among these cliffs.

18
Most T’ien-t’ai men
Don’t know Han-shan
Don’t know his real thought
And call it silly talk.

19
Once at Cold Mountain, troubles cease –
No more tangled, hung up mind.
I idly scribble poems on the rock cliff,
Taking whatever comes, like a drifting boat.

20
Some critic tried to put me down –
“Your poems lack the Basic Truth of Tao.”
And I recall the old timers
Who were poor and didn’t care.
I have to laugh at him,
He misses the point entirely,
Men like that
Ought to stick to making money.

21
I’ve lived at Cold Mountain – how many autumns.
Alone, I hum a song – utterly without regret.
Hungry, I eat one grain of Immortal medicine
Mind solid and sharp; leaning on a stone.

22
On top of Cold Mountain the lone round moon
Lights the whole clear cloudless sky.
Honor this priceless natural treasure
Concealed in five shadows, sunk deep in the flesh.

23
My home was at Cold Mountain from the start,
Rambling among the hills, far from trouble.

Gone, and a million things leave no trace
Loosed, and it flows through galaxies
A fountain of light, into the very mind –
Not a thing, and yet it appears before me:
Now I know the pearl of the Buddha nature
Know its use: a boundless perfect sphere.

24
When men see Han-shan
They all say he’s crazy
And not much to look at –
Dressed in rags and hides.
They don’t get what I say
And I don’t talk their language.
All I can say to those I meet:
“Try and make it to Cold Mountain.”
~~~~~~~

Bloom (Disney Remix)

~~~~~~~
A stone I died and rose again a plant;
A plant I died and rose an animal;
I died an animal and was born a man.
Why should I fear? What have I lost by death?
– Rumi

Yuletide Wonders!

When my Beloved appears,
With what eye do I see Him?

With His eye, not with mine,
For none sees Him except Himself
– Ibn Arabi

Blessings On This Winter Night!
Family and friends gathering, a cup of mulled wine, beauty, sheer beauty.
Here is something to relieve you from the silly season. Poetry, art, myth and a showing of my son’s film, Amour Sincere.

Gwyllm
~~
On The Menu:
Amour Sincere
The Links
Legendary Pink Dots – Disturbance
Beira, Queen of Winter
W.H. Auden Poems
The Legendary Pink Dots – Golden Dawn
Art: LucienLevy-Dhurmer
~~~~~~
Rowan’s “Amour Sincere”
This is available for viewing for a short time only… G

Amour Sincere

Starring:
Meredith Adelaide
Grant Law
Directed by Rowan Spiers-Floyd
Dance Choreography: Ally Yancy
Director of Photography: Jacob Rosen

This is the “Directors Cut”. Using the music that inspired the choreography. An original score for the film is in the works, which will be used for actual release.

For Updates and More: Trifecta!

~~~~~~
The Links:
Cabin Porn
The Accidental Universe
The Education Of An Amphibian
~~~~~~

Legendary Pink Dots – Disturbance

~~~~~~


Wonder
Wonder,
A garden among the flames!

My heart can take on any form:
A meadow for gazelles,
A cloister for monks,
For the idols, sacred ground,
Ka’ba for the circling pilgrim,
The tables of the Torah,
The scrolls of the Quran.

My creed is Love;
Wherever its caravan turns along the way,
That is my belief,
My faith.

