On The Music Box: Silence….

We were heading south for Beltane Celebrations; but due to business and attending matters we will be lighting the Baal Fire on May Eve at Caer Llwydd.
We have devoted this edition of Turfing to the celebration of Beltane/Beltain, getting it in a bit earlier than usual… Spring is coming to its glorious climax here in the Arboreal North, and May-Eve will see the beginnings of True Summer in.
On the Menu:
The Links
The Article: A Celebration of May Day
The Poetry: The Old Age of Queen Maeve – W.B. Yeats
Here is to the coming celebration, Drink Deeply To The Life!
Gwyllm
__________
The Links
Afghan Farmers Fight Ban on Poppy Growing
Bushism as Greek Drama: “Hubris” and “Tragic Flaws”
The Enlightenment, Freemasonry, and The Illuminati
__________
by Mike Nichols
‘Perhaps it’s just as well that you won’t be here…to be offended by the sight of our May Day celebrations.’
– Lord Summerisle to Sgt. Howie from ‘The Wicker Man’
There are four great festivals of the Pagan Celtic year and the modern Witch’s calendar, as well. The two greatest of these are Halloween (the beginning of winter) and May Day (the beginning of summer). Being opposite each other on the wheel of the year, they separate the year into halves. Halloween (also called Samhain) is the Celtic New Year and is generally considered the more important of the two, though May Day runs a close second. Indeed, in some areas — notably Wales — it is considered the great holiday.
May Day ushers in the fifth month of the modern calendar year, the month of May. This month is named in honor of the goddess Maia, originally a Greek mountain nymph, later identified as the most beautiful of the Seven Sisters, the Pleiades. By Zeus, she is also the mother of Hermes, god of magic. Maia’s parents were Atlas and Pleione, a sea nymph. The old Celtic name for May Day is Beltane (in its most popular Anglicized form), which is derived from the Irish Gaelic ‘Bealtaine’ or the Scottish Gaelic ‘Bealtuinn’, meaning ‘Bel-fire’, the fire of the Celtic god of light (Bel, Beli or Belinus). He, in turn, may be traced to the Middle Eastern god Baal.
Other names for May Day include: Cetsamhain (‘opposite Samhain’), Walpurgisnacht (in Germany), and Roodmas (the medieval Church’s name). This last came from Church Fathers who were hoping to shift the common people’s allegiance from the Maypole (Pagan lingham – symbol of life) to the Holy Rood (the Cross – Roman instrument of death).
Incidentally, there is no historical justification for calling May 1st ‘Lady Day’. For hundreds of years, that title has been proper to the Vernal Equinox (approx. March 21st), another holiday sacred to the Great Goddess. The nontraditional use of ‘Lady Day’ for May 1st is quite recent (since the early 1970′s), and seems to be confined to America, where it has gained widespread acceptance among certain segments of the Craft population. This rather startling departure from tradition would seem to indicate an unfamiliarity with European calendar customs, as well as a lax attitude toward scholarship among too many Pagans. A simple glance at a dictionary (‘Webster’s 3rd’ or O.E.D.), excyclopedia (‘Benet’s’), or standard mythology reference (Jobe’s ‘Dictionary of Mythology, Folklore & Symbols’) would confirm the correct date for Lady Day as the Vernal Equinox.
By Celtic reckoning, the actual Beltane celebration begins on sundown of the preceding day, April 30, because the Celts always figured their days from sundown to sundown. And sundown was the proper time for Druids to kindle the great Bel-fires on the tops of the nearest beacon hill (such as Tara Hill, Co. Meath, in Ireland). These ‘need-fires’ had healing properties, and sky-clad Witches would jump through the flames to ensure protection.
Sgt. Howie (shocked): ‘But they are naked!’ Lord Summerisle: ‘Naturally. It’s much too dangerous to jump through the fire with your clothes on!’ –from “The Wicker Man”
Frequently, cattle would be driven between two such bon-fires (oak wood was the favorite fuel for them) and, on the morrow, they would be taken to their summer pastures.
Other May Day customs include: walking the circuit of one’s property (‘beating the bounds’), repairing fences and boundary markers, processions of chimney-sweeps and milk maids, archery tournaments, morris dances, sword dances, feasting, music, drinking, and maidens bathing their faces in the dew of May morning to retain their youthful beauty.
