Beastly Two…

It is Thursday here, and the clouds are socked in… Fallish here already it feels, supposedly we are to heat up soon. Couldn’t tell it with this morning…

We are finishing up on our Crowley installment, and back to other matters tomorrow. Do try and check the article out, excellent. I always found RAW’s take on Crowley refreshing.

Strange, I am almost tongue tied today, so I will take that as a sign…

Gotta Hop,

G

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The Stoned Links

Part II: “The Great Beast – Aleister Crowley” – Robert Anton Wilson

Poetry:Aleister Crowley

Art: Alain Margotton

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Stoned Links….

Character from ‘Weeds’ Opens Pro-Pot Temple on Hollywood Blvd. – Temple 420 to Be a Hit!

Israeli stoners against Hizbullah

5 Top TV Appearances of Stoners…

Nevada Conservatives Against the War on Drugs

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Part II: “The Great Beast – Aleister Crowley” – Robert Anton Wilson

Originally published in:Paul Krassner’s The Realist Issues 91-B, C, 92-A, B (1971-2)

But meanwhile came the Chinese Mindfuck.

IX — The Hermit

Wander alone; bearing the Light and thy Staff. – The Book of Thoth

One day in Rangoon, in 1905, Crowley happened to mention to a man named Thornton that there is no necessary connection between the separate quanta of sense-impression. Philosophy-buffs are aware that this has been observed by David Hume, among others, and Thornton replied with another truism, pointing out that there is no necessary connection between the successive states of the ego, either.

The beast, naturlich, was aware that the Buddha had spotted that disturbing fact a long time ago, but suddenly the full import of it hit home to him on an emotional level.

Chew on it: he could not absolutely prove that there was an external world to Aleister Crowley, but merely that there appeared to be a tendency for sense-impressions to organize themselves to suggest such a world, Lord help us; and he could not absolutely demonstrate that there was an “Aleister Crowley” doing this organizing but only that there seems to be a tendency to aggregate internal impressions in such a way as to suggest such an entity. (Get the Librium, mother). All intelligent people have noticed that at one time or another – and quickly brushed it aside, to carry on in the only way that seems pragmatically justified, assuming the reality of the World and the Self.

The Beast, after the workings of his Magick, the experience of his dhyana (in which Self, indeed, had vanished for a time) and his encounter with the ever-lovin’ Aiwass, was not satisfied to rest in assuming anything.

There was no absolute proof that he had ever achieved dhyana, for instance, but only a tendency to organize some impressions into a category called “memory and to assume that they corresponded to “real” events in a time called the “past.” Nor could reason alone prove that he had seen a “miracle” in “Cairo,” or performed “Magick” in “London,” or suffered in a “school” run by “Plymouth Brethren,” or had a “biological” “relationship” “with” “beings” know as “Father” and “Mother.”

“About now,” he scribbled in his diary on November 19, “I may count my Speculative Criticism of the Reason as not only proved and understood, but realized. The misery of this is simply sickening – I can write no more.”

He started on a walking journey across China with his wife and daughter, or his earth-body did; his mind was on a far weirder trip. “He had become insane,” writes unsympathetic biographer John Symonds in The Great Beast; “If this happened to any of us,” adds sympathetic biographer Israel Regardie in The Eye in the Triangle, “we too might feel we had become insane.” Of course, lately it has happened to a lot of us, thanks to the free enterprise pharmacopia of the streets, and we know with bitter memory what the suffering Beast was going through.

And it wasn’t six or ten hours in his case; it lasted four solid months, while China drifted by like the eye in the triangle. We’ve been there, and some of us did the Steve Brodie out the window (the triangle?) and never came back and some of us found weird clues in songs like “Helter Skelter” – what triangle? – Rocky Raccoon went up to his room and Sharon Tate must die – doesn’t it? – Because John Lennon wouldn’t lie to us when a man is crashing out like American life bomb went authoritarian (what eye?) – So we’ll write PIG on the wall and they’ll blame it on the spades, see? Oh, yes, Charlie, I see – Sixty-four thousand, nine hundred twenty-eight, because 7-Up Commercials and we start from Void and anything we manufacture is necessarily composed of the elements of Void even when you call it your Self or your World – And then there was the strawberries…

Manson, hell; you could turn into Nixon that way.

X – Fortune

The axle moveth not; attain thou that. – The Book of Thoth

The Beast described this 120-Days-of-Bedlam in a poem called Aha!:

The sense of all I hear is drowned;

Tap, tap, tap and nothing matters!

Senseless hallucinations roll

Across the curtain of the soul.

Each ripple on the river seems

The madness of a maniac’s dreams!

So in the self no memory-chain

Or casual wisp to bind the straws!

The Self disrupted! Blind, insane,

Both of existence and of laws,

The Ego and the Universe

Fall to one black chaotic curse…

As I trod the trackless way

Through sunless gorges of Cathay,

I became a little child!

“The are waiting for you,” Rose, in a trance, had said, a year earlier. “It’s about the Child.”

When Crowley returned to England, after becoming “a little child,” he received a letter from chemist George Cecil Jones, a friend in the Golden Dawn. Jones, who recognized what happened, wrote: “How long have you been in the Great Order, and why did I not know? Is the invisibility of the A.A. to lower grades so complete?”

Israel Regardie, a biographer sympathetic to Crowley, but dubious about the existence of the A.A. (the Third Order, or Great White Brotherhood, behind the Rose of Ruby and Cross of Gold) comments thoughtfully, “I do not wholly understand this.”

Herman Hess, who described the Third Order very clearly in Journey to the East, gives the formula for initiation in Steppenwolf:

PRICE OF ADMISSION: YOUR MIND

XI – Lust

Mitigate Energy with Love; but let Love devour all things. – The Book of Thoth

One act remained in the drama of initiation: the achievement of the Knowledge and Conversation of the Holy Guardian Angel. This most difficult of all magical operations had been started anew even before Crowley left China, and, for all of his previous failures, he was determined to complete it successfully this time. As mentioned earlier, this invocation takes six months and requires a rather full battery of magical and mystical techniques.

Sometime after his return to England, the Beast arranged to have George Cecil Jones “crucify” him (I am not totally sure what this means, but suspension on a cross, even via ropes, gets quite painful in a very short while) and, while hanging on the cross, he swore an oath as follows: “I,Purdurabo, a member of the Body of Christ, do hereby solemnly obligate myself… and will entirely devote my life so as to raise myself to the knowledge of my higher and Divine Genius that I shall be He.”

In Chapter 9, “The Redemption of Frank Bennett,” in The Magick of Aleister Crowley, John Symonds tells how with a few words Crowley brought a species of Samadhi or Satori to Frank Bennett, a magician who had been striving unsuccessfully for that achievement over many decades.

The words wore, in effect, that the Real Self or Holy Guardian Angel is nothing else but the integration that occurs when the conscious and subconscious are no longer segregated by repression and inhibition. It is only fair to warn seekers after either-or answers that in Magick Without Tears Crowley flatly denies this and asserts that the Angel is a separate “Being… of angelic order… more than a man…”

After the Crucifixion, the King of Depravity went on plowing his way through the required 180 days (the essence of the Abra-Melin operation is “Invoke Often”) and adding other various techniques.

On October 9, 1906 The Beast recorded in his Magical Diary:

“Tested new ritual and behold it was very good… I did get rid of everything but the Holy Exalted One, and must have held Him for a minute or two. I did. I am sure I did.”

On October 10, he added: “I am still drunk with Samadhi all day.” And a few days later, “Once again I nearly got there – all went brilliance – but not quite.” By the end of the month, there was no longer any doubt. Eight years after commencing the practice of Magick, Aleister Crowley had achieved the Knowledge and Conversation of the Holy Guardian Angel.

XII — The Hanged Man

And, being come to the shore, plant thou the Vine and rejoice without shame. – The Book of Thoth

The Beast lived on for 41 more years, and did work many wonders and quite a few blunders in the world of men and women. In 1912, he became the English head of the Ordo Templi Orientis, a secret Masonic group tracing direct decent from Knights Templar. In 1915, he achieved a vision of the total explanation of the universe, but afterwards was only able to record, “Nothing, with twinkles – but WHAT twinkles.”

In 1919, he founded the Abbey of Theleme in Sicily – but was quickly expelled by a moralist named Benito Mussolini after English newspapers exposed the scandalous sex-and-dope orgies that allegedly went on there.

Somewhere along the line, he became the Master of the A.A. or Great White Brotherhood (assuming it ever existed outside his own head, which some biographers doubt) and began teaching other Magicians all over the world.

He married, and divorced, and married, and divorced.

He wrote The Book of Thoth, in which, within the framework of a guide to divination by Tarot cards, he synthesized virtually all the important mystical teachings of East and West; we have used it for our chapter-heads.

He landed on Bedloes Island one day, representing the IRA, and proclaimed the Irish Republic, repudiating his English citizenship.

He wrote The Book of Lies, a collection of mind-benders that would flabbergast a Zen Master, including the pregnant question, “Which is Frater Perdurabo and which is the Imp Crowley?” He got hooked on heroin; kicked it; got hooked again; kicked again; got hooked again…

He died, and his friends buried him with a Gnostic Catholic Mass which the newspapers called Black.

But he is best remembered for writing in 1928 in Magick in Theory and Practice that the most potent invocation involves human sacrifice, that the ideal victim is “a male child of perfect innocence and high intelligence,” and that he had performed this rite an average of 150 times per year since 1912.

XIII – Death

… all Acts of Love contain Pure Joy. Die daily. – The Book of Thoth

Crowley’s admirers, of course, claim that he was engaged in one of his manic jokes when he boasted of performing human sacrifice 150 times a year; he was not joking at all, as we shall see.

Even his bitterest critics (except Rev. Montague Sumners, who was capable of believing anything) admit that it’s unlikely that a man whose every move was watched by newspapers and police could polish off 150 victims a year without getting caught; but they are, most of them, not above adding that this ghastly jest indicates the perversity of his mind, and, after all (summoning those great and reliable witnesses, Rumor and Slander) there was some talk about Sicilian infants disappearing mysteriously when he was running his Abbey of Thelema there…

We have got to come to a definitive conclusion about this matter or we will never grasp the meaning of his life, the value of his Magick, the cause of his vilification, or the true meaning of the Knowledge and Conversation of the Holy Guardian Angel.

XIV – Art

… make manifest the Virtue of that Pearl. – The Book of Thoth

In 1912, we said, the Beast became English head of the Ordo Templi Orientis. This occurred in a quite interesting manner: Theodore Reuss, Head of that Order in Germany, had come to him and implored him to stop publishing their occult secrets in his magazine, Equinox.

The Beast (who had been publishing some of the secrets of the English Rosicrucians – but this wasn’t one of them) protested that he didn’t know anything about the O.T.O. and its mysteries. Reuss then proclaimed that the Beast did know, even if he had discovered it independently, and that he must accept membership in the 9th degree with the accompanying pledges and responsibilities.

The Beast, who was already a 33-degree Freemason, thanks to a friend in Mexico City, accepted – and found that his “new ritual” to invoke the Holy Guardian Angel in 1906 was the most closely-guarded secret of the Ordo Templi Orientis.

“Now the O.T.O. is in possession of one supreme secret,” the Beast writes in his Confessions. “The whole of its systems… was directed towards communicating to its members, by progressively plain hints, this all-important instruction. I personally believe that if this secret, which is a scientific secret, were perfectly understood, as it is not even by me after more than twelve years’ almost constant study and experiment, there would be nothing which the human imagination can conceive that could not be realized in practice.”

Israel Regardie, the Beast’s most perceptive biographer, comes close to revealing the secret in a book called The Tree of Life. However, he remarks that the method in question is “so liable to indiscriminate abuse and use in Black Magic” that it is not safe to reveal it directly; he therefore employs a symbolism which, like a Zen riddle, can be decoded only after one had achieved certain spiritual insights.

Charlie Manson understands at least part of this Arcanum of Arcanums; his misuse of it is a classic example of the danger warned of by Crowley in Liber O: “he will be the slave of illusion and the prey of madness… His Ego will expand unchecked, till he seem to himself to have heaven at his feet…”

The secret, of course, is the formula of the Rose and Cross which, as Frazier demonstrated in The Golden Bough, is the magic foundation under all forms of religion.

XV — The Devil

With thy right Eye create all for thyself… – The Book of Thoth

A word about Evil; the Beast’s frequent injunctions to “explore every possibility of the Self” and realize your True Will etc. have often been misunderstood, especially when quoted out of context, in which case he sounds battier than those armchair enthusiasts of mayhem and murder, Stirner and Nietzsche and Sorel.

But the Beast was not an armchair philosopher, but rather an explorer, mountain-climber and big-game hunter who knew violence and sudden death well enough to call by their first names; he did not romanticize them. Her are his actual instructions about Evil from Liber V, an instruction manual of the A.A.:

“The Magician should devise for himself a definite technique for destroying “evil.” The essence of such practice will consist in training the mind and body to confront things which cause fear, pain, disgust, shame and the like. He must learn to endure them, then to become indifferent to them, then to become indifferent to them, then to analyze them until they give pleasure and instruction, and finally to appreciate them for their own sake, as aspects of Truth. When this has been done, he should abandon them if they are really harmful in relation to health or comfort…

“Again, one might have a liaison with an ugly old woman until one beheld and love the star which she is; it would be too dangerous to overcome this distaste for dishonesty by forcing oneself to pick pockets. Acts which are essentially dishonorable must not be done; they should be justified only by calm contemplation of their correctness in abstract cases.”

Digest carefully that last sentence. These shrewd and pragmatic counsels are not those of a bloody-minded fool.

XVI – The Tower

Break down the fortress of thine Individual Self that thy Truth may spring free from the ruins. – The Book of Thoth

Now, The Morning of the Magicians by Pauwels and Bergier was a best-seller, especially in the hip neighborhoods, so I can assume that many of my readers are aware of the strange evolution of some forms of Rosicrucianism and Illuminism in 19th Century Germany. Such Readers are aware that there is certain evidence – not a little evidence, but a great deal of it – indicating that Adolph Hitler joined something called the Thule Society in Munich in 1923, and then later obtained admission to its inner circle, the Illuminated Lodge, and that it was here he acquired certain ideas about the value of human sacrifice.

It is, in fact, not only possible but probable that the attempted extermination of European Jewry was not only the act of insane racism but a religious offering to gods who demanded rivers of human blood.

The same psychology possessed by the Aztecs toward the end. The omens, the oracles, the astrological skryings all pointed to doom, and the blood sacrifices correspondingly multiplied exponentially, hysterically, incredibly… and south in Yucatan much earlier, the Mayans, who always tired to restrict the blood sacrifice to one or two a year, deserted their cities for an unknown reason and fled back to the jungle; they shared the same astrological beliefs as the Aztecs, and it is plausible to suggest that they ran away from a similar oracle telling them that only more blood could preserve the empire.

In fact – I note this only for the benefit of future students of paranoia – a similar theory about our own glorious rulers has sometimes crossed my own mind. Why not? Every time an S-M club is raided by the fuzz, the newspapers mutter vaguely that among the clientele were “prominent” and “high-placed” individuals; and don’t ever tell me, Clyde, that those birds actually believe the milk-water “liberal” Judeo-Christian faith that they mouth in their public speeches.

Is this the answer to the question we all keep asking – year after unbelievable year, with growing disgust and despair and dementia – Why are we in Vietnam? “Many gods demand blood” the Beast once commented sardonically – “especially the Christian god.”

XVII – The Star

…burn up thy thought as the Phoenix. – The Book of Thoth

And, yes, there is a link between Crowley and Hitler. Douglas Hunt, the Beast’s most hysterically unfair critic said so in his Exploring the Occult, and he was closer to the bullseye than the Beast’s admirers. There is a link, but it is relationship of reciprocity, for Hitler and Crowley are the reverse of each other. Thus (and now we plunge to the heart of the riddle) here are the mind-bending, gut-turning words from Chapter XII, “Of the Bloody Sacrifice and Matters Cognate,” in Magick in Theory and Practice:

“In any case it was the theory of ancient Magicians that any living being is a storehouse of energy varying in quantity according to the size and health of the animal and in quality according to its mental and moral character. At the death of the animal this energy is liberated suddenly.

“For the highest spiritual working one must accordingly choose that victim which contains the greatest and purest force. A male child of perfect innocence and high intelligence is the must satisfactory and suitable victim.”

A footnote is appended here, not at the end of this sentence but attached to the word “intelligence.” This footnote is perhaps the most famous sentence the Beast ever wrote:

“It appears from the Magical Records of Frater Perdurabo (i.e., Crowley himself) that He made this particular sacrifice on an average about 150 times every year between 1912 e.v. and 1928 e.v.”

This certainly seems clear, and horrible, enough, but the chapter concludes with the following further remarks:

“You are also likely to get in trouble over this chapter unless you truly comprehend its meaning…

“The whole idea of the word Sacrifice, as commonly understood, rests upon an error and superstition, and is unscientific. Let the young Magician reflect upon the conservation of Matter and of Energy…

“There is a traditional saying that whenever an Adept seems to have made a straightforward, comprehensible statement, then it is most certain that He means something entirely different…

“The radical error of all uninitiates is that they define “self” as irreconcilably opposed to “not-self.” Each element of oneself is, on the contrary, sterile and without meaning, until it fulfils itself, by “love under will,” in its counterpart in the Macrocosm. To separate oneself from others is to lose that self – its sense of separateness – in the other.”

The chapter, let us remember, is called “Of the Bloody Sacrifice: and Matters Cognate,” and the Beast was a precise, almost pathologically sensitive, stylist. If the whole discussion was about the “bloody sacrifice,” where the duce are the “matters cognate”? And why does the footnote modify “male child of perfect innocence and high intelligence” instead of the last word in the sentence, “victim”?

Let us review: The Beast originally failed in the invocation of the Holy Guardian Angel; his final success came after:

(a) his success in both the physical and mental disciplines of yoga.

(b) the achievement of accomplished skill in astral voyaging, and

(c) the death of the mind in China, after which he himself became “a little child;” the new ritual which successfully invoked the Angel in 1906 was the same which the Ordo Templi Orientis had kept as a secret for unknown centuries – presumably, other occult groups here and there, like the Beast, have also discovered it independently; because of his oath as a 9th degree member of the O.T.O., the Beast could not disclose it publicly; due to his love of both poetry and cabalism, we can be sure that the code in which he hints at it – the language of bloody sacrifice – would have some innate and existential (not merely accidental) correspondence with the true secret. Finally, the ritual seems somehow connected with “love under will” and losing (the) self – its sense of separateness – in the other.”

But some readers already know the secret and others have guessed…

XVIII – The Moon

Let the Illusion of the world pass over thee, unheeded. – The Book of Thoth

Ezra Pound has remarked somewhere that Frazer’s Golden Bough, all 12 fat volumes, can be condensed into a single sentence, to wit: All religions are either based on the idea that copulation is good for the crops or one the idea that copulation is bad for the crops.

In fact, one can generalize that even the highest forms of mysticism are similarly bifurcate, some going back to ideas derived from the orgy and some to ideas derived from the ritual murder.