– Ibn Arabi
~~~~~~

Beira, Queen of Winter

Dark Beira was the mother of all the gods and goddesses in Scotland. She was of great height and very old, and everyone feared her. When roused to anger she was as fierce as the biting north wind and harsh as the tempest-stricken sea. Each winter she reigned as Queen of the Four Red Divisions of the world, and none disputed her sway. But when the sweet spring season drew nigh, her subjects began to rebel against her and to long for the coming of the Summer King, Angus of the White Steed, and Bride, his beautiful queen, who were loved by all, for they were the bringers of plenty and of bright and happy days. It enraged Beira greatly to find her power passing away, and she tried her utmost to prolong the winter season by raising spring storms and sending blighting frost to kill early flowers and keep the grass from growing.

Beira lived for hundreds and hundreds of years. The reason she did not die of old age was because, at the beginning of every spring, she drank the magic waters of the Well of Youth which bubbles up in the Green Island of the West. This was a floating island where summer was the only season, and the trees were always bright with blossom and laden with fruit. It drifted about on the silver tides of the blue Atlantic, and sometimes appeared off the western coasts of Ireland and sometimes close to the Hebrides. Many bold mariners have steered their galleys up and down the ocean, searching for Green Island in vain. On a calm morning they might sail past its shores and yet never know it was near at hand, for oft-times it lay hidden in a twinkling mist. Men have caught glimpses of it from the shore, but while they gazed on its beauties with eyes of wonder, it vanished suddenly from sight by sinking beneath the waves like the setting sun. Beira, however, always knew where to find Green Island when the time came for her to visit it.

The waters of the Well of Youth are most potent when the days begin to grow longer, and most potent of all on the first of the lengthening days of spring. Beira always visited the island on the night before the first lengthening day–that is, on the last night of her reign as Queen of Winter. All alone in the darkness she sat beside the Well of Youth, waiting for the dawn. When the first faint beam of light appeared in the eastern sky, she drank the water as it bubbled fresh from a crevice in the rock. It was necessary that she should drink of this magic water before any bird visited the well and before any dog barked. If a bird drank first, or a dog barked ere she began to drink, dark old Beira would crumble into dust.

As soon as Beira tasted the magic water, in silence and alone, she began to grow young again. She left the island and, returning to Scotland, fell into a magic sleep. When, at length, she awoke, in bright sunshine, she rose up as a beautiful girl with long hair yellow as buds of broom, cheeks red as rowan berries, and blue eyes that sparkled like the summer sea in sunshine. Then she went to and fro through Scotland, clad in a robe of green and crowned with a chaplet of bright flowers of many hues. No fairer goddess was to be found in all the land, save Bride, the peerless Queen of Summer.

As each month went past, however, Beira aged quickly. She reached full womanhood in midsummer, and when autumn came on her brows wrinkled and her beauty began to fade. When the season of winter returned once again, she became an old and withered hag, and began to reign as the fierce Queen Beira.

Often on stormy nights in early winter she wandered about, singing this sorrowful song:–
~~~~~~

W.H. Auden Poems

As I Walked Out One Evening

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
“Love has no ending.

“I’ll love you, dear, I’ll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

“I’ll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

“The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.”

But all the clocks in the city
Began to whirr and chime:
“O let not Time deceive you,
You cannot conquer Time.

“In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

“In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

“Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver’s brilliant bow.

“O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you’ve missed.

“The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

“Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

“O look, look in the mirror?
O look in your distress:
Life remains a blessing
Although you cannot bless.

“O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.”

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
~~

The More Loving One

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
~~

Voltaire At Ferney

Almost happy now, he looked at his estate.
An exile making watches glanced up as he passed,
And went on working; where a hospital was rising fast
A joiner touched his cap; an agent came to tell
Some of the trees he’d planted were progressing well.
The white alps glittered. It was summer. He was very great.

Far off in Paris, where his enemies
Whsipered that he was wicked, in an upright chair
A blind old woman longed for death and letters. He would write
“Nothing is better than life.” But was it? Yes, the fight
Against the false and the unfair
Was always worth it. So was gardening. Civilise.

Cajoling, scolding, screaming, cleverest of them all,
He’d had the other children in a holy war
Against the infamous grown-ups, and, like a child, been sly
And humble, when there was occassion for
The two-faced answer or the plain protective lie,
But, patient like a peasant, waited for their fall.

And never doubted, like D’Alembert, he would win:
Only Pascal was a great enemy, the rest
Were rats already poisoned; there was much, though, to be done,
And only himself to count upon.
Dear Diderot was dull but did his best;
Rousseau, he’d always known, would blubber and give in.

So, like a sentinel, he could not sleep. The night was full of wrong,
Earthquakes and executions. Soon he would be dead,
And still all over Europe stood the horrible nurses
Itching to boil their children. Only his verses
Perhaps could stop them: He must go on working: Overhead
The uncomplaining stars composed their lucid song.
~~

In Memory Of W.B. Yeats

I

He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
The snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.

II

You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

III

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice.

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress.

In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.
~~~~~~

The Legendary Pink Dots – Golden Dawn

~~~~~~
While the sun’s eye rules my sight,
love sits as sultan in my soul.
His army has made camp in my heart –
passion and yearning, affliction and grief.
When his camp took possession of me
I cried out as the flame of desire
burned in my entrails.
Love stole my sleep, love has bewildered me,
love kills me unjustly, and I am helpless,
love has burdened me with more than I can bear
so that I bequeath him a soul and no body.
– Ibn Arabi

The Longest Night

Perhaps the shortest post for the shortest day of the year. I hope this finds you with loved ones on our Solstice Night. Soon, the sun shall indeed return.

Much Love,
Gwyllm

On The Menu:
Azam Ali’s NAMI NAMI
To Juan at the Winter Solstice
Conjure One & Azam Ali – Nargis
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Azam Ali’s NAMI NAMI

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To Juan at the Winter Solstice

There is one story and one story only
That will prove worth your telling,
Whether are learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.

Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison of all true kings that ever reigned?

Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.

Or is it of the Virgin’s silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right she crooks a finger smiling,
How may the King hold back?
Royally then he barters life for love.

Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?

Much snow is falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses
There is one story and one story only.

Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.

Robert Graves

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Conjure One & Azam Ali – Nargis

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The End Of Darkness

It Is Shining… It Is Shining…

990th:
This is my 990th entry for Turfing. I was going to speed it up over the last month and get it to click at a 1000 on the Solstice, but I fell behind. I need inspiration to do these, and the assembly time sometimes is quite large. I have 7 entries sitting in the docking bay waiting to go if I so choose, but they all need polishing.

I hope this finds you and your friends, and family well in this season of emerging light.

Blessings,
Gwyllm
~~

On The Menu:
The Links
Mike Maki
Trobar de Morte – Los duendes del reloj
The Fire-Festivals of Europe: The Midwinter Fires
Stéphane Mallarmé Poems
Trobar de Morte – Yule: The End of The Darkness

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The Links:

The earth mother of all neolithic discoveries
Heavy Rainfall Can Cause Huge Earthquakes
This Is So Cool! U.S. Will Not Finance New Research on Chimps
The top ancient mysteries of 2011
~~~~~~~~~~~~~~~
Mike Maki
Mike Maki, a friend of ours, and of other members of our close and extended family recently was arrested by the DEA up in Olympia for psilocybin mushroom distribution. Please visit his blog, read his story and if so moved, distribute this information and try to help him and others who are caught by these draconian laws.

Mike is well loved in several communities, he does good work, and has helped many people over the years. He is indeed a keeper, and we want to keep him free, and in our community.

Mike, we Love You.

G

Mushrooms, The Law, and A Friend
~~~~~~~~~~~~~~
Trobar de Morte – Los duendes del reloj

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The Fire-Festivals of Europe: The Midwinter Fires


IF THE HEATHEN of ancient Europe celebrated, as we have good reason to believe, the season of Midsummer with a great festival of fire, of which the traces have survived in many places down to our own time, it is natural to suppose that they should have observed with similar rites the corresponding season of Midwinter; for Midsummer and Midwinter, or, in more technical language, the summer solstice and the winter solstice, are the two great turningpoints in the sun’s apparent course through the sky, and from the standpoint of primitive man nothing might seem more appropriate than to kindle fires on earth at the two moments when the fire and heat of the great luminary in heaven begin to wane or to wax.

In modern Christendom the ancient fire-festival of the winter solstice appears to survive, or to have survived down to recent years, in the old custom of the Yule log, clog, or block, as it was variously called in England. The custom was widespread in Europe, but seems to have flourished especially in England, France, and among the South Slavs; at least the fullest accounts of the custom come from these quarters. That the Yule log was only the winter counterpart of the midsummer bonfire, kindled within doors instead of in the open air on account of the cold and inclement weather of the season, was pointed out long ago by our English antiquary John Brand; and the view is supported by the many quaint superstitions attaching to the Yule log, superstitions which have no apparent connexion with Christianity but carry their heathen origin plainly stamped upon them. But while the two solstitial celebrations were both festivals of fire, the necessity or desirability of holding the winter celebration within doors lent it the character of a private or domestic festivity, which contrasts strongly with the publicity of the summer celebration, at which the people gathered on some open space or conspicuous height, kindled a huge bonfire in common, and danced and made merry round it together.

Down to about the middle of the nineteenth century the old rite of the Yule log was kept up in some parts of Central Germany. Thus in the valleys of the Sieg and Lahn the Yule log, a heavy block of oak, was fitted into the floor of the hearth, where, though it glowed under the fire, it was hardly reduced to ashes within a year. When the new log was laid next year, the remains of the old one were ground to powder and strewed over the fields during the Twelve Nights, which was supposed to promote the growth of the crops. In some villages of Westphalia, the practice was to withdraw the Yule log (Christbrand) from the fire so soon as it was slightly charred; it was then kept carefully to be replaced on the fire whenever a thunderstorm broke, because the people believed that lightning would not strike a house in which the Yule log was smouldering. In other villages of Westphalia the old custom was to tie up the Yule log in the last sheaf cut at harvest.

In several provinces of France, and particularly in Provence, the custom of the Yule log or tréfoir, as it was called in many places, was long observed. A French writer of the seventeenth century denounces as superstitious “the belief that a log called the tréfoir or Christmas brand, which you put on the fire for the first time on Christmas Eve and continue to put on the fire for a little while every day till Twelfth Night, can, if kept under the bed, protect the house for a whole year from fire and thunder; that it can prevent the inmates from having chilblains on their heels in winter; that it can cure the cattle of many maladies; that if a piece of it be steeped in the water which cows drink it helps them to calve; and lastly that if the ashes of the log be strewn on the fields it can save the wheat from mildew.”