In the words of Witchcraft writers Janet and Stewart Farrar, the Beltane celebration was principly a time of ‘…unashamed human sexuality and fertility.’ Such associations include the obvious phallic symbolism of the Maypole and riding the hobby horse. Even a seemingly innocent children’s nursery rhyme, ‘Ride a cock horse to Banburry Cross…’ retains such memories. And the next line ‘…to see a fine Lady on a white horse’ is a reference to the annual ride of ‘Lady Godiva’ though Coventry. Every year for nearly three centuries, a sky-clad village maiden (elected Queen of the May) enacted this Pagan rite, until the Puritans put an end to the custom.
The Puritans, in fact, reacted with pious horror to most of the May Day rites, even making Maypoles illegal in 1644. They especially attempted to suppress the ‘greenwood marriages’ of young men and women who spent the entire night in the forest, staying out to greet the May sunrise, and bringing back boughs of flowers and garlands to decorate the village the next morning. One angry Puritan wrote that men ‘doe use commonly to runne into woodes in the night time, amongst maidens, to set bowes, in so muche, as I have hearde of tenne maidens whiche went to set May, and nine of them came home with childe.’ And another Puritan complained that, of the girls who go into the woods, ‘not the least one of them comes home again a virgin.’
Long after the Christian form of marriage (with its insistance on sexual monogamy) had replaced the older Pagan handfasting, the rules of strict fidelity were always relaxed for the May Eve rites. Names such as Robin Hood, Maid Marion, and Little John played an important part in May Day folklore, often used as titles for the dramatis personae of the celebrations. And modern surnames such as Robinson, Hodson, Johnson, and Godkin may attest to some distant May Eve spent in the woods.
These wildwood antics have inspired writers such as Kipling:
Oh, do not tell the Priest our plight,
Or he would call it a sin;
But we have been out in the woods all night,
A-conjuring Summer in!
—
And Lerner and Lowe:
It’s May! It’s May!
The lusty month of May!…
Those dreary vows that ev’ryone takes,
Ev’ryone breaks.
Ev’ryone makes divine mistakes!
The lusty month of May!
It is certainly no accident that Queen Guinevere’s ‘abduction’ by Meliagrance occurs on May 1st when she and the court have gone a-Maying, or that the usually efficient Queen’s Guard, on this occasion, rode unarmed.
Some of these customs seem virtually identical to the old Roman feast of flowers, the Floriala, three days of unrestrained sexuality which began at sundown April 28th and reached a crescendo on May 1st.
There are other, even older, associations with May 1st in Celtic mythology. According to the ancient Irish ‘Book of Invasions’, the first settler of Ireland, Partholan, arrived on May 1st; and it was on May 1st that the plague came which destroyed his people. Years later, the Tuatha De Danann were conquered by the Milesians on May Day. In Welsh myth, the perenial battle between Gwythur and Gwyn for the love of Creudylad took place each May Day; and it was on May Eve that Teirnyon lost his colts and found Pryderi.
May Eve was also the occasion of a fearful scream that was heard each year throughout Wales, one of the three curses of the Coranians lifted by the skill of Lludd and Llevelys.
By the way, due to various calendrical changes down through the centuries, the traditional date of Beltane is not the same as its astrological date. This date, like all astronomically determined dates, may vary by a day or two depending on the year. However, it may be calculated easily enough by determining the date on which the sun is at 15 degrees Taurus (usually around May 5th). British Witches often refer to this date as Old Beltane, and folklorists call it Beltane O.S. (‘Old Style’). Some Covens prefer to celebrate on the old date and, at the very least, it gives one options. If a Coven is operating on ‘Pagan Standard Time’ and misses May 1st altogether, it can still throw a viable Beltane bash as long as it’s before May 5th. This may also be a consideration for Covens that need to organize activities around the week-end.
