Into The Dreaming

The Dreaming - Gwyllm 2014
The Dreaming – Gwyllm 2014

Dear Friends,

Here we are, winding down to the Solstice. It’s dark up here in the north country, we seem to get up in the dark, the sky lowers down early on, and into the long night again. It is a time of dreaming, spell work, and attending to matters close to the hearth. Yet, the season promises change. When the Solstice comes, we tip back, and the light will gather strength and speed again, and the great spiral of our lives will continue on.

Like any year 2014 has had it’s ups and downs. I am rather fond of 2014, I enjoyed one of the most beautiful summers in years here in Portland, along with a spectacular fall. Although I miss living in Portland proper, I have come to enjoy our place, and especially the garden and birds.

It has been one of my most productive years art wise. Still I have so many ideas percolating through my head of projects yet to be done.

One project I am very pleased with is the relaunch of Radio EarthRites. If you haven’t visited with the station yet, take some time to give it a listen! It is constantly changing and I think it is better than our old station. It has unlimited band-width/user capacity, and we are considering putting in a spoken word channel as well.

I think we have a good version of Turfing for this edition! Some great stuff, a book review, some of Mr. Watt’s quotes, a new band to listen to, the beautiful songs and poems of Kabir, and a great article by Peter Lamborn Wilson. What’s not to like?

I hope the year has been as sweet for you as for me. Here is to beauty, and to The Dreaming through the long winter’s night.

Bright Blessings,
G
~~~~~~

13x19 Wall Calendar
13×19 Wall Calendar

Gwyllm Art 2015 Calendars!
We have 2 calendars this year, the 13×19 wall calendar, and the 8.5×11 budget calendar. Some of the pieces have never been published, or printed before.  “The Dreaming” (see above is one of 13 illustrations that grace the new calendars)  We are using the proceeds from the sale of the calendar to pay for Radio EarthRites upkeep, and fees.

Check out the preview sections! They make great affordable gifts!

8.5x11 Budget Calendar
8.5×11 Budget Calendar

Cheers!
G
~~~~~~
On The Menu:
Book Review: Cannabis and the Soma Solution
Alan Watts Quotes
Allah-Las – No Voodoo
Kabir: Songs & Poems
The Caravan of Summer – Peter Lamborn Wilson
Allah Las – Tell Me (What’s On Your Mind)
~~~~~~
cannabis
 Cannabis and the Soma Solution
Author: Chris Bennett – (Trineday Publisher)

Having been schooled in the Soma = Amanita Muscaria School (A nod to Mr. Wasson) one might well be taken back by the ideas and concepts that emerge from Cannabis and the Soma Solution.  Here is an interesting challenge to the Wasson school of thought on Soma.  Chris Bennett has done an amazing amount of digging in the dirt surrounding the beginnings of the world religions, and cultures. Whilst digging about he kept on turning up connections to Cannabis, whether in Islam, Christianity, Judaism, Buddhism, and Hinduism along with other older belief systems.

I think that we should pay attention to what has been turned up in this volume. Well researched, it is a large read, clocking in at 589 pages. (It has a healthy appendix and reference section as well.) It investigates the cannabis connection that threads through the ancient Scythians, Egyptian, Chinese, Old Europe, Greece, Iran etc. (The Zoroastrian connection is one of my faves.) He lays out the connections and some of the citations are very, very interesting.

Chris’s investigations into the Cannabis = Soma/Haoma has stirred controversy among various Psychedelic/Entheogenic Scholars, and I cannot think that is a bad thing.  We need these discussions, and deeper investigations. Every theory should have it’s time to be investigated, tested and challenged.  That is the way of discovery.

If you are interested in all things Cannabis or for that matter “Entheogenic”, or the ideas of what may be the basis of the various belief systems, or in the Soma/Haoma question, (there are other candidates out there besides Amanita Muscaria & Cannabis btw), this book will entertain, perplex or even make one angry at the assertions found within.  It does not exclude Amanita Muscaria, Ephedra, or even other plants/fungi from the Soma Complex, but asserts that the original was Cannabis.  Whether it was or wasn’t I can’t address.  What I can say is that there is some very fascinating information in Cannabis and the Soma Solution that may indeed alter the way we have perceived this fascinating subject.

I think Cannabis and the Soma Solution will sit nicely with Hakim Bey’s & Abel Zug’s “Orgies of the Hemp Eaters”, along with Fritz Hugh Ludlow’s “The Hasheesh Eater” on your bookshelf. It certainly is wide ranging and an in-depth study of that most worthy plant.
~G~
~~
A few quotes about Cannabis and the Soma Solution

“It is a volume that must be read by every scholar who works in the field of biblical studies, world religions, psycho-spirituality, or the history of the paranormal as friend and familiar.”
J. Harold Ellens, PhD Institute for Antiquity and Christianity of the Claremont Graduate School: Advisory Board Member, Former Board President, Research Scholar/Lecturer, 1980 to 2002. Research Scholar: University of Michigan Department of Near Eastern Studies, 1990 to date.
Professor of Philosophy and Psychology (20 years), Oakland University, Calvin Seminary and Princeton Theological Seminary, Oakland Community College, Retired.

“A treasure trove of up-to-date ancient information on cannabis. High recommended to round out your library on religious uses of psychoactive drugs.”
Julie Holland, MD
Clinical Assistant Professor of Psychiatry, NYU School of Medicine
Editor, The Pot Book. A Complete Guide To Cannabis.
Editor, Ecstasy: The Complete Guide.

“I have read Mr. Bennett’s several books on this subject and am in general agreement with what he states, especially about the extent to which the Vedic hallucinogen Soma was probably made from cannabis. Indeed, his research has changed my own thinking about this ancient conundrum (heretofore, the majority of scholars have suggested that Soma was prepared from psychotropic mushrooms).
As Chris Bennett amply demonstrates in this seminal book, the ritual use of cannabis has a very long history. It extends from Vedic India in the second millennium, B.C.E., where the hallucinogen in question was known as Soma, classical Greece, ancient Israel where it appears as keneh bosem, and the steppes of Central Asia, where, according to Herodotus in Book IV of his History, the ancient Scythians ritually inhaled the fumes given off by burning cannabis leaves. Indeed, the plant has consistently occupied a central position in shamanic cults almost everywhere. In more recent times, and especially in the twentieth century, users of cannabis for spiritual purposes have unfortunately been persecuted, in the United States and elsewhere, by authorities enforcing laws against its possession. A good example can be seen in the ongoing attempts to suppress its use in the Rastafarian religion. In short, I heartily recommend Bennett’s book to anyone seeking a better understanding of this well-nigh universal, albeit all too often misunderstood hallucinogen and its crucial role in the history of human spirituality.”
C. Scott Littleton, Ph.D.
Professor of Anthropology, Emeritus
Occidental College

Chris Bennett assembles religious, historical, medical and poetic sources with immaculate ease, in order to construct what is sure to be an enduring examination of the global history of cannabis use by widely diverse human populations.
Dr. David C.A. Hillman
Dr. David C.A. Hillman earned a Ph.D. in Classics and M.S. in Bacteriology from the University of Wisconsin, where he studied the medicine and pharmacology of antiquity. The London Times described his research as “the last wild frontier of classical studies.” Dr. Hillman’s work, while firmly grounded in primary sources – the original documents of Church authorities and others – is highly controversial. It is research that many modern Church officials do not want known. His dissertation committee refused to pass him unless he removed material about the use of psychedelic drugs in antiquity; he later published the forbidden material in The Chemical Muse. rs.

I’ve enjoyed this book immensely—a masterful investigation of religious intoxication cults from ancient India, Persia, Asia Minor, Scythia, and Europe. Refuting R. Gordon Wasson’s theory that Soma of the Vedas was Amanita muscaria mushrooms, Bennett shows that Soma was probably a mixture of cannabis, ephedra and poppy (confirmed by Sarianidi’s archaeological discoveries in Bactria), and he traces the uses of cannabis as a sacrament through many ancient cultures. This is a must-read for everyone interested in the ancient history of drugs.
Michael R. Aldrich, Ph.D.
Michael R. Aldrich, Ph.D is the author of the first doctoral dissertation on cannabis in the United States, Marijuana Myths and Folklore (1970); editor of the first pot ’zine, The Marijuana Review, 1968-1973; co-founder of Amorphia, The Cannabis Cooperative (1969-1973); organizer of California Marijuana Initiative (1972); curator of Fitz Hugh Ludlow Memorial Library (1974-2002) and the Aldrich Archives (1974-present); program coordinator, Institute for Community Health Outreach (California statewide AIDS outreach worker training program); executive director of CHAMP medical marijuana community center, San Francisco (2001-2002); and co-founder of the San Francisco Patient and Resource Center (SPARC), (2010-present). He and his wife Michelle have worked in the marijuana movement for more than 40 years together.

Please check it out, you just might enjoy Cannabis and the Soma Solution.
Cheers,
Gwyllm
~~~~~~
Alan Watts Quotes:

Alan Watts
Alan Watts

I have realized that the past and future are real illusions, that they exist in the present, which is what there is and all there is.

No work or love will flourish out of guilt, fear, or hollowness of heart, just as no valid plans for the future can be made by those who have no capacity for living now.

Things are as they are. Looking out into it the universe at night, we make no comparisons between right and wrong stars, nor between well and badly arranged constellations.

The myths underlying our culture and underlying our common sense have not taught us to feel identical with the universe, but only parts of it, only in it, only confronting it – aliens.

The ego is nothing other than the focus of conscious attention.
~~~
Allah-Las – No Voodoo

~~~
Kabir: Songs & Poems
islamic-art-and-spirituality_1
Between the poles of the conscious and the unconscious, there has the mind made a swing:
Thereon hang all beings and all worlds, and that swing never ceases its sway.
Millions of beings are there: the sun and the moon in their courses are there:
Millions of ages pass, and the swing goes on.
All swing! the sky and the earth and the air and the water; and the Lord Himself taking form:
And the sight of this has made Kabîr a servant.
~~

Having crossed the river,
where will you go, O friend?

There’s no road to tread,
No traveler ahead,
Neither a beginning, nor an end.

There’s no water, no boat, no boatman, no cord;
No earth is there, no sky, no time, no bank, no ford.

You have forgotten the Self within,
Your search in the void will be in vain;
In a moment the life will ebb
And in this body you won’t remain.

Be ever conscious of this, O friend,
You’ve to immerse within your Self;
Kabir says, salvation you won’t then need,
For what you are, you would be indeed
~~

I went looking for Him
And lost myself;

The drop merged with the Sea –
Who can find it now?

Looking and looking for Him
I lost myself;

The Sea merged with the drop –
Who can find it now?
~~
Tell me, Brother, how can I renounce Maya?
When I gave up the tying of ribbons, still I tied my garment about me:
When I gave up tying my garment, still I covered my body in its folds.
So, when I give up passion, I see that anger remains;
And when I renounce anger, greed is with me still;
And when greed is vanquished, pride and vainglory remain;
When the mind is detached and casts Maya away, still it clings to the letter.
Kabîr says, ‘Listen to me, dear Sadhu! the true path is rarely found.’
~~
The Guest is inside you, and also inside me;
you know the sprout is hidden inside the seed.
We are all struggling; none of us has gone far.
Let your arrogance go, and look around inside.

The blue sky opens out further and farther,
the daily sense of failure goes away,
the damage I have done to myself fades,
a million suns come forward with light,
when I sit firmly in that world.

I hear bells ringing that no one has shaken,
inside ‘love’ there is more joy than we know of,
rain pours down, although the sky is clear of clouds,
there are whole rivers of light.
The universe is shot through in all parts by a single sort of love.
How hard it is to feel that joy in all our four bodies!

Those who hope to be reasonable about it fail.
The arrogance of reason has separated us from that love.
With the word ‘reason’ you already feel miles away.

How lucky Kabir is, that surrounded by all this joy
he sings inside his own little boat.
His poems amount to one soul meeting another.
These songs are about forgetting dying and loss.
They rise above both coming in and going out.

