November 11 – Armistice Day
Click on the pic…

I had scads to write about it, about the differences I have seen it honoured in the US, and in Europe and it seems profoundly different. Instead of belabouring that point I had a good memory that ties into the day. When we lived in London there were the Chelsea Pensioners, at that time the majority were from WW1… they would sit along The Kings Road, and talk with people, sunning themselves in good weather, dissapearing when the rain clouds came. My favourite memory of them: Four or so old CP’s talking to a tribe of punk-rockers in the fall of 77′, all of the punks sitting around the old Vets, very attentive, and respectful. It was a thing of beauty. You could see a transmission of life, love, and respect going on. I often saw people buy the CP a pint at the local and bring it to them on the benches outside of the pub. They were honoured, and loved.
The great war, as WW1 was called was to be ‘The War To End All Wars’… which was a base lie, but you knew that already. It did produce some of the most touching poetry, and writing from all sides. It produced writers such as Robert Graves, Siegfried Sassoon, Wilfred Owens, Ernest Hemingway, John Dos Passos, Andreas Latzko, T.E. Lawrence and others. Would they have been great poets/writers if the war hadn’t molded them? A fair question.
I have seen the results of war in my family,and in Mary’s as well. I pray that we as a species find another way of settling differences. The damage travels down the generations. It is the gift that keeps on giving, and its fruits are pain, sadness and more.
I have seen that the fields of Europe are haunted; you have but to walk in them to know it. There is no glory in war, there is only dying, and grief. Time for a change, time for a change.
Thoughts,
Gwyllm

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On The Menu:

The Links

Bombay Dub Orchestra – Mumtaz

Robert Graves: Quotes

The Angels Of Mons – (The Bowmen) This has a long intro, but very, very worth reading – G

The Poetry of Siegried Sassoon

Bombay Dub Orchestra Compassion RMX 09
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The Links:

Sea Snakes Seek Out Freshwater To Slake Thirst

Sounds like a Strad? Must be the mushrooms

Mysterious Dark Matter Might Actually Glow

The Fall

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Bombay Dub Orchestra – Mumtaz

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Robert Graves: Quotes
“If I were a girl, I’d despair. The supply of good women far exceeds that of the men who deserve them.”
“Kill if you must, but never hate: Man is but grass and hate is blight, The sun will scorch you soon or late, Die wholesome then, since you must fight”
“We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall”
“If there’s no money in poetry, neither is there poetry in money.”
“What we now call ”finance” is, I hold, an intellectual perversion of what began as warm human love.”
“War was return of earth to ugly earth, War was foundering of sublimities, Extinction of each happy art and faith By which the world had still kept head in air, Protesting logic or protesting love, Until the unendurable moment struck – The inward scream”
“When the days of rejoicing are over,/ When the flags are stowed safely away,/ They will dream of another wild ‘War to End Wars’/ And another wild Armistice day.”

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The Angels Of Mons – (The Bowmen)