This date has long been considered a ‘power point’ of the Zodiac, and is symbolized by the Bull, one of the ‘tetramorph’ figures featured on the Tarot cards, the World and the Wheel of Fortune. (The other three symbols are the Lion, the Eagle, and the Spirit.) Astrologers know these four figures as the symbols of the four ‘fixed’ signs of the Zodiac (Taurus, Leo, Scorpio, and Aquarius), and these naturally align with the four Great Sabbats of Witchcraft. Christians have adopted the same iconography to represent the four gospel-writers.
But for most, it is May 1st that is the great holiday of flowers, Maypoles, and greenwood frivolity. It is no wonder that, as recently as 1977, Ian Anderson could pen the following lyrics for the band Jethro Tull:
“For the May Day is the great day,
Sung along the old straight track.
And those who ancient lines did ley
Will heed this song that calls them back.”
__________
THE OLD AGE OF QUEEN MAEVE – W.B. Yeats

MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That’s all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But soft beauty and indolent desire. p. 52
She could have called over the rim of the world
Whatever woman’s lover had hit her fancy,
And yet had been great bodied and great limbed,
Fashioned to be the mother of strong children;
And she’d had lucky eyes and a high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter’s lodge, and with long clamour
Shook the ale horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her, p. 53
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull, and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine p. 54
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished. Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he’d had a straight body,
And of that famous Fergus, Nessa’s husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man’s voice,
But with the burning, live, unshaken voice,
Of those that it may be can never age.
He said, “High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.”
And with glad voice Maeve answered him, “What king
Of the far wandering shadows has come to me?
As in the old days when they would come and go
About my threshold to counsel and to help.”
The parted lips replied, “I seek your help,
For I am Aengus, and I am crossed in love.”
“How may a mortal whose life gutters out
Help them that wander with hand clasping hand, p. 55
Their haughty images that cannot wither,
For all their beauty’s like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?”
He replied:
“I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual’s hill.
We shadows, while they uproot his earthy house,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.”
“I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.”
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house,
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir p. 56
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines’ children dropped their spades, and stood
With quaking joints and terror-strucken faces,
Till Maeve called out: “These are but common men.
The Maines’ children have not dropped their spades,
Because Earth, crazy for its broken power,
Casts up a show and the winds answer it
With holy shadows.” Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout; p. 57
For you, although you’ve not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I’ve heard how they grew old and died,
Or fell into unhappiness, I’ve said:
“She will grow old and die, and she has wept!”
And when I’d write it out anew, the words,
Half crazy with the thought, She too has wept!
Outrun the measure.
I’d tell of that great queen
Who stood amid a silence by the thorn
Until two lovers came out of the air
With bodies made out of soft fire. The one,
About whose face birds wagged their fiery wings,
Said: “Aengus and his sweetheart give their thanks
To Maeve and to Maeve’s household, owing all
In owing them the bride-bed that gives peace.”
Then Maeve: “O Aengus, Master of all lovers,
A thousand years ago you held high talk
With the first kings of many-pillared Cruachan. p. 58
O when will you grow weary?”
They had vanished;
But out of the dark air over her head there came
A murmur of soft words and meeting lips.
_______



One of the most famous Islamic mystics was a woman: Rabi’a al-’Adawiyya (c.717-801). This 8th century saint was an early Sufi who had a profound influence on later Sufis, who in turn deeply influenced the European mystical love and troubadour traditions. Rabi’a was a woman of Basra, a seaport in southern Iraq. She was born around 717 and died in 801 (185-186). Her biographer, the great medieval poet Attar, tells us that she was “on fire with love and longing” and that men accepted her “as a second spotless Mary”. She was, he continues, “an unquestioned authority to her contemporaries”.
Above all, she was a lover, a bhakti, like one of KrishnaÂ’s Goptis in the Hindu tradition. Her hours of prayer were not so much devoted to intercession as to communion with her Beloved. Through this communion, she could discover His will for her. Many of her prayers have come down to us:
Rabia, sometimes called Rabia of Basra or Rabia al Basri, was born to a poor family in Basra in what is now Iraq. Her parents died of famine and she was eventually sold into slavery.