Leo Frobenius, in a series of heavy Germanic treatises on anthropology still untranslated from the Deutsch, has demonstrated, or attempted to demonstrate, a periodic oscillation between these two systems of magick, which he calls Matriarchal and Patriarchal. Two spin-offs from the Frobenius thesis in English are Joseph Campbell’s The Masks of God and Rattray Taylor’s Sex In History.

The Beast himself (aided by the handy revelations of friend Aiwass) suggests that magicko-religious history, at least in the Occident, has passed through The Age of Isis(primitive matriarchy), the Age of Osiris or the Dying God (civilized patriarchy, including Christianity) and is presently entering The Age of Horus, the Crowned and Conquering Child, in which woman will appear” no longer the mere vehicle of the male counterpart, but armored and militant.”

How’s that for a prophecy of Women’s Lib?

Thus, if the orgy is the sacrament of The Age of Isis, as Frazer indicates, the dying god – or the dying population – is the sacrament of the Age of Osiris. The link between ritual sex and ritual murder is not merely historical or sequential: they are the same sacrament in two different forms.

And the latter becomes magically necessary whenever the former is no longer functionally possible [unreadable] chenever. That is, orgasm is no longer a true [although temporary] “death” and becomes only the “sneeze of the genitals” which all forms of psychotherapy are admittedly or overtly trying to alleviate.

It is a truism that, on the psychological plane, repressed or unsatisfied sex seeks relief in sadism or masochism: it is more true on the astral or magical plane (whatever that is) that is the spiritual spasm cannot be found through love, it must be sought in violence.

And so we see that human sacrifice is the characteristic sacrament of such peoples as the Aztecs (read any history of Mexico to find out how much male chauvinism, prudery and Nixonian macho they wallowed in), the Holy Inquisitors of the middle ages, the Nazis, and some power elites closer to home; while matriarchal cultures such as the Danubians of pre-historic Europe, the pre-Chou folk of China, the first dwellers in the fertile crescent, etc have left behind clear evidence of an equal and opposite ritualized eroticism, some of which has survived via the Taoists in china, The Tantrists in India, the “Old Religion” or witch cult in Europe…

But the Beast was not trying to reinstate the Age of Isis, like these; his magick, he tells us again and again, is preparation for the Age of Horus.

XIX – The Sun

Make Speech and Silence, Energy and Stillness, twin forms of thy play. – The Book of Thoth

Even outside the Manson Family, there is a lot of religious balling going on these days by people who have rediscovered part of the ritual of Isis; what the Beast was teaching was nothing as facile as this. The following words from Chapter VII, “The Formula of the Holy Graal,” in Magick are meant with dreadful literalness:

“The Cup is said to be full of the Blood of the Saints; that is, every ‘saint’ or magician must give the last drop of his life’s blood to that cup (in) the true Bridal of the Rosy Cross…

“It is a woman whose Cup must be filled. It is…the sacrifice of the Man, who transfers life to his descendents…For it is his whole life that the Magus offers to Our Lady. The Cross is both Death and Generation, and it is on the Cross that the Rose blooms…”

The sacrifice must be a real death, a true Rosy Crucifixion, if it is to replace the more violent magic of the Osirian Age. I forbear further quotation, for the secret is concealed beneath many a veil throughout the Beast’s works, but it involves at least: a mastery of pranayama, allowing the postponement of orgasm until the magick working is performed at length and in properly exalted enthusiasm; skill in astral voyaging, so the astral body may be busy in its own plane also; perfection in dharana, so that one ray of the mind remains in perfect coordination on the symbol of the Holy Guardian Angel.

What happens, then, can be considered either the true, natural oceanic orgasm which the Patriarchal Age has tended to destroy – or a new and artificial creation produced by this complicated yoga. It’s the same debate we hear endlessly about acid: does it restore our “natural” form of perception, or does it “artificially” create a new form?

And, thus, we can understand Horus, the Crowned and Conquering Child, who is being created. He is “the Child” that Rose’s Cairo vision invoked; the “little child” that the Beast became after his bad trip to China; “the male child of perfect innocence and high intelligence” who was sacrificed an hundred and fifty times a year after 1912; the Beast himself; and also Aiwass, the Holy Guardian Angel, both an internal aspect of Crowley’s mind and a separate “Being…of angelic order…more than a man,” for the question posed by the materialist (“Inside or outside? Subjective or objective?”) loses meaning in that trance of Samadhi where all the opposites are transcended into a unity that is also a void.

XX – The Aeon

Be every Act an Act of Love and Worship. – The Book of Thoth

In an early issue of his magazine Equinox, the Beast wrote with uncharacteristic solemnity:

I. The world progresses by virtue of the appearance of Christs (geniuses).

II. Christs (geniuses) are men with super-consciousness of the highest order.

III. Super-consciousness of the highest order is obtainable by known methods.

Therefore, by employing the quintessence of known methods we cause the world to progress.

In the first issue, in a more characteristic vein, he wrote:

We place no reliance

On Virgin or Pigeon

Our method is Science

Our aim is Religion

He did his work seriously and humorously, stubbornly and flexibly, wisely and sometimes unwisely, synthesizing – from High Magick and from yoga, from Cabalism and the Koran, from experiments with hashish and peyote and nitrous oxide to years of study of the Tarot and comparative religion, slowly extracting “the quintessence of known methods.”

After him came Wilhelm Reich, who discovered the same quintessence independently, and was also hounded, vilified and slandered. And after Reich was Timothy, who finally let the djinn out of the bottle and in a decade changed the face of the world by a century’s worth.

But the Beast started the Revolution, and some of us now see that it is the essential Revolution, far more important than that of economics, and that he and his good buddy Aiwass defined it better than Marx or even better than the frontal-lobe anarchists, when they (he?) wrote in The Book of the Law:

Do what thou wilt shall be the whole of the law…

To worship me take wine and strange drugs whereof I will tell my prophet, & be drunk thereof!…

There is no law beyond Do what thou wilt…

It is a lie, this folly against self…

I am alone: there is no God where I am…

Every man and every woman is a Star…

The word of Sin is restriction…

Remember all ye that existence is pure joy;

that all the sorrows are but shadows; they pass

and are done; but there is that which remains…

Love is the law, love under will…

For the Age of the Child is upon us; and those who seek to preserve the Aeon of Osiris and death are themselves only dying dinosaurs.

XXI – The Universe

And blessing and worship to the prophet of the lovely Star. – The Book of Thoth

And yet – and yet – Manson reminds us, our brothers and sisters in the Movement remind us, sometimes our own unexpected behavior reminds us: there have been such millennial voices often in the past and they have been heralds not of a Golden Dawn but only of a false dawn.

If there is on central lesson to be learned from the Beast, it is not really Do what thou wilt shall be the whole of the law, which has been around since Rabelais; not even the more profound and gnomic Every man and every woman is a Star; not even the formula of the Perfect Orgasm for which Norman has been searching so loudly and forlornly lo! these many years; it is rather his humor, his skepticism, his irony that reveled in the title of Beast and, even, at times, Ass; the rationality that warned against becoming “the prey of madness” by trusting one’s visions too quickly, and the common sense which said that, even if good and evil are identical on the Absolute plane, a man operating on the relative plane simply doesn’t enjoy a toothache or invent rationalizations to pick a brother’s pocket; the solemn warning that the sacrament is not completed until the Magician offers “the last drop of his life’s blood” to the Cup, and dies; but, above all these, the simple historical record which reveals that with all the ardor, all the dedication, all the passion he possessed, it still took eight years (including four months’ madness) before he broke down the wall that separates Ego from the true Self and that Self from the Universe.

________________

________________

Poetry: Aleister Crowley

Ave Adonai

[Dedicated to G. M. Marston]

Pale as the night that pales

In the dawn’s pearl-pure pavillion,

I wait for thee, with my dove’s breast

Shuddering, a god its bitter guest-

Have I not gilded my nails

And painted my lips with vermillion ?

Am I not wholly stript

Of the deeds and thoughts that obscure thee?

I wait for thee, my soul distraught

With aching for some nameless naught

In its most arcane crypt-

Am I not fit to endure thee?

Girded about the paps

With a golden girdle of glory,

Dost thou wait me, thy slave who am,

As a wolf lurks for a strayed white lamb?

The chain of the stars snaps,

And the deep of night is hoary!

Thou whose mouth is a flame

With its seven-edged sword proceeding,

Come ! I am writhing with despair

Like a snake taken in a snare,

Moaning thy mystical name

Till my tongue is torn and bleeding!

Have I not gilded my nails

And painted my lips with vermillion?

Yea ! thou art I; the deed awakes,

Thy lightening strikes; thy thunder breaks

Wild as the bride that wails

In the bridegroom’s plumed pavillion!

—–

Pan to Artemis

Uncharmable charmer

Of Bacchus and Mars

In the sounding rebounding

Abyss of the stars!

O virgin in armour,

Thine arrows unsling

In the brilliant resilient

First rays of the spring!

By the force of the fashion

Of love, when I broke

Through the shroud, through the cloud,

Through the storm, through the smoke,

To the mountain of passion

Volcanic that woke —

By the rage of the mage

I invoke, I invoke!

By the midnight of madness: –

The lone-lying sea,

The swoon of the moon,

Your swoon into me,

The sentinel sadness

Of cliff-clinging pine,

That night of delight

You were mine, you were mine!

You were mine, O my saint,

My maiden, my mate,

By the might of the right

Of the night of our fate.

Though I fall, though I faint,

Though I char, though I choke,

By the hour of our power

I invoke, I invoke!

By the mystical union

Of fairy and faun,

Unspoken, unbroken –

The dust to the dawn! –

A secret communion

Unmeasured, unsung,

The listless, resistless,

Tumultuous tongue! –

O virgin in armour,

Thine arrows unsling,

In the brilliant resilient

First rays of the spring!

No Godhead could charm her,

But manhood awoke –

O fiery Valkyrie,

I invoke, I invoke!

—-

The Neophyte

To-night I tread the unsubstantial way

That looms before me, as the thundering night

Falls on the ocean: I must stop, and pray

One little prayer, and then – what bitter fight

Flames at the end beyond the darkling goal?

These are my passions that my feet must read;

This is my sword, the fervour of my soul;

This is my Will, the crown upon my head.

For see! the darkness beckons: I have gone,

Before this terrible hour, towards the gloom,

Braved the wild dragon, called the tiger on

With whirling cries of pride, sought out the tomb

Where lurking vampires battened, and my steel

Has wrought its splendour through the gates of death

My courage did not falter: now I feel

My heart beat wave-wise, and my throat catch breath

As if I choked; some horror creeps between

The spirit of my will and its desire,

Some just reluctance to the Great Unseen

That coils its nameless terrors, and its dire

Fear round my heart; a devil cold as ice

Breathes somewhere, for I feel his shudder take

My veins: some deadlier asp or cockatrice

Slimes in my senses: I am half awake,

Half automatic, as I move along

Wrapped in a cloud of blackness deep as hell,

Hearing afar some half-forgotten song

As of disruption; yet strange glories dwell

Above my head, as if a sword of light,

Rayed of the very Dawn, would strike within

The limitations of this deadly night

That folds me for the sign of death and sin –

O Light! descend! My feet move vaguely on

In this amazing darkness, in the gloom

That I can touch with trembling sense. There shone

Once, in my misty memory, in the womb

Of some unformulated thought, the flame

And smoke of mighty pillars; yet my mind

Is clouded with the horror of this same

Path of the wise men: for my soul is blind

Yet: and the foemen I have never feared

I could not see (if such should cross the way),

And therefore I am strange: my soul is seared

With desolation of the blinding day

I have come out from: yes, that fearful light

Was not the Sun: my life has been the death,

This death may be the life: my spirit sight

Knows that at last, at least. My doubtful breath

Is breathing in a nobler air; I know,

I know it in my soul, despite of this,

The clinging darkness of the Long Ago,

Cruel as death, and closer than a kiss,

This horror of great darkness. I am come

Into this darkness to attain the light:

To gain my voice I make myself as dumb:

That I may see I close my outer sight:

So, I am here. My brows are bent in prayer:

I kneel already in the Gates of Dawn;

And I am come, albeit unaware,

To the deep sanctuary: my hope is drawn

From wells profounder than the very sea.

Yea, I am come, where least I guessed it so,

Into the very Presence of the Three

That Are beyond all Gods. And now I know

What spiritual Light is drawing me

Up to its stooping splendour. In my soul

I feel the Spring, the all-devouring Dawn,

Rush with my Rising. There, beyond the goal,

The Veil is rent!

Yes: let the veil be drawn.

All Things Beastly…

(Well of Daylight The Snow – Jean-Marie Poumeyrol)

Tis a Beastly affair for Wednesday… On to one of my favourite subjects…

On The Menu:

The Links

Part I of “The Great Beast – Aleister Crowley” – Robert Anton Wilson

Poetry: Aleister Crowley

Art: Jean-Marie Poumeyrol

Hope today finds you well.

Enjoy,

G

___________

The Links:

Aegean’s ritual prehistory..

Straight out of ‘Alien’: Giant nests perplex experts

Indians rush to temples to feed “thirsty” idols

Uh, what kind of gods are these again?

_________

Part I: “The Great Beast – Aleister Crowley” – Robert Anton Wilson

Originally published in:Paul Krassner’s The Realist Issues 91-B, C, 92-A, B (1971-2)

O – The Fool

All ways are lawful to innocence. Pure folly is the key to initiation. – The Book of Thoth

Crowley: Pronounced with a crow so it rhymes with holy: Edward Alexander Crowley, b. 1875 d. 1947, known as Aleister Crowley, known also as Sir Aleister Crowley, Saint Aleister Crowley (of the Gnostic Catholic Church), Frater Perdurabo, Frater Ou Mh, To Mega Therion, Count McGregor, Count Vladimir Svareff, Chao Khan, Mahatma Guru Sri Paramahansa Shivaji, Baphomet, and Ipsissimus; obviously, a case of the ontological fidgets – couldn’t make up his mind who he really was; chiefly known as The Beast 666 or The Great Beast; friends and disciples celebrated his funeral with a Black Mass: or so the newspapers said.

Actually it was a Gnostic Catholic Mass (even John Symonds, Crowley’s most hostile biographer, admits that at most it could be called a Grey Mass, not a Black Mass – observe the racist and Christian-chauvinist implications in this terminology, but it was certainly not an orthodox R.C. or Anglican mass, I mean, cripes, the priestess took off her clothes in one part of it, buck naked, and they call that a Mass, gloriosky!

So the town council had a meeting – this was the Ridge, in Hastings, England, 1947, not 1347 – and they passed an ordinance that no such heathen rites would ever be tolerated in any funeral services in their town, not never; I sort of picture them in the kitch Alpine-Balkan garb of Universal Studios’ classic monster epics, and I see Aleister himself, in his coffin, wearing nothing less spectacular than the old black cape of Bela Lugosi: fangs showing beneath his sensual lips: but his eyes closed in deep and divine Samadhi.

Because that’s the sort of images that come to mind when Aleister Crowley is mentioned: this damnable man who identified himself with the Great Beast in St. John’s Revelations in an age when the supernatural is umbilically connected with Universal Studios, Hearst Sunday Supplement I-walked-with-a-zombie-in-my-maidenform-bra gushings and, God’s socks, Today’s Astrology (“Listen, Scoorpio: This month you must look before you leap and remember that prudence is wiser than rashness: Don’t trust that Taurus female in you office” – I repeat: God’s socks and spats); this divine man who became the Logos when Logos was just a word to pencil into Double-Crostics on rainy Sundays; this damnable and divine paradox of a Crowley!

Listen, some critic (I forgot who) wrote of Lugosi “acting with total sincerity and a kind of demented cornball poetry” and the words, like the old crimson-lined black cape, seem tailored equally well for the shoulders of Master Therion, To Mega Therion, the Great Beast, Aleister Crowley. This is the final degradation: this avatar of anarchy, this epitome of rebellion, this incarnation of inconsistency, this man Crowley whom his contemporaries called “The King of Depravity,” The Wickedest Man in the World,” “A Cannibal at Large,” “A Man We’d Like to Hang,” “A Human Beast”; and, with some anti-climax, “A Pro-German and Revolutionary.”

Now, to us, he is quaint. Worse: he is Camp. Worse yet: he is corny.

We don’t even believe his boast that he performed human sacrifice 150 times a year, starting in 1912.

None of these cordial titles was invented by myself. All were used, in Crowley’s life-time, by the newspaper John Bull, in it’s heroic and nigh-interminable campaign to save England from the Beast’s pernicious influence. See P.R. Stephenson, The Legend of Aleister Crowley.

I — The Magician

The True Self is the meaning of the True Will: know Thyself through Thy Way. – The Book of Thoth

For there is no clear way, even on the most superficial level of the gross external data, to say what Edward Alexander Crowley (who called himself Aleister: and other names) really was trying to do with his life and communicate to his fellows.

Witness: here is an Englishman (never forget that: an Englishman, and bloody English at times he could be) who in the stodgiest year, of the dreariest decade of the age we call Victoria, commits technical High Treason, joins the Carlists, accepts a knighthood from Don Carlos himself, denounces as illegitimate all the knighthoods granted by “the Hanoverian usurper” (he also called her a “dumpy German hausfrau” – poor Vicky), yes, and then for years and decades afterward continues, with owl-like obstinacy, with superlative stubbornness, with ham heroism, with promethean pigheadedness, to sign himself “Sir Aleister” – a red flag in the face of John Bull.

But more: the same romantic reactionary, the same very parfet bogus knight, hears that the French authorities, scandalized by the heroic size of the genital on Epstein’s statue of Oscar Wilde, have covered it with a butterfly – and, bien bueno, you guessed it, there he is, at twilight with hammer and chisel, sworn enemy of the Philistines, removing the butterfly and restoring the statue to its pristine purity – but why by all the pot-bellied gods in China, why did he turn that gesture into a joke by walking, the same night, into London’s stuffiest restaurant, wearing the same butterfly over the crotch of his own trousers?

A Harlequin, then, we might pronounce him, ultimately: the archetypal Batty Bard superimposed upon the classic Eccentric Englishman? And with a touch of the Sardonic Sodomist – for didn’t he smuggle homosexual jokes (hidden in puns, codes, acrostics and notarikons) into his various volumes of mystical poetry?

Didn’t it even turn out that his great literary “discovery” the Bagh-I-Muattar [The Scented Garden] was not a discovery at all but an invention – all of it, all, all! from the pious but pederastic Persian original, through the ingenious but innocent English major who translated it (and died heroically in the Boer War), up to the high Anglican clergyman who wrote the Introduction saluting its sanctity but shivering at its salacity – all, all from his own cunning and creative cranium?

Yes: and he even published one volume, White Stains (Krafft-Ebing in verse) with a poker-faced prologue pronouncing that “The Editor hopes the Mental Pathologists, for whose eyes alone this treatise is destined, will spare no precaution to prevent it falling into other hands” – and, hot damn, arranged that the author’s name on the title-page would be given as “George Archibald,” a pious uncle whom he detested.

Sophomore pranks? Yes, but in 1912, at the age of 37, he was still at the same game: that was the year he managed to sell Hail Mary, a volume of versatile verses celebrating the Virgin, to London’s leading Catholic publishers, Burns and Oates: and he even waited until it was favorably reviewed in the Catholic press (“a plenteous and varied feast for the lovers of tuneful verse,” enthused the Catholic Times) before revealing that the real author was not a cloistered nun or an uncommonly talented Bishop, but himself, Satan’s Servant, the Great Beast, the Demon Crowley.