Kabir

mandala-930x325
~~~

The Caravan of Summer
by Peter Lamborn Wilson

Peter Lamborn Wilson
Peter Lamborn Wilson

Something of the real difference between pilgrim and tourist can be detected by comparing their effects on the places they visit. Changes in a place, a city, a shrine, a forest may be subtle, but at least they can be observed. The state of the soul may be a matter of conjecture, but perhaps we can say something about the state of the social.

Pilgrimage sites like Mecca may serve as great bazaars for trade and they may even serve as centers of production (like the silk industry of Benares) but their primary “product” is baraka or mana. These words (one Arabic, one Polynesian) are usually translated as “blessing”, but they also carry a freight of other meanings.

The wandering dervish who sleeps at a shrine in order to dream of a dead saint (one of the “people of the Tombs”) seeks initiation or advancement on the spiritual path; a mother who brings a sick child to Lourdes seeks healing; a childless woman in Morocco hopes the Marabout will make her fertile if she ties a rag to the old tree growing out of the grave; the traveler to Mecca yearns for the very center of the Faith, and as the caravans come within sight of the Holy City the hajji calls out, “Labaika Allahumma!” “I am here, O Lord!”

All these motives are summed up by the word baraka, which sometimes seems to be a palpable substance, measurable in terms of increased charisma or “luck.” The shrine produces baraka. And the pilgrim takes it away. But blessing is a product of the imagination and thus no matter how many pilgrims take it away, there’s always more.

In fact, the more they take, the more blessing the shrine can produce (because a popular shrine grows with every answered prayer.) To say that baraka is “imaginal” is not to call it “unreal.” It’s real enough to those who feel it. But spiritual goods do not follow the rules of supply and demand like material goods. The more demand for spiritual goods, the more supply. The production of baraka is infinite.

By contrast, the tourist desires not baraka but cultural difference. The tourist consumes difference. But the production of cultural difference is not infinite. It is not “merely” imaginal. It is rooted in languages, landscape, architecture, custom, taste, smell. It is very physical. The more it is used up or taken away, the less remains. The social can produce just so much “meaning,” so much difference. Once it’s gone, it’s gone.

The modest goal of this essay is to address the individual traveler who has decided to resist tourism. Even though we may find it impossible in the end to “purify” ourselves and our travel from every last taint and trace of tourism, we still feel that improvement may be possible.

Not only do we disdain tourism for its vulgarity and its injustice, and therefore wish to avoid any contamination (conscious or unconscious) by its viral virulency, we also wish to understand travel as an act of reciprocity rather than alienation. In other words, we don’t wish merely to avoid the negatives of tourism, but even more to achieve positive travel, which we envision as a productive and mutually enhancing relationship between self and other, guest and host, a form of cross-cultural synergy in which the whole exceeds the sum of parts.

We’d like to know if travel can be carried out according to a secret economy of baraka, whereby not only the shrine but also the pilgrims themselves have blessings to bestow.

Before the Age of Commodity, we know, there was an Age of the Gift, of reciprocity, of giving and receiving. We learned this from the tales of certain travelers, who found remnants of the world of the Gift among certain tribes, in the form of pot latch or ritual exchange, and recorded their observations of such strange practices.

Not long ago there still existed a custom among South Sea islanders of traveling vast distances by outrigger canoe, without compass or sextant, in order to exchange valuable and useless presents (ceremonial art-objects rich in mana) from island to island in a complex pattern of overlapping reciprocities.

We suspect that even though travel in the modern world seems to have been taken over by the Commodity, even though the networks of convivial reciprocity seem to have vanished from the map, even though tourism seems to have triumphed. Even so, we continue to suspect that other pathways still persist, other tracks, unofficial, not noted on the map, perhaps even “secret” pathways still linked to the possibility of an economy of the Gift, smugglers’ routes for free spirits, known only to the geomantic guerrillas of the art of travel.

Perhaps the greatest and subtlest practitioners of the art of travel were the Sufis, the mystics of Islam. Before the age of passports, immunizations, airlines and other impediments to free travel, the Sufis wandered footloose in a world where borders tended to be more permeable than nowadays, thanks to the trans nationalism of Islam and the cultural unity of Dar al-Islam , the Islamic world.

The great medieval Moslem travelers, like Ibn Battuta and Naser Khusraw, have left accounts of vast journeys, Persia to Egypt, or even Morocco to China, which never set foot outside a landscape of deserts, camels, caravanserais, bazaars, and piety. Someone always spoke Arabic, however badly, and Islamic culture permeated the remotest backwaters, however superficially. Reading the tails of Sinbad the Sailor (from the 1001 Nights) gives us the impression of a world where even the terra incognita was still, despite all marvels and oddities, somehow familiar, somehow Islamic. Within this unity, which was not yet a uniformity, the Sufis formed a special class of travelers. Not warriors, not merchants, and not quite ordinary pilgrims either, the dervishes represent a spiritualization of pure nomadism.

According to the Koran, God’s Wide Earth and everything in it are “sacred,” not only as divine creations, but also because the material world is full of “waymarks,” or signs of divine reality. Moreover, Islam itself is born between two journeys, Mohammad’s hijra or “flight” from Mecca to Medina, and his hajj, or return voyage. The hajj is the movement toward the origin and center for every Moslem even today, and the annual Pilgrimage has played a vital role, not just in the religious unity of Islam, but also in its cultural unity.

Mohammad himself exemplifies every kind of travel in Islam; his youth with the Meccan caravans of Summer and Winter, as a merchant; his campaigns as a warrior; his triumph as a humble pilgrim. Although an urban leader, he is also the prophet of the Bedouin and himself a kind of nomad, a “sojourner”an “orphan.” From this perspective travel can almost be seen as a sacrament. Every religion sanctifies travel to some degree, but Islam is virtually unimaginable without it.

The Prophet said, “Seek knowledge, even as far as China.” From the beginning, Islam lifts travel above all “mundane” utilitarianism and gives it an epistemological or even Gnostic dimension. “The jewel that never leaves the mine is never polished,” says the Sufi poet Saadi. To “educate” is to “lead outside,” to give the pupil a perspective beyond parochiality and mere subjectivity.

Some Sufis may have done all their traveling in the Imaginal World of archetypal dreams and visions, but vast numbers of them took the Prophet’s exhortations quite literally. Even today dervishes wander over the entire Islamic worldbut as late as the 19th century they wandered in veritable hordes, hundreds or even thousands at a time, and covered vast distances. All in search of knowledge.

Unofficially, there existed two basic types of wandering Sufi: the “gentleman-scholar” type, and the mendicant dervish. The former category includes Ibn Battuta (who collected Sufi initiations the way some occidental gentlemen once collected Masonic degrees), andon a much more serious level the “Greatest Shaykh” Ibn Arabi, who meandered slowly through the 13th century from his native Spain, across North Africa, through Egypt to Mecca, and finally to Damascus.

Ibn Arabi actually left accounts of his search for saints and adventurers on the road, which could be pieced together from his voluminous writings to form a kind of rihla or “travel text”: ( a recognized genre of Islamic literature) or autobiography. Ordinary scholars traveled in search of rare texts on theology or jurisprudence, but Ibn Arabi sought only the highest secrets of esotericism and the loftiest “openings” into the world of divine illumination; for him every “journey to the outer horizons” was also a “journey to the inner horizons” of spiritual psychology and gnosis.

On the visions he experienced in Mecca alone, he wrote a 12-volume work (The Meccan Revelations), and he has also left us precious sketches of hundreds of his contemporaries, from the greatest philosophers of the age to humble dervishes and “madmen,” anonymous women saints and “hidden Masters.”

Ibn Arabi enjoyed a special relation with Khezr, the immortal and unknown prophet, the “Green Man,” who sometimes appears to wandering Sufis in distress, to rescue them from the desert, or to initiate them. Khezr, in a sense, can be called the patron saint of the traveling dervishes and the prototype. (He first appears in the Koran as a mysterious wanderer and companion of Moses in the desert.)

Christianity once included a few orders of wandering mendicants (in fact, St. Francis organized one after meeting with dervishes in the Holy Land, who may have bestowed upon him a “cloak of initiation” the famous patchwork robe he was wearing when he returned to Italy), but Islam spawned dozens, perhaps hundreds of such orders.

As Sufism crystallized from the loose spontaneity of early days to an institution with rules and grades, “travel for knowledge” was also regularized and organized. Elaborate handbooks of duties for dervishes were produced which included methods for turning travel into a very specific form of meditation. The whole Sufi “path” itself was symbolized in terms of intentional travel.

In some cases itineraries were fixed (e.g. the Hajj); others involved waiting for “signs” to appear, coincidences, intuitions, “adventurers” such as those which inspired the travels of the Arthurian knights. Some orders limited the time spent in any one place to 40 days; others made a rule of never sleeping twice in the same place. The strict orders, such as the Naqshbandis, turned travel into a kind of full-time choreography, in which every movement was preordained and designed to enhance consciousness.

By contrast, the more heterodox orders (such as the Qalandars) adopted a “rule” of total spontaneity and abandon “permanent unemployment” as one of them called it an insouciance of bohemian proportions a “dropping-out” at once both scandalous and completely traditional. Colorfully dressed, carrying their begging bowls, axes, and standards, addicted to music and dance, carefree and cheerful (sometimes to the point of “blameworthiness”!), orders such as the Nematollahis of 19th century Persia grew to proportions that alarmed both sultans and theologians. Many dervishes were executed for “heresy.”

Today the true Qalandars survive mostly in India, where their lapses from orthodoxy include a fondness for hemp and a sincere hatred of work. Some are charlatans, some are simple bums, but a surprising number of them seem to be people of attainment…how can I put it?…people of self-realization, marked by a distinct aura of grace, or baraka.

All the different types of Sufi travel we’ve described are united by certain shared vital structural forces. One such force might be called a “magical” world view, a sense of life that rejects the “merely” random for a reality of signs and wonders, of meaningful coincidences and “unveilings.” As anyone who’s ever tried it will testify, intentional travel immediately opens one up to this “magical” influence.

A psychologist might explain this phenomenon (either with awe or with reductionist disdain) as “subjective”; while the pious believer would take it quite literally. From the Sufi point of view neither interpretation rules out the other, nor suffices in itself, to explain away the marvels of the Path. In Sufism, the “objective” and the “subjective” are not considered opposites, but complements. From the point of view of the two-dimensional thinker (whether scientific or religious) such paradoxology smacks of the forbidden.

Another force underlying all forms of intentional travel can be described by the Arabic word “adab”. On one level “adab” simply means “good manners,” and in the case of travel, these manners are based on the ancient customs of desert nomads, for whom both wandering and hospitality are sacred acts. In this sense, the dervish shares both the privileges and the responsibilities of the guest.

Bedouin hospitality is a clear survival of the primordial economy of the Gift – a relation of reciprocity. The wanderer must be taken in (the dervish must be fed) but thereby the wanderer assumes a role prescribed by ancient custom and must give back something to the host. For the Bedouin this relation is almost a form of clientage Ð the breaking of bread and sharing of salt constitutes a sort of kinship. Gratitude is not a sufficient response to such generosity. The traveler must consent to a temporary adoption, anything less would offend against “adab”.

Islamic society retains at least a sentimental attachment to these rules, and thus creates a special niche for the dervish, that of the full-time guest. The dervish returns the gifts of society with the gift of baraka. In ordinary pilgrimage, the traveler receives baraka from a place, but the dervish reverses the flow and brings baraka to a place. The Sufi may think of himself (or herself) as a permanent pilgrim but to the ordinary stay-at-home people of the mundane world, the Sufi is a kind of preambulatory shrine.

Now tourism in its very structure breaks the reciprocity of host and guest. In English, a “host” may have either guests or parasites. The tourist is a parasite for no amount of money can pay for hospitality. The true traveler is a guest and thus serves a very real function, even today, in societies where the ideals of hospitality have not yet faded from the “collective mentality.” To be a host, in such societies, is a meritorious act. Therefore, to be a guest is also to give merit.

The modern traveler who grasps the simple spirit of this relation will be forgiven many lapses in the intricate ritual of “adab” (how many cups of coffee? Where to put one’s feet? How to be entertaining? How to show gratitude? etc.) peculiar to a specific culture. And if one bothers to master a few of the traditional forms of “adab”, and to deploy them with heartfelt sincerity, then both guest and host will gain more than they put into the relation and this more is the unmistakable sign of the presence of the Gift.

Another level of meaning of the word “adab” connects it with culture (since culture can be seen as the sum of all manners and customs): In modern usage the Department of “Arts and Letters” at a university would be called Adabiyyat. To have “adab” in this sense is to be “polished” (like that well-traveled gem) but this has nothing necessarily to do with “fine arts” or literacy or being a city-slicker, or even being “cultured.” It is a matter of the “heart.”

“Adab” is sometimes given as a one-word definition of Sufism. But insincere manners (ta’arof in Persian) and insincere culture alike are shunned by the Sufi. “There is no ta’arof in Tassawuf [Sufism],” as the dervishes say; “Darvishi” is an adjectival synonym for informality, the laid-back quality of the people of the Heart and for spontaneous “adab”, so to speak. The true guest and host never make an obvious effort to fulfill the “rules” of reciprocity they may follow the ritual scrupulously, or they may bend the forms creatively, but in either case, they will give their actions a depth of sincerity that manifests as natural grace. “Adab” is a kind of love.

A complement of this “technique” (or “Zen”) of human relations can be found in the Sufi manner of relating to the world in general. The “mundane” world of social deceit and negativity, of usurious emotions, unauthentic consciousness (“mauvaise conscience”), boorishness, ill-will, inattention, blind reaction, false spectacle, empty discourse, etc. etc. all this no longer holds any interest for the traveling dervish. But those who say that the dervish has abandoned “this world”, “God’s Wide Earth”would be mistaken.

The dervish is not a Gnostic Dualist who hates the biosphere (which certainly includes the imagination and the emotions, as well as “matter” itself). The early Muslim ascetics certainly closed themselves off from everything. When Rabiah, the woman saint of Basra, was urged to come out of her house and “witness the wonders of God’s creation,” she replied, “Come into the house and see them,” i.e., come into the heart of contemplation of the oneness which is above the manyness of reality. “Contraction” and “Expansion” are both terms for spiritual states. Rabiah was manifesting Contraction: a kind of sacred melancholia which has been metaphorized as the “Caravan of Winter,” of return to Mecca (the center, the heart), of interiority, and of ascesis or self-denial. She was not a world-hating Dualist, nor even a moralistic flesh-hating puritan. She was simply manifesting a certain specific kind of grace.

The wandering dervish, however, manifests a state more typical of Islam in its most exuberant energies. He indeed seeks expansion, spiritual joy based on the sheer multiplicity of the divine generosity in material creation. (Ibn Arabi has an amusing “proof” that this world is the best world. For, if it were not, then God would be ungenerous which is absurd. Q.E.D.) In order to appreciate the multiple waymarks of the wide earth precisely as the unfolding of this generosity, the Sufi cultivates what might be called the theophanic gaze: The opening of the “Eye of the Heart” to the experience of certain places, objects, people, events as locations of the “shining-through” of divine light. The dervish travels, so to speak, both in the material world, and in the “World of Imagination” simultaneously. But for the eye of the heart, these worlds interpenetrate at certain points.

One might say that they mutually reveal or “unveil” each other. Ultimately, they are “one” and only our state of tranced inattention, our mundane consciousness, prevents us from experiencing this “deep” identity at every moment. The purpose of intentional travel, with its “adventures” and its uprooting of habits, is to shake loose the dervish from all the trance-effects of ordinariness. Travel, in other words, is meant to induce a certain state of consciousness or “spiritual state” that of Expansion.

For the wanderer, each person one meets might act as an “angel,” each shrine one visits may unlock some initiate dream, each experience of nature may vibrate with the presence of some “spirit of place.” Indeed, even the mundane and ordinary may suddenly be seen as numinous (as in the great travel haiku of the Japanese Zen poet Basho) : a face in the crowd at a railway station, crows on telephone wires, sunlight in a puddle.

Obviously one doesn’t need to travel to experience this state. But travel can be used, that is, an art of travel can be required to maximize the chances for attaining such a state. It is a moving meditation, like the Taoist martial arts.

The Caravan of Summer moved outward, out of Mecca, to the rich trading lands of Syria and Yemen. Likewise, the dervish is “moving out” (it’s always “moving day”), heading forth, taking off, on “perpetual holiday” as one poet expressed it, with an open heart, an attentive eye (and other senses), and a yearning for meaning, a thirst for knowledge. One must remain alert, since anything might suddenly unveil itself as a sign. This sounds like a bit of paranoia although “metanoia” might be a better term and indeed one finds “madmen” amongst the dervishes, “attracted ones,” overpowered by divine influxions, lost in the Light.

In the Orient, the insane are often cared for and admired as helpless saints, because mental illness may sometimes appear as a symptom of too much holiness rather than too little “reason.” Hemp’s popularity amongst the dervishes can be attributed to its power to induce a kind of intuitive attentiveness which constitutes a controllable insanity, herbal metanoia. But travel itself in itself can intoxicate the heart with the beauty of theophanic presence. It’s a question of practice, the polishing of the jewel, removal of moss from the rolling stone.

In the old days (which are still going on in some remote parts of the East), Islam thought of itself as a whole world, a wide world, a space with great latitude within which Islam embraced the whole of society and nature. This latitude appeared on the social level as tolerance. There was room enough, even for such marginal groups as mad wandering dervishes. Sufism itself, or at least its austere orthodox and “sober” aspect occupied a central position in the cultural discourse. “Everyone” understood intentional travel by analogy with the Hajj, everyone understood the dervishes, even if they disapproved.

Nowadays, however, Islam views itself as a partial world, surrounded by unbelief and hostility, and suffering internal raptures of every sort. Since the 19th century Islam has lost its global consciousness and sense of its own wideness and completeness. No longer therefore, can Islam easily find a place for every marginalized individual and group within a pattern of tolerance and social order. The dervishes now appear as an intolerable difference in society. Every Muslim must now be the same, united against all outsiders, and struck from the same prototype.

Of course, Muslims have always “imitated” the Prophet and viewed his image as the norm and this has acted as a powerful unifying force for style and substance within Dar al-Islam. But “nowadays” the puritans and reformers have forgotten that this “imitation” was not directed only at an early medieval Meccan merchant named Mohammad, but also at the insan al-kamil (the “Perfect Man” or “Universal Human”), an ideal of inclusion rather than exclusion, an ideal of integral culture, not an attitude of purity in peril, not xenophobia disguised as piety, not totalitarianism, not reaction.

The dervish is persecuted nowadays in most of the Islamic world. Puritanism always embraces the most atrocious aspects of modernism in its crusade to strip the Faith of “medieval accretions” such as popular Sufism. And surely the way of the wandering dervish cannot thrive in a world of airplanes and oil-wells, of nationalistic/chauvinistic hostilities (and thus of impenetrable borders), and of a Puritanism which suspects all difference as a threat.

The Puritanism has triumphed not only in the East, but rather close to home as well. It is seen in the “time discipline” of modern too-late-Capitalism, and in the porous rigidity of consumerist hyper-conformity, as well as in the bigoted reaction and sex-hysteria of the Christian Right. Where in all this can we find room for the poetic (and parasitic!) life of “Aimless Wandering”, the life of Chuang Tzu (who coined this slogan) and his Taoist progeny, the life of Saint Francis and his shoeless devotees, the life of (for example) Nur Ali Shah Isfahani, a 19th century Sufi poet who was executed in Iran for the awful heresy of meandering-dervishism?

Here is the flip side of the “Problem of Tourism”: The problem with the disappearance of “aimless wandering.” Possibly the two are directly related, so that the more tourism becomes possible, the more dervishism becomes impossible. In fact, we might well ask if this little essay on the delightful life of the dervish possesses the least bit of relevance for the contemporary world. Can this knowledge help us to overcome tourism, even within our own consciousness and life? Or is it merely an exercise in nostalgia for lost possibilities, a futile indulgence in romanticism?

Well, yes and no. Sure, I confess I’m hopelessly romantic about the form of the dervish life, to the extent that for a while I turned my back on the mundane world and followed it myself. Because of course, it hasn’t really disappeared. Decadent, yes, but not gone forever. What little I know about travel I learned in those few years I owe a debt to “Medieval accretions” I can never pay and I’ll never regret my “escapism” for a single moment. But I don’t consider the form of dervishism to be the answer to the “problem of tourism.” The form has lost most of its efficacy. There’s no point in trying to “preserve” it (as if it were a pickle, or a lab specimen) there’s nothing quite so pathetic as mere “survival.”

But beneath the charming outer forms of dervishism lies the conceptual matrix, so to speak, which we’ve called intentional travel. On this point we should suffer no embarrassment about “nostalgia.” We have asked ourselves whether or not we desire a means to discover the art of travel, whether we want and will to overcome “the inner tourist,” the false consciousness which screens us from the experience of the Wide World’s waymarks. The way of the dervish (or of the Taoist, the Franciscan, etc.) interests us, not the key, perhaps but…a key. And of course it does.

Peter Lamborn Wilson is the author of Sacred Drift and several books and studies exploring the role of heresy and mysticism in Islam. Wilson spent ten years wandering in the Middle East. He now wanders the streets of New York City. This paper was read at the annual meeting of The Muhyiddin Ibn ‘Arabi Society and appeared in White Cloud Press’s Common Era: Best New Writings on Religion (PO Box 3400, Ashland, Oregon (97520, 1-800-380-8286).

October 1999
~~
Allah Las – Tell Me (What’s On Your Mind)

Her Beauty

“Meditation is the dissolution of thoughts in Eternal awareness or Pure consciousness without objectification, knowing without thinking, merging finitude in infinity.” ― Voltaire

Her Beauty
Her Beauty
(available at Gwyllm-Art/com)
~~~~~~~~
Hello Friends,
It has been awhile. Too long in fact, we have been trying to migrate this part of Turfing back to the old server, so we can have everything on Earthrites.org again. So far, no luck but we are still aiming to get there. Life has been busy, restarted Radio EarthRites, working on The Invisible College and assorted short stories, and the Art of course. The piece above, “Her Beauty” is a new one. I hope you like it.

Anyway, not to carry on but thanks for coming back. More soon, hopefully. I always look forward to coming back and working on Turfing. I hope you like it enough to visit again soon as well!

Cheers,
G
~~~~~~~~
On The Menu!
Patreon Site (commercial break!)
Radio EarthRites Returns!
Hans Zimmer – Hunger
Rabia Poems
Hakim Bey – The Lemonade Ocean & Modern Times
Dead Skeletons – Ljósberinn
~~~~~~~~
Patreon Site (commercial break!)
paetron
On the advice of my son Rowan, I’ve started a Patreon Site to help finance some of the projects I am involved with. It is a neat set up, Patrons get to see art that I am doing before they get posted elsewhere, and it is set up so you can give feedback, and also pick up some perks that are available for your patronage. Kind of medieval and all, but look at the great works that came out of that system! 😉
Thanks for checking it out!
~~~~~~~~
Radio EarthRites Returns!
radio_dog2
Radio EarthRites!
Yes, back like the proverbial bad seed radio station of World,Ambient, Soundtracks, Chill, Goth, Psych Folk and Psychedelic Rock that it is. You are invited to listen, make request and even donate money to keep the beast up on the Internet!

There is 2-3 hours of new music added every couple of days. Hoping to add a spoken word channel if I can scare up funds to keep it up there.
At the present the address of said Radio EarthRites is: Radio EarthRites!

Cheers,
G
~~~~~~~~
From The Blackhawk Down Soundtrack

~~~~~~~~
Rabia Poems
Rabia-Basri

Ironic, but one of the most intimate acts
of our body is
death.

So beautiful appeared my death – knowing who then I would kiss,
I died a thousand times before I died.

“Die before you die,” said the Prophet
Muhammad.

Have wings that feared ever
touched the Sun?

I was born when all I once
feared – I could
love.
~~

In love, nothing exists between heart and heart.
Speech is born out of longing,
True description from the real taste.
The one who tastes, knows;
the one who explains, lies.
How can you describe the true form of Something
In whose presence you are blotted out?
And in whose being you still exist?
And who lives as a sign for your journey?
~~
I have two ways of loving You:
A selfish one
And another way that is worthy of You.
In my selfish love, I remember You and You alone.
In that other love, You lift the veil
And let me feast my eyes on Your Living Face.
~~

With my Beloved I alone have been,
When secrets tenderer than evening airs
Passed, and the Vision blest
Was granted to my prayers,
That crowned me, else obscure, with endless fame;
The while amazed between
His Beauty and His Majesty
I stood in silent ecstasy
Revealing that which o’er my spirit went and came.
Lo, in His face commingled
Is every charm and grace;
The whole of Beauty singled
Into a perfect face
Beholding Him would cry,
‘There is no God but He, and He is the most High.’
~~
No one lives outside the walls of this sacred place, existence.
The holy water, I need it upon my eyes: it is you, dear, you – each form.

What mother would lose her infant – and we are that to God,
never lost from His gaze are we? Every cry of the heart
is attended by light’s own arms.

You cannot wander anywhere that will not aid you.
Anything you can touch – God brought it into
the classroom of your mind.

Differences exist, but not in the city of love.
Thus my vows and yours, I know they are the same.

I have just peeled the skin from the potato
and you are still contemplating its worth,
sweetheart; indeed there are wonderful nutrients in all,
for God made everything.

You joined our community at birth.
With your Father being who He is, what do the
world’s scales know of your precious value.
The priest and the prostitute – they weigh the same before the Son’s
immaculate being,
but who can bear that truth and freedom,
so a wise man adulterated the
scriptures;
every wise man knows this.

My soul’s face has revealed its beauty to me;
why was it shy so long, didn’t it know how this made me suffer
and weep?

A different game He plays with His close ones.
God tells us truths you would not believe,
for most everyone needs to limit His compassion; concepts of
right and wrong preserve the golden seed
until one of God’s friends comes along and tends your body
like a divine bride.

The Holy sent out a surveyor to find the limits of its compassion
and being.
God knows a divine frustration whenever He acts like that,
for the Infinite has
no walls.

Why not tease Him about this?
Why not accept the freedom of what it means
for our Lord to see us
as Himself.

So magnificently sovereign is our Lover; never say,
‘On the other side of this river a different King rules.”
For how could that be true – for nothing can oppose Infinite strength.

No one lives outside the walls of this sacred place, existence.

The holy water my soul’s brow needs is unity.
Love opened my eye and I was cleansed
by the purity of each
form.
~~~~~~
lamborn_wilson
Hakim BeyThe Lemonade Ocean & Modern Times
1. One More River to Cross
2. Maximizing Marx
3. Lemonade Ocean
4. The Convivial Individualist
5. Universal Pantarchy & North American Phalanx
1. One More River to Cross

In our experience (that is, not merely in intellectual speculation but in everyday-life) we have found that “the Ego” can be as much of a spook as “the Group” — or indeed, spooky as any abstraction which is allowed to control behavior, emotion, thought, or fate. Deeply as we’ve been influenced by Stirner / Nietzsche Tucker/ Mackay, we have never held to any rigid ideological or psychological form of Individualism / Egoism. Individualist anarchism is lovely dynamite, but not the only ingredient in our cocktail.

Our position, put quite simply (in the form of a truism): The autonomy of the individual appears to be complemented & enhanced by the movement of the group; while the effectiveness of the group seems to depend on the freedom of the individual.

In the 1980’s — thru poverty, terror, mediation, & alienation — the individual was more & more isolated, while all forms of “combination” (communes, co-ops, etc.) were eliminated or else reduced to pure simulation. The pleasures of the isolated ego have begun to pull as the “self” is gradually reduced to a comm-terminal or funnel for commodity-fetishes. In the 90’s we will demand effective means of association which depend neither on Capital nor any other form of representation. We reject the false trance of the Spectacular group — but we also reject the lonely ineffectiveness of the embittered hermit. Always one more illusion to overcome!