ome of the more extraordinary tales in circulation can be traced back to the local ufologist Brenda Butler, who was responsible for launching the Rendlesham story back in 1981. It was Brenda who, with Dot Street, brought the story to the attention of Jenny Randles, who contacted Flying Saucer Review. In the spring of 1981, an account was also provided to the local fortean magazine Lantern, produced by the now defunct Borderline Science Investigation Group from Lowestoft. Under the title “CIII at Woodbridge?” Lantern carried what, at this distance, is an incredibly low-key treatment of the Rendlesham incident, burying it away on page 17. 1 Brenda Butler has maintained her belief in the story through thick and thin. Like Arthur Shuttlewood at Warminster or Alex Campbell at Loch Ness, she has kept the story rolling along with interviews and broadcasts. Brenda Butler generously gives her time to guiding groups through the forests, which seem almost to have become sacred to her.
The prime candidate explanaining the phenomenon, as with the 1980 Rendlesham UFO incident is, a misidentification of the Orfordness Lighthouse (see FT152:28-32). The current light is one of several to have existed at Orford over the centuries. The earliest form of lighthouse was established in the area in 1634, and there has been a light at the present site since 1792 when a structure with candles and burning coals was set up. 4 However, Sudbourne seems too far from the site for a lighthouse beam to be directly implicated as a culprit in the way it has been with the Rendlesham case. From an examination of old maps of the area we discovered that Kiln Field and Workhouse field are quite widely separated within the parish itself, so the mysterious red light was able to cover a considerable distance in Sudbourne. It is conceivable that a strange atmospheric effect might have distorted beams from the lighthouse, but how did the light appear to move “at walking pace” on two fields separated by some distance?
More pertinently, it may be noted that strange red lights are not the only oddities to have been seen in the neighbourhood. A green meteor was reported moving in the direction of Orford in the autumn of 1999, stimulating correspondence in the local press; 6 forteans and ufologists may note how writers from Charles Fort to John Keel have made much of strange meteors, and green ones were also a concern in the early days of the modern UFO phenomena in the USA. 7



Defense Secretary Donald Rumsfeld was warmly greeted at the recent meeting of the Council on Foreign Relations. The CFR is the hand-picked assemblage of western elites from big-energy, corporate media, high-finance and the weapons industry. These are the 4,000 or so members of the American ruling class who determine the shape of policy and ensure that the management of the global economic system remains in the hands of U.S. bluebloods.

Guillaume Albert Wladimir Alexandre Apollinaire was born in Rome in 1880 of an Italian father and a Polish mother. He grew up and received his education in France and, apart from a year in Germany in 1901-2, spent most of his adult life trying to make a living for himself as a writer in Paris. He was among the first to properly appreciate artists such as Picasso, Braque, Matisse and Derain who, in the early years of the twentieth century, were innovating in modern painting. He became their enthusiastic champion and his essay Picasso, peintre appeared as early as 1905. In 1914, at the outbreak of war, he enlisted, serving first in the artillery and later in the infantry. In May 1916 he received a head injury during combat for which he had to be trepanned. When he returned to Paris in 1917 he arranged the first performance of his `surrealist drama’ – Les Mamelles de Tirésias. In November 1918, only a few months after his marriage to Jacqueline Kolb, he died of Spanish influenza.















BETWEEN CULTURE and the individual the relationship is, and always has been, strangely ambivalent. We are at once the beneficiaries of our culture and its victims. Without culture, and without that precondition of all culture, language, man would be no more than another species of baboon. It is to language and culture that we owe our humanity. And “What a piece of work is a man!” says Hamlet: “How noble in reason! how infinite in faculties! … in action how like an angel! in apprehension, how like a god!” But, alas, in the intervals of being noble, rational and potentially infinite,
A culture cannot be discriminatingly accepted, much less be modified, except by persons who have seen through it—by persons who have cut holes in the confining stockade of verbalized symbols and so are able to look at the world and, by reflection, at themselves in a new and relatively unprejudiced way. Such persons are not merely born; they must also be made. But how?