But grok in its fullness this fact: he really did it. You or I might conceive such a jest, but he carried it out: writing the pious verses with just the proper tone of sugary sanctimoniousness to actually sell to a Papist publisher and get cordial reviews in the Romish press – as if Baudelaire had forced himself to write a whole volume of Edgar Guest: And just for the sake of a horse-laugh?

To understand this conundrum of a Crowley we will have to Dig.

II — The High Priestess

Purity is to live only to the Highest: and the Highest is All; be thou as Artemis to Pan. – The Book of Thoth

These jokes sometimes seem to have an obscure point, and one is uneasily suspicious that there might be Hamlet-like method in this madness. Even the alternate identities can be considered more than games: They might be Zen counter-games. Here’s the Beast’s own explanation of the time he became Count Vladimir Svareff, from The Confessions of Aleister Crowley: An Autohagiography.

“I wanted to increase my knowledge of mankind. I knew how people treated a young man from Cambridge. I had thoroughly appreciated the servility of tradesmen, although I was too generous and too ignorant to realize the extent of their dishonesty and rapacity. Now I wanted to see how people would behave to a Russian nobleman. I must say here that I repeatedly used this method of disguise – it has been amazingly useful in multiplying my points of view about humanity. Even the most broad-minded people are necessarily narrow in this one respect. They may know how all sorts of people treat them, but they cannot know, except at second hand, how those same people treat others.”

And the Hail Mary caper has its own sane-insane raison d’etre:

“I must not be thought exactly insincere, though I had certainly no shadow of belief in any of the Christian dogmas… I simply wanted to see the world through the eyes of a devout Catholic, very much as I had done with the decadent poet of White Stains, the Persian mystic of Bagh-i-Muattar, and so on… I did not see why I should be confined to one life. How can one hope to understand the world if one persists in regarding it from the conning tower of ones own “personality?”

Just so: the procedure is even scientific these days (Role-Playing, you know) and is a central part of Psychodrama and Group Dynamics. “You have to go out of your mind before you can come to your senses,” as Tim Leary (or Fritz Perls) once said. Sure: you can even become Jesus and Satan at the same time: Ask Charles the Son of Man.

For Artemis, the goddess of nature, is eternally virgin: she only surrended once, and then to Pan: and this is a clue to the Beast’s purpose in his bloody sacrifices.

III — The Empress

This is the Harmony of the Universe, that Love unites the Will to create with the Understanding of that Creation. – The Book of Thoth

The infant Gargantua was sent to a school run by the Plymouth Brethren, the narrowly Fundamentalist sect to which his parents belonged. He commends the school in these cordial words from his essay “A Boyhood in Hell”:

“May the maiden that passes it be barren and the pregnant woman that beholdeth it abort! May the birds of the air refuse to fly over it! May it stand as a curse, as a fear, as a hate, among men. May the wicked dwell therein! May the light of the sun be withheld therefrom and the light of the moon not lighten it! May it become the home of the shells of the dead and may the demons of the pit inhabit it! May it be accursed, accursed – accursed for ever and ever.’

One gathers that the boy Alick was not happy there. In fact, the climax of his miseries came when somebody told the Headmasters that he had seen young Crowley drunk on hard liquor. Our anti-hero was put on a diet of bread and waters and placed in coventry (i.e., nobody, student or teacher, was allowed to talk to him), without being told what offense he committed; this Christian punishment (for his own good, of course) lasted one full year – at which point his health collapsed and a relative not totally committed to Plymouth Brethren theology insisted that he be removed from that environment before it killed him.

This incident is a favorite with the Beast’s unsympathetic critics; they harp on it gleefully, to convey that they are not the sort of religious bigots who would torture a child in this fashion; and they also use it to explain his subsequent antipathy to anything bearing the names or coming under the auspices, of “Jesus” or “Christ.”

It was this school, they say, which warped his mind and turned him to the service of the devil; a nice theory for parlor analysts or term papers, but it has the defect of not being quite true. The King of Depravity never did embrace Satan, as we shall see, and he kept a very nice mind full of delicate distinctions and discriminations; of this experience he himself says, “I did not hate Jesus and God; I hated the Jesus and God of the people I hated.”

But now we jump ahead, past adolescence (skipping the time he seduced a housemaid on his mother’s bed; sorry, Freudians), past Cambridge (missing a nice 1890-style student riot) and past mountain-climbing (by 1901, he and his favorite fellow-climber, Oscar Eckenstein, held most of the climbing records in the world between them – all but one to be exact); we came now to the Hermetic Order of the Golden Dawn; caveat lector; we enter the realm of Mystery, Vision – and Hallucination; the reader is the only judge of what can be believed from here on.

IV — The Emperor

Find thyself in every Star. Achieve thou every possibility. – The Book of Thoth

It seems that the Golden Dawn was founded by Robert Wentworth Little, a high Freemason, based on papers he rescued from a hidden drawn in London’s Freemason Hall during a fire. No: it wasn’t Little at all, but Wynn Wescott, a Rosicrucian, acting on behalf of a mysterious Fraulein Sprenger in Germany, who herself probably represented the original Illuminati of Adam Weishaupt.

No: not so either: behind the Golden Dawn was actually a second Order, the Rose of Ruby and Cross of Gold – i.e. the original medieval Rosicrucians still in business at the old stand; and behind them was the Third Order, the Great White Brotherhood – i.e., the Nine Unknown Men of Hindu lore – the true rulers of earth, one can only say, if the last theory be true, that the Great White Brotherhood are Great White Fuckups.

The true true story of the Illuminati, Rosicrucians etc. – or another damned lie – is given in Illuminatus: or Laughing Buddha Jesus Phallus Inc., by Robert J. Shea and this writer, to be published by Dell this year, unless the Nine Unknown Men suppress it.

Well anyway, whenever the Hermetic Order of the Golden Dawn came from, there it was almost practicing in the open in London in the 1890′s, with such illustrious members as Florence Farr (the actress), Arthur Machen (the horror-story writer: you must have read his Great God Pan?), George Cecil Jones (a respectable chemist by day and a clandestine alchemist by night) and William Butler Yeats (a poet who thought his verse was superior to Crowley’s, he is described in Autohagiography as “a disheveled demonologist who could have given much more care to his appearance without being accused of dandyism.”).

In 1898, the King of Depravity was admitted to the Order: Crowley took the new name Frater Perdurabo which means Brother I-Will-Endure-To-The-End; he later changed it to Frater OuMh or Brother Not Yet – and began acquiring great proficiency in such arts as the invocation of angels and demons, making himself invisible, journeying in the astral body and such-like Wonders of the Occult.

In one critical operation of magick the Wickedest Man in the World failed abjectly in those early days; and this was the most important work of all. It consisted in achieving the Knowledge and Conversation of one’s Holy Guardian Angel – what, precisely, that may mean will be discussed later.

The usual operation, as found in The Book of Sacred Magick of Abra-Melin the Mage, requires six months’ hard work and is somewhat more grueling than holding the Ibis position of Hatha Yoga for that interlude, or working out pi to the thousandth place in you head without using paper or pencil. The beast’s critics like to proclaim that he couldn’t manage this because he was incapable of obeying Abra-Melin’s commandment of chastity for the necessary 180 days. We will later learn how true that claim actually is.

Invisibility, by the way, isn’t as hard as Lamont Cranston’s Tibetan teachers implied. After only a few months practice, guided by the Beast’s training manuals, I have achieved limited success twice already; and my cats, Simon and Garfunkel, do it constantly. There is no need to look for mysteries when the truth is often right out in the light of day.

V — The Hierophant

Be thou athlete with the eight limbs of Yoga; for without these thou art not disciplined for any fight. – The Book of Thoth

Early in February, 1901, in Guadalajara, Mexico, the Beast began seriously working on dharana, the yoga of concentration. The method was that long used in India: holding one single image in the mind – a red triangle – and banishing all other words or pictures. This is in no wise any easy task, and I, for one would have much more respect for Aleister’s critics and slanderers if there were any shred of evidence that they ever attempted such self-discipline, and, attempting it, managed to stay with it until they achieved results.

For instance, after three weeks of daily practice, the Beast recorded in his diary that he had concentrated that day for 59 minutes with exactly 25 “breaks” or wanderings from the triangle: 25 breaks may not sound so great to those who haven’t tried this; a single hour, however, will convince them that 3600 breaks, or one per second is close to average for a beginner.

Toward the end of April, the Beast logged 23 minutes with 9 breaks; on May 6th, 32 minutes and 10 breaks. I repeat: anyone who think Acid or Jesus or Scientology has remade his or her life ought to attempt a few weeks of this; it is the clearest and most humiliating revelation of the compulsive neurosis of the “normal” ego.

On August 6 the Beast arrived in Ceylon, still working on daily dharana – oh yes, in Honolulu he’d had an affair with a married woman, later celebrated in his sonnet sequence Alice: An Adultery, published under the auspices of his fictitious “Society for the Propagation of Religious Truth”: his critics always mention that, to prove that he wasn’t sincere; one sometimes gets the cynical notion that these critics are either eunuchs or hypocrites.

Under the guidance of Sri Parananda and an old friend, Allan Bennett, now the Buddhist monk Maitreya Ananda, he plunged into the other “seven limbs” of yoga. I say that his mountain-climbing involved less self-discipline. I will not argue; I will give a hint only. Here are the first two steps in beginning to do pranayama:

1. Learn to breathe through your two nostrils alternately. When this becomes easy, practice exhaling through the right nozzle for no less than 15 seconds and then inhaling through the left orifice for a like time. Practice until you can do this without strain for 20 or 30 minutes.

2. Now begin retention of breath between inhalation and exhalation. Increase the period of retention until you can inhale for 10 seconds, retain for 30 second and exhale for 20 seconds. This proportion is important: if you inhale for as long as, or longer than, the exhalation, you are screwing up. Practice until you can do this – comfortably – for an hour.

Got it? Good; now you are ready to start doing the real exercises of pranayama. For instance, you can add the “third limb,” asana, which consists of sitting like a rock, no muscle moving anywhere; the Hindus recommend starting with a contortion that seems to have been devised by Sacher-Masoch himself, but choose a position that seems comfortable at first, if you want – it will turn into Hell soon enough.

All this has a point, of course; when pranayama and asana mastered, you can begin to do dharana without constant humiliating failures. Congratulations: now you can add the other “five limbs.” Of course, the temptation (especially after your foot is no longer merely asleep but has progressed to a state gruesomely reminiscent of rigor mortis) is to decide that “There isn’t anything in yoga after all” or “I just can’t do it” and maybe there’s something in Christian Science or the Process or probably another acid trip would really get you over the hump.+

Footnote: +Oh yes, brethren and sistern, we have known people capable of much rationalization. Back in 1901, even, the Beast discovered that some of the “lesser yogis,” as he called them, used hashish to fuel the last gallop from dharana to dhyana; and he later recommended this to his own disciples – but always with the provision that the results so obtained should be regarded as an indication and foreshadowing of what was sought, not as a substitute for true attainment. The Beast achieved dhyana, the non-ego trance, on October 2, 1901, less than 8 months after beginning serious dharana in Guadalajara.

VI — The Lovers

…rest in Simplicity, and listen in the Silence. – The Book of Thoth

This may be getting heavy, but it has to be endured for a while before the band starts playing again. Specifically, we should have some understanding of what we mean by dhyana and what the Beast has accomplished in those 8 months. The best analysis is probably that given by the Wickedest Man in the World himself in his Confessions:

“The problem is how to stop thinking; for the theory is that the mind is a mechanism for dealing symbolically with impressions; its construction is such that one is tempted to take these symbols for reality. “That is, we manufacture units such as the inch, the chair, the self, etc., in order to organize our sense-impressions into coherent wholes, but the mind which performs this kind service is so built that it cannot then escape its own constructs. Having imagined inches and chairs and selves, the mind then perceives them “out there” in the physical world and finds it hard to credit that they exist only in the mind’s own sorting machinery. “Conscious thought, therefore, is fundamentally false and prevents one from perceiving reality. The numerous practices of yoga are simply dodges to help one acquire the knack of slowing down the current of thought and ultimately stopping it altogether.”

The mind’s self-hypnosis, of course, arises anew as soon as one comes out of dhyana. One never retains the ego-less and world-less essence of dhyana; one retains an impression thereof polluted by the mind’s pet theories and most resonant images. The Beast calls this adulterated after-effect of dhyana “mixing the planes” and regards it as the chief cause of the horrors perpetrated by religious nuts on the rest of us throughout history:

“Mohammed’s conviction that his visions were of imperative importance to “salvation” made him a fanatic… The spiritual energy derived from the high trances makes the seer a formidable force; and unless he be aware that interpretation is due only to the exaggeration of his own tendencies of thought, he will seek to impose it on others, and so delude his disciples, Pervert their minds and prevent their development… “In my system the pupil is taught to analyze all ideas and abolish them by philosophical skepticism before he is allowed to undertake the exercises that lead to dhyana.”

By 1904, the Beast had come to the conclusion that all he had seen and performed, among the Magicians and among the yogis, could be explained by combining the known psychology with the emerging beginnings of psycho-chemistry. He had pushed mysticism as far as one can, and retained his Victorian Rationalism.

Then came the cataclysm of Cairo.

VII — The Chariot

The Issue of the Vulture, Two-in-One, conveyed; this is the Chariot of Power. – The Book of Thoth

Ever since his initiation into the Hermetic Order of the Golden Dawn in 1898, the Beast has been practicing astral voyaging almost daily. This is considerably easier than pranayama, asana, dharana, and it’s good clean fun even from the beginning.

If you are an aspirant, or a dupe, merely sit in a comfortable chair, in a room where you won’t be interrupted, close you eyes, and slowly envision your “astral body,” whatever the blazes that is, standing before you. Make every detail clear and precise; any fuzziness can get you into trouble later.

Now transfer your consciousness to this second body – I don’t know why, but some people stick at this point – and rise upward, through the ceiling, through the other rooms in the building, through the stratosphere, until you have left the physical universe entirely – to hell with it, Nixon and his astronauts are taking it over anyway – and find yourself in the astral realm, where NASA isn’t likely to follow with their flags and other tribal totems.

Approach any astral figures you see and question them closely, especially about any matters of which you wish knowledge not ordinarily available to you.

Return to the earth-body, awake, and record carefully that which has transpired. The diary of such astral journeys, carefully transcribed, is the key to all progress in High Magick, once the student learns to decipher his own visions.

The skeptical reader, if there are any skeptics left in this gullible generation, might point out that this process begins as an exercise of imagination and that there is no reason to think it ever crosses the line to reality. Quite so: but that objection does not diminish the value of the visions obtained.

The Beast has been at some pains to write a little book called “777″ which is a copious catalog, in convenient table form, of the 32 major “astral planes” and their typical scenery, events and inhabitants. Using one’s own Magical Diary and the tables in “777″ together with a few standard reference works on comparative religion, one can quickly discover where one has been, who has been there before and what major religions were founded on the basis of some earlier visitor’s account of what he had seen there.

One need not hold any occult hypothesis about these visions; you can even say that you have been exploring Carl Jung’s “Collective Unconscious” – or, more fashionably, that you have been deciphering the ethological record of the DNA code (Tim Leary’s favorite theory about LSD voyages, which fits these astral trips just as neatly). The important discipline is to avoid “mixing the planes” and confusing your explanation with the actual vision itself; or, as the Beast says in Liber O:

“In this book it is spoken of the Sephioth, and the Paths, of Spirits and Conjurations; of Gods, Spheres, Planes and many other things which may or may not exist.

“It is immaterial whether they exist or not. By doing certain things certain results follow; students are most earnestly warned against attributing objective reality or philosophical validity to any of them…

“The Student, if he attains any success in the following practices, will find himself confronted by things (ideas or beings) too glorious or too dreadful to be described. It is essential that he remain the master of all that he beholds, hears, or conceives; otherwise he will be the slave of the illusion and the prey of madness…

“The Magician may go a long time being fooled and flattered by the Astrals that he has himself modified or manufactured… He will become increasingly interested in himself, imagine himself to be attaining one initiation after another. His Ego will expand unchecked, till he seems to himself to have heaven at his feet…”

The teachers of Zen have the proper tactics against this danger of grandiosity: Crowley’s independent discovery of this strategy led to those behaviors – the jokes, the “blasphemies,” the shifts in name and identity – which led to his reputation as a kook, a Satanist, and the Wickedest Man in the World.

Having watched the decline into dogmatism and self-aggrandizement of various heroes of the New Wave of dope and occultism, some of us are maybe ready to see that the Beast’s incessant profane mockery against himself and his Gods was a necessary defense against this occupational hazard of the visionary life.

But then came the Mystification of Cairo – and beyond it, the Mindfuck in China… and the discovery of the value of human sacrifice.

VIII – Adjustment

Balance against each thought its exact opposite. For the Marriage of these is the Annihilation of Illusion. – The Book of Thoth

In March, 1904, the Beast and his first wife, Rose, were in Cairo, and he was trying to teach her some Magick, a subject which bored her profoundly. And now this is the part we warned you about, take it or leave it, this is what seems to have happened – Rose went into a kind of trance and began murmuring various disjointed phrases, including “It’s about the Child” and “They are waiting for you.”

It soon developed that some god or other was trying to communicate; Crowley asked 12 questions to determine which god and, gulp, her answers were correct, consistent and revealed a knowledge of Egyptology which in her conscious mind she did not possess.

Like: “What are his moral qualities?” “Force and fire.” “What opposes him?” “Deep blue” – until one god emerged that fit the box just as sure as Clark Kent fits the phone booth at the Daily Planet; Ra-Hoor-Khuit, or Horus in his War God aspect.

The Beast then took Rose to the Boulak Museum and asked her to pick out the god in question. She walked past several statues of Horus – which The King of Depravity observed stolidly, although, he says, “with silent glee” – and then (shiver!) she stopped before Stele 666, Ra-Hoor-Khuit. “This is him,” she said.

Sorry about that, fellow rationalists.

And, of course, alas and goddam it, 666 – the Number of the Beast in St. John’s Revelations – was Crowley’s own magick number and had been for years.

Those who want to invoke the word “coincidence” to cover the rags of their ignorance are welcome to do so. Some of us have a new word lately, synchronicity, coined by no less than psychologist Carl Jung and physicist Wolfgang Pauli – and I’ve read their books and must admit I came out as confused as I went in; as far as this brain can comprehend, coincidence is meaning-less correspondence, and synchronicity is meaning-ful correspondence, and if that makes you feel superior to the custard-headed clods who still say coincidence, you’re welcome to it.

And there’s more: when the Beast acknowledged Ra-Hoor-Khuit on the other side of the astral phone hook-up, he was turned over to an underling, one Aiwass, an angel, who told him among other things that the true Word of Power isn’t abra-ca-dabra but abra-ha-dabra and the letter adds up to 418, which was the number of Crowley’s home on Loch Ness in Scotland; and Aiwass’s own name adds up to 98, which is also the number of love and will, the two chief words in his total communication, which is known as The Book of the Law – But enough; the proofs, mathematical and cabalistic and coincidental (if you must) run on for pages.