– Arthur Machen

1915

Introduction
I have been asked to write an introduction to the story of “The Bowmen”, on its publication in book form together with three other tales of similar fashion. And I hesitate. This affair of “The Bowmen” has been such an odd one from first to last, so many queer complications have entered into it, there have been so many and so divers currents and cross-currents of rumour and speculation concerning it, that I honestly do not know where to begin. I propose, then, to solve the difficulty by apologising for beginning at all.
For, usually and fitly, the presence of an introduction is held to imply that there is something of consequence and importance to be introduced. If, for example, a man has made an anthology of great poetry, he may well write an introduction justifying his principle of selection, pointing out here and there, as the spirit moves him, high beauties and supreme excellencies, discoursing of the magnates and lords and princes of literature, whom he is merely serving as groom of the chamber. Introductions, that is, belong to the masterpieces and classics of the world, to the great and ancient and accepted things; and I am here introducing a short, small story of my own which appeared in The Evening News about ten months ago.
I appreciate the absurdity, nay, the enormity of the position in all its grossness. And my excuse for these pages must be this: that though the story itself is nothing, it has yet had such odd and unforeseen consequences and adventures that the tale of them may possess some interest. And then, again, there are certain psychological morals to be drawn from the whole matter of the tale and its sequel of rumours and discussions that are not, I think, devoid of consequence; and so to begin at the beginning.
This was in last August, to be more precise, on the last Sunday of last August. There were terrible things to be read on that hot Sunday morning between meat and mass. It was in The Weekly Dispatch that I saw the awful account of the retreat from Mons. I no longer recollect the details; but I have not forgotten the impression that was then on my mind, I seemed to see a furnace of torment and death and agony and terror seven times heated, and in the midst of the burning was the British Army. In the midst of the flame, consumed by it and yet aureoled in it, scattered like ashes and yet triumphant, martyred and for ever glorious. So I saw our men with a shining about them, so I took these thoughts with me to church, and, I am sorry to say, was making up a story in my head while the deacon was singing the Gospel.
This was not the tale of “The Bowmen”. It was the first sketch, as it were, of “The Soldiers’ Rest”. I only wish I had been able to write it as I conceived it. The tale as it stands is, I think, a far better piece of craft than “The Bowmen”, but the tale that came to me as the blue incense floated above the Gospel Book on the desk between the tapers: that indeed was a noble story–like all the stories that never get written. I conceived the dead men coming up through the flames and in the flames, and being welcomed in the Eternal Tavern with songs and flowing cups and everlasting mirth. But every man is the child of his age, however much he may hate it; and our popular religion has long determined that jollity is wicked. As far as I can make out modern Protestantism believes that Heaven is something like Evensong in an English cathedral, the service by Stainer and the Dean preaching. For those opposed to dogma of any kind–even the mildest–I suppose it is held that a Course of Ethical Lectures will be arranged.
Well, I have long maintained that on the whole the average church, considered as a house of preaching, is a much more poisonous place than the average tavern; still, as I say, one’s age masters one, and clouds and bewilders the intelligence, and the real story of “The Soldiers’ Rest”, with its “sonus epulantium in aeterno convivio”, was ruined at the moment of its birth, and it was some time later that the actual story got written. And in the meantime the plot of “The Bowmen” occurred to me. Now it has been murmured and hinted and suggested and whispered in all sorts of quarters that before I wrote the tale I had heard something. The most decorative of these legends is also the most precise: “I know for a fact that the whole thing was given him in typescript by a lady-in-waiting.” This was not the case; and all vaguer reports to the effect that I had heard some rumours or hints of rumours are equally void of any trace of truth.