In some parts of Flanders and France the remains of the Yule log were regularly kept in the house under a bed as a protection against thunder and lightning; in Berry, when thunder was heard, a member of the family used to take a piece of the log and throw it on the fire, which was believed to avert the lightning. Again, in Perigord, the charcoal and ashes are carefully collected and kept for healing swollen glands; the part of the trunk which has not been burnt in the fire is used by ploughmen to make the wedge for their plough, because they allege that it causes the seeds to thrive better; and the women keep pieces of it till Twelfth Night for the sake of their chickens. Some people imagine that they will have as many chickens as there are sparks that fly out of the brands of the log when they shake them; and others place the extinct brands under the bed to drive away vermin. In various parts of France the charred log is thought to guard the house against sorcery as well as against lightning.

In England the customs and beliefs concerning the Yule log used to be similar. On the night of Christmas Eve, says the antiquary John Brand, “our ancestors were wont to light up candles of an uncommon size, called Christmas Candles, and lay a log of wood upon the fire, called a Yule-clog or Christmas-block, to illuminate the house, and, as it were, to turn night into day.” The old custom was to light the Yule log with a fragment of its predecessor, which had been kept throughout the year for the purpose; where it was so kept, the fiend could do no mischief. The remains of the log were also supposed to guard the house against fire and lightning.

To this day the ritual of bringing in the Yule log is observed with much solemnity among the Southern Slavs, especially the Serbians. The log is usually a block of oak, but sometimes of olive or beech. They seem to think that they will have as many calves, lambs, pigs, and kids as they strike sparks out of the burning log. Some people carry a piece of the log out to the fields to protect them against hail. In Albania down to recent years it was a common custom to burn a Yule log at Christmas, and the ashes of the fire were scattered on the fields to make them fertile. The Huzuls, a Slavonic people of the Carpathians, kindle fire by the friction of wood on Christmas Eve (Old Style, the fifth of January) and keep it burning till Twelfth Night.

It is remarkable how common the belief appears to have been that the remains of the Yule log, if kept throughout the year, had power to protect the house against fire and especially against lightning. As the Yule log was frequently of oak, it seems possible that this belief may be a relic of the old Aryan creed which associated the oak-tree with the god of thunder. Whether the curative and fertilising virtues ascribed to the ashes of the Yule log, which are supposed to heal cattle as well as men, to enable cows to calve, and to promote the fruitfulness of the earth, may not be derived from the same ancient source, is a question which deserves to be considered.
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Stéphane Mallarmé Poems:

 

The Clown Chastised

Eyes, lakes of my simple passion to be reborn
Other than as the actor who gestures with his hand
As with a pen, and evokes the foul soot of the lamps,
Here’s a window in the walls of cloth I’ve torn.

With legs and arms a limpid treacherous swimmer
With endless leaps, disowning the sickness
Hamlet! It’s as if I began to build in the ocean depths
A thousand tombs: to vanish still virgin there.

Mirthful gold of a cymbal beaten with fists,
The sun all at once strikes the pure nakedness
That breathed itself out of my coolness of nacre,

Rancid night of the skin, when you swept over me,
Not knowing, ungrateful one, that it was, this make-up,
My whole anointing, drowned in ice-water perfidy.

The Poem’s Gift

I bring you the child of an Idumean night!
Black, with pale naked bleeding wings, Light
Through the glass, burnished with gold and spice,
Through panes, still dismal, alas, and cold as ice,
Hurled itself, daybreak, against the angelic lamp.
Palm-leaves! And when it showed this relic, damp,
To that father attempting an inimical smile,
The solitude shuddered, azure, sterile.
O lullaby, with your daughter, and the innocence
Of your cold feet, greet a terrible new being:
A voice where harpsichords and viols linger,
Will you press that breast, with your withered finger,
From which Woman flows in Sibylline whiteness to
Those lips starved by the air’s virgin blue?

L’Apres-midi d’un Faune

Eclogue

The Faun

These nymphs, I would perpetuate them.
So bright
Their crimson flesh that hovers there, light
In the air drowsy with dense slumbers.
Did I love a dream?
My doubt, mass of ancient night, ends extreme
In many a subtle branch, that remaining the true
Woods themselves, proves, alas, that I too
Offered myself, alone, as triumph, the false ideal of roses.

Let’s see….
or if those women you note
Reflect your fabulous senses’ desire!
Faun, illusion escapes from the blue eye,
Cold, like a fount of tears, of the most chaste:
But the other, she, all sighs, contrasts you say
Like a breeze of day warm on your fleece?
No! Through the swoon, heavy and motionless
Stifling with heat the cool morning’s struggles
No water, but that which my flute pours, murmurs
To the grove sprinkled with melodies: and the sole breeze
Out of the twin pipes, quick to breathe
Before it scatters the sound in an arid rain,
Is unstirred by any wrinkle of the horizon,
The visible breath, artificial and serene,
Of inspiration returning to heights unseen.