In summary, the Beast had been playing a Game against himself for six years, since 1898, invoking the miraculous and the proving after the fact that it was “only” his mind.

Now he had to begin considering that he had made himself the center of an “astral” field effect, having the qualities of an intelligence greater than his, and signifying same by multi-lingual and numerological correspondences coming not from “inside” but from “outside”: Rose’s mind, the “independent” decisions of the curators of the Boulak Museum and, then, a certain Samuel bar Aiwass.

For, in 1918, Crowley had adopted the name To Mega Therion, which means The Great Beast in Greek, and adds to 666, and, in an article in The International, he asked if any of his readers could find a word or phrase of similar meaning, in Hebrew, which would also add to 666.

He was himself no mean cabalist and had tried all sorts of Hebrew synonyms for “beast” but none of them added to anything like 666; yet the answer came in the mail – Tau, Resh, Yod, Vau, Nun, equal 666 – and it was signed Samuel bar Aiwas.

Aiwas is the Hebrew equivalent of Aiwass, and also adds to 93, the number of his Holy Guardian Angel.

—- Continued Tomorrow—-

_________________________

Poetry: Aleister Crowley (1875-1947)

THE ALTAR OF ARTEMIS

Here, in the coppice, oak and pine

And mystic yew and elm are found,

Sweeping the skies, that grew divine

With the dark wind’s despairing sound,

The wind that roars from the profound,

And smites the mountain-tops, and calls

Mute spirits to black festivals,

And feasts in valleys iron-bound,

Desolate crags, and barren ground;–

There in the strong storm-shaken grove

Swings the pale censer-fire for love.

The foursquare altar, roughly hewn,

And overlaid with beaten gold,

Stands in the gloom; the stealthy tune

Of singing maidens overbold

Desires mad mysteries untold,

With strange eyes kindling, as the fleet

Implacable untiring feet

Weave mystic figures manifold

That draw down angels to behold

The moving music, and the fire

Of their intolerable desire.

For, maddening to fiercer thought,

The fiery limbs requicken, wheel

In formless furies, subtly wrought

Of swifter melodies than steel

That flashes in the fight: the peal

Of amorous laughters choking sense,

And madness kissing violence,

Ring like dead horsemen; bodies reel

Drunken with motion; spirits feel

The strange constraint of gods that clip

From Heaven to mingle lip and lip.

The gods descend to dance; the noise

Of hungry kissings, as a swoon,

Faints for excess of its own joys,

And mystic beams assail the moon,

With flames of their infernal noon;

While the smooth incense, without breath,

Spreads like some scented flower of death,

Over the grove; the lover’s boon

Of sleep shall steal upon them soon,

And lovers’ lips, from lips withdrawn,

Seek dimmer bosoms till the dawn.

Yet on the central altar lies

The sacrament of kneaded bread,

With blood made one, the sacrifice

To those, the living, who are dead–

Strange gods and goddesses, that shed

Monstrous desires of secret things

Upon their worshippers, from wings

One lucent web of light, from head

One labyrinthine passion-fed

Palace of love, from breathing rife

With secrets of forbidden life.

But not the sunlight, nor the stars,

Nor any light but theirs alone,

Nor iron masteries of Mars,

Nor Saturn’s misconceiving zone,

Nor any planet’s may be shown,

Within the circle of the grove,

Where burn the sanctities of love:

Nor may the foot of man be known,

Nor evil eyes of mothers thrown

On maidens that desire the kiss

Only of maiden Artemis.

But horned and huntress from the skies,

She bends her lips upon the breeze,

And pure and perfect in her eyes,

Burn magical virginity’s

Sweet intermittent sorceries.

When the slow wind from her sweet word

In all their conchéd ears is heard.

And like the slumber of the seas,

There murmur through the holy trees

The kisses of the goddess keen,

And sighs and laughters caught between.

For, swooning at the fervid lips

Of Artemis, the maiden kisses

Sobs and the languid body slips

Down to enamelled wildernesses.

Fallen and loose the shaken tresses;

Fallen the sandal and girdling gold,

Fallen the music manifold

Of moving limbs and strange caresses,

And deadly passion that possesses

The magic ecstasy of these

Mad maidens, tender as blue seas.

Night spreads her yearning pinions,

The baffled day sinks blind to sleep;

The evening breeze outswoons the sun’s

Dead kisses to the swooning deep.

Upsoars the moon; the flashing steep

Of Heaven is fragrant for her feet;

The perfume of the grove is sweet

As slumbering women furtive creep

To bosoms where small kisses weep,

And find in fervent dreams the kiss

Most memoried of Artemis.

Impenetrable pleasure dies

Beneath the madness of new dreams;

The slow sweet breath is turned to sighs

More musical than many streams

Under the moving silver beams,

Fretted with stars, thrice woven across.

White limbs in amorous slumber toss,

Like sleeping foam, whose silver gleams

On motionless dark seas; it seems

As if some gentle spirit stirred,

Their lazy brows with some swift word.

So, in the secret of the shrine,

Night keeps them nestled, so the gloom

Laps them in waves as smooth as wine,

As glowing as the fiery womb

Of some young tigress, dark as doom,

And swift as sunrise. Love’s content

Builds its own monument,

And carves above its vaulted tomb

The Phoenix on her fiery plume,

To their own souls to testify

Their kisses’ immortality.

—–

LOT

Turn back from safety, in my love abide,

Whose lips are warm as when, a virgin bride

I clung to thee ashamed and very glad,

Whose breasts are lordlier for the pain they had,

Whose arms cleave closer than thy spouse’s own!

Thy spouse–O lover, kiss me, and atone!

All my veins burst for love, my ripe breasts beat

And lay their bleeding blossoms at thy feet!

Spurn me no more! O bid these strangers go;

Turn to my lips till their cup overflow;

Hurt me with kisses, kill me with desire,

Consume me and destroy me with the fire

Of blasting passion straining at the heart,

Touched to the core by sweetness, that smart

Bitten by fiery snakes, whose poisonous breath

Swoons in the midnight, and dissolves to death!

+++

Turn to me, touch me, mix thy very breath

With mine to mingle floods of fiery dew

With flames of purple, like the sea shot through

With golden glances of a fiercer star.

Turn to me, bend above me; you may char

These olive shoulders with an old-time kiss,

And fix thy mouth upon me for such bliss

Of sudden rage rekindled. Turn again,

And make delight the minister of pain,

And pain the father of a new delight,

And light a lamp of torture for the night

Too grievous to be borne without a cry

To rend the very bowels of the sky

And make the archangel gasp–a sudden pang,

Most like a traveller stricken by the fang

Of the black adder whose squat head springs up,

A flash of death, beneath a cactus cup.

Ah turn, my bosom for thy love is cold;

My arms are empty, and my lips can hold

No converse with thee far away like this.

O for that communing pregnant with a kiss

That is reborn when lips are set together

To link our souls in one desirous tether,

And weld our very bodies into one.

+++

The first cool kiss, within the water cold

That draws its music from some bubbling well,

Looks long, looks deadly, looks desirable,

The touch that fires, the next kiss, and the whole

Body embracing, symbol of the soul,

And all the perfect passion of an hour.

Turn to me, pluck that amaranthine flower,

And leave the doubtful blossoms of the sky!

You dare not kiss me! dare not draw you nigh

Lest I should lure you to remain! nor speak

Lest you should catch the blood within your cheek

Mantling. You dared enough–so long ago!–

When to my blossom body clean as snow

You pressed your bosom till desire was pain,

And–then–that midnight! you did dare remain

Though all my limbs were bloody with your mouth

That tore their flesh to satiate its drouth,

That was not thereby satisfied! And now

A pallid coward, with sly, skulking brow,

You must leave Sodom for your spouse’s sake.

Coward and coward and coward; who would take

The best flower of my life and leave me so,

Still loving you–Ah! weak–and turn to go

For fear of such a God! O blind! O fool!

To heed these strangers and to be the tool

Of their smooth lies and monstrous miracles.

O break this bondage and cast off their spells!

Five righteous! Thou a righteous man! A jest!

A righteous man–you always loved me best,

And even when lured by lips of wanton girls

Would turn away and sigh and touch my curls,

And slip half-conscious to the old embrace.

And now you will not let me see your face

Or hear your voice or touch you. Ah! the hour!

He moves. Come back, come back, my life’s one flower!

Come back. One kiss before you leave me. So!

Stop–turn–one little kiss before you go;

It is my right–you must. Oh no! Oh no!

(Well of Daylight In a Fort Jean-Marie Poumeyrol)

On the Road to Mysteries…

(Hecate)

Well here we are on Tuesday. I am happy to share Jofra with you if you have never seen his artwork. He is a favourite here at Caer Llwydd. Truly wonderful stuff.

Our Poet today is Joumana Haddad. She is a resident of Beirut, talented and gifted I would say.

We are moving further down the line with our excursion into the Autumn mysteries of Eleusis… more coming on that end.

Spent the evening talking to Rowan. It was enjoyable. He is moving along at leaps and bounds, and making connections that I didn’t until my 30′s. Other times he is every bit a teen ager going through the changes. I read him a chapter out of Pinchbecks’ “Breaking Open The Head”…. dealing with the transistion from the mythic that Shakespeare was recording in his plays. The family shares a passion for Midsummers’ Night Dream, and Mr. Pinchbecks’ take on the subject was a novel new twist on the situation.

Rowan is starting to work on his understanding of the Tarot. We discuss a card a night after he has investigated and noted down his impressions. Not ready to do readings yet, but we will get there…

More Later, Wood to chop, Water to carry.

Blessings,

G

——

On The Menu:

The Links

Article: The Eleusinian Mysteries: Healing and Transformation

Poetry: Joumana Haddad

Art: Franciscus Johannes GIjsbertus Van Den Berg: Johfra

Johfra Bosschart was born in Rotterdam, Holland on December 15, 1919, and died in Fleurac, France on November 6, 1998 at the age of 78. He signed his works “Johfra,” an acrostic of his full name Franciscus Johannes Gijsbertus Van Den Berg. He sometimes added his mother’s maiden name, “Bosschart,” to his paintings as well. The founder of the now defunct “Meta-Realist” group, he described his own works as “Surrealism based on studies of psychology, religion, the Bible, astrology, antiquity, magic, witchcraft, mythology and occultism.” An autobiography of Johfra Bosschart, “Symphony Fantastique,” ISBN: 90 804422016 (de Verbeelding/Woerden) has been available since 1998.

_____________

The Links

Thee Sigil Garden…

The drugs did work

Greenland’s glaciers have been shrinking for 100 years: study

Decimals and Logarithms in the Works?

Oliver the Humanzee?

____________

(Pan Woodland God)

________________________

The Eleusinian Mysteries: Healing and Transformation

Major Events of the Myth

+Kore (in her pubescent state) is picking flowers with the other *Virgins including Artemis and the daughters of Ocean on the Nysian Plain.

+Hades makes a deal with Zeus and carries her off in his golden chariot,

+Hecate in her cave and Helios [the Sun} hear her cries.

+Demeter, searching for her.

+Hecate, flame in hand, tells Demeter she heard a cry.

+Helios reveals to Demeter that Zeus gave Kore to Hades.

+Demeter, hearing of her fate, tears the veil from her divine hair, throws a black cloak (the mantle of death) over herself.

+Demeter, carrying blazing torches, searches the earth for nine days, refusing ambrosia, nectar and the bath.

+Demeter, disguised, avoids the gods, dwells with mortals.

+Demeter, inconsolable, by the Virgin’s Well (Well of *Beautiful Dances ), is invited to the Palace by Celeus’ four daughters.

+Demeter claims to be a Cretan, has escaped from pirates.

+Daughters and Metaneira invite her to Celeus’ Palace to nurse the infant boy Demophoon.

+Entering Temple, Demeter refuses Throne.

+Demeter mourns on a ram’s fleece stool. Iambe/ Baubo induces laughter by the bawdy display of her pudenda.

+Demeter refuses wine, asks for barley water with glechon.

+Demeter nurses Demophoon on ambrosia and burns him in the fire [but he isn’t harmed].

+Discovered by Metaneira, Demeter throws child to the floor, reveals herself as the Goddess, letting down her hair.

+Demeter establishes battle games for Celeus’ kingdom.

+Demeter demands a Temple to institute her rites which, when performed, will conciliate her wrath.

+Celeus builds a Temple.

+Demeter mourns Persephone for a year at the Temple.

+Demeter declares a year of famine.

+Gods, lacking offerings, protest. Demeter demands Persephone’s return.

+Zeus sends Hermes to the Underworld for Persephone.

+Hades releases Persephone. Because she’s eaten a pomegranate seed, she must return to Hades.

+Zeus promises to honor Demeter and guarantees that Persephone will be with her 2/3 of the year.

+Demeter demonstrates the performance of her rites, teaches the Mysteries and gives the gift of grain to Triptolemus

________

(The Reconciliation Of Titania And Oberon)

________

Poetry: Joumana Haddad

Wildcats shall meet with hyenas;

goat-demons shall call to each other.

There too Lilith shall repose,

and find a place to rest.

Isaiah 34:14

I am Lilith, returned from her exile.

I am Lilith, returned from the prison of white oblivion, lioness of the master and goddess of the twin moons. I gather in a cup what cannot be gathered, and I drink it, for I am the priestess and the temple. I leave no drop for no one, lest they think I have had enough. I copulate and multiply by myself to make a people from my own, and then kill my lovers to make way for those who did not know me.

I am Lilith, the forest woman. I did not know a hopeful wait but I have known lions and true beasts. I impregnate all parts in me to weave the tale; I gather voices in my womb to complete the number of slaves. I eat my body so I am not accused of hunger and I drink my water so I am not thirsty. My tresses are long for the winter and my bags have no ceiling. Nothing quenches me and nothing fills me, and I return to be the lioness of the lost on earth.

Long are my tresses

Far

And long

Like a smile fading away in the rain

Slumber after pleasure reached.

My shivers are scars of shadows sometimes

And gleams of the blade, at all times.

I am the guardian of the well, the sum of contrasts. Kisses on my body are the scars of those who tried. From the flute between the thighs my song rises and from my song flows the curse, water on the earth.

I am the two moons Lilith. The hand of every maiden, the window of every virgin. The angel of the fall and the conscience of light slumber. Daughter of Delilah, Magdalena and the seven fairies. From my lust mountains rise and rivers break. I return to injure the wisp of virtue with my water and rub the ointment of sin on the wounds of deprivation.

I am the curse of past curses

The enticer of boats so the storm will not abate

My names bejewel your tongues when thirsty you

Follow me as the touch follows the kiss

And take me like the night on his mother’s breast.

I am Lilith the secret of fingers that insist. I open the road and uncover dreams and lay bare the cities of manhood for my deluge. I do not gather two from each kind but I become them so the species will be pure from any virtue.

The dreams are all open to me

I am the conscience of light slumber

I wear and shed the dream

entice the boats away and don’t guide the storm

I scatter the sky with the cunning of a cloud

So no one gets my honey

I have no home and no pillow

I am the naked

Who gives nudity the flower of its meaning.

I am Lilith the cup and the server

I came to say:

More than one cup for me

I came to say:

The server is blind

I came to say:

Adam, Adam, you are busy with many matters but the need is one.

Gather me

The need is one

Come gather me in the rain of your eyes

Stab your mounts in my abyss

Carve your features in the memory of my palms

And breathe the tigress lurking at the drop of the shoulders.

I am Lilith, the verse of apple. Books wrote me even if you did not read me. I am the unbridled pleasure the renegade wife the fulfilment of lust which brings the great destruction. My shirt is a window on madness. Whoever hears me deserves to die and whoever does not hear me will be killed by his remorse.

I am the moon within

Astray is my compass and migration my home

No caller knocks at my door

No house leads to my window

And no window exists but the illusion of a window.

I am not the stubborn steed or the easy ride, rather the shiver of the first seduction.

I am neither the stubborn horse nor the easy steed, rather the debacle of the final regret.

I am Lilith the destiny woman

Salome’s last dance and the fading of the light

I climb your night stone by stone every time the sun of absence bleeds the horizon

I climb to set a dream to the table

I delve into your vagabond mind

I make room for my head in your sleep.

For my blazes I climb up the stairways of the night

And for your dreams

I seek not certainty but obsession

Not arriving but the pleasure of not arriving.

Your night is my ladder to me

And my hand to beneath the imaginary.

I am the two genders Lilith. I am the desired gender. I take and am not given. I bring back to Adam his truth, and to Eve her ferocious breast so the logic of creation is appeased.

I am the one who was conceived under the sign of ecstasy

She whose presence rises

She whose tongue is a beehive

She who is a cake, eaten and kept

She who is the crying hunger

And who Limbo preserves.

I am the arrogance of the two breasts

Budding to grow and laugh

To want and be eaten

My breasts are salty

So high that I do not reach them:

Kiss them for me.

Two lamps hint in two lights

Budding so that their mischief may be forgiven.

I am Lilith, the lascivious angel. Adam’s first steed, corrupter of Satan. The shadow of stifled sex and its purest scream. I am the shy maiden of the volcano, the jealous because I am the beautiful whisperer of the wilderness. The first paradise could not stand me. I was pushed out to sow conflict on earth and arrange in beds the matters of my subjects.

My hand is the key to flame and the fierceness of hope

Your bodies are firewood and my hand is the fireplace

My hand is unbridled desire:

With faith

It moves mountains.

I, the goddess of the twin nights, the destiny of the wise. The unity of sleep and wakefulness. I am the foetus poet. I slew myself and found her. I return from my exile to be the bride of the seven days and the destruction of future life.

I am the seducing lioness. I return to slay the prisoners and rule the earth.

I return to mend Adam’s ribs and rid the men from their Eves.

I am Lilith, returned from exile to inherit the death of the mother to whom

I gave birth

Translated by Henry Matthews

___

I am a woman

Nobody can guess

What I say when I am silent,

Whom I see when I close my eyes,

How I am carried away when I am carried away,

What I search for when I stretch out my hands.

Nobody, nobody knows

When I am hungry, when I take a journey,

When I walk, and when I am lost.

And nobody knows

That my going is a return

And my return is an abstention,

That my weakness is a mask

And my strength is a mask,

And that what is coming is a tempest.

They think they know

So I let them think,

And I happen.

They put me in a cage so that

My freedom may be a gift from them,

And I have to thank them and obey.

But I am free before them, after them,

With them, without them.

I am free in my suppression, in my defeat.

My prison is what I want!

The key to the prison may be their tongue,

But their tongue is twisted around my desire’s fingers,

And my desire they can never command.

I am a woman.

They think they own my freedom.

I let them think so,

And I happen.

(Translated by Issa J. Boullata)

—-

Mere shadows

I pretend that I am myself

But unknown creatures live in me.

Eyes that are not mine see the world for me,

And other bodies walk about with my life.

I pretend that I am myself

But I am the known one, concealed.

Neither my mines have been discovered

Nor my metals polished.

What appears of me

Are mere shadows you cast

And they act for me.

They are mere ideas you invented.

You may think that I live here,

But I have not yet arrived, nor am I about to.

There is no space for me to cross toward you,

No moon to make an appointment with,

No night to descend from to daylight.

I pretend that I am myself

But in my inexistence I wander.

Laziness there continues to be an invitation,

Chaos is still shepherding the seasons.

Time there has not yet become time,

Nor forms have yet become forms.