2. Maximizing Marx

“Type-3 anarchism” (a term coined by Bob Black) designates a radically non-ideological form of anarchism neither Individualist nor Collectivist but in a sense both at once. This current within anti-authoritarianism is not a new invention, however (nor has it been given any final form). One can find versions of it in such works as bolo’bolo, or in the writings of the Situationists. One Situ group (“For Ourselves”) went so far as to suggest a synthesis of Max Stirner & Karl Marx, who in real life were bitter enemies. They pointed out that Stirner’s psychological existentialism does not necessarily conflict with Marx’s economics. Bakunin criticized not Marx’s original critique but rather the solution he proposed, dictatorship.

As for us, Stirner outweighs Marx because psychology precedes economics in our theory of liberation — but we read Stirner in the light of Bakunin & the early Marx — the light of the 1st International & the Commune of 1870 — the light of Proudhon.

In order to clarify this position, we’ll introduce two more names from our “family tree,” Steven Pearl Andrews (1812–1886) & Charles Fourier (1772–1837). In a sense we find them a more congenial pair than Max und Marx, because they both made significant donations to the cause of erotic liberation (a central concern of the Mackay Society), unlike say the virginal Bakunin, or Marx or Proudhon — both prudes — or for that matter Stirner, Nietzsche, or Tucker, who all more or less avoided the subject. Serious historians of the Social often ignore Andrews & Fourier because they were “cranks” — utopianists, marginals, Blake-like visionaries. One needs to be something of a surrealist to appreciate them. But our appreciation is more than erotic, aesthetic, or spiritual. We also draw from them a precise picture of our own position in the “type-3” current of contemporary libertarianism.

3. Lemonade Ocean

Fourier was amazing. He lived at the same time as De Sade & Blake, & deserves to be remembered as their equal or even superior. Those other two apostles of freedom & desire had no political disciples, but in the middle of the 19th century literally hundreds of communes (phalansteries) were founded on fourierist principles in France, N. America, Mexico, S. America, Algeria, Yugoslavia, etc. Proudhon, Engels, & Kropotkin all read him with fascination, as did Andre Breton & Roland Barthes. But today in America he is forgotten — not one complete work by Fourier is in print here — a few anthologies came out in the 70’s but have vanished — & only one work about him (a fine biography by Jonathan Beecher, which may serve to stir some enthusiasm). Fourier’s own disciples suppressed some of his most important texts (on sexuality), which did not appear in print till 1967. It’s about time he was re-discovered again.

To quote Fourier out of context is to betray him. To say for example that he believed the ocean would turn to lemonade in the future, when humanity comes to live in Harmonial Association, is to make him a figure of fun (as Hawthorne did in The Blythedale Romance). To understand the beauty of the idea it must be seen in the context of Fourier’s grand & brilliant cosmological speculations, rivals in complexity of Blake’s prophecies. For Fourier the universe is composed of living beings, planets, & stars, who feel passion & who carry out sexual intercourse, so that creation itself is continual. The miseries of Civilization have deflected Earth & humanity from their proper destiny in a literal cosmic sense. Passion, which we have been taught to regard as “evil,” is in fact virtually the divine principle. Human beings are microscopic stars, & all passions & desires (including “fetishes” & “perversions”) are by nature not only good but necessary for the realization of human destiny. In Fourier’s system of Harmony all creative activity including industry, craft, agriculture, etc. will arise from liberated passion — this is the famous theory of “attractive labor.” Fourier sexualizes work itself — the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts. When the social life of Earth is harmonized, our planet will re-join the universe of Passion & undergo vast transformations, affecting human form, weather, animals, & plants, even the oceans.

Passion draws humanity into association just as gravity draws celestial bodies into orbital systems. The phalanstery is a little solar system revolving around the central fire of the passions. Thus, altho Fourier always defends the individual against the tyranny of the Civilized groups (what we’ve called Spectacular groups, in the modern context), nevertheless for him the group in its ideal form takes on a quality of absoluteness. It’s been jokingly said of him that the only sin in his system is eating lunch alone. But “association” cannot be considered a form of collectivism or communism — it is not strictly “egalitarian,” nor does it eliminate personal property or even inheritance. Moreover, all the elaborate titles & ranks Fourier delighted to invent for his Harmonians were voluntary & purely ceremonial. The Harmonian does not live with some 1600 people under one roof because of compulsion or altruism, but because of the sheer pleasure of all the social, sexual, economic, “gastrosophic,” cultural, & creative relations this association allows & encourages.

4. The Convivial Individualist

One of Fourier’s favorite illustrations of how harmony works even in Civilization was the dinner party, where wine, wit, & good food are enjoyed according to a spontaneous order, not subject to any law or morality. Social Harmony would be like a never-ending party: Fourier envisioned people leaping out of bed at 3 a.m. to pick cherries as if they were rushing off to a grand ball.

Steven Pearl Andrews (who also used the dinner-party metaphor) was not a fourierist, but he lived through the brief craze for phalansteries in America & adopted a lot of fourierist principles & practices. His chief mentor was Josiah Warren, first exponent of Individualist anarchism (or “Individual Sovereignty”) in America — altho Warren in turn inherited much from certain strains of radical democracy & Protestant “spritual anarchy” which can be traced to the earliest Colonial period. Andrew was a system-builder, a “logothete” like Fourier & Blake, a maker of worlds out of words. He syncretized Abolitionism, Free Love, spiritual universalism, Warren, & Fourier into a grand utopian scheme he called the Universal Pantarchy.

He was instrumental in founding several “intentional communities,” including the “Brownstone Utopia” on 14th St. in New York, & “Modern Times” in Brentwood, Long Island. The latter became as famous as the best-known fourierist communes (Brook Farm in Massachusetts & the North American Phalanx in New Jersey) — in fact, Modern Times became downright notorious (for “Free Love”) & finally foundered under a wave of scandalous publicity. Andrews (& Victoria Woodhull) were members of the infamous Section 12 of the 1st International, expelled by Marx for its anarchist, feminist, & spiritualist tendencies.

Like Fourier, Andrews created a “religion” to replace all the corrupt authoritarian cults of Civilization. We admit that this mystical tendency in both thinkers interests us a great deal, & again rouses our sympathies more than the cold atheism (or “fundamental materialism”) of a Stirner of Marx. Type-3 anarchism includes for us the heritage of the Ranters, Antinomians, & Family of Love, as well as radical forms of buddhism, taoism, & sufism.

Like Blake, Fourier & Pearl Andrews built systems of their own so as not to be slaves to someone else’s — & these grand structures included psychological, sexual, & spritual dimensions missing from mere ideological or philosophical systems. The structural details of Harmony & Pantarchy are fascinating & inspiring, but for us their deepest value lies in the daring of their total “radical subjectivity.” Fourier & Pearl Andrews created poetics of life, not merely politics or economics, & it is this aspect of their work we most admire & wish to emulate.

5. Universal Pantarchy & North American Phalanx

In a more immediate sense, however, we find that Fourier & Pearl Andrews offer useful arguments & practical hints for the establishment of a kind of association which seems even more desirable now than before the age of Late Capitalism, Dead Communism, pure Spectacle, & the eerie alienation of credit cards & answering machines, polls & surveys, computer viruses, & immune-system breakdowns. In the 1980’s even the anti-authoritarian “Margin” fell into a spooky state of communication via the mail, BBSs, xerography, & tape. Physical separateness can never be overcome by electronics, but only by “conviviality,” by “living together” in the most literal physical sense. The physically divided are also the conquered & Controlled. “True desires” — erotic, gustatory, olfactory, musical, aesthetic, psychic, & spiritual — are best attained in a context of freedom of self & other in physical proximity & mutual aid. Everything else is at best a sort of representation. The entire revolt against Civilization can be seen (at least from one point of view) as an attempt to recreate the autonomous intimacy of the band, the free association of individuals.

Morbid loneliness is no better than the engineered consensus of the New World Order — in fact the two are but opposite sides of the coin, like homelessness & rent: false individualism vs. false collectivism. In the face of this illusory dichotomy we will continue to propagate Individual Sovereignty — but at the same time proclaim that our first & most urgent research of the decade must concern the nature of association.

Thus we announce our intention to revive & amalgamate both the Universal Pantarchy & the North American Phalanx, the local (NY area) manifestations of Andrews’ & Fourier’s systems. The new Universal Pantarchy & North American Phalanx (UP/NAP) will be first a society of appreciation & research (more musty-dusty 19th century obscure crackpots to venerate & imitate!) — but also & perhaps more importantly it may become a nucleus of association. We plan to make field trips to the original sites of Modern Times & the Phalanx; we intend to revive the fourierist tradition of banquets; we plan to construct a shrine to Fourier & the Pantarch; we may even go so far as to produce another newsletter!

And perhaps our research will actually lead to further experiments in the creation of temporary autonomous zones, free times & spaces excavated in the walls of Babylon — creative autonomy & comradeship in the no-go areas where power has “disappeared” — & who knows? even in our lifetimes, the mutation…“A crank? Yes, I’m a crank: a little device that causes revolutions!” (E.F. Schumacher).

Long live Individual Sovereignty! Long live the Pantarchy! Long live Harmony!

April 7 (Fourier’s birthday) 1991 NYC
~~~~~~
Dead Skeletons – Ljósberinn

Salting The Boundaries

Poetry heals the wounds inflicted by reason. – Novalis

Leila Waddell - Gwyllm 2014
Leila Waddell – Gwyllm 2014

This is Gwyllm’s homage to one of the great women of the modern occult era,
Leila (Laylah) Waddell, musician, magician, the muse of Aleister Crowley, an adept who travelled the world consorting with all levels of society helping render change in the modern age.

(Leila) “was immortalized in his 1912 volume The Book of Lies and his autobiography The Confessions of Aleister Crowley. Crowley referred to her variously as ‘Divine Whore’, ‘Mother of heaven’, ‘Sister Cybele’, ‘Scarlet Woman’, and most affectionately of all, ‘Whore of Babylon’. They studied the occult and took mescaline together. Crowley’s famous Book of Lies was largely dedicated to Waddell, with poems like “Duck Billed Platypus” and “Waratah Blossoms”. A photograph of her in ritual is reproduced in the volume.”]

Waddell herself was an accomplished writer, magician, and a founding member of the original company of the Rites of Eleusis. In Oct and Nov 1910, Crowley starred Waddell and other members of his magical order the Argenteum Astrum, in his series of dramatic planetary-based magical rites, the Rites of Eleusis, at London’s Caxton Hall.”
~~~~~~~
An Introduction:
Yes, another long pause in the world of Turfing.  I have been devoting myself to art and other projects as of late.  Life is good at this point, every morning brings new joy.  I gaze out the office window at hills, sky, clouds.  I am surrounded by good friends, family and an interesting menagerie of plant, animal, insect & avian brothers and sisters.  The web of life grows deeper and deeper from where I sit, and kinship is to be found everywhere.

Blessings,
G
~~~~~~
On The Menu
Poetry: A Review of Dale Pendell’s “Salting The Boundary”
Stellardrone – Invent the Universe
On The Poetry Post
Irish Magic, and Tuatha De Danaans
Proton Kinoun – Apeiron
Art: Gwyllm & Jim Fitzpatrick

Poetry…”Salting The Boundaries”

Novalis:
“Those who would know her spirit truly must therefore seek it in the company of poets, where she is free and pours forth her wondrous heart. But those who do not love her from the bottom of their hearts, who only admire this and that in her and wish to learn this and that about her, must visit her sickroom, her charnel-house.
Within us there lies a mysterious force that tends in all directions, spreading from a center hidden in infinite depths. If wondrous nature, the nature of the senses and the nature that is not of the senses, surrounds us, we believe this force to be an attraction of nature, an effect of our sympathy with her.”

~~
The word when read silently to oneself has a certain power. The power to grasp a concept, to comfort, to stir an inner dialog, to tempt one with new ideas.

The word spoken aloud, now that is a different matter. The spoken word has the possibility of magick, it has the possibility of transformation, of Gnosis. You can read poetry, or you can speak it aloud. A poem read from a book can even evoke powers, much like a spell recited. Saying something out loud, tends to make it so.

The spoken word transforms the world. When you read Salting The Boundaries, take time to read the words aloud. You will find the world shifting,and magick working through it as tangible as it can be. The magick is in the fact that the poet stands within nature, narrating it. You’ll find that in this volume amply demonstrated.

Novalis:
That is why poetry has been the favorite instrument of true friends of nature, and the spirit of nature has shone most radiantly in poems. When we read and hear true poems, we feel the movement of nature’s inner reason and like its celestial embodiment, we dwell in it and over it at once.

Salting The Boundaries - Dale Pendell
Salting The Boundaries – Dale Pendell

Dale Pendell’s new book, “Salting The Boundaries” is a fine work of evocative magick.  The poems are made to be read aloud, to be memorized and repeated by a fire at night.  There is power in the writings, and an acceptance of the universal flow as well.  Some of the poems evoke the Dao, and others recall incantations.

There is not a word wasted, or overstated.  Dale Pendell continues to hone his craft. He calls forth powers, phrases, landscapes interior and outer with an adroit turn of a phrase, a word, a pause.

as an example:
“First Rain”
Grass has its own fire:
three days of rain
and green flames cover the hills-
life rises from the mixing: wetfire,
your mouth
on me.

If you have never read his poetry (which seems unfathomable to me) or if you are familiar with his works, Salting The Boundaries is a lovely parade that invites you, invokes you, to join in, and participate in the magick moment.

an excerpt:
Why Wild Salmon Like to be Eaten”
They ranged the rivers of northern Europe,
the Vistula, the Elbe, the Loire, south to the Bay of Biscay.
Free leapers, from Hudson Bay to Cape Cod.
They ran the Thames, north through the Isles, fed on magic
red berries from a hazel tree, conferred the gift
of prescience on Finn MacCool.

Cheers,
Gwyllm

“I’m glad I cleared the desktop and spread out and read all of SALTING THE BOUNDARIES this evening. These are all new poems to me, and new in tone, style, vocabulary. The breadth of knowledge and concern, mythopoetic, geologic, historic, et al is splendid. & your wild salmon poem: I’m so glad you did that. I had been idly dreaming of something like that for years but never got to it. This is an impressive gathering, and a welcome surprise for me.”
-Gary Snyder

Cut and paste the links!
Find a copy of Salting The Boundaries here:  http://www.spdbooks.org/Producte/9781883197377/salting-the-boundaries.aspx

Or at Amazon: http://www.amazon.com/Salting-Boundaries-Dale-Pendell/dp/1883197376/ref=sr_1_1?s=books&ie=UTF8&qid=1405821439&sr=1-1&keywords=salting+the+boundaries

~~~~~~
Stellardrone – Invent the Universe

~~~~~~
On The Poetry Post:

Drunk on the Wine of the Beloved
Look at This Beauty

The beauty of this poem is beyond words.
Do you need a guide to experience the heat of the sun?
Blessed is the brush of the painter who paints
Such beautiful pictures for his virgin bride.
Look at this beauty. There is no reason for what you see.
Experience its grace. Even in nature there is nothing so fine.
Either this poem is a miracle, or some sort of magic trick.
Guided either by Gabriel or the Invisible Voice, inside.
No one, not even Hafiz, can describe with words the Great Mystery.
No one knows in which shell the priceless pearl does hide.

– Hafiz
~~~~
“Poor soul, you will never know anything
of real importance. You will not uncover
even one of life’s secrets. Although all religions
promise paradise, take care to create your own
paradise here and now on earth.”

– Omar Khayyam, Rubáiyát of Omar Khayyám
~~~~
Along The Sun-Drenched Roadside

Along the sun-drenched roadside, from the great
hollow half-tree trunk, which for generations
has been a trough, renewing in itself
an inch or two of rain, I satisfy
my thirst: taking the water’s pristine coolness
into my whole body through my wrists.
Drinking would be too powerful, too clear;
but this unhurried gesture of restraint
fills my whole consciousness with shining water.

Thus, if you came, I could be satisfied
to let my hand rest lightly, for a moment,
lightly, upon your shoulder or your breast.

– Rainer Maria Rilke
~~~~~~~

Irish Magic, And Tuatha De Danaans

The Coming Of The Tuatha Da Danaan - Jim FitzPatrick
The Coming Of The Tuatha Da Danaan – Jim FitzPatrick

Irish Druids And Old Irish Religions
by James Bonwick
[1894]

By far the most interesting of the peoples that formerly inhabited Ireland were the Tuaths, or Tuatha de Danaans, or Dananns. There is much mystery about them in Irish traditions. They were men, gods, or fairies. They came, of course, from the East, calling in at Greece on the way, so as to increase their stock of magic and wisdom. Some trace them to the tribes of Dan, and note Dedan in Ezek. xxv. 13. Mrs. Wilkins identifies them with the Dedanim of Isa. xxl. 13, “a nomad, yet semi-civilized, people.” Isaiah calls them “travelling companies of Dedanim.”

The credulous Four Masters have wonderful tales of Tuath doings. In their invasion of Ireland, Tuaths had to deal with the dark aborigines, known as the Firbolgs, and are said to have slain 100,000 at the battle of Magh-Tuireadh Conga. Driven off the island by their foes, they travelled in the East, returning from their exile as finished magicians and genuine Druids. Mr. Gladstone, inJuventus Mundi, contends that Danaan is of Phœnician extraction, that a district near Tripoli, of Syria, is known as Dannié. He adds, “Pausanias says that at the landing-place of Danaos, on the Argive coast, was a temple of Poseidon Genesios, of Phœnician origin.”

After reigning in Ireland two hundred years, the Tuatha were, it is narrated, invaded by the children of Gail Glas, who had come from Egypt to Spain, and sailed thence to Erin under Milesius, the leader of the Milesians. When their fleet was observed, the Danaans caused a Druidic fog to arise, so that the land assumed the shape of a black pig, whence arose another name for Ireland–“Inis na illuic, or Isle of the Pig.” The Milesians, however, employed their enchantments in return, and defeated the Tuatha at Tailteine, now Teltown, on the Blackwater, and at Druim-Lighean, now Drumleene, Donegal.

The Tuatha have been improperly confounded with the Danes. Others give them a German origin, or a Nemedian one. Wilde describes them as large and fair-complexioned, carrying long, bronze, leaf-shaped swords, of a Grecian style, and he thinks them the builders of the so-called Danish forts, duns, or cashels, but not of the stone circles. McFirbis, 200 years ago, wrote–“Every one who is fair-haired, revengeful, large, and every plunderer, professors of musical and entertaining performances, who are adepts of druidical and magical arts, they are the descendants of the Tuatha-de-Danaans.”

“The Danans,” O’Flanagan wrote in 1808, “are said to have been well acquainted with Athens; and the memory of their kings, poets, and poetesses, or female philosophers, of highest repute for wisdom and learning, is still preserved with reverential regret in some of our old manuscripts of the best authority.” Referring to these persons, as Kings Dagad, Agamon and Dalboeth, to Brig, daughter of Dagad, to Edina and Danana, he exclaimed, “Such are the lights that burst through the gloom of ages?’ The Tuatha, G. W. Atkinson supposes, “must be the highly intellectual race that imported into Ireland our Oghams, round towers, architecture, metal work, and, above all, the exquisite art which has come down to us in our wonderful illuminated Irish MSS.” The polished Tuatha were certainly contrasted with the rude Celts. Arthur Clive declares that civilization came in with an earlier race than the Celts, and retired with their conquest by the latter.

“The bards and Seanachies,” remarks R. J. Duffy, “fancifully attributed to each of the Tuath-de-Danaan chiefs some particular art or department over which they held him to preside;” as, Abhortach, to music. The author of Old Celtic Romances writes–“By the Milesians and their descendants they were regarded as gods, and ultimately, in the imagination of the people, they became what are now in Ireland called ‘Fairies.” They conquered the Firbolgs, an Iberian or a Belgic people, at the battle of Moytura.