Again I apologise for entering so pompously into the minutiae of my bit of a story, as if it were the lost poems of Sappho; but it appears that the subject interests the public, and I comply with my instructions. I take it, then, that the origins of “The Bowmen” were composite. First of all, all ages and nations have cherished the thought that spiritual hosts may come to the help of earthly arms, that gods and heroes and saints have descended from their high immortal places to fight for their worshippers and clients. Then Kipling’s story of the ghostly Indian regiment got in my head and got mixed with the mediaevalism that is always there; and so “The Bowmen” was written. I was heartily disappointed with it, I remember, and thought it–as I still think it–an indifferent piece of work. However, I have tried to write for these thirty-five long years, and if I have not become practised in letters, I am at least a past master in the Lodge of Disappointment. Such as it was, “The Bowmen” appeared in The Evening News of September 29th, 1914.
Now the journalist does not, as a rule, dwell much on the prospect of fame; and if he be an evening journalist, his anticipations of immortality are bounded by twelve o’clock at night at the latest; and it may well be that those insects which begin to live in the morning and are dead by sunset deem themselves immortal. Having written my story, having groaned and growled over it and printed it, I certainly never thought to hear another word of it. My colleague “The Londoner” praised it warmly to my face, as his kindly fashion is; entering, very properly, a technical caveat as to the language of the battle-cries of the bowmen. “Why should English archers use French terms?” he said. I replied that the only reason was this–that a “Monseigneur” here and there struck me as picturesque; and I reminded him that, as a matter of cold historical fact, most of the archers of Agincourt were mercenaries from Gwent, my native country, who would appeal to Mihangel and to saints not known to the Saxons–Teilo, Iltyd, Dewi, Cadwaladyr Vendigeid. And I thought that that was the first and last discussion of “The Bowmen”. But in a few days from its publication the editor of The Occult Review wrote to me. He wanted to know whether the story had any foundation in fact. I told him that it had no foundation in fact of any kind or sort; I forget whether I added that it had no foundation in rumour but I should think not, since to the best of my belief there were no rumours of heavenly interposition in existence at that time. Certainly I had heard of none. Soon afterwards the editor of Light wrote asking a like question, and I made him a like reply. It seemed to me that I had stifled any “Bowmen” mythos in the hour of its birth.
A month or two later, I received several requests from editors of parish magazines to reprint the story. I–or, rather, my editor–readily gave permission; and then, after another month or two, the conductor of one of these magazines wrote to me, saying that the February issue containing the story had been sold out, while there was still a great demand for it. Would I allow them to reprint “The Bowmen” as a pamphlet, and would I write a short preface giving
the exact authorities for the story? I replied that they might reprint in pamphlet form with all my heart, but that I could not give my authorities, since I had none, the tale being pure invention. The priest wrote again, suggesting–to my amazement–that I must be mistaken, that the main “facts” of “The Bowmen” must be true, that my share in the matter must surely have been confined to the elaboration and decoration of a veridical history. It seemed that my light fiction had been accepted by the congregation of this particular church as the solidest of facts; and it was then that it began to dawn on me that if I had failed in the art of letters, I had succeeded, unwittingly, in the art of deceit. This happened, I should think, some time in April, and the snowball of rumour that was then set rolling has been rolling ever since, growing bigger and bigger, till it is now swollen to a monstrous size.