O Sicilian shores of a marshy calm
My vanity plunders vying with the sun,
Silent beneath scintillating flowers, RELATE
‘That I was cutting hollow reeds here tamed
By talent: when, on the green gold of distant
Verdure offering its vine to the fountains,
An animal whiteness undulates to rest:
And as a slow prelude in which the pipes exist
This flight of swans, no, of Naiads cower
Or plunge…’
Inert, all things burn in the tawny hour
Not seeing by what art there fled away together
Too much of hymen desired by one who seeks there
The natural A: then I’ll wake to the primal fever
Erect, alone, beneath the ancient flood, light’s power,
Lily! And the one among you all for artlessness.

Other than this sweet nothing shown by their lip, the kiss
That softly gives assurance of treachery,
My breast, virgin of proof, reveals the mystery
Of the bite from some illustrious tooth planted;
Let that go! Such the arcane chose for confidant,
The great twin reed we play under the azure ceiling,
That turning towards itself the cheek’s quivering,
Dreams, in a long solo, so we might amuse
The beauties round about by false notes that confuse
Between itself and our credulous singing;
And create as far as love can, modulating,
The vanishing, from the common dream of pure flank
Or back followed by my shuttered glances,
Of a sonorous, empty and monotonous line.

Try then, instrument of flights, O malign
Syrinx by the lake where you await me, to flower again!
I, proud of my murmur, intend to speak at length
Of goddesses: and with idolatrous paintings
Remove again from shadow their waists’ bindings:
So that when I’ve sucked the grapes’ brightness
To banish a regret done away with by my pretence,
Laughing, I raise the emptied stem to the summer’s sky
And breathing into those luminous skins, then I,
Desiring drunkenness, gaze through them till evening.

O nymphs, let’s rise again with many memories.
‘My eye, piercing the reeds, speared each immortal
Neck that drowns its burning in the water
With a cry of rage towards the forest sky;
And the splendid bath of hair slipped by
In brightness and shuddering, O jewels!
I rush there: when, at my feet, entwine (bruised
By the languor tasted in their being-two’s evil)
Girls sleeping in each other’s arms’ sole peril:
I seize them without untangling them and run
To this bank of roses wasting in the sun
All perfume, hated by the frivolous shade
Where our frolic should be like a vanished day.’

I adore you, wrath of virgins, O shy
Delight of the nude sacred burden that glides
Away to flee my fiery lip, drinking
The secret terrors of the flesh like quivering
Lightning: from the feet of the heartless one
To the heart of the timid, in a moment abandoned
By innocence wet with wild tears or less sad vapours.
‘Happy at conquering these treacherous fears
My crime’s to have parted the dishevelled tangle
Of kisses that the gods kept so well mingled:
For I’d scarcely begun to hide an ardent laugh
In one girl’s happy depths (holding back
With only a finger, so that her feathery candour
Might be tinted by the passion of her burning sister,
The little one, naïve and not even blushing)
Than from my arms, undone by vague dying,
This prey, forever ungrateful, frees itself and is gone,
Not pitying the sob with which I was still drunk.’

No matter! Others will lead me towards happiness
By the horns on my brow knotted with many a tress:
You know, my passion, how ripe and purple already
Every pomegranate bursts, murmuring with the bees:
And our blood, enamoured of what will seize it,
Flows for all the eternal swarm of desire yet.
At the hour when this wood with gold and ashes heaves
A feast’s excited among the extinguished leaves:
Etna! It’s on your slopes, visited by Venus
Setting in your lava her heels so artless,
When a sad slumber thunders where the flame burns low.

I hold the queen!

O certain punishment…
No, but the soul
Void of words, and this heavy body,
Succumb to noon’s proud silence slowly:
With no more ado, forgetting blasphemy, I
Must sleep, lying on the thirsty sand, and as I
Love, open my mouth to wine’s true constellation!