Lips are lips by nature,

And clouds do not pursue their rains.

Free, I disappear in my mirage.

I have no identity to abstain from,

Nor a belonging to be threatened by.

I multiply until numbers get tired

And I am ignorant of them as is the sea of its names.

No one calls me,

No one knows me.

Only words

Slowly make me.

I pretend that I am with you all

But other creatures live in me.

And if I am not yet born

if my illusion has preceded me to you,

it is because I have preferred to be a little late

Until my moment arrives

And then those other creatures I have been will disappear

And I’ll become myself.

(Translated by Issa J. Boullata)

________

JOUMANA HADDAD was born in 1970 in Beirut, Lebanon, where she lives and works. A poet and translator, and speaking seven languages, Joumana is chief editor of the cultural pages of the Lebanese daily An-Nahar, for whom she has interviewed many international writers such as Umberto Eco, Wole Soyinka, and Paul Auster. In April 2006 she was awarded the Arab Press Prize in Dubai for her interview with Mario Vargas Llosa. She has five collections of poetry, including Return to Lilith (translated and published in Banipal No 24, Autumn/Winter 2005). She has translated several works of poetry and prose into and from Arabic with selected poems of her own translated into several European languages.

________

This is the image on my desktop… Have a great day!

(The Vision Of Hermes Trismegistos I)

Cruising Through The Dreamtime…

On The Music Box, Anouska Shankar: Anourag

Wonderful Stuff. Pick it up as soon as you can, I promise you delights!

Cruising Through The Dreamtime… I have been working away on illustrations, trying to find that just so edge that drives my creativity along. Sometimes I chase it, sometimes it chases me. Tonight, we sit in an impasse.

I have discovered a new Arabic magazine on-line from London. Chock full of poetry. Now, that is a heady experience.

I finally started to read Daniel Pinchbeck’s “Breaking Open The Head” (I am well aware how I am lagging in this, after all it has only been published for some 4 years) So far, so good. For some reason, I did not have high hopes for this book. I am happy to be surprised by this one. I am thinking about purchasing his other if this one holds up.

Ah… Mati Klarwein… I discovered a magazine article from a French Surrealist source today, hence his appearance again on Turfing. I do love his work. One of the good ones, I wish I had met him.

Time again for some of Erik Davis’s fine writing. I really enjoy his work. His article was based on his talk at the MindStates II Conference in Berkeley in 2001. He also was the MC, and I was managing the event for Jon Hanna. Erik has the most amazing hands and gestures. Quite hypnotic.

I take great pleasure in introducing Kadhim Jihad Hassan, who is a poet from Iraq that I discovered recently. His style is quite interesting. I have found just these three poems, maybe more can be found along the way…

I hope you enjoy this edition…

G

The Links

A wee bit of ancient history

Psychedelic Culture: One Or Many? – Erik Davis

Three Poems – Kadhim Jihad Hassan

Art – Mati Klarwein

_____________

The Links

Indian scientist challenges Einstein

Federal Appeals Court: Driving With Money is a Crime

Pugwis

White doe, Elvis sightings among Durham’s oddities

______

A wee bit of ancient history:

(Gwyllm – San Francisco/Lands End, January 1975…)

I was ending my time at this point in the Bay Area. In about 3 months I would have moved to Los Angeles, and then to Hawaii. I would spend the next year or so living the beach life… ultimately returning to Venice until I moved to Europe in 1977. I was beginning to write again, and venturing back to music as well. (more on this later) A real period of turmoil, and change. Dark days at that time, yet a very fruitful period in that dream I called my earlier life.

_____

Psychedelic Culture One or Many?

Erik Davis

Originally Printed in Trip Magazine 2001

I’d like to paint a picture of contemporary psychedelic culture and how it relates to the larger world that we’re swimming around in. Of course, there have always been very different models of how psychedelics influence the culture at large – how they should influence it, and how they do influence it. If you go back to the Sixties, you can get the simplistic idea that the counterculture was one great wave of psychedelic experience that was united in its ethos, in its ways of thinking about what way the world should go.

That’s not really the case. There were a lot of very different subsets of people. You had people using a psychotherapeutic approach – how is this going to help us deal with individual psychology, and the psychology of groups. You had the elitist perennialism of Aldous Huxley and his school. On the other side of it, you had the Prankster approach, which was far more anarchic: “Let’s throw it all out there and see what happens, let’s spread it wide, let’s bring it all down.” In the Seventies, you had the great tensions between Timothy Leary and Ram Dass. Earlier in the Sixties, Leary often played himself as a semi-guru, but later he very strongly turned away from that model, from the “custard mush” of Hindu spirituality as he called it, and embraced a kind of proto-extropian, highly technological view of the future of humanity. Whereas his former colleague, Richard Alpert, really kept the connections between psychedelic experience and a variety of mystical and spiritual traditions very closely together in his influential books and talks.

So if we look at the backstory of where we are now, we see a lot of divergence. And today we also have a great deal of divergence. You have people who are very scientifically oriented, and remain quite skeptical about the kinds of claims people traditionally make about the worlds of experience that psychedelics open up. On the other hand, you have a very strong pull towards more explicitly spiritual and even religious forms; there’s the idea that there are spirits behind these experiences, that they have a kind of collective message about the planet or the future, and that by engaging in these practices we’re learning certain kinds of truth – truths which also become packaged by certain institutions or groups. This divergence is extremely productive; iIt’s very dynamic and open-ended. In terms of what psychedelic culture presents to the larger culture, its best aspect lies in this courageous open-endedness, this dynamic lack of resolution, this constant interplay between matter and spirit, science and experience, subjectivity and chemistry.

But what does “psychedelic culture” mean today? What are its boundaries? In many ways you can look at the mainstream world and say that psychedelics won. If you look at advertising, if you look at MTV, if you look at computer graphics, if you look at a lot of things inside of the emerging cybersphere, you will find traces and sometimes overt quotations of psychedelic experience and psychedelic culture. I’m sure if you took some of the advertisements you see today for soda pop and international financial institutions back to 1967, they’d say, “Wow, that’s a blast!” If we ever know – and I do hope someday we know –the exact extent of psychedelic influence on the computer industry, I suspect we’d be amazed, not to mention vindicated. For obvious reasons, though, the story remains untold. I was talking to Lawrence Hagerty [author of “The Spirit of the Internet: Speculations on the Evolution of Global Consciousness”] who noted that Sun Microsystems is beating the pants off some of the other digital monsters out there, and Sun is one major corporation out there that doesn’t do drug testing. Very interesting.

Clearly the ideas and experiences of this culture are trickling out, producing all sorts of influences that are hard to trace. But how do we characterize that relationship? How are psychedelic experiences and psychedelic thinking engaging with our strange new century?

SHAMANISM

When we reach for a good solid model for the function of psychedelics within a larger culture, we immediately face the shaman. The shaman is a very romanticized image, very “overwritten” as the academics like to say, meaning that the term now means many different things, including scores of things totally outside of its original ethnographic context. I’m not going to go into any specifics about particular shamanic cultures, but I would like to draw sort of a general picture that relates to the question about contemporary psychedelic culture.

One thing you can say about the shaman or witch is that she lives on the edge of cultural maps. The shaman acts as a kind of interface between the specific culture of a particular tribal group and the world outside, a world that we can think of not only as nature, of course, but as the cosmic, the abstract, the alien. The witch lives at the edge of the village; in her zone, we start to move into the wild. And that’s a very potent image for being a transfer point between the outside and the inside of human culture. One of the interesting paradoxes of shamanism is that, on the one hand, it is very technological, very savvy, full of knowledges in almost a modern sense of the term, like scientific knowledge. And yet the worlds that are being produced, sustained, and performed by the shaman are extremely cultural, spiritual, mythological. Look at a healing ceremony, and think about what exactly is happening there. Let’s say that healing is occuring through the use of quartz crystals being pulled out of the body. What’s happening there? What’s really going on?

One way of looking at it is to say that the shaman is playing a two-fold game. On the one hand, he knows perfectly well what he’s actually doing, that he’s pirated a little quartz crystal in his palm, that he’s using very specific plants which have very specific properties which can produce effects, both specifically related to health and to more general psychoactive goals as well. There’s a tremendous amount of knowledge there. And yet, what does the shaman do in the actual situation of the healing? She performs. And what she performs is a whole cultural web, the glue that embeds those knowledges in lived human life. Our doctors do that too, but the package is pretty one dimensional – “take this pill, it’ll work out for you.” Their knowledge is kept on the inside. What the sick person perceives is a cultural story,a cosmic metaphor, an image of the illness being removed from the body. So it’s not that the shaman is a manipulative trickster just playing games with quartz crystals. It’s that the shaman understands the technology of packaging knowledge within the cultural matrix of transformation, and performs this packaged knowledge as if it were one thing, one process of body and mind. Even a skeptic must recognize that the placebo effect plays a tremendous role in healing of all sorts, and that the art of producing the placebo effect is incredibly valuable.

Within this performance, the shaman plays a liminal role, mediating between knowledge and performance the way he mediates between outside and inside. Liminality is an anthropological concept that describes, again, a place on the edge of cultural maps, a zone between the wild and the culture, between hot and cold, between different villages. In the ancient world, crossroads were places of tremendous liminal power. People from different villages, different cultures would encounter each other there. So there’s a whole mythology of trickster figures – Hermes, Coyote, Legba, often associated with communication – who model this relationship between inside and out. The concept of liminality is crucial to understand what function and what role psychedelics play in the larger culture.

Today, many people attempting to create models for modern psychedelic use have looked to the image of shaman healer. Of course we should be wary of abusing this poor old character for our own purposes. There’s also one very important distinction, I believe, between the world view of the traditional shaman healer and what we are faced with, which is that we do not have a coherent, contained world view. We no longer have a specific cultural story that can be performed in that mythological sense. We’re at this very strange juncture in history when cultures are smashing together and flattening out. We have globalization, we have fragmentation, it’s a very open-ended situation. If there is a central error in the shamanic interpretation of modern psychedelic culture, it lies in a romantic nostalgia that wants to reconstruct or re-embody some fully coherent mythological world view.

I don’t want to say that in a way that undercuts the power of traditional myths, not to mention traditional practices and knowledges. Moreover, modern psychedelic culture has largely been defined by a relationship to non-European knowledges and cultures, and the reception of those stories and practices from the world over inform the evolving picture or cultural story about what psychedelic people are trying to do in the world. But I think that we often find a misplaced desire or tendency to want that story to be fully complete and realized, so that we then know that what we’re doing is engaging the mind of the planet, or that nature herself is telling us something. Those are valuable perceptions, but their attempt to escape the Western model can sometimes be Western transcendence – not to mention Western consumerism — in new disguise. I think it’s very important to recognize that, at the moment, we are still intimately embedded in this tremendous, bizarre, horrible and fascinating process of technological modernity. We can see its horrible claws, its profound lacks, and there’s a desire to overcome these things quickly and fully, to chuck that framework and enter into a different kind of re-enchanted world. The desire to re-enchant our experience of the world is a profound thing that we’re all feeling. It’s incredibly legitimate. And yet, I think that the way in which we move forward with that is not by reconostructing a kind of mythological world view in the name of ancient wisdom. The psychedelic eye sees that things are already enchanted, just the way they are, fragmented and integral at once. In this sense, it is important to see psychedelic culture not as a resistence to modernity, but its own fractal edge.

SCIENCE

One of those edges, of course, is science. Terence McKenna told me once that the most psychedelic magazine that crossed his desk was Scientific American. And if you approach psychedelics from a scientific point of view, you’re obviously dealing with material substances, with chemistry, with tiny little dynamic machines that we can describe in the institutionalized, image-free language of science. And yet, the paradox is that these compounds open up worlds which seem to pull the rug out from under the circumscribed territory of science. But yet again, we cannot fully inhabit the magical, open-ended world, because we cannot really ignore the fact that they are material compounds that enage our nervous systems, that require technical preparation if not actual synthesis. Drugs are a kind of Möbius strip: they are triggers that pull the rug out from under the world of triggers, the whole world of mechanism. And as long as we’re acknowledging the tremendous complexity and wonder belonging to the objects of natural science – and I see no reason not to – then we can never got off that strip, never resolve whether we are inside or out.

From the perspective of more materialist and scientific ways of looking at the world, psychedelics also pose a fundamental question about consciousness: do first-person perspectives have any value in our attempts to understand what consciousness is. Within contemporary neuroscience, there is a tremendous tendency to deny and even denigrate first-person experience as a valid way of understanding what’s happening in consciousness; we can only really talk about it from a third-person perspective. For someone like Daniel Dennett, any sort of internal information you get from meditation, from drugs, or from just paying attention is not really worth very much because the brain is fooling us all the time. Also, our subjective flow does not lend itself very well the kinds of frameworks that a hardhead like Dennett prefers. But to study the neurology of psychedelics without taking them would be absurd: first person is essential. Psychedelics open up a gate inside of the scientific worldview: the gate is chemical, but what comes in that gate cannot be captured by current models, at least in my view. In other words, in the attempt to create a complete scientific model of consciousness, neuroscientists must investigate the fringes of consciousness: dreams, mysticism, psychedelics, precisely those modes of consciousness that, potentially, most undermine and resist science as it is narrowly conceived. So today there’s a growing discussion of the neurology of mysticism, like the recent cover story of Newsweek on “God and the brain.” Though they did not raise the issue of psychedelics at all, it seems that we’re beginning to get workable third-person descriptions of a lot of what’s going on behind some of the most exalted and powerful states that human beings can achieve. One might say that all this simply confirms the view that it’s all in the brain. But what it’s also confirming is the experiential reality of these altered states, which only puts them on a more solid footing inside our technoscientific culture. The third person in the lab becomes the first person on the streets.

The resistence ot the first person also feeds into one of the more frightening aspects of our culture, which is the tendency towards controlling people from the outside. You find it in government, you find it in science, you find it in psychotherapy, you find it in motivational speaking, you find it in all sorts of places. This tendency says, “Well, all you have to do is trigger human beings a certain way and they will be happy or they will be productive.” And so the tendency to think about consciousness from a strictly third-person point of view also plays into the hands of the people who believe they can use third-person perspectives in order to perfect control.

What happens when you step across that line and say, “This is absurd, of course I’m going to plunge into my own individual stream of consciousness and make inferences, make discoveries, explore myself, explore social interaction from the perspective of these evolving states – especially the novel ones.” Even if you believe these states are primarily material, you have already affirmed the primary importance of subjective experience as the floating ground you stand on in order to embrace, instruct, understand, and relate to the world. So there’s the paradox. Hard core third-person scientists are inevitably fascinated by and drawn to these compounds, if for no other reason than the fact that they have to account for their action. And yet, the closer you get to these substances, the more they pull you into a very different kind of world, and the more difficult it becomes, perhaps, to account for the phenomenon from a purely “thinking machine” perspective. Psychedelics may be eating away and eroding some of the more reductive tendencies inside of brain science.

SET & SETTING

How do these compounds pull the rug out from under a mechanistic cosmology? We all know about set and setting, which play a tremendously powerful role in producing experience. But set and setting are not strictly mechanistic elements. They’re cultural activities, dynamic and open-ended — narratives, dramas. They have to do with meaning. Even from a skeptical point of view, anyone who’s really investigating psychedelic phenomenon will recognize that your own mind frame, and your own environmental setting, will help produce a qualitatively different set of events. So there’s no way to fully account for that from the perspective of brain science alone. You have to go to culture. If you think its all just neural programming, then the story “It’s all just neural programming” becomes your set. You can’t escape the shaman’s performance, the fact that it looks like I’m pulling a quartz crystal out of your body. Set and setting open up this whole problem or issue of self-programming, of programming your environment, and the role of intentionality. And all of those elements — especially intentionality — are extremely vital for us to keep in the center of our vision as we face what I often fear will be a fairly concerted attack on individual liberties and the liberties of consciousness itself.

Again, though, there’s kind of an interesting problem, which is the same problem that I talked about earlier regarding the shamanic worldview. If we were in a traditional society, the framework, the intention, the set and setting would basically be a given. We are brought up in it, we already know to some extent what’s going on, what’s going to happen with these experiences. They can be organized and explained and integrated, because we already have that map. It’s in the background. You can think of the shaman as a technician of culture, who knows how to maintain that cultural reality using techniques that are not necessarily included in that cultural reality, even using tricks to maintain that perception for the tribe. But we don’t have that option any more. We have science as the background, which means we can address the neuropharmacology of psychedelics. But the meaning of the experience, a meaning we have no choice but to confront? But how? What is our intention? What is the frame? What is the set and setting?

THE CORPORATE STATE

How does the liminal role of psychedelics play into the issue of policy and the law? It’s interesting to look at the role of psychedelic culture within the larger story of drugs as constructed by the state, especially those insitutions fighting the war on drugs. What interests me is that in some ways, the prohibition against psychedelics is not a bad thing. And I don’t mean that to say that it’s not bad that people are being incarcerated and having their lives ruined. Obviously major suffering goes down.Nonetheless, prohibition puts psychedelic culture in a very curious place inside the larger cultural framework, and that place has some very productive aspects to it.

For one thing, prohibition avoids some of the problems that occur with any sort of mainstream or corporate or state-oriented manipulation of psychoactive substances. I’m not entirely sure I believe myself on this one, but I do think it’s an interesting issue to raise. When Rick Doblin [founder and president of MAPS] was talking about his plan to make MDMA legal [at the Lindesmith Center-Drug Policy Foundation’s “The State of Ecstasy” conference], he presented a very sophisticated and interesting plan. But at the end of his talk he described his vision of “Ecstasy clinics,” where people would go for legitimate reasons to be determined by some official body. There you’d have nice paintings and kind, trained people who’d help you through your potentially life-changing experiences. When I heard this, I had a weird feeling inside, a strange little shiver, like, “Okay, but I don’t think that that’s all of it.”

The ecstasy debate is taking place alongside the transformation of the corporate culture of psychoactivity and psychoactive drugs. If you look at Prozac, if you look at Ritalin, you see that there is a willingness inside of civilization — or whatever you want to call our particular monster — to willingly use powerful psychoactive drugs in order to produce — ie “restore” — certain normative models of behavior, happiness, and satisfaction. Of course, there’s nothing wrong with happiness or satisfaction. There’s nothing wrong with recognizing profoundly dysfunctional behaviors and finding ways, even very technological ways, of overcoming those behaviors. Nonetheless, there is something queasy that happens when those activities and those subjective possibilities become incorporated into the machinery of the state. And by the state, I don’t just mean the government. I am not speaking as a free market libertarian here. I also mean the large corporate state that we live in, the universe of Big Pharma.

So there’s a profound difference between decriminalization and legalization, and I think the anti-prohibition movement needs to start addressing some of these questions more critically. Legalization implies the incorporation od drugs inside the regulatory regime of big medicine and mainstream corporate culture, which needs to create “disorders” in order to proscribe commodity fixes. At the moment, of course, people are suffering needlessly from the venal War on Drugs, and we have to fight the anti-prohibition battle. I’m not talking about keeping things the way they are. But I don’t think it’s an accident, politically or spiritually, that the legal status of psychedelics is liminal – rarely targeted by other drugs, increasingly investigated by science, yet still illegal and, to some degree, marked by social stigma.