It was at about this period that variants of my tale began to be told as authentic histories. At first, these tales betrayed their relation to their original. In several of them the vegetarian restaurant appeared, and St. George was the chief character. In one case an officer–name and address missing–said that there was a portrait of St. George in a certain London restaurant, and that a figure, just like the portrait, appeared to him on the battlefield, and was invoked by him, with the happiest results. Another variant–this, I think, never got into print–told how dead Prussians had been found on the battlefield with arrow wounds in their bodies. This notion amused me, as I had imagined a scene, when I was thinking out the story, in which a German general was to appear before the Kaiser to explain his failure to annihilate the English.
“All-Highest,” the general was to say, “it is true, it is impossible to deny it. The men were killed by arrows; the shafts were found in their bodies by the burying parties.”
I rejected the idea as over-precipitous even for a mere fantasy. I was therefore entertained when I found that what I had refused as too fantastical for fantasy was accepted in certain occult circles as hard fact.
Other versions of the story appeared in which a cloud interposed between the attacking Germans and the defending British. In some examples the cloud served to conceal our men from the advancing enemy; in others, it disclosed shining shapes which frightened the horses of the pursuing German cavalry. St. George, it will he noted, has disappeared–he persisted some time longer in certain Roman Catholic variants–and there are no more bowmen, no more arrows. But so far angels are not mentioned; yet they are ready to appear, and I think that I have detected the machine which brought them into the story.
In “The Bowmen” my imagined soldier saw “a long line of shapes, with a shining about them.” And Mr. A.P. Sinnett, writing in the May issue of The Occult Review, reporting what he had heard, states that “those who could see said they saw ‘a row of shining beings’ between the two armies.” Now I conjecture that the word “shining” is the link between my tale and the derivative from it. In the popular view shining and benevolent supernatural beings are angels, and so, I believe, the Bowmen of my story have become “the Angels of Mons.” In this shape they have been received with respect and credence everywhere, or almost everywhere.
And here, I conjecture, we have the key to the large popularity of the delusion–as I think it. We have long ceased in England to take much interest in saints, and in the recent revival of the cultus of St. George, the saint is little more than a patriotic figurehead. And the appeal to the saints to succour us is certainly not a common English practice; it is held Popish by most of our countrymen. But angels, with certain reservations, have retained their popularity, and so, when it was settled that the English army in its dire peril was delivered by angelic aid, the way was clear for general belief, and for the enthusiasms of the religion of the man in the street. And so soon as the legend got the title “The Angels of Mons” it became impossible to avoid it. It permeated the Press: it would not be neglected; it appeared in the most unlikely quarters–in Truth and Town Topics, The New Church Weekly (Swedenborgian) and John Bull. The editor of The Church Times has exercised a wise reserve: he awaits that evidence which so far is lacking; but in one issue of the paper I noted that the story furnished a text for a sermon, the subject of a letter, and the matter for an article. People send me cuttings from provincial papers containing hot controversy as to the exact nature of the appearances; the “Office Window” of The Daily Chronicle suggests scientific explanations of the hallucination; the Pall Mall in a note about St. James says he is of the brotherhood of the Bowmen of Mons–this reversion to the bowmen from the angels being possibly due to the strong statements that I have made on the matter. The pulpits both of the Church and of Non-conformity have been busy: Bishop Welldon, Dean Hensley Henson (a disbeliever), Bishop Taylor Smith (the Chaplain-General), and many other clergy have occupied themselves with the matter. Dr. Horton preached about the “angels” at Manchester; Sir Joseph Compton Rickett (President of the National Federation of Free Church Councils) stated that the soldiers at the front had seen visions and dreamed dreams, and had given testimony of powers and principalities fighting for them or against them. Letters come from all the ends of the earth to the Editor of The Evening News with theories, beliefs, explanations, suggestions. It is all somewhat wonderful; one can say that the whole affair is a psychological phenomenon of considerable interest, fairly comparable with the great Russian delusion of last August and September.