It is the old story of the letter and the spirit. The letter is necessary, but must never be taken too seriously, for, divorced from the spirit, it cramps and finally kills. As for the spirit, it “bloweth where it listeth” and, if we fail to consult the best cultural charts, we may be blown off our course and suffer shipwreck. At present most of us make the worst of both worlds. Ignoring the freely blowing winds of the spirit and relying on cultural maps which may be centuries out-of-date, we rush full speed ahead under the high-pressure steam of our own overweening self-confidence. The tickets we have sold ourselves assure us that our destination is some port in the Islands of the Blest. In fact it turns out, more often than not, to be Devil’s Island.
Beer achieves its theological triumphs because, in William James’ words, “Drunkenness is the great exciter of the Yes function in man.” And he adds that “It is part of the deeper mystery and tragedy of life that whiffs and gleams of something that we immediately recognize as excellent should be vouchsafed to so many of us only in the fleeting earlier phases of what, in its totality, is so degrading a poisoning.” The tree is known by its fruits, and the fruits of too much reliance upon ethyl alcohol as an exciter of the Yes function are bitter indeed. No less bitter are the fruits of reliance upon such habit-forming sedatives, hallucinogens and mood elevators as opium and its derivatives, as cocaine (once so blithely recommended to his friends and patients by Dr. Freud), as the barbiturates and amphetamine. But in recent years the pharmacologists have extracted or synthesized several compounds that powerfully affect the mind without doing any harm to the body, either at the time of ingestion or, through addiction, later on. Through these new psychedelics, the subject’s normal waking consciousness may be modified in many different ways. It is as though, for each individual, his deeper self decides which kind of experience will be most advantageous. Having decided, it makes use of the drug’s mind-changing powers to give the person what he needs. Thus, if it would be good for him to have deeply buried memories uncovered, deeply buried memories will duly be uncovered. In cases where this is of no great importance, something else will happen. Normal waking consciousness may be replaced by aesthetic consciousness, and the world will be perceived in all its unimaginable beauty, all the blazing intensity of its “thereness.” And aesthetic consciousness may modulate into visionary consciousness. Thanks to yet another kind of seeing, the world will now reveal itself as not only unimaginably beautiful, but also fathomlessly mysterious—as a multitudinous abyss of possibility forever actualizing itself into unprecedented forms. New insights into a new, transfigured world of givenness, new combinations of thought and fantasy—the stream of novelty pours through the world in a torrent, whose every drop is charged with meaning. There are the symbols whose meaning lies outside themselves in the given facts of visionary experience, and there are these given facts which signify only themselves. But “only themselves” is also “no less than the divine ground of all being.” “Nothing but this” is at the same time “the Suchness of all.” And now the aesthetic and the visionary consciousness deepen into mystical consciousness. The world is now seen as an infinite diversity that is yet a unity, and the beholder experiences himself as being at one with the infinite Oneness that manifests itself, totally present, at every point of space, at every instant in the flux of perpetual perishing and perpetual renewal. Our normal word-conditioned consciousness creates a universe of sharp distinctions, black and white, this and that, me and you and it. In the mystical consciousness of being at one with infinite Oneness, there is a reconciliation of opposites, a perception of the Not-Particular in particulars, a transcending of our ingrained subject4bject relationships with things and persons; there is an immediate experience of our solidarity with all being and a kind of organic conviction that in spite of the inscrutabilities of fate, in spite of our own dark stupidities and deliberate malevolence, yes, in spite of all that is so manifestly wrong with the world, it is yet, in some profound, paradoxical and entirely inexpressible way, All Right. For normal waking consciousness, the phrase, “God is Love,” is no more than a piece of wishful positive thinking. For the mystical consciousness, it is a self-evident truth.


I, Tuan the eagle, watched that fratricidal struggle; that terrible slaughter of kinsmen known as the First Battle of Moy Tura. I saw the same green plain across which I had, as a stag and boar, led my herd, drenched in blood. There I saw for the last time the Fir Bolg in their fullness and their pride, in their beauty and their youth, ranged against the glittering armies of the Tuatha DÈ Danann. The battle was fierce and ebbed and flowed like waves on a sea of fortune and price.
12. ‘Beothach, the son of Iarbonel the prophet, seized this island from the races that dwelt in it. From them are the Tuatha Dé and Andé, whose origin the learned do not know, but that it seems likely to them that they came from heaven, on account of their intelligence and for the excellence of their knowledge.