In this sense, MDMA exists in a very different category than psychedelics, one that the lies between the crazy world of bewildered toad-licking freaks and suburban moms popping Prozac. That’s why we now see mainstream media going, “This stuff’s not so bad!” The New York Times, Time magazine: “Hmm, you know, it’s not that different from the serotonin-based SSRIs and such.” But another reason for this mild but delightful mainstream move toward balance is that Ecstasy by itself, though incredibly productive and marvelous, does not puncture consensus reality the way psychedelics puncture consensus reality. And so I don’t think it’s an accident that its not so hard to imagine Ecstasy being officially integrated into our current psychoactive environment. But as soon as you start to integrate it, then it becomes manipulated by the institutionalized cultural machine, which has agendas that have nothing to do necessarily with you feeling better, with you discovering more love and intimacy or pleasure in your life. Whatever good it does, it also becomes a regulatory mechanism, a way of managing human subjectivity in an increasingly dense and chaotic social environment.

Psychedelics retain their unique power because they’re difficult to fully integrate into that regulatory framework. One of the things that is the most productive about them is that they’re going to puncture your consensus reality. Even if you are primed with E, they’re going to knock you out of whatever your given structure is, even those wise psychedelic models of healing or spirituality. You think you’re going to get the great earth momma embracing you in some kind of jaguar-rich forest, and you get sucked into some sort of interdimensional wormhole built by malevolent-looking insectoid goofballs, and you go, “But I was going for the nature vibe!” That’s great. It’s that pulling the rug out from under you. Its not in the visions; its not in the stories. It’s in the cracks and gaps that open up onto something exceptionally difficult to experience or explain.

RELIGION & SPIRITUALITY

The final zone I want to talk about in terms of psychedelic liminality is religion or spirituality, which I’d like to talk about in terms of the mystery religions of late antiquity. Many people have drawn very valid connections between the last few centuries of the Roman Empire and the world today. You have a globalized environment full of different kinds of people, along with a sort of mechanized state that is very efficient but rotten at the core. You have a very urban environment, in which many different kinds of people are coming together, and that pulls people out of their tribal connections to the rural places they come from. There’s a lot more movement in the empire. And it’s in this environment that you see the rise of the mystery religions, like Mithraism or Isis worship or gnosticism. Of course, there is also the famous mystery religion of Eleusis, which plays a very important role in the contemporary psychedelic story, but was actually much older than most of the mystery religions I am discussing. But in the waning centuries of the Roman empire, people fed their evident religious hunger and sense of spiritual dislocation by turning toward these exotic sects that promised, at the heart of the whole operation, an otherworldly experience. There was a desire for an experience of the self that went beyond the body, beyond the visible world, that seems very similar to today’s embrace of meditation, yoga and psychedelics.

So were they tripping? For me, that’s not the point. There is a tendency within psychedelic research, particularly the historical stuff, to assert that behind these vast religious mysteries across the globe lurk some kind of substance that’s “actually” producing spiritual experiences. Of course, we know there’s something botanical going on with soma, we know there’s something going on with Eleusis; there’s little fragments of it here and there, and of course we want to reconstruct what was actually going on. But this can also be very reductive, and in this way, we’re very modern. We’re still looking for the mechanism.

It’s my belief that once you take into account the way that cultural reality can program or set up a certain set of expectations, then you actually don’t need many chemicals thrown into the mix in order to produce a tremendously powerful experience. I find it unfortunate when psychedelic thinkers claims that real spirituality is just the psychedelic experience, and that everything else we see in religion is a pale reflection of the experience, either an attempt to reproduce it using cruder, slower, and to replace it entirely with crusty, dogmatic ideology. I mean, in some ways I think that’s probably an accurate description in a lot of cases, but I think it also misses a lot. And one of the things it misses are those stories and cultural frameworks that form the matrix for these experiences. By over emphasizing the “secret mushroom” behind iconography or in the eucharist, we tend to undercut the productive role of meaning, of those ongoing cultural frameworks that always shape our experiences. Though psychedelics are clearly universal in their action, the experiences that result are never completely purified of cultural and historical forces.

Another issue that’s raised by the mystery religions is the larger question about the importance of spiritual experience in the first place? It’s a pretty standard idea that we have spirituality over here, and we have religion over there. Spirituality is about your experiences: your mystical insights, the immediacy of spirit, gnosis. The real deal. Whereas religion we associate with institutional frameworks, with collective stories, with power relations, with established social relationships. And there’s this curious sort of balance between the two. At the heart of it the mystery religions is something like gnosis, a radical experience. Maybe it’s produced through a substance, maybe not. But there is an experience, a direct taste of the divine, of the otherworldly. And yet, again, it is embedded in this whole set of stories, practices and social frameworks. This context helps produce the shape of those experiences, and, far more importantly, helps integrate the residue of those experiences into ordinary life.

There’s a tendency inside of psychedelic spirituality, very strong and understandable, to say, “Now we are getting the goods, now we can skip all that ‘religion’ stuff and get right to the heart of it. We can go spiritual, we don’t need religion.” But I’m not entirely sure that the problem ends there, because without certain frameworks for understanding and integrating experience, then even the most profound state of gnosis can become nothing more than a kind of wacky hedonism. Nothing wrong with hedonism, mind you, and we don’t hear nearly enough about the profound pleasures of spirituality. But taking any substance in a de-mythologized environment, where you’re buying a piece of blotter or taking a pill, can easily become a mechanistic repetition. It can lose any edge of genuine openness and integration, and become a kind of video game.

I don’t have an answer for any of this, because I don’t know what the right frameworks are. I don’t know what the big maps are, and I tend, like most of us perhaps, to be rather distrustful of people who think they know. If you look at some Brazilian ayahuasca sects, you find some very interesting things happening there from a religious anthropology perspective. And yet, it doesn’t take much interaction with them to see things that at least from a Western perspective are difficult: institutional hierarchies, authorities judging good experiences from bad, and organizing the narrative of the trip according to set ideas. These sects actually aid people in a lot of ways, even Euro-Americans. And yet some people in psychedelic culture are uncomfortable with formalized psychedelia, and with the ecological religiosity of the ayahuasca scene. So once again we are “in betwixt, in between”: we know that we need frames, we know that by accepting and creating a spiritual environment, a spiritual story, the experiences themselves will have a much greater richness. (I mean, sometimes they’ll just come in and do whatever they’re going to do anyway.) And yet, what is our frame? What story should we be telling ourselves? Maybe the technical knowledge of set and setting itself already undermines the potential authenticity of experience dependent on set and setting.

I’m not sure whether the kinds of frameworks that we have so far are sufficient. One of them is the therapeutic model. Again, incredibly productive, and yet I’m not always so sure whether that is getting at the real heart of the spiritual potential of these molecules, to say nothing of their pleasures. There is still this emphasis on self-actualization, when I suspect that what psychedelics actualize may not be the self, at least in any conventional sense of the term.

Another example is rave culture, which is probably the best example of a kind of mass movement of people having serious psychoactive experiences. And raves in many ways are machines. They are designed in certain ways to produce trance effects, to derange everyday perceptual patterns, to key off archetypal experience with certain kinds of images. The drugs plug into the music and the music plugs into the drugs, and as the drugs and media evolve, they co-create these new environments and experiences. I don’t think you have to be too much of a worrywart to look at some aspects of rave culture, and wonder, what are they really doing? What is this for? What’s going on here? Trance is a two-edge sword.

So the question that tugs me is: Are there psychedelic values, and how can you communicate them? There does seem to be certain kinds of values and ethics that many people develop after a long, careful apprenticeship with these things. Meeting individuals from older generations, there’s certain things you pick up, a certain kind of openness and tolerance, a sweetness and a mirth. To me these point to some core values, even if they are too unspoken to even be considered values. But I suspect its pretty hard to transmit these values, and I don’t think the counterculture generation has done a very good job here. But is there a way to transmit these things? Or is it all just out of control? As soon as you start to try to control and define these values, then you make it more like religion. And yet, we have to acknowledge the chaotic effects of introducing psychedelics into youth culture without those contexts of meaning and ritual.

One of the good things about the old mystery religions is that they’re esoteric. There are levels of secrecy, even when the movement is popular. In order to work yourself up to the encounter, the experience, you have to go through a lot of social interaction, a lot of preparation, a lot of priming yourself for an encounter with what will always remain beyond your ken. And that structure also allows the production of wisdom people, whether you call them shamans, masters, of just people who know their stuff, and who pass on their knowledge and experience through organic, small-scale networks. There are mentors and apprentices, and those apprentices are able to reproduce those environments, changing them always slightly as the culture itself transforms. That kind of hermeticism still goes on, and it’s vital that it does go on –secret pockets and hidden social networks are vital to the continual richening of psychedelic culture and its influence on an increasingly psychoactive culture at large. At the same time, the genie is definitely out of the bottle. We live amidst a massive transformation of information networks, cultural, biological, and technological. It’s much easier to pluck potent and esoteric information out of the ether that in a more traditional society, where it would be guarded by the wacky alchemists, the witch at the edge of the village. They would be protecting their own game, but also insuring that information transfer occurs within a larger context, a more organic framework. Today everything hidden is becoming known. It’s all open, which means we are all liminal. The margins are mainstream, and every point is the center of things, which is another way of saying that we are all in between.

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Kadhim Jihad Hassan was born in southern Iraq in 1955. He has lived in Paris since 1976. He is a poet and translator, publishing his poetry in literary magazines for twenty-five years, with two collections. He has translated Arthur Rimbaud’s collected works, and works of Rainer Maria Rilke, Gilles Deleuze, Jacques Derrida, Jean Genet, Juan Goytisolo and Philippe Jaccottet into Arabic. He also made, with introductory study, the first free-verse translation of Dante’s Divine Comedy into Arabic (UNESCO, Paris, & Arab Institute for Research and Publishing, Beirut, 2003). In 2006, his Le Roman Arabe – 1834 to 2004, was published by Actes Sud, France.

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Three Poems – Kadhim Jihad Hassan

Kadhim Jihad Hassan was born in southern Iraq in 1955. He has lived in Paris since 1976. He is a poet and translator, publishing his poetry in literary magazines for twenty-five years, with two collections. He has translated Arthur Rimbaud’s collected works, and works of Rainer Maria Rilke, Gilles Deleuze, Jacques Derrida, Jean Genet, Juan Goytisolo and Philippe Jaccottet into Arabic. He also made, with introductory study, the first free-verse translation of Dante’s Divine Comedy into Arabic (UNESCO, Paris, & Arab Institute for Research and Publishing, Beirut, 2003). In 2006, his Le Roman Arabe – 1834 to 2004, was published by Actes Sud, France.

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The Poplar

The populus tree rose up there in all its fullness.

With my liking of assonance, I saw in it an infinity of peoples,

Populations of the lost come to slake their thirst at the brink of my fatigue.

I came and laid me down beneath its shade.

It made me happy to think that the mere sight of me

Brought it respite from wandering so long among branches and roots.

For me, it had dropped anchor, the tree-voyager.

For me, it had surrendered its arms, the tree-warrior.

And there I lay

A man unimpaled by any martyrdom,

Saved by the beauty of suicide’s attraction

Transformed into a vast appetite for all that dwells within reach,

But that forever refuses to be possessed

—-

My father’s house

Vast and without bolts was the house of my father. Relatives from the country would come and rest there as they passed through the town. Each one had his rifle slung from the shoulder. I asked one of them if he had already killed with it. “Yes”, he told me, “a whole lot of partridges, which I usually bring down with the first shot.”

Another told me that each of us bears his own death within him. He repeats it to himself, like a refrain. A song from the good old days. Then that was all.

Hearing him talk like that, my aunt, who was superstitious, retorted: “Why do you speak of death? We do not die, we emigrate.”

They were people of the vastnesses, with a simplicity of soul. Each had his rifle slung from the shoulder. And in their minds there jostled memories of partridges brought down with the first shot, of wild boars dropped dead in their tracks, of fogs you could cut with a knife deep in the depths of the forests, of a common felicity in having good thoughts about death.

Strike

This woman friend called a talking strike. She forced herself to say only the strictly necessary each time she felt her brain giving way and reverting to those obscure forces from an inadequately tranquillised and perhaps permanently sick past. Her whole effort became second nature and her contented habit consisted in stopping up inside her head that endless unscrolling of images, those avalanches of peevish, vengeful reminiscences.

I always admire the light-heartedness with which, once all that has passed over, she pursues her postponed reading, her dance classes, and what she calls her spaced-out loves. And, the interminable romance in which she narrates the exploits of a father she formerly detested, rehabilitated now as a leading figure of the Resistance.

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Sunday: The Persian Version

Sunday… Quiet day here at Caer Llwydd. Rowan on the X-box, Mary in and out. I am working on a website. Life is slow in that late August way. A bit overly warm. I long for a mountain lake! I should take myself up on these desires once in awhile.

Ironing out the last details on the radio. Hopefully in the next couple of days. It seems we may take it off shore. This of course will mean a general move anyway, as I think our time here at Bluehost.com is a bit done. Once bitten and all that.

On the Menu:

The Links

Pain sufferer turns to ‘shrooms

Poetry: Robert Graves…

I hope you enjoy this entry. I am remembering/and putting together another tale for your enjoyment, about another time.

Take Care,

Gwyllm

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The Links:

Armor Of God…

The Hoax..

Radiation… what Radiation?

In search of a lost world

The Erotic Universe

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Pain sufferer turns to ‘shrooms’

Every New Year’s Eve and July 4th, Bob Wold brews a tea containing a psychedelic drug from “magic mushrooms.”

Wold takes a small dose of the drug psilocybin — just enough to make sounds more distinct and colors a bit brighter. “I get a couple giggles out of it,” he said. “It’s like having two or three beers.”

But Wold doesn’t take “shrooms” for the four-hour high. Rather, he has found that psilocybin is the only drug that prevents one of the most painful conditions known to man, cluster headaches.

Hundreds of cluster headache sufferers have begun to self-medicate with psilocybin and LSD. And now Harvard Medical School researchers plan to do a carefully controlled study of the drugs.

Vivid hallucinations

Wold, a 53-year-old construction contractor, began suffering cluster headaches about 25 years ago. He would get four to six headaches a day, each lasting 45 to 60 minutes. Each cluster period would last three or four months. “The pain is similar to if you hit your thumb with a hammer,” he said.

Five or six years ago, Wold read an Internet posting from a man who said his cluster headaches went away after he took LSD for recreational purposes. Word spread, and other patients began taking LSD or psilocybin.

LSD can cause vivid hallucinations and distortions of color, sound, touch, etc. It also can impair judgment, leading to injury. Afterwards, users can suffer acute anxiety or depression. Psilocybin can cause vivid distortions of sights and sounds and emotional disturbances, according to the U.S. Drug Enforcement Administration.

Wold had tried about 75 legal drugs, but none worked very long. Figuring he had nothing to lose, he tried psilocybin, and found that two doses a year worked wonders. He orders spores over the Internet and grows mushrooms at his Lombard home.

“For the past five years, I’ve been pretty much pain-free and headache-free,” he said.

Wold has formed a support group, ClusterBusters, to promote research on psychedelics. The group has heard from about 400 patients who have used psilocybin or LSD.

In a preliminary study, researchers from Harvard’s McLean Hospital surveyed patients who had used psilocybin or LSD. Twenty-five of 48 psilocybin users and seven of eight LSD users reported the drugs prevented the entire cluster period when headaches normally occurred.

Studying psychedelics

“No other medication, to our knowledge, has been reported to terminate a cluster period,” researchers wrote in the June 27 issue of the journal Neurology.

No one knows why psychedelics might work. But Harvard researcher Dr. John Halpern noted that the drugs share a similar structure to medications that have been approved for cluster headaches.

However, researchers acknowledged several limitations to their study, including the possibility that people with good outcomes were more likely to participate than those with poor outcomes.

Halpern and colleagues are planning a follow-up study in which a psychedelic drug would be compared to an inactive placebo.

Psilocybin and LSD are Schedule 1 drugs, meaning they are illegal unless used in research approved by the DEA and Food and Drug Administration.

Halpern warns that psilocybin and LSD “are drugs of abuse and are potentially quite dangerous. . . . My advice then is to not self-medicate but to respect our laws and to help us properly and safely conduct the research needed to find out if these substances work for real.”

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Poetry: Robert Graves

The Persian Version

Truth-loving Persians do not dwell upon

The trivial skirmish fought near Marathon.

As for the Greek theatrical tradition

Which represents that summer’s expedition

Not as a mere reconnaisance in force

By three brigades of foot and one of horse

(Their left flank covered by some obsolete

Light craft detached from the main Persian fleet)

But as a grandiose, ill-starred attempt

To conquer Greece – they treat it with contempt;

And only incidentally refute

Major Greek claims, by stressing what repute

The Persian monarch and the Persian nation

Won by this salutary demonstration:

Despite a strong defence and adverse weather

All arms combined magnificently together.

—-

Sorley’s Weather

When outside the icy rain

Comes leaping helter-skelter,

Shall I tie my restive brain

Snugly under shelter?

Shall I make a gentle song

Here in my firelit study,

When outside the winds blow strong

And the lanes are muddy?

With old wine and drowsy meats

Am I to fill my belly?

Shall I glutton here with Keats?

Shall I drink with Shelley?

Tobacco’s pleasant, firelight’s good:

Poetry makes both better.

Clay is wet and so is mud,

Winter rains are wetter.

Yet rest there, Shelley, on the sill,

For though the winds come frorely,

I’m away to the rain-blown hill

And the ghost of Sorley.

I’d Love To Be A Fairy’s Child

Children born of fairy stock

Never need for shirt or frock,

Never want for food or fire,

Always get their hearts desire:

Jingle pockets full of gold,

Marry when they’re seven years old.

Every fairy child may keep

Two ponies and ten sheep;

All have houses, each his own,

Built of brick or granite stone;

They live on cherries, they run wild–

I’d love to be a Fairy’s child.

Tis Friday…

Late to bed and early to rise… visited friends last night, one leaving town, and another just recovering from a medical situation. Pizza, a glass of wine, laughter and a few tears. I got to practice my massage techniques, and to learn a few new pressure points.

Up early and leaving soon, so this is a short sweet one.

On The Menu:

Leonard at the Isle of Wight

The Links

Poetry: William Blake

Have a good one,

Gwyllm

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The Links

A subtle assimilation?

Scribbles in the stonework of Rosslyn

The Key to Atlantis: The Magic Mushroom

Neolithic stone carving of Big Dipper discovered in northwest China

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Poetry: William Blake

THE VOICE OF THE ANCIENT BARD

Youth of delight! come hither

And see the opening morn,

Image of Truth new-born.

Doubt is fled, and clouds of reason,

Dark disputes and artful teazing.

Folly is an endless maze;

Tangled roots perplex her ways;

How many have fallen there!

They stumble all night over bones of the dead;

And feel–they know not what but care;

And wish to lead others, when they should be led.

——

THE DIVINE IMAGE

To Mercy, Pity, Peace, and Love,

All pray in their distress,

And to these virtues of delight

Return their thankfulness.

For Mercy, Pity, Peace, and Love,

Is God our Father dear;

And Mercy, Pity, Peace, and Love,

Is man, His child and care.

For Mercy has a human heart;

Pity, a human face;

And Love, the human form divine:

And Peace the human dress.