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Now it is possible that some persons, judging by the tone of these remarks of mine, may gather the impression that I am a profound disbeliever in the possibility of any intervention of the super-physical order in the affairs of the physical order. They will be mistaken if they make this inference; they will be mistaken if they suppose that I think miracles in Judaea credible but miracles in France or Flanders incredible. I hold no such absurdities. But I confess, very frankly, that I credit none of the “Angels of Mons” legends, partly because I see, or think I see, their derivation from my own idle fiction, but chiefly because I have, so far, not received one jot or tittle of evidence that should dispose me to belief. It is idle, indeed, and foolish enough for a man to say: “I am sure that story is a lie, because the supernatural element enters into it;” here, indeed, we have the maggot writhing in the midst of corrupted offal denying the existence of the sun. But if this fellow be a fool–as he is– equally foolish is he who says, “If the tale has anything of the supernatural it is true, and the less evidence the better;” and I am afraid this tends to be the attitude of many who call themselves occultists. I hope that I shall never get to that frame of mind. So I say, not that super-normal interventions are impossible, not that they have not happened during this war–I know nothing as to that point, one way or the other–but that there is not one atom of evidence (so far) to support the current stories of the angels of Mons. For, be it remarked, these stories are specific stories. They rest on the second, third, fourth, fifth hand stories told by “a soldier,” by “an officer,” by “a Catholic correspondent,” by “a nurse,” by any number of anonymous people. Indeed, names have been mentioned. A lady’s name has been drawn, most unwarrantably as it appears to me, into the discussion, and I have no doubt that this lady has been subject to a good deal of pestering and annoyance. She has written to the Editor of The Evening News denying all knowledge of the supposed miracle. The Psychical Research Society’s expert confesses that no real evidence has been proffered to her Society on the matter. And then, to my amazement, she accepts as fact the proposition that some men on the battlefield have been “hallucinated,” and proceeds to give the theory of sensory hallucination. She forgets that, by her own showing, there is no reason to suppose that anybody has been hallucinated at all. Someone (unknown) has met a nurse (unnamed) who has alked to a soldier (anonymous) who has seen angels. But that is not evidence; and not even Sam Weller at his gayest would have dared to offer it as such in the Court of Common Pleas. So far, then, nothing remotely approaching proof has been offered as to any supernatural intervention during the Retreat from Mons. Proof may come; if so, it will be interesting and more than interesting.
But, taking the affair as it stands at present, how is it that a nation plunged in materialism of the grossest kind has accepted idle rumours and gossip of the supernatural as certain truth? The answer is contained in the question: it is precisely because our whole atmosphere is materialist that we are ready to credit anything–save the truth. Separate a man from good drink, he will swallow methylated spirit with joy. Man is created to be inebriated; to be “nobly wild, not mad.” Suffer the Cocoa Prophets and their company to seduce him in body and spirit, and he will get himself stuff that will make him ignobly wild and mad indeed. It took hard, practical men of affairs, business men, advanced thinkers, Freethinkers, to believe in Madame Blavatsky and Mahatmas and the famous message from the Golden Shore: “Judge’s plan is right; follow him and stick.”
And the main responsibility for this dismal state of affairs undoubtedly lies on the shoulders of the majority of the clergy of the Church of England. Christianity, as Mr. W.L. Courtney has so admirably pointed out, is a great Mystery Religion; it is the Mystery Religion. Its priests are called to an awful and tremendous hierurgy; its pontiffs are to be the pathfinders, the bridge-makers between the world of sense and the world of spirit. And, in fact, they pass their time in preaching, not the eternal mysteries, but a twopenny morality, in changing the Wine of Angels and the Bread of Heaven into gingerbeer and mixed biscuits: a sorry transubstantiation, a sad alchemy, as it seems to me.