There is a strong suspicion of their connection with the old idolatry. Their last King was Macgrene, which bears a verbal relation to the Sun. The Rev. R. Smiddy assumes them descendants of Dia-tene-ion, the Fire-god or Sun. In the Chronicles of Columba we read of a priest who built in Tyrconnel a temple of great beauty, with an altar of fine glass, adorned with the representation of the sun and moon. Under their King Dagda the Great, the Sun-god, and his wife, the goddess Boann, the Tuaths were once pursued by the river Boyne. This Dagda became King of the Fairies, when his people were defeated by the warlike Milesians; and the Tuatha, as Professor Rhys says, “formed an invisible world of their own,” in hills and mounds.

In the Book of Ballimote, Fintan, who lived before the Flood, describing his adventures, said–

“After them the Tuatha De arrived
Concealed in their dark clouds–
I ate my food with them,
Though at such a remote period.”
 

Mrs. Bryant, in Celtic Ireland, observes:–“Tradition assigns to the Tuatha generally an immortal life in the midst of the hills, and beneath the seas. Thence they issue to mingle freely with the mortal sons of men, practising those individual arts in which they were great of yore, when they won Erin from the Firbolgs by ‘science,’ and when the Milesians won Erin from them by valour. That there really was a people whom the legends of the Tuatha shadow forth is probable, but it is almost certain that all the tales about them are poetical myths.”

Elsewhere we note the Tuath Crosses, with illustrations; as that Cross at Monasterboice, of processions, doves, gods, snakes, &c. One Irish author, Vallencey, has said, “The Church Festivals themselves, in our Christian Calendar, are but the direct transfers from the Tuath de Danaan ritual. Their very names in Irish are identically the same as those by which they were distinguished by that earlier race.” That writer assuredly did not regard the Tuatha as myths. Fiech, St. Patrick’s disciple, sang–

“That Tuaths of Erin prophesied
That new times of peace would come.”
 Magic–Draoideachta–was attributed to the Irish Tuatha, and gave them the traditional reputation for wisdom.  “Wise as the Tuatha de Danaans,” observes A. G. Geogbegan, “is a saying that still can be heard in the highlands of Donegal, in the glens of Connaught, and on the seaboard of the south-west of Ireland.” In Celtic Ireland we read–“The Irish worshipped the Sidhe, and the bards identify the Sidhe with the Tuath de Danaan.–The identity of the Tuath de Danaan with the degenerate fairy of Christian times appears plainly in the fact, that while Sidhes are the halls of Tuatha, the fairies are the people of the Sidhe, and sometimes called the Sidhe simply.”

The old Irish literature abounds with magic. Druidic spells were sometimes in this form–“I impose upon thee that thou mayst wander to and fro along a river,” &c.

In the chase, a hero found the lost golden ring of a maiden —

“But scarce to the shore the prize could bring,
When by some blasting ban–
Ah! piteous tale–the Fenian King
Grew a withered, grey old man.
Of Cumhal’s son then Cavolte sought
What wizard Danaan foe had wrought
Such piteous change, and Finn replied–
‘Twas Guillin’s daughter–me she bound
By a sacred spell to search the tide
Till the ring she lost was found.

Search and find her, She gave him a cup–
Feeble he drinks–the potion speeds
Through every joint and pore;
To palsied age fresh youth succeeds–
Finn, of the swift and slender steeds,
Becomes himself once more.”

Druidic sleeps are frequently mentioned, as–

“Or that small dwarf whose power could steep
The Fenian host in death-like sleep.”
 

Kennedy’s Fictions of the Irish Celts relates a number of magical tales. The Lianan might well be feared when we are told of the revenge one took upon a woman–“Being safe from the eyes of the household, she muttered some words, and, drawing a Druidic wand from under her mantle, she struck her with it, and changed her into a most beautiful wolf-hound.” The Lianan reminds one of the classical Incubi and Succubi. Yet Kennedy admits that “in the stories found among the native Irish, there is always evident more of the Christian element than among the Norse or German collections.”

The story about Fintan’s adventures, from the days of the Flood to the coming of St. Patrick, “has been regarded as a Pagan myth,” says one, “in keeping with the doctrine of Transmigration.”

In the Annals of Clonmacnoise we hear of seven magicians working against the breaker of an agreement. Bruga of the Boyne was a great De Danaan magician. Jocelin assures us that one prophesied the coming of St. Patrick a year before his arrival. Angus the Tuath had a mystic palace on the Boyne. The healing stone of St. Conall has been supposed to be a remnant of Tuath magic; it is shaped like a dumb-bell, and is still believed in by many.

In spite of the Lectures of the learned O’Curry, declaring the story to be “nothing but the most vague and general assertions,” Irish tradition supports the opinion of Pliny that, as to magic, there were those in the British Isles “capable of instructing even the Persians themselves in these arts.” But O’Curry admits that “the European Druidical system was but the offspring of the eastern augurs”; and the Tuaths came from the East. They wrote or repeated charms, as the Hawasjilars of Turkey still write Nushas. Adder-stones were used to repel evil spirits, not less than to cure diseases. One, writing in 1699, speaks of seeing a stone suspended from the neck of a child as remedy for whooping-cough. Monuments ascribed to the Tuatha are to be seen near the Boyne, and at Drogheda, Dowth, Knowth, &c.

According to tradition, this people brought into Ireland the magic glaive from Gorias, the magic cauldron from Murias, the magic spear from Finias, and the magic Lia Fail or talking coronation stone from Falias; though the last is, also, said to have been introduced by the Milesians when they came with Pharaoh’s daughter.

Enthusiastic Freemasons believe the Tuatha were members of the mystic body, their supposed magic being but the superior learning they imported from the East. If not spiritualists in the modern sense of that term, they may have been skilled in Hypnotism, inducing others to see or hear what their masters wished them to see or hear.

When the Tuatha were contending with the Firbolgs, the Druids on both sides prepared to exercise their enchantments. Being a fair match in magical powers, the warriors concluded not to employ them at all, but have a fair fight between themselves. This is, however, but one of the tales of poetic chronicles; of whom Kennedy’s Irish Fiction reports–“The minstrels were plain, pious, and very ignorant Christians, who believed in nothing worse than a little magic and witchcraft.”

It was surely a comfort to Christians that magic-working Druids were often checkmated by the Saints. When St. Columba, in answer to an inquiry by Brochan the magician, said he should be sailing away in three days, the other replied that he would not be able to do so, as a contrary wind and a dark mist should be raised to prevent the departure. Yet the Culdee ventured forth in the teeth of the opposing breeze, sailing against it and the mist. In like manner Druid often counteracted Druid. Thus, three Tuatha Druidessess,–Bodhbh, Macha, and Mor Kegan,–brought down darkness and showers of blood and fire upon Firbolgs at Tara for three days, until the spell was broken by the Firbolg magic bearers–Cesara, Gnathach, and Ingnathach. Spells or charms were always uttered in verse or song. Another mode of bringing a curse was through the chewing of thumbs by enchantresses. Fal the Tuath made use of the Wheel of Light, which, somehow, got connected with Simon Magus by the Bards, and which enabled the professor to ride through the air, and perform other wonders. We hear, also, of a Sword of Light. The magic cauldron was known as the Brudins.

Some of the Tuath Druids had special powers,–as the gift of knowledge in Fionn; a drink, too, given from his hands would heal any wound, or cure any disease. Angus had the power of travelling on the wings of the cool east wind. Credne, the Tuath smith, made a silver hand for Nuadhat, which was properly fitted on his wrist by Dianceht, the Irish Æsculapius. To complete the operation, Miach, son of Dianceht, took the hand and infused feeling and motion in every joint and vein, as if it were a natural hand. It is right to observe, however, that, according to Cormac’s Glossary, Dianceht meant “The god of curing.”

Finn as elsewhere said, acquired his special privilege by accidentally sucking his thumb after it had rested upon the mysterious Salmon of Knowledge. He thus acquired the power of Divination. Whenever he desired to know any particular thing, he had only to suck his thumb, and the whole chain of circumstances would be present to his mind. The Magic Rod is well known to have been the means of transforming objects or persons. The children of Lir were changed by a magic wand into four swans, that flew to Loch Derg for 300 years, and subsequently removed to the sea of Moyle between Erin and Alba.

Transformation stories are numerous in the ancient legends of Ireland. A specimen is given in the Genealogy of Corea Laidhe. A hag, “ugly and bald, uncouth and loathesome to behold,” the subject of some previous transformation, seeks deliverance from her enchanted condition by some one marrying her; when “she suddenly passed into another form, she assumed a form of wondrous beauty.”

Some enchanters assumed the appearance of giants. The Fenians of old dared not hunt in a certain quarter from fear of one of these monsters. Cam has been thus described in the story of Diarmuid–“whom neither weapon wounds, nor water drowns, so great is his magic. He has but one eye only, in the fair middle of his black forehead, and there is a thick collar of iron round that giant’s body, and he is fated not to die until there be struck upon him three strokes of the iron club that he has. He sleeps in the top of that Quicken tree by night, and he remains at its foot by day to watch it.” The berries of that tree had the exhilarating quality of wine, and he who tasted them, though he were one hundred years old, would renew the strength of thirty years.

The Fate of the Children of Tuireann, in an Irish MS., gave a curious narrative of Tuath days and magic. It was published by the “Society for the Preservation of the Irish Language.” The sons had to pay heavy eric, or damages, on account of a murder. One failed, and died of his wounds. Lugh got helped by Brian the Druid against the Fomorians, who were then cruelly oppressing the Tuaths, exacting an ounce of gold from each, under penalty of cutting their noses off. Druidical spells were freely used by Lugh, the hero of the story.

The eric in question required the three sons to procure the three apples from the garden of the Hesperides,–the skin of the pig, belonging to the King of Greece, which could cure diseases and wounds,–two magic horses from the King of Sicily,–seven pigs from the King of the Golden Pillars, &c.  Once on their adventures, Brian changed them with his wand into three hawks, that they might seize the apples; but the King’s daughters, by magic, changed themselves into griffins, and chased them away, though the Druid, by superior power, then turned them into harmless swans. One son gained the pig’s skin as a reward for reciting a poem. A search for the Island of Fianchaire beneath the sea was a difficulty. But we are told, “Brian put on his water-dress.” Securing a head-dress of glass, he plunged into the water. He was a fortnight walking in the salt sea seeking for the land.

Lugh came in contact with a fairy cavalcade, from the Land of Promise. His adventure with Cian illustrated ideas of transformation. Cian, when pursued, “saw a great herd of swine near him, and he struck himself with a Druidical wand into the shape of one of the swine.” Lugh was puzzled to know which was the Druidical pig. But striking his two brothers with a wand, he turned them into two slender, fleet hounds, that “gave tongue ravenously” upon the trail of the Druidical pig, into which a spear was thrust. The pig cried out that he was Clan, and wanted to return to his human shape, but the brothers completed their deed of blood.

Not only the pig, but brown bulls and red cows figure in stories of Irish magic. We read of straw thrown into a man’s face, with the utterance of a charm, and the poor fellow suddenly going mad. Prince Comgan was struck with a wand, and boils and ulcers came over him, until he gradually sunk into a state of idiocy. A blind Druid carried about him the secret of power in a straw placed in his shoe, which another sharp fellow managed to steal.

Illumination, by the palms of the hands on the cheek of one thrown into a magical sleep, was another mode of procuring answers to questions. Ciothruadh, Druid to Cormac, of Cashel, sought information concerning a foe after making a Druidical fire of the mystical mountain ash. But he was beaten in his enchantments by Mogh Ruith, the King of Munster’s Druid, who even transformed, by a breath, the three wise men of Cashel into stones, which may be seen to this day. That he accomplished with charms and a fire of the rowan tree. The virtues of rowan wood are appreciated to this day in Munster, where provident wives secure better butter by putting a hoop of it round their churns.

Tuaths had a reputation for their ability in the interpretation of dreams and omens, and their skill in auguries. Some Druids, like Mogh Ruith, could fly by the aid of magical wings. It was, however, no Irishman, but Math, the divine Druid, who brought his magic to Gwydron ab Dom, and was clever enough to form a woman out of flowers, deemed by poetic natures a more romantic origin than from the rib of a man. Manannan, son of a Tuath chieftain, he who gave name to the Isle of Man, rolled on three legs, as a wheel, through a Druidic mist. He subsequently became King of the Fairies.

Professor Rhys speaks of the Tuatha as Tribes of the goddess Danu; though the term, he says, “is somewhat vague, as are also others of the same import, such as Tuath Dea, the Tribes of the goddess–and Fir Dea, the men of the goddess.” He further remarks–“The Tuatha de Danann contain among them light and dark divinities, and those standing sometimes in the relation of parents and offspring to one another.”

Massey has the following philological argument for the Tuatha, saying:–“The Tuaut (Egy.), founded on the underworld, denotes the gate of worship, adoration; the worshippers, Tuaut ta tauan, would signify the place of worship within the mound of earth, the underground sanctuary. The Babylonian temple of Bit-Saggdhu was in the gate of the deep. The Tuaut or portal of Ptah’s temple faced the north wind, and the Irish Tievetory is the hill-side north. The Tuaut entrance is also glossed by the English Twat. The Egyptian Tuantii are the people of the lower hemisphere, the north, which was the type of the earth-temple. The Tuatha are still known in Ireland by the name of the Divine Folk; an equivalent to Tuantii for the worshippers.”

The Rev. R. Smiddy fancies the people, as Denan or Dene-ion, were descendants of Dene, the fire-god. An old MS. calls them the people of the god Dana. Clive, therefore, asks, if they were simply the old gods of the country. Joyce, in Irish Names says, ‘This mysterious race, having undergone a gradual deification, became confounded and identified with the original local gods, and ultimately superseded them altogether.” He recalls the Kerry mountain’s name of Da-chich-Danainne. He considers the Tuatha “a people of superior intelligence and artistic skill, and that they were conquered, and driven into remote districts, by the less intelligent but more warlike Milesian tribes who succeeded them.”

Lady Ferguson, in her Story of the Irish before the Conquest, has the idea of the Danaans being kinsmen to the Firbolgs, that they came from the region of the Don and Vistula, under Nuad of the Silver Hand, defeating Eochaid, King of the Firbolgs, at Moytura, and ruling Ireland two hundred years.

They were certainly workers in metal, and have therefore been confounded by monkish writers with smiths. St. Patrick’s prayer against smiths, and the traditional connection between smiths and magic, can thus be understood. They–according to the Book of Invasions

“By the force of potent spells and wicked magic
And conjurations horrible to hear,
Could set the ministry of hell at work,
And raise a slaughtered army from the earth,
And make them live, and breathe, and fight again.
Few could their arts withstand, or charms unbind.”
 They were notorious in Sligo, a county so full of so-called Druidical remains. In Carrowmore, with its sixty-four stone circles, there must once have been a large population. “Why,” asks Wood-Martin, “is that narrow strip of country so thickly strewn with monuments of the Dead?” But he learned that the Fomorian pirates, possibly from the Baltic, swarmed on that wild coast. He especially notes the tales of Indech, a mighty Fomorian Druid, grandfather of the dreaded Balor, of the Evil Eye.

The mythic Grey Cow belonged to Lon mac Liomhtha, the first smith among the Tuaths who succeeded in making an iron sword. At the battle of Moytura, Uaithne was the Druid harper of the Tuatha. Of Torna, last of Pagan Bards, it was declared he was

“Sprung of the Tualtha de Danans, far renown’d
For dire enchanting arts and magic power.”
 But, as Miss Brooke tells us, “most of the Irish romances are filled with Dananian enchantments, as wild as the wildest of Ariosto’s fictions, and not at all behind them in beauty.” It was Dr. Barnard, Bishop of Killaloe, who traced the race to visitors from South Britain; saying, “The Belgæ and Danmonii, whose posterity in Ireland were called Firbolghs and Tuatha de Danan.”

In the destructive battle between the “manly, bloody, robust Fenians of Fionn,” and “the white-toothed, handsome Tuatha Dedaans,” when the latter saw a fresh corps of Fenians advancing, it is recorded that “having enveloped themselves in the Feigh Fiadh, they made a precipitate retreat.”

Jubainville’s Cours de la littérature Celtique does not omit mention of these wonder-workers. He calls to mind the fact that, like the Greeks of the Golden Age, they became invisible, but continued their relations with men; that the Christian writers changed them into mortal kings in chronicles; that their migrations and deities resemble those of Hesiod; that they continue to appear in animal or human forms, though more commonly as birds; that ancient legends record their descent to earth from the blue heavens.

He brings forward a number of the old Irish stories about the Tuaths. When defeated by the Sons of Milé, they sought refuge in subterranean palaces. One Dagan, a word variant of the god Dagdé, exercised such influence, that the sons of Milé were forced, for peace’ sake, to make a treaty with him. His palace retreat below was at Brug na Boinné, the castle of the Boyne. The burial-place of Crimtham Nia Nair, at Brug na Boinné, was chosen because his wife was a fairy of the race of Tuatha. In the Tain bô Cuailnge there is much about theSid, or enchanted palace. Dagdé had his harp stolen by the Fomorians, though it was recovered later on.

The son of Dagdé was Oengus. When the distribution of subterranean palaces took place, somehow or other, this young fellow was forgotten. Asking to be allowed to spend the night at one, he was unwilling to change his quarters, and stayed the next day. He then absolutely refused to depart, since time was only night and day; thus retaining possession. The same Tuath hero fell in love with a fair harper, who appeared to him in a dream. The search, aided by the fairies, was successful in finding the lady, after a year and a day.

It was in his second battle that Ogmé carried off the sword of Tethra, King of the Fomorians. This sword had the gift of speech; or, rather, said Jubainville, it seemed to speak, for the voice which was heard was, according to a Christian historian, only that of a demon hidden in the blade. Still, the writer of this Irish epic remarked, that in that ancient time men adored weapons of war, and considered them as supernatural protectors.

The Book of Conquests allows that the Tuatha were descended from Japhet, though in some way demons; or, in Christian language, heathen deities. One Irish word was often applied to them, viz. Liabra, or phantoms. It is believed that at least one Tuath warrior, named Breas, could speak in native Irish to the aboriginal Firbolgs.

A writer in Anecdota Oxon is of opinion that very different notions and accounts exist at the different periods of Irish epic literature concerning them. He declares that, excepting their names, no very particular traces of them have come down to us. The most distinct of the utterances about the race points to the existence of war-goddesses.

Wilde gives a definite reason why we know so little about the Tuatha de Danaans. It was because “those who took down the legends from the mouths of the bards and annalists, or those who subsequently transcribed them, were Christian missionaries, whose object was to obliterate every vestige of the ancient forms of faith.” The distortion of truth about these singular, foreign people makes it so difficult to understand who or what they were; to us they seem always enveloped in a sort of Druidic fog, so that we may class them with men, heroic demi-gods, or gods themselves, according to our fancy.

~~~~~~
Proton Kinoun – Apeiron

~~~~~~
The Poison Path
“The Poison Path” – Gwyllm 2014

“The Poison Path” is a phrase we’ve have borrowed from Dale Pendell. (You should read his “Pharmako Series” Pharmako /Poeia /Gnosis /Dynamis published by Mercury House) (The design would rightly fall under “Gnosis”) The 4 symbols denote major molecular guides via the plant & fungi world. The molecules were chosen because of their universality in human affairs stretching back into time out of mind. (The upper left molecule though being originally limited to these shores.) The Poison Path is traditionally one of the “Left Hand” paths to Gnosis, a shortening of the way. It corresponds with various forms of Sexual Magick, and in some schools there is little differentiation between the two paths, and they are often viewed as one and the same. “The Poison Path” celebrates The Great Rites, in all of their ancient glory, depth and beauty.