Then every man, of every clime,

That prays in his distress,

Prays to the human form divine:

Love, Mercy, Pity, Peace.

And all must love the human form,

In heathen, Turk, or Jew.

Where Mercy, Love, and Pity dwell,

There God is dwelling too.

—–

THE GARDEN OF LOVE

I laid me down upon a bank,

Where Love lay sleeping;

I heard among the rushes dank

Weeping, weeping.

Then I went to the heath and the wild,

To the thistles and thorns of the waste;

And they told me how they were beguiled,

Driven out, and compelled to the chaste.

I went to the Garden of Love,

And saw what I never had seen;

A Chapel was built in the midst,

Where I used to play on the green.

And the gates of this Chapel were shut,

And ‘Thou shalt not’ writ over the door;

So I turned to the Garden of Love

That so many sweet flowers bore.

And I saw it was filled with graves,

And tombstones where flowers should be;

And priests in black gowns were walking their rounds,

And binding with briars my joys and desires.

—–

The Leaves of the Shepherdess…

Thursday… I found an article on one of my favourite subjects by Kat Harrison. I have read it before, but it is worth a second glance, and if you haven’t read it, you’re in for a treat.

The links section is a bit hot and heavy today, lots of stuff occurring, and some wonderful weirdness going on in the world.

Have a great day, talk soon.

Gwyllm

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On The Menu:

The Links

The Leaves of the Shepherdess – Kat Harrison

Poetry: William Butler Yeats

Art: Maxfield Parrish / Gwyllm Llwydd

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The Links:

‘Hybrid mutant’ found dead in Maine

Here is the picture of the mysterious beast…

Spiralling…..

Raiders of the Lost Ark…

The Doctor Explains…

Road sign leaves Welsh-speakers bewildered

Snake in Grass claim writer’s critics

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The Leaves of the Shepherdess

by Kat Harrison

(Oracle – Gwyllm Llwydd)

Salvia divinorum, a relatively obscure sacred plant native to Oaxaca, was rediscovered by Gordon Wasson in 1962, when he and Albert Hofmann’s wife Anita first noted its psychoactive effects. Used for “divining” and other purposes at least as far back as the Aztecs, the plant began to be cultivated and used in the U.S. beginning in the mid-1990s.

I had grown the plant — Salvia divinorum — for twenty years, and I knew the scant botanical and anthropological literature on this rare, sacred plant, but I´d never successfully had a visionary experience from ingesting the leaves. Once I´d tried putting thirty leaves in a blender with water and drinking the green slurry, but other than a headache and distinct empathy with a trapped butterfly, not much had happened.

In the summer of 1995 I was ready for another in my series of solo ethnobotanical fieldwork adventures, and so I headed off for a month in the mountains of northern Oaxaca, Mexico. My son and daughter were staying with family, and I had work to do: not only investigating the folk uses and beliefs regarding healing plants, but also a health challenge of my own. For a couple of years following the dissolution of my marriage and the sad, slow death of my father, my heart had not been beating regularly. I´d always had a heart murmur and the strain of recurrent anemia, but this was more disturbing, grabbing my breath away. After one episode with a doctor, I decided I wanted to ask a Mazatec healer to do a ceremony for me with the Leaves of the Shepherdess.

The Mazatecs are renowned for their ritual shamanism, made world-famous by the twentieth-century “discovery” of their ancient practices using psilocybin mushrooms. The curandera Maria Sabina became the emblematic shaman who was revealed and unfortunately sacrificed to Western popular attention. The mushroom rituals intrigued me of course, but I was most drawn to the more elusive medicina of these leaves. I wanted to meet La Pastora, the Shepherdess.

An anthropologist friend gave me directions to an old curandero´s hut, perched above a tiny village in a remote valley of those tropical mountains. I came bringing greetings from our mutual friend and gifts of multi-vitamins and vegetable seeds. I was met with caution, which I felt was appropriate, and interviewed over two days as to my life experience and my intentions. The curandero and his son, who acted as our interpreter from Spanish to Mazatec, agreed to gather the leaves for a session with me.

Ska Pastora, the Leaves of the Shepherdess, grows in small, hidden glades in the upland moist forest of the Sierra Mazateca. The plant seems to propagate itself from nodes of the fallen stems, perhaps with the help of humans who tend their private patches. It is speculated that the species diminished its ability to set seed through centuries of human tending. And perhaps this highly sensitive species — growing in light-speckled seclusion in such a small region of the world — would have long ago disappeared, had it not been for its lovely medicina and gift to human consciousness. Each healer´s patch is a family secret, and the spirit of the plant is known to have a personal relationship with one who cares for her. Not just anyone can pick her leaves and derive benefit from her medicine. One´s purpose must be clean and clear.

Among many indigenous, nature-based peoples, significant plant species are each personified as a being with a name and particular attributes of character that relate to the plant´s effects. The plant spirit is a persona, to be honored, solicited and thanked for its gifts. Over the past five hundred years, a veneer of Catholicism has been laid over the rich indigenous animistic world-view, and stories of the helper-saints have meshed with the perceived primordial qualities of certain plant allies. The Virgin is often identified with plants that aid us; the Mazatecs recognize two species of morning glory (Ipomoea violacea and Rivea corymbosa) that produce Seeds of the Virgin, used for vision and difficult childbirth. Another name for La Pastora is Santa Maria, again a variation of the compassionate Mother Goddess.

We gathered for the session, a late night ceremony before a rough altar that held flowers, candles, pictures of the saints and powdered tobacco. We sat, the family and I, facing the stone wall that emerged from the earth there, against which they had built their tiny abode of tin, tar-paper and wood. La Pastora is very shy, they told me, timid like a deer. She will come only when we have eaten many pairs of the leaves and sit very quietly, perfectly still, in utter darkness, as in a glen in the forest in the moonlight. If someone moves or speaks suddenly, she will disappear in a moment. If we invite her, and are very clear and open to her, she will come, she will speak. She will whisper to us what we need to know and show us what she sees. She may help heal us, or bless us with good fortune. But we must pray and we must listen, and we must pay her our full attention. Do you know how to pray, really pray with all your heart? If not, tonight you will learn.

The curandero unrolled banana-leaf bundles of hand-sized Salvia divinorum leaves, slightly wilted, and sorted them into pairs. Both mushrooms and leaves are measured in pairs, he told me, representing masculine and feminine. He doled out forty pairs to me, rolled them into a long wad, rather like a salad rolled into a cigar. He explained that after he said the invoking prayers and we stated aloud our intentions, I was to eat the leaves. I was told not to hesitate at their bitterness, not to stop until I had eaten them all, and above all, not to laugh throughout the entire session. Laughter, he counseled, would steal away the power of the medicine.

The curandero held our leaves up to the altar, to the stone emerging from the mountain, and murmured a long prayer that included La Pastora, the Virgin of Guadalupe, San Pedro, San Pablo and names of native deities I could not recognize. He signaled me to state my intentions, make my request.

I greeted the spirit of La Pastora, identified myself, asked her to come be present with me that night. I asked, “Please help my heart to become strong and clear and without fear, so that it can pump smoothly.” I asked, as I always do when I enter into relationship with sacred medicine, “What is my work now? May I please see the next stretch of the path?”

I took my first bite, stanched my reaction to the bitterness, and proceeded steadily through many bites to the end. By the time I had consumed almost the entire bundle, I was saturated with a taste that was sharp and fresh and ancient all at once. I had a momentary sense of how very long these people had been doing this ritual, the generations that had sought the wisdom of this plant spirit. Suddenly there was a shimmering, the curandero blew the candles out for total darkness, and within seconds I was completely in another realm, astonished. Some part of me ate the final bite, and I relaxed into another place: I was in the presence of a great female being, a twenty-foot high woman, semi-transparent. I was standing in her garden. There she was, some distance away, at the edge of her garden, near the forest, standing amidst her lovely plants against a small, white picket fence. There were butterflies and hummingbirds flying around and through her. Her great translucent face, the density of rainbows, leaned toward me and away. She moved through the garden, tending her leaves and flowers, leaning over them and standing again, beams of sunlight pouring through her. I felt a great longing for her to move toward me, to touch me, and I realized I could not move my feet from the earth where I stood. I felt the other human spirits around me — the old curandero, his wife, his son and the little granddaughter — and they were all giving her their full attention. I realized then that we were plants at the edge of her garden. She drifted slowly toward us, reached out and ran her hands through us, like a breeze, like a ripple, and I knew in those moments that my body was clear, that when she touched me I was in perfect order. I knew in my bones that if we ever asked for her to touch us, and we gave in exchange our most profound attention when she did, all would be well. I inhaled and exhaled her presence. She circled the garden again and returned to us. When she passed her hand through my chest a second time, I saw a tiny, ornate wooden door in my heart. It was carved with flowers and vines, and had an intricate golden filigreed handle and hinges. As her grand spirit fingers brushed it, I felt a strong breeze open the tiny door and a pocket of hurt blew away into the sweet air of the garden.

There is this enduring memory of my own face gazing out of a plant, and the dark but not unfriendly presence of the woods nearby. As she faded from view and I returned to a sense of the present, I heard the words repeatedly, in both Spanish and English: “Show them the edge of the garden. Les muestra el borde del jardín.” That is my work.

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one of those days for an old reliable source of poetic inspiration: Mr. Yeats. I find that there is always something moving and relevant in his works.

Poetry: William Butler Yeats

The Rose Tree

“O words are lightly spoken”,

said Pearse to Connolly;

“Maybe a breath of polite words

Has withered our Rose Tree;

Ore maybe but a wind that blows

Across the bitter sea.”

“It needs to be but watered”,

James Connolly replied,

“To make the green come out again

And spread on every side,

And shake the blossom from the bud

To be the garden’s pride.”

But where can we draw water”,

Said Pearse to Connolly,

“When all the wells are parched away?

O plain as plain can be

There’s nothing but our own red blood

Can make a right Rose Tree.”

—-

Her Praise

She is foremost of those that I would hear praised.

I have gone about the house, gone up and down

As a man does who has published a new book,

Or a young girl dressed out in her new gown,

And though I have turned the talk by hook or crook

Until her praise should be the uppermost theme,

A woman spoke of some new tale she had read,

A man confusedly in a half dream

As though some other name ran in his head.

She is foremost of those that I would hear praised.

I will talk no more of books or the long war

But walk by the dry thorn until I have found

Some beggar sheltering from the wind, and there

Manage the talk until her name come round.

If there be rags enough he will know her name

And be well pleased remembering it, for in the old days,

Though she had young men’s praise and old men’s blame,

Among the poor both old and young gave her praise.

—-

Sailing to Byzantium

THAT is no country for old men. The young

In one another’s arms, birds in the trees

– Those dying generations – at their song,

The salmon-falls, the mackerel-crowded seas,

Fish, flesh, or fowl, commend all summer long

Whatever is begotten, born, and dies.

Caught in that sensual music all neglect

Monuments of unageing intellect.

An aged man is but a paltry thing,

A tattered coat upon a stick, unless

Soul clap its hands and sing, and louder sing

For every tatter in its mortal dress,

Nor is there singing school but studying

Monuments of its own magnificence;

And therefore I have sailed the seas and come

To the holy city of Byzantium.

O sages standing in God’s holy fire

As in the gold mosaic of a wall,

Come from the holy fire, perne in a gyre,

And be the singing-masters of my soul.

Consume my heart away; sick with desire

And fastened to a dying animal

It knows not what it is; and gather me

Into the artifice of eternity.

Once out of nature I shall never take

My bodily form from any natural thing,

But such a form as Grecian goldsmiths make

Of hammered gold and gold enamelling

To keep a drowsy Emperor awake;

Or set upon a golden bough to sing

To lords and ladies of Byzantium

Of what is past, or passing, or to come.

—-

The Fish

Although you hide in the ebb and flow

Of the pale tide when the moon has set,

The people of coming days will know

About the casting out of my net,

And how you have leaped times out of mind

Over the little silver cords,

And think that you were hard and unkind,

And blame you with many bitter words.

Mysteries, Mysteries..

‘Never give children a chance of imagining that anything exists in isolation. Make it plain from the very beginning that all living is relationship. Show them relationships in the woods, in the fields, in the ponds and streams, in the village and in the country around it. Rub it in’.—Aldous Huxley, Island

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I swear I will write something soon. Very busy, life is hectic.

I hope you like todays’ Assemblage.

G

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On the Menu:

Philip K. Dick Interview

The Links

Painting In Dali’s Garden

The Eleusinian Mysteries: Healing and Transformation

Poetry: Boris Pasternak

Art: Maxfield Parrish

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The Links

From Roberto: Former British Ambassador Says Terror Alert Is “Propaganda”

Sleep with Neanderthals? Apparently we (homo Sapiens) did

Hang the Tsar!

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From Roberto Venosa/ 2 reservations have opened up for this great event:

PAINTING IN DALI’S GARDEN

Dear Friends,

We are happy to announce that, under the guidance of Visionary masters, Robert Venosa and Martina Hoffmann, the ‘Painting in Dali’s Garden’ workshop will take place during September 17 – 30, of this year. September in Spain, especially in Cadaques, is a most desirable time to be there. The weather is perfect, the sea is warm and delicious, the tourist tide has receded, and the ambiance is one of tranquility, romance and inspired creativity. Perfect for painting. Cadaqués, home of Salvador Dali, and playground to many of the artistic luminaries of the past century, is one of the most romantic and historically creative locations on the Mediterranean. Set on a charmed island, a stone’s throw away from the shore, the beautiful Villa Arenella becomes home and studio to 18 participants who will learn a painting technique that has been handed down from master to master from the 15th century to the present. The updated, simplified version, as taught by Venosa and Hoffmann, makes entry into painting highly accessible for the beginner, and adds significantly to the repertoire of the experienced artist.

This is the fifth anniversary of this workshop, and we plan to expand on the pleasures (if that’s at all possible), by providing more extra-curricular activities, such as yoga and massage, as well as a few added surprises. Also, we will keep our registration fees as they have been in the past: Depending on

accommodations, the rates will vary from $2150 to $2750, and will include the painting workshop, all breakfasts and luncheons, several dinners, a boat-ride/picnic, a trip to the Dali house, a paella fiesta, and an excursion to the Dali Museum in Figueras (new).

Motor scooters and bikes, autos (although unnecessary), are readily available for rent in the town, and the plethora of restaurants and coffee houses are some of the finest on the Med. Gourmet Mediterranean food, boating, swimming, scuba diving, windsurfing, and the myriad of other pleasures that surround the magical village of Cadaqués, are all available to make your creative and social experience unforgettable.

For imagery and complete information:

http://www.martinahoffmann.com/workshops/cadaques_2006.html

For additional information, or to reserve a space, contact us at:

roberto@venosa.com

art@martinahoffmann.com

rjl@venosa.com

Visit

http://www.venosa.com

http://www.martinahoffmann.com

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The Eleusinian Mysteries: Healing and Transformation

For almost a thousand years, the most exclusive society in the ancient world consisted of people initiated into the Eleusinian Mysteries. Only the wise could be so honored; and wisdom, then as now, transcended gender, class, and country.

“Happy is he of the mortals who has seen this,” wrote Homer. “In the dark kingdom of the shadows, the fate of the initiate and the uninitiated is not the same. Those mysteries of which no tongue can speak-only blessed is he whose eyes have seen them; his lot after death is not the lot of other men!”

Like most great cults, it began with a legend long since obscured in the mists of prehistory. It’s site was Eleusis, north-west of Athens. Here Demeter, was reunited with her lost daughter Persephone. The site derives its potency from Demeter, a powerful figure in the Greek pantheon, symbolic of the Earth Mother, goddess of grain, fruitfulness, agriculture and civil laws.

The tale, recounted in one of the earliest Homeric Hymns, told how Persephone had attracted the attention of Hades, the dark Lord of the Underworld, who had carried her off to his realm beneath the earth. A distraught Demeter wandered the land, spreading famine by withholding her gifts of fruitfulness and causing crops to die. While she lingered at Eleusis with a family that had befriended her. Zeus persuaded Hades to return his captured bride.

But Persephone had eaten some pomegranate seeds in the Underworld, an act which obliged her to return to the shadowy domain for a third of every year. Nevertheless, Demeter and Persephone, in joyful reunion, became resigned to the annual parting and taught their Mysteries-an allegory of spring and rebirth- to the townspeople of Eleusis. Thereafter they annually re-enacted the celebration.

Very little is known about the Mysteries. The sacred rites took place in early autumn and the preliminary ceremonies lasted for nine days. They began with a gathering in Athens, when the names of that year’s initiates would be read out.

They met the next day and each initiate would be in charge of a young pig. The procession would head to the sea, and the initiates would wash both themselves and the animals. Then they would sacrifice the pigs and set off along the Sacred Way-the 14 mile route to Eleusis-with much light-heartedness and many stops at temples and shrines.

By the time the processing arrived in Eleusis, it would be dark. The night would be spent near the well where Demeter was befriended, the celebrants dancing by the light of flickering torches to the music of a crude oboe the aulos, and crashing cymbals. Emulating Demeter’s search, the participants would break their dancing to randomly search along the shore, ending their symbolic fast with a breakfast (according to the historian Clement of Alexandria) of barley water, wheat and sesame cakes, pomegranates, lumps of salt and young shoots of the fig tree.

Then, with growing tension, the crowd would assemble outside the telesterion, an immense hall with a roof supported by 42 massive columns. People gathered into two groups: the mystai, whose initiation was deferred for another year, and the epoptai, who were given a password and allowed to enter. On at least one occasion, men trying to bluff their way in without the password were put to death.

Certainly great efforts prevailed to see that no hint of what happened inside was conveyed to the uninitiated. The playwrite Aeschy-lus, born at Eleusis in 525 B.C., was accused of giving away the secrets in one of his plays. He escaped lynching only by proving that he had not been initiated.

Other ancients wrote about Eleusis. Cicero commented, “Nothing is higher that these Mysteries. They have sweetened our characters and softened our customs; they have made us pass from the condition of the savages to true humanity. They have not only shown us the way to live joyfully but they have taught us to die with better hope.”

Aristotle said that one did not go to Eleusis to learn, but to experience certain emotions and to be put in a receptive frame of mind. And Aristophanes added, “To us alone initiated men, who act aright by stranger and by friend, the sun shines out to light us after death.”

And in our era Jung explained. “the ordinary man was somehow liberated from his personal impotence and temporarily endowed with an almost superhuman quality. The conviction could be sustained for a long time and it gave a certain style to life and set a tone for a whole society.”

The ancient Greeks believed in the necessity of understanding the soul and coming to terms with death by abolishing one’s fear of it. This is a worthy state to achieve, and such persons who did so comprised an intellectual elite; self-confident, unencumbered by trivial concerns, truly free. The rites of Eleusis induced this happy condition.

At first the Mysteries attracted people of the locality. But with the rise to power of Athens, the cult expanded to include that city, altough the positions of authority-hierophant (high priest), daduchas (torch-bearer) and keryx (herald)-were always held by citizens of Eleusis.

For most of the centuries that Eleusis held sway, the city remained immune to outside strife. When Persian invaders burned down one temple, it was replaced with an even grander one. The new structure, of white marble, rose under the auspices of Pericles, whose favorite sculptor Ictinus had already achieved fame the Parthenon. The new Eleusinian temple’s “beauty and prodigious magnitude”-230 feet long by 180 feet wide-excited a degree of astonishment equaled only by the awe that its sanctity evoked.