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The Bowmen


It was during the Retreat of the Eighty Thousand, and the authority of the Censorship is sufficient excuse for not being more explicit. But it was on the most awful day of that awful time, on the day when ruin and disaster came so near that their shadow fell over London far away; and, without any certain news, the hearts of men failed within them and grew faint; as if the agony of the army in the battlefield had entered into their souls.
On this dreadful day, then, when three hundred thousand men in arms with all their artillery swelled like a flood against the little English company, there was one point above all other points in our battle line that was for a time in awful danger, not merely of defeat, but of utter annihilation. With the permission of the Censorship and of the military expert, this corner may, perhaps, be described as a salient, and if this angle were crushed and broken, then the English force as a whole would be shattered, the Allied left would be turned, and Sedan would inevitably follow.
All the morning the German guns had thundered and shrieked against this corner, and against the thousand or so of men who held it. The men joked at the shells, and found funny names for them, and had bets about them, and greeted them with scraps of music-hall songs. But the shells came on and burst, and tore good Englishmen limb from limb, and tore brother from brother, and as the heat of the day increased so did the fury of that terrific cannonade. There was no help, it seemed. The English artillery was good, but there was not nearly enough of it; it was being steadily battered into scrap iron.
There comes a moment in a storm at sea when people say to one another, “It is at its worst; it can blow no harder,” and then there is a blast ten times more fierce than any before it. So it was in these British trenches.
There were no stouter hearts in the whole world than the hearts of these men; but even they were appalled as this seven-times-heated hell of the German cannonade fell upon them and overwhelmed them and destroyed them. And at this very moment they saw from their trenches that a tremendous host was moving against their lines. Five hundred of the thousand remained, and as far as they could see the German infantry was pressing on against them, column upon column, a grey world of men, ten thousand of them, as it appeared afterwards. There was no hope at all. They shook hands, some of them. One man improvised a new version of the battlesong, “Good-bye, good-bye to Tipperary,” ending with “And we shan’t get there”. And they all went on firing steadily. The officers pointed out that such an opportunity for high-class, fancy shooting might never occur again; the Germans dropped line after line; the Tipperary humorist asked, “What price Sidney Street?” And the few machine guns did their best. But everybody knew it was of no use. The dead grey bodies lay in companies and battalions, as others came on and on and on, and they swarmed and stirred and advanced from beyond and beyond.
“World without end. Amen,” said one of the British soldiers with some irrelevance as he took aim and fired. And then he remembered-he says he cannot think why or wherefore–a queer vegetarian restaurant in London where he had once or twice eaten eccentric dishes of cutlets made of lentils and nuts that pretended to be steak. On all the plates in this restaurant there was printed a figure of St. George in blue, with the motto, Adsit Anglis Sanctus Geogius–May St. George be a present help to the English. This soldier happened to know Latin and other useless things, and now, as he fired at his man in the grey advancing mass–300 yards away–he uttered the pious vegetarian motto. He went on firing to the end, and at last Bill on his right had to clout him cheerfully over the head to make him stop, pointing out as he did so that the King’s ammunition cost money and was not lightly to be wasted in drilling funny patterns into dead Germans.
For as the Latin scholar uttered his invocation he felt something between a shudder and an electric shock pass through his body. The roar of the battle died down in his ears to a gentle murmur; instead of it, he says, he heard a great voice and a shout louder than a thunder-peal crying, “Array, array, array!”
His heart grew hot as a burning coal, it grew cold as ice within him, as it seemed to him that a tumult of voices answered to his summons. He heard, or seemed to hear, thousands shouting: “St. George! St. George!”
“Ha! messire; ha! sweet Saint, grant us good deliverance!”
“St. George for merry England!”
“Harow! Harow! Monseigneur St. George, succour us.”
“Ha! St. George! Ha! St. George! a long bow and a strong bow.”
“Heaven’s Knight, aid us!”
And as the soldier heard these voices he saw before him, beyond the trench, a long line of shapes, with a shining about them. They were like men who drew the bow, and with another shout their cloud of arrows flew singing and tingling through the air towards the German hosts.
The other men in the trench were firing all the while. They had no hope; but they aimed just as if they had been shooting at Bisley. Suddenly one of them lifted up his voice in the plainest English, “Gawd help us!” he bellowed to the man next to him, “but we’re blooming marvels! Look at those grey… gentlemen, look at them! D’ye see them? They’re not going down in dozens, nor in ‘undreds; it’s thousands, it is. Look! look! there’s a regiment gone while I’m talking to ye.”
“Shut it!” the other soldier bellowed, taking aim, “what are ye gassing about!”
But he gulped with astonishment even as he spoke, for, indeed, the grey men were falling by the thousands. The English could hear the guttural scream of the German officers, the crackle of their revolvers as they shot the reluctant; and still line after line crashed to the earth.
All the while the Latin-bred soldier heard the cry: “Harow! Harow! Monseigneur, dear saint, quick to our aid! St. George help us!”
“High Chevalier, defend us!”
The singing arrows fled so swift and thick that they darkened the air; the heathen horde melted from before them.
“More machine guns!” Bill yelled to Tom.
“Don’t hear them,” Tom yelled back. “But, thank God, anyway; they’ve got it in the neck.”
In fact, there were ten thousand dead German soldiers left before that salient of the English army, and consequently there was no Sedan. In Germany, a country ruled by scientific principles, the Great General Staff decided that the contemptible English must have employed shells containing an unknown gas of a poisonous nature, as no wounds were discernible on the bodies of the dead German soldiers. But the man who knew what nuts tasted like when they called themselves steak knew also that St. George had brought his Agincourt Bowmen to help the English.