Farewell to you, both: I go to see the shadow you have become.
~~~~~~~~~~~~~~~
TROBAR DE MORTE – Yule : The End of The Darkness

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Into The Red Night…

(Cities Of The Red Night – Ba’dan – Gwyllm)

So… this started out political and kinda jumped away from that.

It really started with a listening to Bombino’s excellent work.(thank you Morgan!) Bombino, who’ll be performing in Portland Saturday Nite at Dante’s! Alas, I shall not see him, but for you my friends I have included 3 songs. He is in my estimation one of the best of the emerging singers and guitarist from the Tuareg peoples.. As I listened to him, I swore that the spirit that inhabits this young man is an ancient and wise one. Just listen to the way his playing and vocals work together. Beautiful.

We have in this editon a brief visit with Meher Baba for quotes, someone who is largely neglected now days. A great sage, and one that people should be aware of. There are stories from Lord Dunsany who is a great favourite of mine, and Poetry from the great Arthur Symon as well.

The art is part of my “Red Cities Of The Night”. a nod to William Burroughs and his Trilogy. These and some of the others may appear in The Invisible College. You saw them here first!

So here is to trying to keep the Acadian Stream flowing, and pushing on intoa long Mid Winter’s Night

I hope this finds you well, and full of light.

Blessings,
Gwyllm

On The Menu:
Meher Baba Quotes
All You Need Is
Bombino, “Tar Hani” Live
Lord Dunsany: Two Tales
Bombino Concert, Agadez
Arthur Symon – Poet
Bombino (Omar Moctar) – Yamidinine
Art: Gwyllm
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Meher Baba Quotes:

“Don’t Worry Be Happy”

“No amount of prayer or meditation can do what helping others can do.”

“I love everybody. Each one plays the role they have to play…”

“There are very few things in the mind which eat up as much energy as worry. It is one of the most difficult things not to worry about anything. Worry is experienced when things go wrong, but in relation to past happenings it is idle merely to wish that they might have been otherwise. The frozen past is what it is, and no amount of worrying is going to make it other than what it has been. But the limited ego-mind identifies itself with its past, gets entangled with it and keeps alive the pangs of frustrated desires. Thus worry continues to grow into the mental life of man until the ego-mind is burdened by the past. Worry is also experienced in relation to the future when this future is expected to be disagreeable in some way. In this case it seeks to justify itself as a necessary part of the attempt to prepare for coping with the anticipated situations. But, things can never be helped merely by worrying. Besides, many of the things which are anticipated never turn up, or if they do occur, they turn out to be much more acceptable than they were expected to be. Worry is the product of feverish imagination working under the stimulus of desires. It is a living through of sufferings which are mostly our own creation. Worry has never done anyone any good, and it is very much worse than mere dissipation of psychic energy, for it substantially curtails the joy and fullness of life.”
― Discourses

“The book that I shall make people read
is the book of the heart,
which holds the key
to the mystery of life”

“Love God and find him within – the only treasure worth finding.”

“…What will the present chaos lead to? How will it all end? It can only end in one way. Mankind will be sick of it all….”

“Mastery in Servitude”
~~~~~~~
All You Need Is:
There’s nothing you can do that can’t be done.
Nothing you can sing that can’t be sung.
Nothing you can say but you can learn how to play the game
It’s easy. (“All You Need Is”)

~~~~~~
Bombino, “Tar Hani” Live

~~~~~

The Giant Poppy
Author: Lord Dunsany

I dreamt that I went back to the hills I knew, whence on a clear day you can see the walls of Ilion and the plains of Roncesvalles. There used to be woods along the tops of those hills with clearings in them where the moonlight fell, and there when no one watched the fairies danced.

But there were no woods when I went back, no fairies nor distant glimpse of Ilion or plains of Roncesvalles, only one giant poppy waved in the wind, and as it waved it hummed “Remember not.” And by its oak-like stem a poet sat, dressed like a shepherd and playing an ancient tune softly upon a pipe. I asked him if the fairies had passed that way or anything olden.

He said: “The poppy has grown apace and is killing gods and fairies. Its fumes are suffocating the world, and its roots drain it of its beautiful strength.” And I asked him why he sat on the hills I knew, playing an olden tune.

And he answered: “Because the tune is bad for the poppy, which would otherwise grow more swiftly; and because if the brotherhood of which I am one were to cease to pipe on the hills men would stray over the world and be lost or come to terrible ends. We think we have saved Agamemnon.”

Then he fell to piping again that olden tune, while the wind among the poppy’s sleepy petals murmured “Remember not. Remember not.”

~~
The Secret Of The Gods

Zyni Moe, the small snake, saw the cool river gleaming before him afar off and set out over the burning sand to reach it.

Uldoon, the prophet, came out of the desert and followed up the bank of the river towards his old home. Thirty years since Uldoon had left the city, where he was born, to live his life in a silent place where he might search for the secret of the gods. The name of his home was the City by the River, and in that city many prophets taught concerning many gods, and men made many secrets for themselves, but all the while none knew the Secret of the gods. Nor might any seek to find it, for if any sought men said of him:

“This man sins, for he giveth no worship to the gods that speak to our prophets by starlight when none heareth.”

And Uldoon perceived that the mind of a man is as a garden, and that his thoughts are as the flowers, and the prophets of a man’s city are as many gardeners who weed and trim, and who have made in the garden paths both smooth and straight, and only along these paths is a man’s soul permitted to go lest the gardeners say, “This soul transgresseth.” And from the paths the gardeners weed out every flower that grows, and in the garden they cut off all flowers that grow tall, saying:

“It is customary,” and “it is written,” and “this hath ever been,” or “that hath not been before.”