We will let you work out what the 4 molecules are!
~~~~~~
The artist belongs to his work, not the work to the artist. – Novalis

Spring Dances…

Royal Crush Royal Crush – Gwyllm 2014
A new piece that may soon be part of a mural project. More details to follow.
Should have another entry this week. I will let ya know.
Cheers,
G

VII.
Heaven and Earth are everlasting
The reason Heaven and Earth can last forever
Is that they do not exist for themselves
Thus they can last forever

Therefore the sages:
Place themselves last but end up in front
Are outside of themselves and yet survive
Is it not due to their selflessness?
That is how they can achieve their own goals
– Tao Te Ching

~~~
On The Menu:
A Week Of It
Buster The Kitty
Anne Briggs (1971)
Against “Legalization”
~~~
A Week Of It:

So… it has been a week of it. The trees are going nuts, the sky is either bright blue, or pounding down with rain, with little between. Perfect spring weather. We lost our old cat Buster to the grinding wheels of time yesterday. It was expected but what a shock. None of the 4 footed now remain in our tribe.

Today: So I got up really early and took a long walk. My health has been a bit of a concern, so I am spending less time sitting on the computer, and trying to get back up on the whole idea of exercising. So… there it is about 6:30 in the morning, and I am out walking thinking about the passed week, and the plans for the new week. Not much going on in the here and now until I got into the walk, and discovered part of the South West Portland Trail set up. I had been meandering along and all of a sudden I found a trail head in an area I had no idea that the trail existed in. Kind of neat finding it.

I arrived at home, fixed coffee, and proceeded to work on art. Whilst working on a new piece with pen and ink I came to realize that with Buster’s passing that I hadn’t accepted fully that we were entering a new phase in our lives. I understood that there had to be a ceremonial break, and after working on the Land Cruiser with Mary getting it ready for the week, I went into the shop, and retrieved the poetry box that has been gathering dust. I went out to the front, dug a hole for the post, and put the box up:

Poetry Box
Poetry Box

Jessa took this photo of yours truly, dishevelled, and happy:
Gwyllm & Box
You have to make a clean break of it. I always had, but the last bunch of changes have been on a new level all together. Time to move along, time.

The first poem was the last one posted at the old digs. Wendell Berry, who grows ever so in my estimations:
“Circles of Our Lives”

Within the circles of our lives
we dance the circles of the years,
the circles of the seasons
within the circles of the years,
the cycles of the moon
within the circles of the seasons,
the circles of our reasons
within the cycles of the moon.

Again, again we come and go,
changed, changing. Hands
join, unjoin in love and fear,
grief and joy. The circles turn,
each giving into each, into all.

Only music keeps us here,
each by all the others held.
In the hold of hands and eyes
we turn in pairs, that joining
joining each to all again.

And then we turn aside, alone,
out of the sunlight gone

into the darker circles of return.

-Wendell Berry
~~~~~~
Buster The Kitty:

It has been a week of joy & sorrow. Our old kitty Buster passed away, just shy of his 18th birthday. The week in many ways was formed around him and the process he was in.

Buster The Day Before...
Buster The Day Before…he passed
Here is Buster at the place in the yard where the birdbath was. As he no longer hunted, he would wait for the Wren to bath in the morning, after which he would walk over/and later pull himself to, and drink his fill.

Rowan with Buster 1/2 hour before.
Rowan with Buster 1/2 hour before he crossed over.

Buster came to us the day we moved into our old house on 22nd. A neighbor slipped him to Rowan who was about 5 at the time. I was really ticked off, as we already had a cat, but he soon made his way into our hearts. He would run up my leg (thank goodness for denim!) when he heard the can opener. He always loved his food.

Being the Beta cat, he ran the outside whilst Nickey our older kitty ruled the roost. Buster was a known terror of the neighborhood, who took on the task of Rat & Squirrel master. He would leave presents of what I called “Rat On A Stick” the bottom half eaten and the top half with a look of “Surprise!”. I would come out, and there he would be, prancing back and forth. I would have to retrieve the half rat, and make noises of praise, on which the strutting would get even more pronounced.

He was known locally in the old neighborhood as “Schwarzen-Kitteh” as he was very buff, though small. He was solid muscle, and the neighbors used to complain about his pursuits of squirrels through the upper trees, across roofs, through yards… He was a fierce hunter.

As he got older he mellowed out considerably. After Nicky passed away, he moved more into the house, and became a great companion. He always wanted to be in your lap, and loved hanging out with people. The only time he would make him self scarce was during Solstice and other large gatherings, to reappear and resume his place and dialog with the family. He became more vocal, and loved nothing better than hanging out lounging against my leg when I was on the computer. Eventually he took to sleeping with us, and he ruled the bed until he started losing it later on in life.

I think the move was hard on him. He had known but one place in his life. He was not happy at first in the new place. I don’t think he quite adjusted to it. In the last 4 months of his time with us he lost the use of his hind legs due to a Thrombus, and even that didn’t slow him down. He would pull himself through the house at a furious rate, though the last month found him not up to it anymore. He would come into the office, and want to be held, or he would lean against my leg for hours at a time. The last weeks were spent in a near constant communion with him when we were at home. Towards the end he wanted to be in our presence at all times.

When he finally died, he was being held by all of us. He went peacefully. We miss him already.

G
~~

Chat au Clair de Lune, c.1900 by Theophile-Alexandre Steilen
Chat au Clair de Lune, c.1900 by Theophile-Alexandre Steilen

Pangur Bán
By – Anon
Translated by Seamus Heaney

From the ninth-century Irish poem

Pangur Bán and I at work,
Adepts, equals, cat and clerk:
His whole instinct is to hunt,
Mine to free the meaning pent.

More than loud acclaim, I love
Books, silence, thought, my alcove.
Happy for me, Pangur Bán
Child-plays round some mouse’s den.

Truth to tell, just being here,
Housed alone, housed together,
Adds up to its own reward:
Concentration, stealthy art.

Next thing an unwary mouse
Bares his flank: Pangur pounces.
Next thing lines that held and held
Meaning back begin to yield.

All the while, his round bright eye
Fixes on the wall, while I
Focus my less piercing gaze
On the challenge of the page.

With his unsheathed, perfect nails
Pangur springs, exults and kills.
When the longed-for, difficult
Answers come, I too exult.

So it goes. To each his own.
No vying. No vexation.
Taking pleasure, taking pains,
Kindred spirits, veterans.

Day and night, soft purr, soft pad,
Pangur Bán has learned his trade.
Day and night, my own hard work
Solves the cruxes, makes a mark.

~~~~

Great album by one of Britain’s great interpreters of traditional music.
Enjoy!

Anne Briggs (1971)

~~~~
Reading his works again. Always something to find in his writings!
Against “Legalization”
By Hakim Bey

Mohammad Reza Domiri Ganji - Seyyed Mosque
Mohammad Reza Domiri Ganji – Seyyed Mosque

As a writer, I am distressed and depressed by the suspicion that “dissident media” has become a contradiction in terms – an impossibility. Not because of any triumph of censorship however, but the reverse. There is no real censorship in our society, as Chomsky points out. Suppression of dissent is instead paradoxically achieved by allowing media to absorb (or “co-opt”) all dissent as image.

Once processed as commodity, all rebellion is reduced to the image of rebellion, first as spectacle, and last as simulation. (See Debord, Baudrillard, etc.) The more powerful the dissent as art (or “discourse”) the more powerless it becomes as commodity. In a world of Global Capital, where all media function collectively as the perfect mirror of Capital, we can recognize a global Image or universal imaginaire, universally mediated, lacking any outside or margin. All Image has undergone Enclosure, and as a result it seems that all art is rendered powerless in the sphere of the social. In fact, we can no longer even assume the existence of any “sphere of the social. All human relations can be—and are—expressed as commodity relations.

In this situation, it would seem “reform” has also become an impossibility, since all partial ameliorizations of society will be transformed (by the same paradox that determines the global Image) into means of sustaining and enhancing the power of the commodity. For example, “reform” and “democracy” have now become code-words for the forcible imposition of commodity relations on the former Second and Third Worlds. “Freedom” means freedom of corporations, not of human societies.

From this point of view, I have grave reservations about the reform program of the anti-Drug-Warriors and legalizationists. I would even go so far as to say that I am “against legalization.”

Needless to add that I consider the Drug War an abomination, and that I would demand immediate unconditional amnesty for all “prisoners of consciousness”—assuming that I had any power to make demands! But in a world where all reform can be instantaneously turned into new means of control, according to the “paradox” sketched in the above paragraphs, it makes no sense to go on demanding legalization simply because it seems rational and humane.

For example, consider what might result from the legalization of “medical marijuana”—clearly the will of the people in at least six states. The herb would instantly fall under drastic new regulations from “Above” (the AMA, the courts, insurance companies, etc.). Monsanto would probably acquire the DNA patents and “intellectual ownership” of the plant’s genetic structure. Laws would probably be tightened against illegal marijuana for “recreational uses.” Smokers would be defined (by law) as “sick.” As a commodity, Cannabis would soon be denatured like other legal psychotropics such as coffee, tobacco, or chocolate.

Terence McKenna once pointed out that virtually all useful research on psychotropics is carried out illegally and is often largely funded from underground. Legalization would make possible a much tighter control from above over all drug research. The valuable contributions of the entheogenic underground would probably diminish or cease altogether. Terence suggested that we stop wasting time and energy petitioning the authorities for permission to do what we’re doing, and simply get on with it.

Yes, the Drug War is evil and irrational. Let us not forget, however, that as an economic activity, the War makes quite good sense. I’m not even going to mention the booming “corrections industry,” the bloated police and intelligence budgets, or the interests of the pharmaceutical cartels. Economists estimate that some ten percent of circulating capital in the world is “gray money” derived from illegal activity (largely drug and weapon sales). This gray area is actually a kind of free-floating frontier for Global Capital itself, a small wave that precedes the big wave and provides its “sense of direction.” (For example gray money or “offshore” capital is always the first to migrate from depressed markets to thriving markets.) “War is the health of the State” as Randolph Bourne once said—but war is no longer so profitable as in the old days of booty, tribute and chattel slavery. Economic war increasingly takes its place, and the Drug War is an almost “pure” form of economic war. And since the Neo-liberal State has given up so much power to corporations and “markets” since 1989, it might justly be said that the War on Drugs constitutes the “health” of Capital itself.

From this perspective, reform and legalization would clearly be doomed to failure for deep “infrastructural” reasons, and therefore all agitation for reform would constitute wasted effort—a tragedy of misdirected idealism. Global Capital cannot be “reformed” because all reformation is deformed when the form itself is distorted in its very essence. Agitation for reform is allowed so that an image of free speech and permitted dissidence can be maintained, but reform itself is never permitted. Anarchists and Marxists were right to maintain that the structure itself must be changed, not merely its secondary characteristics. Unfortunately the “movement of the social” itself seems to have failed, and even its deep underlying structures must now be “re-invented” almost from scratch. The War on Drugs is going to go on. Perhaps we should consider how to act as warriors rather than reformers. Nietzsche says somewhere that he has no interest in overthrowing the stupidity of the law, since such reform would leave nothing for the “free spirit” to accomplish—nothing to “overcome.” I wouldn’t go so far as to recommend such an “immoral” and starkly existentialist position. But I do think we could do with a dose of stoicism.

Beyond (or aside from) economic considerations, the ban on (some) psychotropics can also be considered from a “shamanic” perspective. Global Capital and universal Image seem able to absorb almost any “outside” and transform it into an area of commodification and control. But somehow, for some strange reason, Capital appears unable or unwilling to absorb the entheogenic dimension. It persists in making war on mind-altering or transformative substance, rather than attempting to “co-opt” and hegemonize their power.

In other words it would seem that some sort of authentic power is at stake here. Global Capital reacts to this power with the same basic strategy as the Inquisition—by attempting to suppress it from the outside rather than control it from within. (“Project MKULTRA” was the government’s secret attempt to penetrate the occult interior of psychotropism-–it appears to have failed miserably.) In a world that has abolished the Outside by the triumph of the Image, it seems that at least one “outside” nevertheless persists. Power can deal with this outside only as a form of the unconscious, i.e., by suppression rather than realization. But this leaves open the possibility that those who manage to attain “direct awareness” of this power might actually be able to wield it and implement it. If “entheogenic neo-shamanism” (or whatever you want to call it) cannot be betrayed and absorbed into the power-structure of the Image, then we may hypothesize that it represents a genuine Other, a viable alternative to the “one world” of triumphant Capital. It is (or could be) our source of power.

The “Magic of the State” (as M. Taussig calls it), which is also the magic of Capital itself, consists of social control through the manipulation of symbols. This is attained through mediation, including the ultimate medium, money as hieroglyphic text, money as pure Imagination as “social fiction” or mass hallucination. This real illusion has taken the place of both religion and ideology as delusionary sources of social power. This power therefore possesses (or is possessed by) a secret goal; that all human relations be defined according to this hieroglyphic mediation, this “magic.” But neo-shamanism proposes with all seriousness that another magic may exist, an effective mode of consciousness that cannot be hexed by the sign of the commodity. If this were so, it would help explain why the Image appears unable or unwilling to deal “rationally” with the “issue of drugs.” In fact, a magical analysis of power might emerge from the observed fact of this radical incompatibility of the Global Imaginaire and shamanic consciousness.

In such a case, what could our power consist of in actual empirical terms? I am far from proposing that “winning” the War on Drugs would somehow constitute The Revolution—or even that “shamanic power” could contest the magic of the State in any strategic manner. Clearly however the very existence of entheogenism as a true difference—in a world where true difference is denied—marks the historic validity of an Other, of an authentic Outside. In the (unlikely) event of legalization, this Outside would be breached, entered, colonized, betrayed, and turned into sheer simulation. A major source of initiation, still accessible in a world apparently devoid of mystery and of will, would be dissolved into empty representation, a pseudo-rite of passage into the timeless/spaceless enclosure of the Image. In short, we would have sacrificed our potential power to the ersatz reform of legalization, and we would win nothing thereby but the simulacrum of tolerance at the expense of the triumph of Control.

Again: I have no idea what our strategy shall be. I believe however that the time has come to admit that a tactics of mere contingency can no longer sustain us. “Permitted dissent” has become an empty category, and reform merely a mask for recuperation. The more we struggle on “their” terms the more we lose. The drug legalization movement has never won a single battle. Not in America anyway—and America is the “sole superpower” of Global Capital. We boast of our outlaw status as outsiders or marginals, as guerilla ontologists; why then, do we continually beg for authenticity and validation (either as “reward” or as “punishment”) from authority? What good would it do us if we were to be granted this status, this “legality”?

The Reform movement has upheld true rationality and it has championed real human values. Honor where honor is due. Given the profound failure of the movement however, might it not be timely to say a few words for the irrational, for the irreducible wildness of shamanism, and even a single word for the values of the warrior? “Not peace, but a sword.”

Grazing Away...
Grazing Away…

I.
The Tao that can be spoken is not the eternal Tao
The name that can be named is not the eternal name
The nameless is the origin of Heaven and Earth
The named is the mother of myriad things
Thus, constantly without desire, one observes its essence
Constantly with desire, one observes its manifestations
These two emerge together but differ in name
The unity is said to be the mystery
Mystery of mysteries, the door to all wonders
– Tao Te Ching

The Great Wheel

Ballads Of Four Seasons: Spring

The lovely Lo Fo of the western land
Plucks mulberry leaves by the waterside.
Across the green boughs stretches out her white hand;
In golden sunshine her rosy robe is dyed.
‘my silkworms are hungry, I cannot stay.
Tarry not with your five-horse cab, I pray.’
Li Po (Li Bai)

Ashura - Gwyllm 2014
Ashura – Gwyllm 2014

The Great Wheel:
Dear Friends,

A beautiful week here in P-Town. Working in the N.E., working on art, hanging with my sweetheart.
Here we are, at perfect balance, the vernal Equinox. I love the cross quarter days, the feeling of The Great Wheel, the round, the juggernaut of eternity. We are here for awhile, these are our moments, and the world hangs in perfect balance.

It is colder up here on the hills, but the views! I look out as I type, and it is as if I am in a forest with just a few houses. A sweet illusion, but it works. We are plotting our return to inner Portland though, as the walking here takes you onto roads where one must compete with cars, and we are at a distance from most everyone we know.

Working on art, and trying to revive Radio Free EarthRites if I can just get my head around some tech stuff.

Thanks for visiting, I hope this finds you all well.

Blessings,
G

On The Menu:
Rancho Relaxo
Poems For The Vernal Equinox
Solar Folk-Lore
Bad Liquor Pond
~~~~~~
Rancho Relaxo:

~~~~~~
Poems For The Vernal Equinox:

cherry-trees-pink-blossom

“The afternoon is bright,
with spring in the air,
a mild March afternoon,
with the breath of April stirring,
I am alone in the quiet patio
looking for some old untried illusion –
some shadow on the whiteness of the wall
some memory asleep
on the stone rim of the fountain,
perhaps in the air
the light swish of some trailing gown.”
– Antonio Machado, 1875-1939
~~
“I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.”
– William Wordsworth, Daffodils
~~
“Loveliest of trees, the cherry now
Is hung with bloom along the bough.”
– A. E. Houseman, Shropshire Lad
~~
“Ere frost-flower and snow-blossom faded and fell,
and the splendor of winter had passed out of sight,
The ways of the woodlands were fairer and stranger
than dreams that fulfill us in sleep with delight;
The breath of the mouths of the winds had hardened on tree-tops
and branches that glittered and swayed
Such wonders and glories of blossom like snow
or of frost that outlightens all flowers till it fade
That the sea was not lovelier than here was the land,
nor the night than the day, nor the day than the night,
Nor the winter sublimer with storm than the spring:
such mirth had the madness and might in thee made,
March, master of winds, bright minstrel and marshal of storms
that enkindle the season they smite.”
– Algernon C. Swinburne, March: An Ode
~~
“Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;

Where in the whitethorn
Singeth a thrush,
And a robin sings
In the holly-bush.

Full of fresh scents
Are the budding boughs
Arching high over
A cool green house:

Full of sweet scents,
And whispering air
Which sayeth softly:
We spread no snare;

Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone.

Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be.”
– Christina Rossetti, Spring Quiet
~~
“You ask me why I dwell in the green mountain;
I smile and make no reply for my heart is free of care.
As the peach-blossom flows down stream and is gone into the unknown,
I have a world apart that is not among men.”
– Li Bai
~~~

Solar Folk-Lore
Sun Lore of All Ages, by William Tyler Olcott

Sun

The distinction between mythology and folklore is an extremely fine one, and though there is such a distinction, still the two subjects are so essentially analogous it will not be strange if portions of the material in this chapter would, according to some authorities, seem misplaced, and more properly included in the chapter on Solar Mythology, and vice versa. In view of the difficulties of an absolutely correct classification, the author makes no claim that his is the correct one.

In the early stages of the history of man, every act of nature and the movements of the heavenly bodies was attributed to the machinations of some one, a mysterious personage, an all-powerful being, an unseen god. The sun, as the chief luminary, commanded man’s attention from the earliest days, and it was but natural for primitive man to speculate on the phenomena of his daily appearance and disappearance in terms that seem to us now childish and puerile.

To men who looked to the west across a vast expanse of sea, the sun at nightfall seemed to sink directly into the waves, and, as they were confident that the sun was an extremely large and hot body they were convinced it would give out a hissing noise when the waters closed over it.

From the expression of the thought to the actual fact was but a step, and so we find Posidonius recording that the inhabitants of Cape St. Vincent, the westernmost point of Europe, claimed that the sun disappears each night into the sea with a great hissing noise.

We find the same idea current in the islands of Polynesia, in Iberia, and Germany, where the people claim to have heard the mighty hissing of the sea-quenched sun.

The Egyptians regarded the sun as a child when it was rising, and as an old man when it was setting in the evening. These ideas were also transferred to the annual motion of the sun. Macrobius states that the Egyptians compared the yearly course of the sun with the phases of human life; thus, a little child signified the winter solstice, a young man the spring equinox, a bearded man the summer solstice, and an old man the autumnal equinox. They also thought that Hercules had his seat in the sun, and that he travelled with it round the moon. The Hindus often referred to the sun as “the eye of Mithra, Varuna, and Agni,” and at sunrise or sunset, when the sun appeared to be squatting on the water, they likened it to a frog. This simile gave rise to a Sanscrit story, which is found also in German and Gaelic.

“Bhekî (the frog) was a beautiful maiden. One day when she was sitting near a well, a king rode by, and fascinated by her beauty, asked her hand in marriage. She consented on the condition that he would never show her a drop of water. He accepted, and they were married. One day being tired and thirsty she asked the king for a glass of water, and forgetting his promise, he granted her request, and his bride immediately vanished. That is to say, the sun disappeared when it touched the water.”

The sun was also regarded as a well, and in the Semitic, Persian, and Chinese languages the words “well” and “eye” are synonymous. Considered as a well, the rays of the sun were likened to the moisture that flows from the well.

In different parts of Africa we find the sun variously regarded. In Central Africa, where it is extremely hot, the rising of the sun is always dreaded, and the orb of day is a common enemy. It was the custom, among certain tribes, to curse the sun at his rising for afflicting the people with burning heat. In Southern Africa, on the contrary, the natives believed that they were descended from the Sun; and if, by chance, the rising of the sun was obscured by clouds, they thought the Sun purposely hid his face from them because their misdeeds offended him, and straightway they performed acts of propitiation. Work at once ceased, and the food of the previous day was given to the old women. The men of the tribe then went in a body to the river to purify themselves by washing in the stream. Each man threw into the river a stone from his hearth, and replaced it with a new one from the bed of the river. On returning to the village the chief kindled a fire in his hut, and the members of the tribe all gathered embers from it to light their individual hearth fires. The ceremony concluded with a dance in which the whole tribe joined. The idea seems to have been; that the lighting of the flame on earth would serve to rekindle the dead solar fire. When the sun set, these people said “The Sun dies.”

The early inhabitants of Polynesia called the sun “Ra,” which was also the Egyptian sun name. They believed that it was endowed with life, and the offspring of the gods. To account for its rise in the east each morning, after its disappearance in the west each night, they said that during the night it passed through a passage under the seas, so as to rise in its appointed place in the eastern sky each day.

In some of the islands the sun was thought to be a substance resembling fire, and they regarded its disappearance each night as a falling of the orb into the sea, and, as we have seen, the inhabitants of the westernmost islands were confident that they had heard the hissing occasioned by the sun’s plunge into the ocean.

The early tribes seemed to think they could control the light of the sun and s Lay or hasten its setting. “The Melanesians make sunshine by means of a mock sun,” says Frazer. 1 “A circular stone is wound about with red braid and stuck with owl’s feathers to represent the rays of the sun, or the stone is laid on the ground with white rods radiating from it to imitate sunbeams.” A white or red pig is sacrificed in the sunshine-making ceremony, and a black one when rain is desired.

In New Caledonia they burnt a skeleton to make sunshine, and drenched it with water if they wished for rain. They also had a more elaborate ceremony for producing sunshine, which Frazer 2 thus describes: “When a wizard desires to make sunshine he takes some plants and corals to the burial ground, and makes then into a bundle, adding two locks of hair cut from the head of a living child (his own child if possible), also two teeth, or an entire jawbone from the skeleton of an ancestor. He then climbs a high mountain whose top catches the first rays of the morning sun. Here he deposits three sorts of plants on a flat stone, places a branch of dry coral beside them, and hangs the bundle of charms over the stone. Next morning he returns to this rude altar, and at the moment when the sun rises from the sea, he kindles a fire on the altar. As the smoke rises he rubs the stone with the dry coral, invokes his ancestors and says: ‘Sun: I do this that you may be burning hot, and eat up all the clouds in the sky.’ The same ceremony is repeated at sunset.”

The sun, according to many traditions of primitive man, spent a part of its time in the underworld, or in a submarine passage beneath the seas, and if it did not go of its own volition, it was carried there by some enemy. Thus in Servia a tale is told, that when the devils fell, their king carried off the sun from heaven affixed to a lance. This was a great calamity, and the Archangel St. Michael was selected to try to recover it. He therefore set out for the underworld and succeeded in making friends with the archfiend. As they stood together by a lake, St. Michael proposed to the devil that they engage in a diving contest. The latter consented, and thrusting the lance which held the sun into the ground, he dived in. This was St. Michael’s opportunity, and making the sign of the cross, he grabbed the lance and made off, hotly pursued by the Evil One. Being fleet of foot he outdistanced him, but his pursuer was so close to him at one time that he managed to scratch his foot. In honour of St. Michael and his valiant deed, men, from that time on, were destined to have indented soles.

The old Germans called the sun “Wuotan’s eye,” and there is a German legend that reveals the sun as the punisher of evil thinkers: It appears that a prisoner was once on his way to execution, an object of pity to all whom he passed, but one woman, who was engaged in hanging up her linen to dry in the sun, remarked that he well deserved his fate. Immediately her linen fell to the ground, nor was she able to hang it up in this drying-place thereafter. It is further related that, at her death, she was taken up to the sun to remain there as long as the world endures, as a punishment for her lack of pity.

The peasants in various parts of Germany call the Milky Way the “Mealway” or the “Millway,” and say that it turns with the sun, for it first becomes visible at the point where the sun has set. It leads, therefore, to the heavenly mill, and its colour is that of the meal with which it is strewed. This brings us to the Norse story of “The Wonderful Mill,” 1 I an exceedingly interesting bit of folk-lore of solar significance. “The peasants of Norway to this day tell of the wondrous mill that ground whatever was demanded of it. The tradition is of great antiquity. The earliest version known is as follows: Of all beliefs, that in which man has at all times of his history been most prone to set faith, is that of a golden age of peace and plenty which has passed away, but which might be expected to return. Such a period of peace and plenty, such a golden time, the Norsemen could tell of in his mythic Frodi’s reign, when gold, or Frodi’s meal, as it was called, was so plentiful that golden armlets lay untouched from year’s end to year’s end on the King’s highway, and the fields bore crops unsown. In Frodi’s house were two maidens of that old giant race, Frenja and Menja. These daughters of the giant he had bought as slaves, and he made them grind his quern or hand-mill Grotti, out of which he used to grind peace and gold. Even in that golden age one sees there were slaves, and Frodi, however bountiful to his thanes and people, was a hard taskmaster to his giant handmaidens. He kept them to the mill, nor gave them longer rest than the cuckoo’s note lasted, or they could sing a song. But that quern was such that it ground everything that the grinder chose, though until then it had ground nothing but gold and peace. So the maidens ground and ground, and one sang their piteous tale in a strain worthy of Æschylus, as the other rested. They prayed for rest and pity, but Frodi was deaf. Then they turned in giant mood, and ground no longer peace and plenty, but fire and war. Then the quern went fast and furious, and that very night came Mysing the sea-rover and slew Frodi and all his men, and carried off the quern, and so Frodi’s peace ended. The maidens, the sea-rover took with him, and when he got on the high seas he bade them grind salt, so they ground, and at midnight they asked if he had not salt enough, but he bade them grind on. So they ground till the ship was full and sank. Mysing, maids, mill, and all, and that’s why the sea is salt.”

This wonder-working mill once stood in heaven, it is said, for Frodi its owner was no other than the Sun-God Freyr. The flat circular stone of Frodi’s quern is the disk of the sun, and its handle is the pramantha with which Indra or the Aswins used to kindle the extinguished luminary.

To explain the circular motion of the sun, the Incas of Peru believed that it was hung in space by a cord, and that each evening it entered the sea, and being a good swimmer it pierced through the waves, and reappeared next morning in the east.

The Incas claimed that the Sun was their own elder brother, and ruled over the cohorts of heaven by divine right. Their legends relate that the Sun took pity on the children of men, who, in primitive times, lived in a state of savagery, and he therefore sent his son and daughter to enlighten them, and teach them to live properly. They are said to have risen from the depths of Lake Titicaca, that marvellous sheet of water twelve thousand feet above the sea. They taught the Peruvians the essentials of culture and education.

According to another tradition, the Peruvians traced their origin from the first Inca, the Sun and his wife, who came from the island of the sun in Lake Titicaca, and founded the city of Cuzco, the sacred city of the sun. This island in the lake is therefore sacred to the Peruvians, and many ruins of the Incas are to be found there.

The Peruvians paid particular attention to the daily meridian passage of the sun, and observed that when it was in the zenith, it cast no shadow.

The early natives of Brazil believed that the sun was a ball of light feathers, which some mysterious being exhibits during the day, and covers at night with a pot.

The folk-lore of the North American Indian tribes is rich in legends respecting the sun. The Indians believed that the sun was an animated being endowed with human attributes. The following tales are related by the Thompson River Indians:

There was once a most mischievous and incorrigible youth who one morning strolled away from his home. On his return, he found that his parents had deserted him, but his old grandmother, who was unable to travel, was left behind. She taught the boy how to make a bow and arrows, and with these he was able to provide a daily supply of food. She also made blankets for him out of the skins of many coloured birds. These were of such beauty that they attracted the attention of the Sun. It had always been the custom of the Sun to travel about naked during the day, and clothe himself only in the dark hours. 1 But when the Sun saw these beautiful blankets, he purchased them from the boy, and wrapped them about his body, and soon disappeared, so that at set of sun you may see the gorgeous colouring of these robes in the western sky, especially the blue tint of the blue-jay blanket.

Another tale relates that originally the Sun lived much nearer the earth than now, 2 and preyed upon mankind. It was his custom to kill people every day on his travels, and carry them off to his home at night-fall to eat. His son lived quietly at home clad in fine garments of many colours. There was once an Indian who in gambling was most unlucky. One day, while much depressed, he set out on a journey in search of adventure, and finally came to the Sun’s abode in the absence of the owner. The son received him kindly, but fearing that his guest would be discovered by his cannibal father, he hid him under a heap of robes. The Sun arrived in the evening carrying a man on his back, and as he came near the house, he said: “Mum, Mum, Mum. 1 There must be a man here,” but his son persuaded him that he was mistaken. The next day the Indian was glad to leave this dangerous locality, and returned to his home laden with gifts from his benefactor. Out of gratitude he returned later to the Sun’s house and made his friend the present of a wife and one for his father. This pleased the Sun so much that he gave up the killing and eating of human beings. In the foregoing legend we find expressed the idea, current in the traditions of many primitive people, that celestial beings feed on human bodies.

The following tale is told of the Sun and his daughter: 1

Originally the Sun was an eminent chief, possessed of great power and wealth. He was also blessed with a beautiful daughter, and the fame of her beauty spread afar. A powerful magician, entranced with the maiden, sought her hand, and though at first repulsed, finally won the Sun’s favour and married his daughter. The Sun implored his daughter to visit him frequently. This, however, she neglected to do, and, finally, when she did go to her father with her two children, he transformed her into the present Sun. This is why the Sun travels each day from east to west in search of her father. Her children are occasionally seen as sun-dogs closely following their mother.

The Indians of Northern California relate the following story:

Once the sun fell by accident down from the sky just about sunrise, but the quick little mole was watching, and caught it before it touched the earth, and succeeded in holding it up until others arrived, when, by exerting all their strength, they succeeded in replacing it where it belonged in the sky, but ever thereafter the mole’s hands were bent far back to show how he had worked to hold up the sun.

As evidence of the Indian belief in the Sun’s solicitude in their affairs, and his protecting and saving influences, the Cheyenne tale of “The Eagle Hunter” is told:

There was an Indian who once set out to catch an eagle. Digging a hole in the ground he crept in, covered it over with brush, and cleverly baited it with a skinned buffalo calf. Presently an eagle espied the prey, flew down, and began to eat of it, when the Indian laid hold of its feet, and held it captive; but he had underestimated the power of the bird, which had strength enough to carry the man up to a mountain crag, where it was impossible for him to descend. The Indian realising his desperate plight, prayed to the Sun for deliverance, and the Sun, taking pity on him, sent a great whirlwind which swept the hunter from his lofty perch, and safely deposited him on the ground.

In a Maidu legend it is related that the Sun dwells in an impregnable house of ice into which she retreats after killing people on the earth. Once she abducted the Frog’s children, and was closely pursued by their angry mother, who finally overtook the Sun and swallowed her, but the Sun burst her open and transformed her into a Frog again.

There are many Indian tales wherein the sun figures as a target. The Shoshone Indians believed that, in the beginning, the sun did not shine till the Rabbit shot at him with his magical arrow (the fire drill).

In the following Mewan Indian legend, 1 the sunlight is extinguished by the arrow shot: “There was once a poor worthless Indian boy who got his living by begging. At length, finding people loath to assist him, he threatened to shoot out the sun, and as this had no effect, he made good his threat, and shot the sun, thus letting its light out, and the whole world became dark. It was dark for years, and every one was starving for want of light, when the Coyote-Man discovered a dim light a long distance off, and sent the Humming-bird to investigate. The bird, finding its way to the sun, pecked off a piece, and returned with it under its chin, and making repeated trips finally succeeded in restoring the full light of the sun, and to this day you can see the marks of its burden beneath the chin of the Humming-bird.” This association of the Humming-bird with the sun is found in the traditions of the Aztecs. In their temples was enthroned a deity known as “the Humming-bird to the left,” and this bird was considered by them to be a divine being, the emissary of the sun. In the Aztec language it is often called “Sunbeam,” or “Sun’s hair.”

Among the Indians there seems to have been an almost universal tradition that originally men lived in a world of darkness, or semi-darkness, before the sun was placed in the heavens. A Mewan legend relates that, in the early days, the land was shrouded in fog, and was cold and dark. It was such a poor place to live in that Coyote-Man was not satisfied with the conditions, and set out on a journey to seek some way to better it. He finally came to a pleasant land of sunshine, and, charmed with it, returned to tell his people of the delightful land he had visited. They suggested that he offer to buy the sun, so he returned to the land of light and made this proposition, but it was rejected, so Coyote-Man resolved to steal the sun as his people were in sore need of it.

This was a difficult matter as the sun was carefully watched by the Turtle, who slept with one eye always open. Coyote-Man, resorting to magic, took the form of a big oak log, and the Turtle, when out seeking for wood, took him and threw him on the fire. But the fire did not even singe him, and seeing the Turtle asleep, he resumed his form, seized the sun and ran off with it to his own land. The people, however, did not understand it, and bade Coyote-Man make it go, and, as he was sorry for the people he had deprived of the sun, he arranged a plan so that the sun could light up both lands. He carried the sun west to the place where the sky joins the earth, and found the place for the sun to crawl through, and where it could go down under the earth, and come up in the eastern sky in the morning through the hole in the east. The sun did his bidding, and thus both lands thereafter rejoiced in the blessedness of sunshine.

The Natchez of Mississippi, the Apalachees of Florida, the Mexicans and Peruvians, all believed that the sun is the bright dwelling-place of their departed chiefs and warriors.

A primitive Mexican prayer offered in time of war embodies this idea: “Be pleased, O our Lord, that the nobles who shall die in the war be peacefully and joyously received by the sun and the earth, who are the loving father and mother of all.”

It is said that General Harrison once called the Shawnee chief, Tecumseh, for a conference: “Come here, Tecumseh, and sit by your father,” he said. “You my father?” replied the chief with a stern air, “No, yonder sun [pointing toward it] is my father, and the earth is my mother, so I will rest on her bosom,” and he sat upon the ground.

The Kootenay Indians speak of the sun as a blind man who is cured by his father-in-law, Coyote-Man. Here we have another reference to the Coyote’s service to mankind in bringing sunshine to his people.

Among the New Zealanders the sun is regarded as a great beast whom the hunters thrashed with clubs. His blood is supposed to be used in some of their incantations, and according to an Egyptian tradition, the sun’s blood was kneaded into clay at the making of man.

We have seen how the sun was metaphorically regarded in India and other lands not merely as a human creature, but as the eye of a supreme and all-seeing deity. In like manner the inhabitants of Java, Sumatra, and Madagascar called the sun “the eye of day.” This metaphor has been used extensively even in modern poetry.

When the astronomers Galileo, Scheiner, and Fabricius discovered the spots on the sun, the Aristotelians indignantly insisted that they were mistaken, and that the phenomenon was due to defects in the optical properties of their telescopes or eyes. They argued that it was quite incompatible with the dignity of the Eye of the Universe that it should be afflicted with such a common ailment as ophthalmia.

Tylor 1 tells us that the Rev. Tobias Snowden, in a book published in the last century, proved the sun to be Hell, and the dark spots, gatherings of damned souls.

In Greece there was a general protest when the astronomers denied not only the divinity, but the very personality of the sun, and declared it to be nothing but a huge fiery globe. These statements were regarded as blasphemous, and, in fact, Anaxagoras was punished with death for having taught that the sun was not animated, and that it was nothing but a mass of iron, about the size of the Peloponnesus.

Such a state of affairs strikes us in this enlightened age as decidedly extraordinary, and yet in the history of the early settlers of this country we have in the trials for witchcraft an equally absurd and foolish state of affairs.

Every age, therefore, to be judged fairly on its merits, must be viewed in the light of its state of progress, and, grotesque as many of the foregoing legends related of the sun may seem, it behooves us to withhold our mirth, and endeavour to realise how much these traditions were a serious part of the lives of the people of unenlightened ages.

Footnotes
123:1 The Golden Bough, J. G. Frazer.
123:2 Ibid.
126:1 From Dasent’s Popular Tales from the Norse.
129:1 This may have been the Indian way of accounting for the invisibility of the sun at night.
129:2 It is strange that the nebular hypothesis conforms with this idea, that the sun and earth were close together at one time.
130:1 We are almost tempted to add, “I smell the blood of an Englishman,” for here we have a tale identical in many particulars with the popular fairy tale of “Jack the Giant Killer,” which some authorities claim is of solar origin.
131:1 This myth is typical of many that may well be styled Evaporation and Rainfall myths that are thus interpreted. The water is enamoured of the cloud, the beautiful daughter of the Sun. The Sun does not favour the suitor, and strives to kill him by subjecting him to a number of tests. The Water achieves success in all of these, and then receives the Sun’s permission to marry his daughter.
133:1 The Dawn of the World, C. Hart Merriam.
136:1 Primitive Culture, Edward B. Tylor.
~~~~~~
Bad Liquor Pond:

~~~~~
Spring Night in Lo-yang Hearing a Flute

In what house, the jade flute that sends these dark notes drifting,
scattering on the spring wind that fills Lo-yang?
Tonight if we should hear the willow-breaking song,
who could help but long for the gardens of home?
Li Po (Li Bai)

il_fullxfull.346243534

In The Houses Of Mystery

The universe
is a kaleidoscope:
now hopelessness, now hope
now spring, now fall.
Forget its ups and downs:
do not vex yourself:
The remedy for pain
is the pain
.”
– Sarmad

"The High, The Holy" - Gwyllm 2014
“The High, The Holy” – Gwyllm 2014

The High, The Holy“, a new piece. With tints of Syrian Rue Red(It’s in the carpets folks, for a reason!), and the Moon to propel it, “The High, The Holy” is a visual song/homage to my background and studies over the years. I hope you enjoy it.
~~

Dear Friends,

It has been a week of contrast; a week of sorrow, a week of joy, a week of discovery, a week of release. One of the better ones on so many levels.
After Sophie passed Thursday night last and all of the tumblings of grief, and receiving her ashes on Tuesday morning, we began the process of letting her go. Not the easiest thing to do, but what else can one do? Seeing a life reduced to a tin of ashes, to the basic carbon.

Come Wednesday morning we had Rak Razam from Australia arrive who is/was touring his film & book Aya:Awakenings. Finally meeting Rak after all these years of talking on line we finally got to spend some time together. It was good having this time with him, we have collaborated on projects over the years and finally getting to sit down and talk about all and sundry was refreshing. Only so much communication can be achieved on line, it is so much richer in person. His presentation on Thursday night at the Clinton Theatre went very well, and the audience received it enthusiastically. Rak included me on the panel for the discussion afterwards, where I sat with our friend Gayle Highpine (what a mind!) who helps run The Ayahusaca Forums on Ayahuasca.com, & Charles Shaw, who you might know through his works ExileNation and elsewhere say in Reality Sandwich.( Charles is a Nice Guy!) It was a lovely discussion with some nice synergy. The night ended with Rak and I standing in our kitchen talking metaphysics and entheogens into the early morning. The next day we dropped him off on his way up to Vancouver B.C. for his last stop on this tour. It was a lovely time.

Rak, Charles & Gwyllm
Rak, Charles, & Yers Truly

So I return to the essentials, work, which is always a blessing in what forms it comes in and with a capital A, Art, which finds me working on some new pieces (see above!)

Life is good, no matter what is being served up it seems. I wish you beauty in all that you do, and experience.

This week’s entry is BIG. I have had a lot going on in my head, especially about the ancient interchange of culture between the Persian/Middle East & The Celtic World. Hopefully the blend works well for you.

Bright Blessings,
G
~~
On The Menu:
Omar Faruk Tekbilek – Sufi
Sarmad: Poetry
The Piper & The Puca
A Flight Through the Universe
The Smart Rabbit
Poetry: A.E.
Great Masters of the Oud – A tribute to Nasser Shamma (نصير شمة)
~~~~~~
Omar Faruk Tekbilek – Sufi

~~~~~~
Sarmad: Poetry

North-Iwan-of-the-Nasir-al-Molk-Mosque.-Shiraz-Iran
North-Iwan-of-the-Nasir-al-Molk-Mosque.-Shiraz-Iran

My heart searched for your fragrance
in the breeze moving at dawn,
my eyes searched for the flower of your face
in the garden of creation.
Neither could lead me to your abode —
contemplation alone showed me the way.
~~

Once I was bathed in the Light of Truth within,
I abandoned all planning and scheming.
If you, too, seek this transcendence,
leave your lower self — then from head to foot
you will see your whole being as God’s refulgence.
~~

The ocean of his generosity has no shore.
The tongue is powerless to thank,
the heart too bewildered to understand.
Though my sins are many
his compassion is greater still–
I swim in the sea of disobedience
but I do not drown.
~~

To the dignified station of love I was raised,
And from the favours of the people I was freed.
Like a candle I was melted in this assembly,
By being burnt, in the divine mysteries I was initiated.
~~

Along the road, you were my companion
Seeking the path, you were my guide

No matter to whom I spoke, it was you who answered
When Sun called Moon to Sky, it was you who shined

In the Night of aloneness, you
were my comforter

When I laughed, you were the smile on my lips
When I cried, you were the tears on my face

When I wrote, you were the verse
When I sang, you were the song

Rarely did my heart desire another lover
Then when it did, you came to me in the other.
~~
Every man who knows his secret
becomes a secret,
hidden from the skies.

The sage says Ahmad rose to the heavens;
Sarmad says the heavens
rose in him!
~~~~~~
The Piper & The Puca