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One of the great war poets, friends with Robert Graves, Lawrence and Winifred Owens. His work has always touched me, but I think this is the first time I have put his works on Turfing. I hope you enjoy it, and give some thought to the veterans on Armistice/Veterans Day. A poppy for your thoughts…

-Gwyllm
The Poetry of Siegried Sassoon

Daybreak In a Garden

I heard the farm cocks crowing, loud, and faint, and thin,

When hooded night was going and one clear planet winked:

I heard shrill notes begin down the spired wood distinct,

When cloudy shoals were chinked and gilt with fires of day.

White-misted was the weald; the lawns were silver-grey;

The lark his lonely field for heaven had forsaken;

And the wind upon its way whispered the boughs of may,

And touched the nodding peony-flowers to bid them waken.

—–

Dead Musicians
I
From you, Beethoven, Bach, Mozart,

The substance of my dreams took fire.

You built cathedrals in my heart,

And lit my pinnacled desire.

You were the ardour and the bright

Procession of my thoughts toward prayer.

You were the wrath of storm, the light

On distant citadels aflare.
II
Great names, I cannot find you now

In these loud years of youth that strives

Through doom toward peace: upon my brow

I wear a wreath of banished lives.

You have no part with lads who fought

And laughed and suffered at my side.

Your fugues and symphonies have brought

No memory of my friends who died.
III
For when my brain is on their track,

In slangy speech I call them back.

With fox-trot tunes their ghosts I charm.

‘Another little drink won’t do us any harm.’

I think of rag-time; a bit of rag-time;

And see their faces crowding round

To the sound of the syncopated beat.

They’ve got such jolly things to tell,

Home from hell with a Blighty wound so neat…

. . . .

And so the song breaks off; and I’m alone.

They’re dead … For God’s sake stop that gramophone.


Dryads

When meadows are grey with the morn

In the dusk of the woods it is night:

The oak and the birch and the pine

War with the glimmer of light.
Dryads brown as the leaf

Move in the gloom of the glade;

When meadows are grey with the morn

Dim night in the wood has delayed.
The cocks that crow to the land

Are faint and hollow and shrill:

Dryads brown as the leaf

Whisper, and hide, and are still.

Idyll

In the grey summer garden I shall find you

With day-break and the morning hills behind you.
There will be rain-wet roses; stir of wings;

And down the wood a thrush that wakes and sings.

Not from the past you’ll come, but from that deep

Where beauty murmurs to the soul asleep:

And I shall know the sense of life re-born

From dreams into the mystery of morn

Where gloom and brightness meet. And standing there

Till that calm song is done, at last we’ll share

The league-spread, quiring symphonies that are

Joy in the world, and peace, and dawn’s one star.

—-

The Last Meeting

I
Because the night was falling warm and still

Upon a golden day at April’s end,

I thought; I will go up the hill once more

To find the face of him that I have lost,

And speak with him before his ghost has flown

Far from the earth that might not keep him long.
So down the road I went, pausing to see

How slow the dusk drew on, and how the folk

Loitered about their doorways, well-content

With the fine weather and the waxing year.

The miller’s house, that glimmered with grey walls,

Turned me aside; and for a while I leaned

Along the tottering rail beside the bridge

To watch the dripping mill-wheel green with damp.

The miller peered at me with shadowed eyes

And pallid face: I could not hear his voice

For sound of the weir’s plunging. He was old.

His days went round with the unhurrying wheel.
Moving along the street, each side I saw

The humble, kindly folk in lamp-lit rooms;

Children at table; simple, homely wives;

Strong, grizzled men; and soldiers back from war,

Scaring the gaping elders with loud talk.
Soon all the jumbled roofs were down the hill,

And I was turning up the grassy lane

That goes to the big, empty house that stands

Above the town, half-hid by towering trees.

I looked below and saw the glinting lights:

I heard the treble cries of bustling life,

And mirth, and scolding; and the grind of wheels.

An engine whistled, piercing-shrill, and called

High echoes from the sombre slopes afar;

Then a long line of trucks began to move.
It was quite still; the columned chestnuts stood

Dark in their noble canopies of leaves.