Therefore Uldoon saw that not in that city might he discover the Secret of the gods. And Uldoon said to the people:

“When the worlds began, the Secret of the gods lay written clear over the whole earth, but the feet of many prophets have trampled it out. Your prophets are all true men, but I go into the desert to find a truth which is truer than your prophets.” Therefore Uldoon went into the desert and in storm and still he sought for many years. When the thunder roared over the mountains that limited the desert he sought the Secret in the thunder, but the gods spake not by the thunder. When the voices of the beasts disturbed the stillness under the stars he sought the secret there, but the gods spake not by the beasts.

Uldoon grew old and all the voices of the desert had spoken to Uldoon, but not the gods, when one night he heard Them whispering beyond the hills. And the gods whispered one to another, and turning Their faces earthward They all wept. And Uldoon though he saw not the gods yet saw Their shadows turn as They went back to a great hollow in the hills; and there, all standing in the valley’s mouth, They said:

“Oh, Morning Zai, oh, oldest of the gods, the faith of thee is gone, and yesterday for the last time thy name was spoken upon earth.” And turning earthward they all wept again. And the gods tore white clouds out of the sky and draped them about the body of Morning Zai and bore him forth from his valley behind the hills, and muffled the mountain peaks with snow, and beat upon their summits with drum sticks carved of ebony, playing the dirge of the gods. And the echoes rolled about the passes and the winds howled, because the faith of the olden days was gone, and with it had sped the soul of Morning Zai. So through the mountain passes the gods came at night bearing Their dead father. And Uldoon followed. And the gods came to a great sepulchre of onyx that stood upon four fluted pillars of white marble, each carved out of four mountains, and therein the gods laid Morning Zai because the old faith was fallen. And there at the tomb of Their father the gods spake and Uldoon heard the Secret of the gods, and it became to him a simple thing such as a man might well guess–yet hath not. Then the soul of the desert arose and cast over the tomb its wreath of forgetfulness devised of drifting sand, and the gods strode home across the mountains to Their hollow land. But Uldoon left the desert and travelled many days, and so came to the river where it passes beyond the city to seek the sea, and following its bank came near to his old home. And the people of the City by the River, seeing him far off, cried out:

“Hast thou found the Secret of the gods?”

And he answered:

“I have found it, and the Secret of the gods is this”–:

Zyni Moe, the small snake, seeing the figure and the shadow of a man between him and the cool river, raised his head and struck once. And the gods are pleased with Zyni Moe, and have called him the protector of the Secret of the gods.

~~~~~
Bombino Concert, Agadez

~~~~~
Arthur Symon – Poet

The Poem Of Hasish

Behind the door, beyond the light,
Who is it waits there in the night?
When he has entered he will stand,
Imposing with his silent hand
Some silent thing upon the night.

Behold the image of my fear.
O rise not, move not, come not near!
That moment, when you turned your face,
A demon seemed to leap through space;
His gesture strangled me with fear.

And yet I am the lord of all,
And this brave world magnifical,
Veiled in so variable a mist
It may be rose or amethyst,
Demands me for the lord of all!

Who said the world is but a mood
In the eternal thought of God?
I know it, real though it seem,
The phantom of a haschisch dream
In that insomnia which is God

The Loom Of Dreams

I broider the world upon a loom,
I broider with dreams my tapestry;
Here in a little lonely room
I am master of earth and sea,
And the planets come to me.

I broider my life into the frame,
I broider my love, thread upon thread;
The world goes by with its glory and shame,
Crowns are bartered and blood is shed;
I sit and broider my dreams instead.

And the only world is the world of my dreams,
And my weaving the only happiness;
For what is the world but what it seems?
And who knows but that God, beyond our guess,
Sits weaving worlds out of loneliness?

The Opium-Smoker

I am engulfed, and drown deliciously.
Soft music like a perfume, and sweet light
Golden with audible odours exquisite,
Swathe me with cerements for eternity.
Time is no more. I pause and yet I flee.
A million ages wrap me round with night.
I drain a million ages of delight.
I hold the future in my memory.

Also I have this garret which I rent,
This bed of straw, and this that was a chair,
This worn-out body like a tattered tent,
This crust, of which the rats have eaten part,
This pipe of opium; rage, remorse, despair;
This soul at pawn and this delirious heart.

Love And Sleep

I have laid sorrow to sleep;
Love sleeps.
She who oft made me weep
Now weeps.

I loved, and have forgot,
And yet
Love tells me she will not
Forget.

She it was bid me go;
Love goes
By what strange ways, ah! no
One knows.