Douglas Hyde HYDE (Translated literally from the Irish of the Leabhar Sgeulaigheachta)

piper
In the old times, there was a half fool living in Dunmore, in the county Galway, and although he was excessively fond of music, he was unable to learn more than one tune, and that was the “Black Rogue.” He used to get a good deal of money from the gentlemen, for they used to get sport out of him. One night the piper was coming home from a house where there had been a dance, and he half drunk. When he came to a little bridge that was up by his mother’s house, he squeezed the pipes on, and began playing the “Black Rogue” (an rógaire dubh). The Púca came behind him, and flung him up on his own back. There were long horns on the Púca, and the piper got a good grip of them, and then he said–

“Destruction on you, you nasty beast, let me home. I have a ten-penny piece in my pocket for my mother, and she wants snuff.”

“Never mind your mother,” said the Púca, “but keep your hold. If you fall, you will break your neck and your pipes.” Then the Púca said to him, “Play up for me the ‘Shan Van Vocht’ (an t-seann-bhean bhocht).”

“I don’t know it,” said the piper.

“Never mind whether you do or you don’t,” said the Púca. “Play up, and I’ll make you know.”

The piper put wind in his bag, and he played such music as made himself wonder.

“Upon my word, you’re a fine music-master,” says the piper then; “but tell me where you’re for bringing me.”

“There’s a great feast in the house of the Banshee, on the top of Croagh Patric tonight,” says the Púca, “and I’m for bringing you there to play music, and, take my word, you’ll get the price of your trouble.”

“By my word, you’ll save me a journey, then,” says the piper, “for Father William put a journey to Croagh Patric on me, because I stole the white gander from him last Martinmas.”

The Púca rushed him across hills and bogs and rough places, till he brought him to the top of Croagh Patric. Then the Púca struck three blows with his foot, and a great door opened, and they passed in together, into a fine room.

The piper saw a golden table in the middle of the room, and hundreds of old women (cailleacha) sitting round about it. The old woman rose up, and said, “A hundred thousand welcomes to you, you Púca of November (na Samhna). Who is this you have brought with you?”

“The best piper in Ireland,” says the Púca.

One of the old women struck a blow on the ground, and a door opened in the side of the wall, and what should the piper see coming out but the white gander which he had stolen from Father William.

“By my conscience, then,” says the piper, “myself and my mother ate every taste of that gander, only one wing, and I gave that to Moy-rua (Red Mary), and it’s she told the priest I stole his gander.”

The gander cleaned the table, and carried it away, and the Púca said, “Play up music for these ladies.”

The piper played up, and the old women began dancing, and they were dancing till they were tired. Then the Púca said to pay the piper, and every old woman drew out a gold piece, and gave it to him.

“By the tooth of Patric,” said he, “I’m as rich as the son of a lord.”

“Come with me,” says the Púca, “and I’ll bring you home.”

They went out then, and just as he was going to ride on the Púca, the gander came up to him, and gave him a new set of pipes. The Púca was not long until he brought him to Dunmore, and he threw the piper off at the little bridge, and then he told him to go home, and says to him, “You have two things now that you never had before–you have sense and music (ciall agus ceól).

The piper went home, and he knocked at his mother’s door, saying, “Let me in, I’m as rich as a lord, and I’m the best piper in Ireland.”

“You’re drunk,” said the mother.

“No, indeed,” says the piper, “I haven’t drunk a drop.”

The mother let him in, and he gave her the gold pieces, and, “Wait now,” says he, “till you hear the music, I’ll play.”

He buckled on the pipes, but instead of music, there came a sound as if all the geese and ganders in Ireland were screeching together. He awakened the neighbours and they all were mocking him, until he put on the old pipes, and then he played melodious music for them; and after that he told them all he had gone through that night.

The next morning, when his mother went to look at the gold pieces, there was nothing there but the leaves of a plant.

The piper went to the priest, and told him his story, but the priest would not believe a word from him, until he put the pipes on him, and then the screeching of the ganders and geese began.

“Leave my sight, you thief,” said the priest.

But nothing would do the piper till he would put the old pipes on him to show the priest that his story was true.

He buckled on the old pipes, and he played melodious music, and from that day till the day of his death, there was never a piper in the county Galway was as good as he was.
~~~~~~
and when you get too caught up in your life and its twistings and turnings, this appears. Timely.
A Flight Through the Universe, by the Sloan Digital Sky Survey

~~~~~~

Persian Tales: The Smart Rabbit

Sarmad
Far away from here there was once a lovely tree-covered valley, surrounded by high mountains. A mighty river ran through this valley, watering all the variety of trees and other plants that grew there. Many animals made this valley their home — rabbits, birds, squirrels, and deer. They all lived happily in the valley, because there were no wolves or lions there to eat them.

But one day, a wolf climbed down the mountains and entered the valley. No sooner had he arrived than he started to chase after the helpless animals, and ate them one by one. Only on rare occasions would one of the animals manage to run away unscathed, but all the animals were worried that next, it would be their turn.

In their worry, the animals turned to the old owl, and asked him to find a way to rid the valley of the wolf. The owl replied that there was no way to fight the wolf, whose fangs and paws were more powerful than any other animal in the valley, and so they must learn to live with the wolf, the old owl counseled.

The animals protested that they could live in constant fear of being eaten, and so they hatched a desperate plan: it was agreed everyday, one of the animals would be selected by the others, who would go to the wolf and be eaten. That way, the rest of the animals would rest peacefully, knowing that the wolf had eaten that day and would not be chasing them.

Naturally the wolf, who was tired of chasing the animals and relished the idea of his food coming to him by itself, agreed to this plan without hesitation.

And so the following day, the animals gathered together in the early morning and decided that the the little rabbit, who was the smallest and weakest resident of the valley, was to be fed to the wolf.

The rabbit was scared and first tried to run away, but soon realized that he had nowhere to go. He then considered fighting the wolf, but soon realized that the wolf was far too powerful for him. So he meekly trudged to the wolf’s lair, and once there, cried out “Oh wolf! Oh wolf! Come out of your lair, for I am to be your supper today.”

The wolf immediately came out of its lair, and sniffed the rabbit hungrily. “Why, what a delicious little morel you will make!” said the wolf, “I can’t believe my luck in finding this valley where the animals sacrifice themselves to me so willingly!”

“It is true, I was brought here by my own four little feet,” the rabbit sighed, “for I know that I cannot escape my fate, and such a mighty wolf as you, even though you’re not the scariest or most powerful wolf in the valley.”

At this, the vain wolf was dumbfounded. “Wha..? What do you mean, I’m not the scariest or most powerful wolf in this valley? I am the only wolf here, and there are no other wolves in this valley!” cried the wolf, indignantly.

“Oh, you don’t know about the other wolf,” said the rabbit. “No matter, you should go ahead and eat me now, for even if I escape your clutches, no animal could ever hope to escape the other, scarier and more powerful, wolf.” The rabbit then tried to climb into the wolf’s mouth.

The wolf bristled at the rabbit’s words, shook him out of his mouth and said, “Take me to this other wolf, and I will spare you for today, my delicious little morsel. Show me were this other wolf who thinks he’s better than me lives.”

The rabbit let out a little sigh and said, “Oh what difference does it make to me, for in the end I will be eaten by a wolf, whether it is you or the other wolf, with the bigger teeth and stronger legs. Follow me then.”

“Humph!” said the wolf, “We shall see who is bigger and stronger. Lead on!”

So the wolf followed the rabbit as they walked a ways, until they reached an old abandoned well.

“There,” pointed the rabbit, “There is the lair of the other wolf, who is stronger and meaner than you. All you have to do is look down into the well, an I am sure you will see him in there, resting from his last feast.”

At this, the wolf jumped up onto the well wall, and peered down into the darkness.

“I don’t see anything, it is too dark!” said the wolf.

“You have to look more closely, for I am sure he’s in there. Put your whole head down into the well, and you will see him looking back at you,” replied the rabbit.

So the wolf bent over, and stuck his head into the well. After a few moments, when his eyes had a chance to adjust to the darkness, the wolf saw his own reflection in the water at the bottom of the well, as if it was another wolf looking back at him.

“Aha! Now I see you, you coward!” the wolf yelled into the well. No sooner had he done this, than his own voice echoed back from the bottom of the well.

“Did you just call me a coward? How dare you! Come here, and we’ll see who is the nastier wolf!” yelled the wolf. But again, his own voice echoed back to him from the well.

The rabbit, who had witnessed the wolf arguing with himself in the well, told the wolf, “I don’t think he’s coming out here. Naturally, the bigger and scarier wolf will have to chase after the smaller, less-scary one.”

The wolf heard the rabbit and without hesitation, jumped into the well, chasing after his own reflect in the water. But since the wolf did not know how to swim, he never came out of the old well, and the valley was rid of the evil old wolf — thanks to a small, weak rabbit.
~~~~~~
Poetry: A.E.
george_william_russell_-_project_gutenberg_etext_19028
The Unknown God

Far up the dim twilight fluttered
Moth-wings of vapour and flame:
The lights danced over the mountains,
Star after star they came.

The lights grew thicker unheeded,
For silent and still were we;
Our hearts were drunk with a beauty
Our eyes could never see.
~~
Unity

One thing in all things have I seen:
One thought has haunted earth and air:
Clangour and silence both have been
Its palace chambers. Everywhere

I saw the mystic vision flow
And live in men and woods and streams,
Until I could no longer know
The dream of life from my own dreams.

Sometimes it rose like fire in me
Within the depths of my own mind,
And spreading to infinity,
It took the voices of the wind:

It scrawled the human mystery —
Dim heraldry — on light and air;
Wavering along the starry sea
I saw the flying vision there.

Each fire that in God’s temple lit
Burns fierce before the inner shrine,
Dimmed as my fire grew near to it
And darkened at the light of mine.

At last, at last, the meaning caught —
The spirit wears its diadem;
It shakes its wondrous plumes of thought
And trails the stars along with them.
~~
Divine Visitation

The heavens lay hold on us: the starry rays
Fondle with flickering fingers brow and eyes:
A new enchantment lights the ancient skies.
What is it looks between us gaze on gaze;
Does the wild spirit of the endless days
Chase through my heart some lure that ever flies?
Only I know the vast within me cries
Finding in thee the ending of all ways.
Ah, but they vanish; the immortal train
From thee, from me, depart, yet take from thee
Memorial grace: laden with adoration
Forth from this heart they flow that all in vain
Would stay the proud eternal powers that flee
After the chase in burning exultation.
~~~~~~~
Great Masters of the Oud – A tribute to Nasser Shamma (نصير شمة)

That Eternal Moment

But ask now the beasts,
and they shall teach thee;
and the fowls of the air,
and they shall tell thee:

Or speak to the earth,
and it shall teach thee:
and the fishes of the sea
shall declare unto thee.
Job 12:7-8

"Invocation" - Gwyllm 2014
“Invocation” – Gwyllm 2014

I really enjoyed working on Invocation. It is a real departure for me, a little more overt compared to some of my other pieces.  If interested, it is located here: “Invocation”
~~~~~~
Dear Friends,

The core of Turfing has always been poetry, and that is something that I celebrate. Poetry is in the heart of all things, one has but to listen to catch the cadence, the beauty, the air.
This last week has been a one of beauty, joy, and sorrow.
That is life. It takes all and enfolds all.

Live those moments fully. Breathe deeply of each moment, every moment tells a story, whispers a secret, reveals a truth.

Here is to the now, I lift up my glass to all of you who share in the mystery of being.

Blessings,
G
~~~~~~

On The Menu:
The Links
Sophie…
Dead Can Dance – ‘Return of the She-King’
Poetry: Wendell Berry
Origin of the Welsh
Dead Can Dance – ‘Agape’
Mr. Whitman Says
~~~~~~
The Links:
Ted Talks…
Other Universes
Mahabharata & Acoustic Levitation
Who Dreamed Up The Dreamtime?
~~
Sophie…
Our sweet pup passed suddenly this last Thursday. She will be sorely missed. I find myself getting up early to let her out, and expect her nudge against my leg whilst I am sitting at the computer.

A most amazing, loving being who treated everyone with love & respect. She was with us for 11 years.  Sometimes you think it will last forever.
20120705_183704
Dear Dog, you will be missed.
G
~~~~~~
Dead Can Dance – ‘Return of the She-King’

~~~~~~
Poetry: Wendell Berry
wendell_berry

The Peace of Wild Things

When despair grows in me
and I wake in the middle of the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting for their light. For a time
I rest in the grace of the world, and am free.
~
The Country Of Marriage

I.
I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.

II.
This comes after silence. Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing. And then there rose in me,
like the earth’s empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed. I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful. Where I stepped
my track was there to steady me. It was no abyss
that lay before me, but only the level ground.

III.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

IV.
How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.

V.
Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don’t know what its limits are–
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.

VI.
What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.

VII.
I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you. I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy–and this poem,
no more mine than any man’s who has loved a woman.
~
A Timbered Choir

Even while I dreamed I prayed that what I saw was only fear and no foretelling,
for I saw the last known landscape destroyed for the sake
of the objective, the soil bludgeoned, the rock blasted.
Those who had wanted to go home would never get there now.

I visited the offices where for the sake of the objective the planners planned
at blank desks set in rows. I visited the loud factories
where the machines were made that would drive ever forward
toward the objective. I saw the forest reduced to stumps and gullies; I saw
the poisoned river, the mountain cast into the valley;
I came to the city that nobody recognized because it looked like every other city.
I saw the passages worn by the unnumbered
footfalls of those whose eyes were fixed upon the objective.

Their passing had obliterated the graves and the monuments
of those who had died in pursuit of the objective
and who had long ago forever been forgotten, according
to the inevitable rule that those who have forgotten forget
that they have forgotten. Men, women, and children now pursued the objective
as if nobody ever had pursued it before.

The races and the sexes now intermingled perfectly in pursuit of the objective.
the once-enslaved, the once-oppressed were now free
to sell themselves to the highest bidder
and to enter the best paying prisons
in pursuit of the objective, which was the destruction of all enemies,
which was the destruction of all obstacles, which was the destruction of all objects,
which was to clear the way to victory, which was to clear the way to promotion, to salvation, to progress,
to the completed sale, to the signature
on the contract, which was to clear the way
to self-realization, to self-creation, from which nobody who ever wanted to go home
would ever get there now, for every remembered place
had been displaced; the signposts had been bent to the ground and covered over.

Every place had been displaced, every love
unloved, every vow unsworn, every word unmeant
to make way for the passage of the crowd
of the individuated, the autonomous, the self-actuated, the homeless
with their many eyes opened toward the objective
which they did not yet perceive in the far distance,
having never known where they were going,
having never known where they came from.
~
The Hidden Singer

The gods are less for their love of praise.
Above and below them all is a spirit that needs nothing
but its own wholeness, its health and ours.
It has made all things by dividing itself.
It will be whole again.
To its joy we come together —
the seer and the seen, the eater and the eaten,
the lover and the loved.
In our joining it knows itself. It is with us then,
not as the gods whose names crest in unearthly fire,
but as a little bird hidden in the leaves
who sings quietly and waits, and sings.
~~~~~~
Origin of the Welsh

Wales
Many years ago there lived several wild tribes round the King of Persia’s city, and the king’s men were always annoying and harassing them, exacting yearly a heavy tribute. Now these tribes, though very brave in warfare, could not hold their own before the Persian army when sent out against them, so that they paid their yearly tribute grudgingly, but took revenge, whenever they could, upon travellers to or from the city, robbing and killing them.

At last one of the tribesmen, a clever old chieftain, thought of a cunning plan whereby to defeat the Persians, and free themselves from the yearly tribute. And this was his scheme:

The wild wastes where these tribes lived were infested with large birds called “Rohs”, [Footnote: Pronounced softly.] which were very destructive to human beings—devouring men, women, and children greedily whenever they could catch them. Such a terror were they that the tribes had to protect their village with high walls, [Footnote: Can this have anything to do with the idea of walling-in the cuckoo?] and then they slept securely, for the Roh hunted by night. This old chieftain determined to watch the birds, and find out their nesting-places; so he had a series of towers built, in which the watchmen could sleep securely by night. These towers were advanced in whatever direction the birds were seen to congregate by night. The observers reported that the Roh could not fly, but ran very swiftly, being fleeter than any horse.

At length, by watching, their nesting-places were found in a sandy plain, and it was discovered that those monstrous birds stole sheep and cattle in great numbers.

The chieftain then gave orders for the watchmen to keep on guard until the young birds were hatched, when they were commanded to secure fifty, and bring them into the walled town. The order was carried out, and one night they secured fifty young birds just out of the egg, and brought them to the town.

The old chieftain then told off fifty skilful warriors, a man to each bird, to his son being allotted the largest bird. These warriors were ordered to feed the birds on flesh, and to train them for battle. The birds grew up as tame as horses. Saddles and bridles were made for them, and they were trained and exercised just like chargers.