But this too, eventually fell. In the 4th century A.D. Alaric the Goth laid waste to the whole surrounding province of Attica. Shortly thereafter, the Roman emperor Theodosius struck down most pagan temples, and the ruins of Eleusis lay untended and forgotten for centuries. In 1675, George Wheler an English traveler, noted, “One of the first things we came to was the stately temple of Ceres (Demeter’s Latin name), now laid prostrate on the ground, not having one stone upon another, for it lyeth all in a confused heap together.”

Half a century later, another Englishman observed “the bust of a colossal statue of excellent workmanship maimed and the face disfigured. A tradition prevails that if the broken statue be removed, the fertility of the land will cease.” This belief which first surfaced in Cicero’s writings, still had currency at the end 18th century when country folk could be observed dancing around the statue on the Full Moon at harvest time.

In 1801, over local objections, two British academics who had bribed the Turkish governor removed the statue to Fitzwilliam Museum at Cambridge, where it remains today. Compounding their theft, they boasted about it in a pamphlet published in England shortly afterwards, explaining that their coup “required equal promptness and secrecy amidst the opposition to be expected from a herd of idle and mercenary Greeks.”

Whether there is anything to the old belief that the fertility of the land would cease with the statue’s removal can be judged by today’s visitors. They view only a region made arid and dusty by the heat, smoke, and debris from the surrounding oil refineries and industry. Doubtless the area prospers judging by the numerous shipyards and by the processing of oil, soap and aluminum. But the ecological cost has been high. For miles around, the trees, turning wistfully toward the sun, appear to be choking from pollution unknown in previous centuries.

Because of its industrial nature, Eleusis is not popular with tourists. This is unfortunate, because the sacred site is only a half-hour bus ride from Athens and here and there you can discover much of its original mystical charm-all the more so, ironically, because of its relative lack of attention.

Immense broken pillars lie everywhere, many with ancient lettering still visible, and patches of blue and white tile in intricate patterns define the areas of ancient floors. Great stone stairways lead up the gentle tree-clad hill behind the remains of the vast telesterion, it’s back to the rock and frontal facade toward the early-morning sun. Underground chambers and what remains of the ceremonial well lie almost overgrown with waist-high grass.

In the adjoining museum are a plaster reconstruction of the ancient site, marble pigs, and statues of Demeter with chipped faces. A tab-leau depicts what may be rites from the Eleusinian Mysteries-but who can really know about this most famous of human secrets? Over it all seem to hover the lovely spirits of the eternal mother and daughter, Demeter and Persephone. And from below, perhaps a hint of a rumble from the everpresent god of the netherworld.

“Then you will find a breath about your ears

Of music, and a light about your eyes

Most beautiful-like this-

and myrtle groves,

And joyous throngs

of women and of men,

The initiated.”

-Aristophanes

From Mystical & Magical Sites, by Elizabeth Pepper & John Wilcock, Phanes Press, 1992.

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Poetry: Boris Pasternak

Hops

Beneath the willow wound round with ivy

we take cover from the worst

of the storm, with a greatcoat round

our shoulders and my hands around your waist.

I’ve got it wrong. That isn’t ivy

entwined in the bushes round

the wood, but hops. You intoxicate me!

Let’s spread the greatcoat on the ground.

—-

“But He Was Belov’d…”

But he was belov’d. Not a thing

Could vanish or lose its life’s mission,

The lesser – his talent and kin,

And sketches of his compositions.

You’d just rise up your music stand

And just touch the cold keyboard –

The effort will dazzle you and

You’ll smooth all her wings, strong and broad.

And come the white snows and moon,

And windows’ glass double-braided,

And twigs in the silver galloons…

And time will be suddenly ended.

And you will be shocked in a flesh,

When sunk into concert’s embraces:

Much humbler than we ourselves

Is our everyday deathless.

—-

Dream

1913, 1928

I dreamed of autumn through the glass half-lightened,

Of friends and you in their joyful band,

And, like a falcon, which took blood in fighting,

Heart was descending on your gentle hand.

But time did go, grew older, failed to hear,

And only slightly silvering the frames,

Sunrise was catapulting bloody tears

Of late September on the glasses’ panes.

But time did go, grew older. And the crumbled,

Like ice, was thawing and breaking sofa’s silk.

And suddenly you stopped and stayed the silent,

And dream, like echo of a bell, did sink.

I waked. The dawn was, like the autumn, blackened,

The passed by wind was carrying far away,

Like a straw rain running behind a hay-cart,

The crag of birches running the sky’s gray.

—-

Echo

1915

A little nightingale, for a night,

Means what a pail means for wells, fulled.

I’m not sure, that starry skies glide

From songs to the other ones, truly.

But when her night song fuller rings,

The night o’er the song comes else broader.

A root of a tree better brings

When sop strikes into rooter’s borders.

And if there is wordless delight

Of beauty of leafage of birches,

It seems, that a song strikes a hut,

With chain, that is mighty and tortures.

And then sadness drops from the steel,

And then night dissolves into mire,

And all, till the far ploughed fields

Through it from the garden, is spied.

—-

March

The sun is hotter than the top ledge in a steam bath;

The ravine, crazed, is rampaging below.

Spring — that corn-fed, husky milkmaid –

Is busy at her chores with never a letup.

The snow is wasting (pernicious anemia –

See those branching veinlets of impotent blue?)

Yet in the cowbarn life is burbling, steaming,

And the tines of pitchforks simply glow with health.

These days — these days, and these nights also!

With eavesdrop thrumming its tattoos at noon,

With icicles (cachectic!) hanging on to gables,

And with the chattering of rills that never sleep!

All doors are flung open — in stable and in cowbarn;

Pigeons peck at oats fallen in the snow;

And the culprit of all this and its life-begetter–

The pile of manure — is pungent with ozone.

Sonnets To Jenny…

On the Sound Box: Nick Drakes’, “Time Of No Reply”

“If we have chosen the position in life in which we can most of all work for mankind, no burdens can bow us down, because they are sacrifices for the benefit of all; then we shall experience no petty, limited, selfish joy, but our happiness will belong to millions, our deeds will live on quietly but perpetually at work, and over our ashes will be shed the hot tears of noble people.”

[Marx, On the Choice of a Profession]

– All of our Love to Jules. (Girl, we are with ya!)–

Good friends are moving… Our Deda and Randy along with daughter Bailey are moving south to Medford. Randy has been teaching Pathology at OSHU for the last 7 years, and Deda has been working as a therapist giving physical therapy for kids with CP and other special needs. Bailey is looking forward to the journey south, and being in a new school. She is a promising young artist, heading into 7th grade.

Randy and I made a dump run with old furniture today… We were driving through Portland in the Land Cruiser that he sold me a few years back. We talked about a thousand things, almost in a rush, but yet in that relaxed way that Randy has… It was a great little journey, kinda bittersweet.. Mary and I are heading up to their house early on Tuesday to help a bit as they get their stuff packed and moved.

We love them and will miss them, good hearts and good friends that they are.

PK stopped by, he has just 2 weeks or so before he graduates from the local school of Oriental Medicine. He is pretty excited, but looking forward to a breather before he sits The Board in October. We loves him, we do. Instead of Burning Man, we will be at his graduation ceremonies this September 1st. I am starting to think of ideas for his web page, something not toooo over the top.

I hope this entry finds you well with yourself and the world. Here is to the change that we have all been a part of. Lets bring about the world that we have dreamed about throughout the ages of our sleeping.

One Love,

G

On the Menu

The Links

The Spirit Of A Buried Man

The Poetry of Karl Marx

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The Links:

Mammoths may roam again after 27,000 years

Greenland melt ‘speeding up’

Give a man six inches and he’ll want a …

French cops hunt mysterious ‘panther’

Return of the Bible Code Bozos

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Tales From Poland…

THE SPIRIT OF A BURIED MAN….

A POOR scholar was going by the highway into a town, and found under the walls of the gate the body of a dead man, unburied, trodden by the feet of the passers-by. He had not much in his purse, but willingly gave enough to bury him, that he might not be spat upon and have sticks thrown at him. He performed his devotions over the fresh heaped-up grave, and went on into the world to wander. In an oak wood sleep overpowered him, and when he awoke, he espied with wonderment a bag full of gold. He thanked the unseen beneficent hand, and came to the bank of a large river, where it was necessary to be ferried over. The two ferrymen, observing the bag full of gold, took him into the boat, and just at an eddy took from him the gold and threw him into the water. As the waves carried him away insensible, he by accident clutched a plank, and by its aid floated successfully to the shore. It was not a plank, but the spirit of the buried man, who addressed him in these words: ‘You honoured my remains by burial; I thank you for it. In token of gratitude I will teach you how you can transform yourself into a crow, into a hare, and into a deer.’ Then he taught him the spell. The scholar, when acquainted with the spell, could with ease transform himself into a crow, into a hare, and into a deer. He wandered far, he wandered wide, till he wandered to the court of a mighty king, where he remained as an archer in attendance at the court. This king had a beautiful daughter, but she dwelt on an inaccessible island, surrounded on all sides by the sea. She dwelt in a castle of copper, and possessed a sword such that he who brandished it could conquer the largest army. Enemies had invaded the territory of the king; he needed and desired the victorious sword. But how to obtain it, when nobody had up to that time succeeded in getting on to the lonely island? He therefore made proclamation that whoever should bring the victorious sword from the princess should obtain her hand, and, moreover, should sit upon the throne after him. No one was venturesome enough to attempt it, till the wandering scholar, then an archer attached to the court, stood before the king announcing his readiness to go, and requesting a letter, that on receipt of that token the princess might give up the weapon to him. All men were astonished, and the king entrusted him with a letter to his daughter. He went into the forest, without knowing in the least that another archer attached to the court was dogging his steps. He first transformed himself into a hare, then into a deer, and darted off with haste and speed; he traversed no small distance, till he stood on the shore of the sea. He then transformed himself into a crow, flew across the water of the sea, and didn’t rest till he was on the island. He went into the castle of copper, delivered to the beautiful princess the letter from her father, and requested her to give him the victorious sword. The beautiful princess looked at the archer. He captured her heart at once. She asked inquisitively how he had been able to get to her castle, which was on all sides surrounded by water and knew no human footsteps. Thereupon the archer replied that he knew secret spells by which he could transform himself into a deer, a hare, and a crow. The beautiful princess, therefore, requested the archer to transform himself into a deer before her eyes. When he made himself into a graceful deer, and began to fawn and bound, the princess secretly pulled a tuft of fur from his back. When he transformed himself again into a hare, and bounded with pricked up ears, the princess secretly, pulled a little fur off his back. When he changed himself into a crow and began to fly about in the room, the princess secretly pulled a few feathers from the bird’s wings. She immediately wrote a letter to her father and delivered up the victorious sword. The young scholar flew across the sea in the form of a crow, then ran a great distance in that of a deer, till in the neighbourhood of the wood he bounded as a hare. The treacherous archer was already there in ambush, saw when he changed himself into a hare, and recognised him at once. He drew his bow, let fly the arrow, and killed the hare. He took from him the letter and carried off the sword, went to the castle, delivered to the king the letter and the sword of victory, and demanded at once the fulfilment of the promise that had been made. The king, transported with joy, promised him immediately his daughter’s hand, mounted his horse, and rode boldly against his enemies with the sword. Scarcely had he espied their standards, when he brandished the sword mightily several times, and that towards the four quarters of the world. At every wave of the sword large masses of enemies fell dead on the spot, and others, seized with panic, fled like hares. The king returned joyful with victory, and sent for his beautiful daughter, to give her to wife to the archer who brought the sword. A banquet was prepared. The musicians were already striking up, the whole castle was brilliantly lighted; but the princess sat sorrowful beside the assassin-archer. She knew at once that he was in nowise the man whom she saw in the castle on the island, but she dared not ask her father where the other handsome archer was; she only wept much and secretly: her heart beat for the other.

The poor scholar, in the hare’s skin, lay slain under the oak, lay there a whole year, till one night he felt himself awakened from a mighty sleep, and before him stood the well-known spirit, whose body he had buried. He told him what had happened to him, brought him back to life, and said: ‘To-morrow is the princess’s wedding; hasten, therefore, to the castle without a moment’s delay; she will recognise you; the archer, too, who killed you treacherously, will recognise you.’ The young man sprang up promptly, went to the castle with throbbing heart, and entered the grand saloon, where numerous guests were eating and drinking. The beautiful princess recognised him at once, shrieked with joy, and fainted; and the assassin-archer, the moment he set eyes on him, turned pale and green from fear. Then the young man related the treason and murderous act of the archer, and in order to prove his words, turned himself in presence of all the assembled company into a graceful deer, and began to fawn upon the princess. She placed the tuft of fur pulled off him in the castle on the back of the deer, and the fur immediately grew into its place. Again he transformed himself into a hare, and similarly the piece of fur pulled off, which the princess had kept, grew into its place immediately on contact. All looked on in astonishment till the young man changed himself into a crow. The princess brought out the feathers which she had pulled from its wings in the castle, and the feathers immediately grew into their places. Then the old king commanded the assassin-archer to be put to death. Four horses were led out, all wild and unbroken. He was bound to them by his hands and feet, the horses were started off by the whip, and at one bound they tore the assassin-archer to pieces. The young man obtained the hand of the young and charming princess. The whole castle was in a brilliant blaze of light, they drank, they ate with mirth; and the princess did not weep, for she possessed the husband that she wished for.

__________

Jenny Von Westphalen

I have always maintained that every poet is a revolutionary, but not every revolutionary is a poet… Here you will find, that one man was both. His works resound through time, and though some may discount him, he changed the world out of his sense of love and concern for others. He lived a passionate life, and yet his greatest passion was his life companion and wife. This is dedicated to his wild love, Jenny Von Westphalen, who loved him, and cherished him, following him across Europe as he changed the world…

G

The Poetry of Karl Marx…

The Pale Maiden

A Ballad

The maiden stands so pale,

So silent, withdrawn,

Her sweet angelic soul

Is misery-torn.

Therein can shine no ray,

The waves tumble over;

There, love and pain both play,

Each cheating the other.

Gentle was she, demure,

Devoted to Heaven,

An image ever pure

The Graces had woven.

Then came a noble knight,

A grand charger he rode;

And in his eyes so bright

A sea of love flowed.

Love smote deep in her breast,

But he galloped away,

For battle-triumph athirst;

Naught made him stay.

All peace of mind is flown,

The Heavens have sunk.

The heart, now sorrow’s throne,

Is yearning-drunk.

And when the day is past,

She kneels on the floor,

Before the holy Christ

A-praying once more.

But then upon that form

Another encroaches,

To take her heart by storm,

‘Gainst her self reproaches.

“To me your love is given

For Time unending.

To show your soul to Heaven

Is merely pretending.”

She trembles in her terror

Icy and stark,

She rushes out in horror,

Into the dark.

She wrings her lily-white hands,

The tear-drops start.

“Thus fire the bosom brands

And longing, the heart.

“Thus Heaven I’ve forfeited,

I know it full well.

My soul, once true to God,

Is chosen for Hell.

He was so tall, alas,

Of stature divine.

His eyes so fathomless,

So noble, so fine.

“He never bestowed on me

His glances at all;

Lets me pine hopelessly

Till the end of the Soul.

“Another his arm may press,

May share his pleasure;

Unwitting, he gives me distress

Beyond all measure.

“With my soul willingly,

With my hopes I’d part,

Would he but look towards me

And open his heart.

“How cold must the Heavens be

Where he doesn’t shine,

A land full of misery

And burning with pain.

“But here the surging flood

May deliver me, cooling

The hot fire of heart’s blood,

The bosom’s feeling.”

She leaps with all her might

Into the spray.

Into the cold dark night

She’s carried away.

Her heart, that burning brand,

Is quenched forever;

Her look, that luminous land,

Is clouded over.

Her lips, so sweet and tender,

Are pale and colourless;

Her form, aethereal, slender,

Drifts into nothingness.

And not a withered leaf

Falls from the bough;

Heaven and Earth are deaf,

Won’t wake her now.

By mountain, valley, on

The quiet waves race,

To dash her skeleton

On a rocky place.

The Knight so tall and proud

Embraces his new love,

The cithern sings about

The joys of True Love!

—–

Sonnets to Jenny

I

Take all, take all these songs from me

That Love at your feet humbly lays,

Where, in the Lyre’s full melody,

Soul freely nears in shining rays.

Oh! if Song’s echo potent be

To stir to longing with sweet lays,

To make the pulse throb passionately

That your proud heart sublimely sways,

Then shall I witness from afar

How Victory bears you light along,

Then shall I fight, more bold by far,

Then shall my music soar the higher;

Transformed, more free shall ring my song,

And in sweet woe shall weep my Lyre.

II

To me, no Fame terrestrial

That travels far through land and nation

To hold them thrillingly in thrall

With its far-flung reverberation

Is worth your eyes, when shining full,

Your heart, when warm with exultation,

Or two deep-welling tears that fall,

Wrung from your eyes by song’s emotion.

Gladly I’d breathe my Soul away

In the Lyre’s deep melodious sighs,

And would a very Master die,

Could I the exalted goal attain,

Could I but win the fairest prize —

To soothe in you both joy and pain.

III

Ah! Now these pages forth may fly,

Approach you, trembling, once again,

My spirits lowered utterly

By foolish fears and parting’s pain.

My self-deluding fancies stray

Along the boldest paths in vain;

I cannot win what is most High,

And soon no more hope shall remain.

When I return from distant places

To that dear home, filled with desire,

A spouse holds you in his embraces,

And clasps you proudly, Fairest One.

Then o’er me rolls the lightning’s fire

Of misery and oblivion.

IV

Forgive that, boldly risking scorn

The Soul’s deep yearning to confess,

The singer’s lips must hotly burn

To waft the flames of his distress.

Can I against myself then turn

And lose myself, dumb, comfortless,

The very name of singer spurn,

Not love you, having seen your face?

So high the Soul’s illusions aspire,

O’er me you stand magnificent;

’tis but your tears that I desire,

And that my songs you only enjoyed

To lend them grace and ornament;

Then may they flee into the Void!

—-

The Awakening

I

When your beaming eye breaks

Enraptured and trembling,

Like straying string music

That brooded, that slumbered,

Bound to the lyre,

Up through the veil

Of holiest night,

Then from above glitter

Eternal stars

Lovingly inwards.

II

Trembling, you sink

With heaving breast,

You see unending

Eternal worlds

Above you, below you,

Unattainable, endless,

Floating in dance-trains

Of restless eternity;

An atom, you fall

Through the Universe.

III

Your awakening

Is an endless rising,

Your rising

An endless falling.

IV

When the rippling flame

Of your soul strikes

In its own depths,

Back into the breast,

There emerges unbounded,

Uplifted by spirits,

Borne by sweet-swelling

Magical tones,

The secret of soul

Rising out of the soul’s

Daemonic abyss.

V

Your sinking down

Is an endless rising,

Your endless rising

Is with trembling lips-

The Aether-reddened,

Flaming, eternal

Lovekiss of the Godhead.

____

The Wikipedia.org Entry for Karl…