I thought: ‘A little longer I’ll delay,

And then he’ll be more glad to hear my feet,

And with low laughter ask me why I’m late.

The place will be too dim to show his eyes,

But he will loom above me like a tree,

With lifted arms and body tall and strong.’
There stood the empty house; a ghostly hulk

Becalmed and huge, massed in the mantling dark,

As builders left it when quick-shattering war

Leapt upon France and called her men to fight.

Lightly along the terraces I trod,

Crunching the rubble till I found the door
That gaped in twilight, framing inward gloom.

An owl flew out from under the high eaves

To vanish secretly among the firs,

Where lofty boughs netted the gleam of stars.

I stumbled in; the dusty floors were strewn

With cumbering piles of planks and props and beams;

Tall windows gapped the walls; the place was free

To every searching gust and jousting gale;

But now they slept; I was afraid to speak,

And heavily the shadows crowded in.
I called him, once; then listened: nothing moved:

Only my thumping heart beat out the time.

Whispering his name, I groped from room to room.
Quite empty was that house; it could not hold

His human ghost, remembered in the love

That strove in vain to be companioned still.
II
Blindly I sought the woods that I had known

So beautiful with morning when I came

Amazed with spring that wove the hazel twigs

With misty raiment of awakening green.

I found a holy dimness, and the peace

Of sanctuary, austerely built of trees,

And wonder stooping from the tranquil sky.
Ah! but there was no need to call his name.

He was beside me now, as swift as light.

I knew him crushed to earth in scentless flowers,

And lifted in the rapture of dark pines.

‘For now,’ he said, ‘my spirit has more eyes

Than heaven has stars; and they are lit by love.

My body is the magic of the world,

And dawn and sunset flame with my spilt blood.

My breath is the great wind, and I am filled

With molten power and surge of the bright waves

That chant my doom along the ocean’s edge.
‘Look in the faces of the flowers and find

The innocence that shrives me; stoop to the stream

That you may share the wisdom of my peace.

For talking water travels undismayed.

The luminous willows lean to it with tales

Of the young earth; and swallows dip their wings

Where showering hawthorn strews the lanes of light.
‘I can remember summer in one thought

Of wind-swept green, and deeps of melting blue,

And scent of limes in bloom; and I can hear

Distinct the early mower in the grass,

Whetting his blade along some morn of June.
‘For I was born to the round world’s delight,

And knowledge of enfolding motherhood,

Whose tenderness, that shines through constant toil,

Gathers the naked children to her knees.

In death I can remember how she came

To kiss me while I slept; still I can share

The glee of childhood; and the fleeting gloom

When all my flowers were washed with rain of tears.
‘I triumph in the choruses of birds,

Bursting like April buds in gyres of song.

My meditations are the blaze of noon

On silent woods, where glory burns the leaves.

I have shared breathless vigils; I have slaked

The thirst of my desires in bounteous rain

Pouring and splashing downward through the dark.

Loud storm has roused me with its winking glare,

And voice of doom that crackles overhead.

I have been tired and watchful, craving rest,

Till the slow-footed hours have touched my brows

And laid me on the breast of sundering sleep.’
III
I know that he is lost among the stars,

And may return no more but in their light.

Though his hushed voice may call me in the stir

Of whispering trees, I shall not understand.

Men may not speak with stillness; and the joy

Of brooks that leap and tumble down green hills

Is faster than their feet; and all their thoughts

Can win no meaning from the talk of birds.
My heart is fooled with fancies, being wise;

For fancy is the gleaming of wet flowers

When the hid sun looks forth with golden stare.

Thus, when I find new loveliness to praise,

And things long-known shine out in sudden grace,

Then will I think: ‘He moves before me now.’

So he will never come but in delight,

And, as it was in life, his name shall be

Wonder awaking in a summer dawn,

And youth, that dying, touched my lips to song.
-Flixécourt. May 1916

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Bombay Dub Orchestra Compassion RMX 09

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