Because I cease to weep,
She weeps.
Here by the sea in sleep,
Love sleeps

~~~~~
Bombino (Omar Moctar) – Yamidinine

~~~~~
(Cities Of The Red Night – Ghadis – Gwyllm)

Infinite Horizons

Thursday Night. So much going on in the world, trying to make sense of it all, to parse it and to form a vision. A vision is all I have, and love.
I dedicate this to all who are trying to make a change in the world, and all who feel the urgency.
I have waited for decades for this moment, and I am happy to be here to share it with you.

Bright Blessings,
Gwyllm
__

On The Menu:
The Links
Gertrude Stein Quotes
The Vote Heard Round the World — The Video
The next 10 years will be very unlike the last 10 years
To a Tea Partier From an Occupier
Rahman Baba Poems
Jwaydan – standing our ground (Song for the Egyptian revolution)

~~~~~~~~~
The Links:
Occupy Wall Street Independent Media Team
March On Blair Mountain
Awakening the Giant
Earth First! Journal Too Popular for Facebook
~~~~~~~~~~~~~~~~~~~~~
Gertrude Stein Quotes:
A real failure does not need an excuse. It is an end in itself.

A vegetable garden in the beginning looks so promising and then after all little by little it grows nothing but vegetables, nothing, nothing but vegetables.

A writer should write with his eyes and a painter paint with his ears.

Action and reaction are equal and opposite.

America is my country and Paris is my hometown.

Americans are very friendly and very suspicious, that is what Americans are and that is what always upsets the foreigner, who deals with them, they are so friendly how can they be so suspicious they are so suspicious how can they be so friendly but they just are.
~~~~~~~~~~~~~~~~~~~~~
Seeing this today gave me such hope!
The Vote Heard Round the World — The Video

~~~~~~~~~~~~~~~~~~~~
Thanks to Christelle Behrens for this!
The next 10 years will be very unlike the last 10 years

~~~~~~~~~~~~~~~~~~~~

To a Tea Partier From an Occupier

Dale Pendell

Hey neighbor! I like that tri-cornered hat. And I like having you for a neighbor. Also, I like the Tea Party — the Boston Tea Party — that was an anti-corporate action. The citizens of Boston tossed 90,000 pounds of tea into Boston Harbor. All that tea belonged to the East India Company — about a third of their total annual import.

The real issue wasn’t the tea tax — the tea would have cost less than people in England were paying — the issue was that the East India Company wanted to set up what today is called “vertical marketing.” That is, they wanted control of the distribution and sales of tea — all tea — a monopoly. All the Colonists had to do to get cheap foreign goods was to accept global corporatism. They didn’t, and we could say that this country was born in an anti-corporate action. So why aren’t you standing with us Occupiers?

(More At This Link: To a Tea Partier From an Occupier
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Rahman Baba Poems


Awal Din, 65, stands amid the rubble of the Sufi poet Rahman Baba’s mausoleum after it was bombed by the Taliban.

Antics of the Age

Contemplate the frantic
Efforts of the age
Countless are its antics
Boundless is its rage

Grieve in silence, brother!
Lest you keep your poise
Good men will be bothered
Evil men rejoice

Patience is a virtue
With the sweetest taste
When impatience hurts you,
Know, that haste is waste

Take on trust your fate if
You desire repose,
You would soon regret if
Something else you chose

Freedom cannot flourish
In your daily job
If a dream you nourish
Give your labour up

Falter shall the bustling
World, as I have said,
Should Rahman but trust in
What has got to fade?
~~

Sow Flowers

Sow flowers to make a garden bloom around you,
The thorns you sow will prick your own feet.

Arrows shot at others
Will return to hit you as they fall.

You yourself will come to teeter on the lip
Of a well dug to undermine another.

Though you look at others with contempt,
It’s you whose body will be reduced to dust.

Humanity is all one body;
To torture another is simply to wound yourself.

When you don’t look for faults in others,
They will conceal your weaknesses in return.

Make your path straight now, by the bright light of day;
For pitch darkness will come without warning.

Consider no wickedness insignificant, however slight;
For the little deeds of darkness soon pile up.

If another does you harm, return them good;
Or evil will devour you too.

The heart that is safe in the storm
Is the one which carries
Others’ burdens
Like a
Boat.
~~

The One

If for a soul-mate you dream,
See past the alluring fashion of her dress.

The vision of such flowing hair
Entwines around the heart, but
Constricts and squeezes out the one it treasures most.

Instead, follow the creator of this world;
Who fashioned each soul from love,
And made passion the highest goal.

The time to start the quest is now.
There is no second chance
To embrace the joy, the pain,
Of the one
Who longs
For you.
~~~~~

Jwaydan – standing our ground (Song for the Egyptian revolution)