When the next tribute day came round, the King of Persia sent his emissaries to collect the tax, but the chieftains of the tribes insulted and defied them, so that they returned to the king, who at once sent forward his army.

The chieftain then marshalled his men, and forty-six of the Rohs were drawn up in front of the army, the chief getting on the strongest bird. The remaining four were placed on the right flank, and ordered at a signal to advance and cut off the army, should they retreat.

The Rohs had small scales, like those of a fish, on their necks and bodies, the scales being hidden under a soft hair, except on the upper half of the neck. They had no feathers except on their wings. So they were invulnerable except as to the eyes—for in those days the Persians only had bows and arrows, and light javelins. When the Persian army advanced, the Rohs advanced at lightning speed, and made fearful havoc, the birds murdering and trampling the soldiers under foot, and beating them down with their powerful wings. In less than two hours half the Persian army was slain, and the rest had escaped. The tribes returned to their walled towns, delighted with their victory.

When the news of his defeat reached the King of Persia he was wroth beyond expression, and could not sleep for rage. So the next morning he called for his magician.

“What are you going to do with the birds?” asked the king.

“Well, I’ve been thinking the matter over,” replied the magician.

“Cannot you destroy all of them?”

“No, your majesty; I cannot destroy them, for I have not the power; but I can get rid of them in one way; for though I cannot put out life, I have the power of turning one life into some other living creature.”

“Well, what will you turn them into?” asked the king.

“I’ll consider to-night, your majesty,” replied the magician.

“Well, mind and be sure to do it.”

“Yes, I’ll be sure to do it, your majesty.”

* * * * *

The next day, at ten, the magician appeared before the king, who asked:

“Have you considered well?”

“Yes, your majesty.”

“Well, how are you going to act?”

“Your majesty, I’ve thought and thought during the night, and the best thing we can do is to turn all the birds into fairies.”

“What are fairies?” asked the king.

“I’ve planned it all out, and I hope your majesty will agree.”

“Oh! I’ll agree, as long as they never molest us more.”

“Well, your majesty, I’m going to turn them to fairies—small living creatures to live in caves in the bowels of the earth, and they shall only visit people living on the earth once a year. They shall be harmless, and hurt nothing; they shall be fairies, and do nothing but dance and sing, and I shall allow them to go about on earth for twenty-four hours once a year and play their antics, but they shall do no mischief.”

“How long are the birds to remain in that state?” asked the king.

“I’ll give them 2,000 years, your majesty; and at the end of that time they are to go back into birds, as they were before. And after the birds change from the fairy state back into birds, they shall never breed more, but die a natural death.”

So the tribes lost their birds, and the King of Persia made such fearful havoc amongst them that they decided to leave the country.

They travelled, supporting themselves by robbery; until they came to a place where they built a city, and called it Troy, where they were besieged for a long time.

At length the besiegers built a large caravan, with a large man’s head in front; the head was all gilded with gold. When the caravan was finished they put 150 of the best warriors inside, provided with food, and one of them had a trumpet. Then they pulled the caravan, which ran upon eight broad wheels, up to the gates of the city, and left it there, their army being drawn up in a valley near by. It was, agreed that when the caravan got inside the gates the bugler should blow three loud blasts to warn, the army, who would immediately advance into the city.

The men on the ramparts saw this curious caravan, and they began wondering what it was, and for two or three days they left it alone.

At last an old chieftain said, “It must be their food.”

On the third day they opened the gates, and attaching ropes, began to haul it into the city; then the warriors leaped out, and the horn blew, and the army hurried up, and the town was taken after great slaughter; but a number escaped with their wives and children, and fled on to the Crimea, whence they were driven by the Russians, so they marched away along the sea to Spain, and bearing up through France, they stopped. Some wanted to go across the sea, and some stayed in the heart of France: they were the Bretoons. [Footnote: Bretons.] The others came on over in boats, and landed in England, and they were the first people settled in Great Britain: they were the Welsh.
~~~~~~
Dead Can Dance – ‘Agape’

~~~~~~
Mr. Whitman Says
I want to close with this, from Mr. Whitman.

walt-whitman

“I think I could turn and live with the animals, they are so placid and self contained;
I stand and look at them long and long.
They do not sweat and whine about their condition;
They do not lie awake in the dark and weep for their sins;
They do not make me sick discussing their duty to God;
Not one is dissatisfied-not one is demented with the mania of owning things;
Not one kneels to another, nor his kind that lived thousands of years ago;
Not one is responsible or industrious over the whole earth.”
― Walt Whitman

In The Field Of The Seraphim

“When a society is afraid of its poets, it is afraid of itself. A society afraid of itself stands as another definition of hell.”
— Lenore Kandel

In The Field Of The Seraphim - Gwyllm 2014
In The Field Of The Seraphim – Gwyllm 2014

Before I stand accused of nostalgia, let me offer this up: This entry is a telling of a tale of exploration, and perhaps illumination, not unlike countless others across time and the universe, but it has a set and setting…

I am not one to relive/rehash my youth. I am quite happy in this day and age. As far as youth goes it was not the most comfortable of times, in my way I was awkward, and not quite in step with the society of the time.

Part of this tale is the discovery that one had been indoctrinated from early age consciously and unconsciously.  The shock of this realization can engender a certain amount of despair and darkness that one has to muck out. Spiritual and psychological awakenings are births, and as such are messy by nature. I think that everyone has these realizations along the way. For me it came early, as you shall read.

I hope you enjoy this story, and that you find it revealing if not of me, then of those times.

Bright Blessings,
Gwyllm

~~

On The Menu:
Psychedelic Quotes
In The Field Of The Seraphim
Lenore Kandel Poetry
Richard Brautigan Poetry
Jefferson Airplane
Country Joe & The Fish
~~~~~~
Psychedelic Quotes:

Ergot
Ergot

“I am 100 percent in favor of the intelligent use of drugs, and 1,000 percent against the thoughtless use of them, whether caffeine or LSD. And drugs are not central to my life.” – Timothy Leary

“Acid doesn’t give you truths; it builds machines that push the envelope of perception. Whatever revelations came to me then have dissolved like skywriting. All I really know is that those few years saddled me with a faith in the redemptive potential of the imagination which, however flat, stale and unprofitable the world seems to me now, I cannot for the life of me shake.”
-Erik Davis

“Objects and their functions no longer had any significance. All I perceived was perception itself, the hell of forms and figures devoid of human emotion and detached from the reality of my unreal environment. I was an instrument in a virtual world that constantly renewed its own meaningless image in a living world that was itself perceived outside of nature. And since the appearance of things was no longer definitive but limitless, this paradisiacal awareness freed me from the reality external to myself. The fire and the rose, as it were, became one.”
― Federico Fellini

“It’s a very salutary thing to realize that the rather dull universe in which most of us spend most of our time is not the only universe there is. I think it’s healthy that people should have this experience.”
― Aldous Huxley, Moksha: Writings on Psychedelics & the Visionary Experience

“Part of what psychedelics do is they decondition you from cultural values. This is what makes it such a political hot potato. Since all culture is a kind of con game, the most dangerous candy you can hand out is one which causes people to start questioning the rules of the game.”
― Terence McKenna

“I wish creatine (and whey) could solve all world problems… and lift humanity into the next level of consciousness. Apparently, psychedelics are more likely to do so…”
― Deepak ‘The Fitness Doc’ Hiwale
~~~~~~

In The Field Of The Seraphim

Gwyllm - 1966
Gwyllm – 1966

 Intro: In the early summer of 1966 I left home at the age of 14 and headed to downtown Denver for most of that summer.  I worked at what was one of the few remaining Beat Coffee shops, “The Green Spider”, which was located at 17th and Pearl Streets,  2 or 3 doors down from “The Folklore Center” which was an instrument and music store that I spent an inordinate amount of time hanging out in.  I discovered The Blues, not the derivative stuff coming out of Britain, but The Blues there, and layers upon layers of Folk Music and the emerging Psychedelic Music from The West Coast and elsewhere.  Pretty heady stuff for a young guy, but I leapt into it with the assistance of Harry who owned The Folklore Center, and his chief sales assistant, Michael O’Sullivan.  Michael turned me on to the first EP of Country Joe & The Fish, and the early Big Brother album amongst others.  Michael had been in the Air Force but had bailed I think with an insanity plea, he had the longest hair I had ever seen, an he talked to me all the time about his times in San Francisco in the Haight Ashbury community.  He was like someone who had had a vision, and he wanted to spread the good news.  He talked about a band that he’d seen, and that it was the most amazing band ever.  He talked about the vocalist, and the sound.  “It’s like no other band” he said, “The Jefferson Airplane, they are fantastic!”  By the time early August came, I was considering heading to San Francisco to see what it was all about.  I walked over to the Folklore Center one afternoon, and Michael met me at the door. “I’ve got something for you to listen too!” he exclaimed. And it was The Airplanes’ first album:

I was entranced. I mentioned it to my friend James, about this burning desire to go to the Bay Area to see The Jefferson Airplane.  Now James was about 3 years older than yours truly, which seemed almost ancient.  He had tales of riding freights to Chicago to see Blues Bands, and tales of riding across to California.  He smoked rolled up cigarettes, usually garnering the tobacco from butts and the like.  He was the epitome of boho cool to me.  He knew the poets, and he was obviously more experienced than I! ….. 

Prt 1. Travelling The Rails

James & I made our plans, including a raid on an Air Raid Shelter in the basement of the apartment house across from The Green Spider for saltless crackers, candy etc. It was all very exciting, and in a week or so we caught a ride from friends up to to Cheyenne, right in the middle of “Frontier Days”. If there was ever a backward facing place in 1966, Wyoming was it. The one hip location in town was a Coffee Shop, with military recruitment posters as decor. Mind Boggling.

Having to kill time, we snuck into the Frontier Days Event for a while, and caught “Sam the Sham and the Pharaohs” (not bad, they gave us a knowing nod whilst they played), having missed those psychedelic crusaders, “The Doppler Effect” who were traveling through with a light show (first on the block kids!), and their assorted circle of freaks… We dodged drunk cowboys looking for fights half the night until we made our escape out to the rail yard around midnight… 

FreightWe eventually caught the Highball to Ogden/Salt Lake, in a refrigerated car without the refrigeration on of course… we climbed down into the refrigeration unit from the top. It was a long trip, and though we had crackers and candy, we realized we had no water. Thirst started to build up… and the noise, dust and dirt was a straight assault on the senses. We rode for awhile on top of the car, stars wheeling as we laughed into the darkness.

It seemed an eternity, but we finally arrived into the Ogden/Salt Lake Rail Yards half way towards the next evening. we spent the next couple of hours dodging Rail Dicks armed with axe-handles looking for bums and freeloaders… (which we qualified for in spades at this point) We finally connected onto another train just as it was leaving for California, with pursuit close behind. We landed on a moving piggy-back car, that as it gained speed, gave no relief from the wind. By the time it was dark we were hurtling over the great Salt Lake at what seemed 80 miles an hour.

roof

We were starting to chill down, having sweated with the heat, and no water, with the wind buffeting us, our temperatures started to dip. I was miserable. James decided to open up the Truck Trailer so we could get some relief from the cold and wind… He was at the end of the car struggling with the trailer door when the wind caught him, and the door swung James off the car holding on for dear life to the door handle over the Salt Lake. I grabbed the door and pushed and pulled him back in. He had let out a mighty scream at first, but held on for dear life.

We crawled up into the car when we finally got it all under control.. Ah heaven! and then, we began to sneeze.. we both started to have the most amazing allergy attack.

The trailer had been used to haul fruit, and it was full of pollen, and mold. We finally crawled back out of the trailer and spent a very cold night huddled at the front of the car, buffeted by the wind.

Next morning we pulled into the railhead in Nevada at Sparks. Plenty of rail dicks, but we just huddled down, too exhausted to move. The train eventually started up again, and we headed into the Sierra Nevada. We started to become very excited, knowing that we were on the edge of California! We knew we would dead-head at Roseville above Sacramento, and we figured it was about 6-7 hours away. We started babbling about water, and bathing and getting into the bay area. We sucked on the candy, as our mouths were cracking most painfully.

maprailThings were picking up. The higher we went the cooler it got. We were elated, and then up ahead, we saw a tunnel. Into it we went, and all of a sudden, we were choking on diesel fumes from the 4 engines ahead. I ended up wrapping my shirt around my face trying to filter out the smoke and carbon monoxide. There was nothing for it. Just hold on, keep your face down and try not to breath… for 8 miles!

Finally we burst out of the tunnel. We were covered in soot, my hair was caked with grease and stood straight back. James was rolling with laughter on the cars floor, until I pointed out he was just as filthy. We eventually came to the peak elevation, and then started winding down into the Sacramento Valley. Heaven. That fabulous light that defines California was cascading down.

We talked about the bands we would see, and the people we would meet up with. We finally got into Roseville, and as we slid off the piggy-back car, a jeep pulled up with rail-dicks. One was on the radio, and we heard him say, “we got two more” I just knew we were in for it. The one on the radio walked up, looked at us, and said, “come over here” He led us to the jeep, and pulled out a watermelon and gave it to us! He pointed out a potable water source, and told us how to get to the highway. He said, ” you look rough… take the bus next time!” We thanked them profusely, first for not arresting us, and for the kind gift. You never know when you might run into a Saint, I swear. I held my head under the water and it ran black. We drank and drank until we could drink no more. Water never, never tasted better. We had been 3 days without, across the great American desert. Luck must bless youth. I didn’t realize the danger we were in for quite awhile…. Speaking of danger, a day or so later a maintenance crew found a body in the tunnel be. Someone had slit his throat and threw him off a moving train.  It could of possibly been the same train James & I were on. You just never know.

So we made it to the highway, stuck out our thumbs and got a ride immediately by a trucker on his way to the Bay Area. He dropped us off 4 blocks from where we were going to stay in Berkeley.

Prt 2 In Berkeley:

Jabberwock-Coffee House
Jabberwock-Coffee House

So we rest up in Berkeley… I connect with friends/acquaintances I had met in Denver who had been passing through from New York City. (They had given us the address of the commune we were staying at) Franz and Stephanie. Nice couple, he, a hair dresser from the Village, and Stephanie was a designer. They had hitched through Denver a month before I ventured west. They stayed with me in one of the many places I crashed that summer. (in their case, the Speed House – kinda explanatory!) We had some great times and good conversations. 

Well we were in Berkeley, in a commune with very nice people. 4 blocks to the west of Telegraph or so. It has been a long time, I wouldn’t be able to find it now. Berkeley was buzzing in that summer. The Peace Movement, SDS, Telegraph of course, and Sproul Plaza. I wandered everywhere. Fog at night. Hungry, always hungry. How come a 14 year old is always so hungry? I couldn’t busk fast enough or panhandle fast enough for food. We ate the crackers, ate the candy, and every bowl of brown rice pushed in our faces at the commune. The main room in the house had a pool table. I really wasn’t very good at it, and felt a fool everytime I picked up a cue. It was fun though. Music was always playing. Bob Dylan – Sad Eyed Lady Of The Low Lands. I had listened to Dylan for a couple of years at that point, but I fell head over heels for Blond on Blond. Evenings drifting with cannabis smoke in the air, and Dylans’ voice floating through the rooms and the back yard. 

It was a good time.

I needed work, and things were tight. So, I found out that you could do day labor on farms in the valley. With one of the guys at the Commune, I went to Oakland at 4:00AM to catch a bus. The whole bus was full of Mexican migrant farm workers. We were the only 2 gringos’ aboard.

I swear, there is nothing harder than picking crops or clearing weeds from 6 in the morning to 6 at night on an empty stomach. I actually ended up in the hole owing the bus and the crew chief. The Mexicans were blazingly fast, and kind, very kind. Everytime one sped past me, he stuffed my basket with veg. I was humbled. They knew me from Adam, and yet they helped me as they could. I sit here typing, and I am smiling at the memories of them. 

Finally (cutting to the chase) after much discussion about LSD, one of the commune members mentioned that I could partake if I wanted. Being the weekend, the whole house was geared up for this. I had sat and watched 2 or so earlier sessions, demuring. I was curious though, very curious. The fact was I had said to my friends from NY (“Of course I have!”) when I first met them. Of course, I also said I was 16 which we all know was not the truth….

So, the story goes like this…

around 6:00 in the evening, I am offered the Host. Supposedly it is something called “Sandoz” said with much gravity and smiling. I accept it, swallow and out the door we go, wandering up to Telegraph, where we eventually wander into the Jabberwock Cafe. We sit back, have a espresso, and Country Joe and the Fish wander on to the stage and start playing. The music is wonderful, and as it goes on, “it” becomes wider and wider. The Farfisa Organ takes on a calling sound, that I soon find irresistible, and soon I find myself crawling under the organ to sit and soak it all in, to the bemusement of the band and my friends. At the end of the set, we head out. I hear the music reverberating throughout my being.

The night is slowly coming on, and we head down the streets to the commune, and it seems like eternity…

I notice that there is an inner dialogue going on, and it is like nothing I have ever experienced. I am looking at myself, and “someone” is commenting on my actions and thoughts. It seems to be painful, and it unfolds deeper and deeper. I see motivations, and the “accidents” and paths chosen that have led me to this place. I am soon being stripped bare in a light that is to some point alien, but not unfamilar. I can see that my life is not a good one. I have started to cover up my being with coatings of un-truth. And each coating is re-enforced by each action regardless. I am smothering. I am uncomfortable, and I have to walk, and get away and…

Oh, the ragman draws circles
Up and down the block.
I’d ask him what the matter was
But i know that he don’t talk.
And the ladies treat me kindly
And furnish me with tape,
But deep inside my heart
I know i can’t escape.
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.
Well, shakespeare, he’s in the alley
With his pointed shoes and his bells,
Speaking to some french girl,
Who says she knows me well.
And i would send a message
To find out if she’s talked,
But the post office has been stolen
And the mailbox is locked.
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.”

reverberates through my head. I wander out of my revelry, and find myself in the living room watching a pool game. I realize I know where every ball will go before it happens, because there are lines radiating out from each ball with the path it will take. They also leave the lines behind them, glowing and whispering…

Mona tried to tell me
To stay away from the train line.
She said that all the railroad men
Just drink up your blood like wine.
An’ i said, “oh, i didn’t know that,
But then again, there’s only one i’ve met
An’ he just smoked my eyelids
An’ punched my cigarette.”
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.
Grandpa died last week
And now he’s buried in the rocks,
But everybody still talks about
How badly they were shocked.
But me, i expected it to happen,
I knew he’d lost control
When he built a fire on main street
And shot it full of holes.
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again..”

I am totally enraptured by what is occuring. I am also afraid. I am of two minds. I am of many minds. I certainly am confused.
My friends from New York (Franz and Stephanie) sit down next to me on the couch. Gentle probing questions come. “How are you doing”? “What are you seeing”? “Do you have something you need to share”? So I pour my heart out, about seeing the Truth of my young self. I painfully confess my age. “Oh, we knew, we were waiting for you to tell us though” came the reply.

So we sit and talk about being truthful to your self, and learning to love the truth even when it hurts. On one hand this seems like a great idea, on the other hand, this is killing me. I feel the waves going back and forth inside.

Now the senator came down here
Showing ev’ryone his gun,
Handing out free tickets
To the wedding of his son.
An’ me, i nearly got busted
An’ wouldn’t it be my luck
To get caught without a ticket
And be discovered beneath a truck.
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.
Now the preacher looked so baffled
When i asked him why he dressed
With twenty pounds of headlines
Stapled to his chest.
But he cursed me when i proved it to him,
Then i whispered, “not even you can hide.
You see, you’re just like me,
I hope you’re satisfied.”
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.”

The night wears on. I am standing in a hallway, staring at a light bulb above me. I walk then outside into the garden. It is heavy with presence and beauty. I sit beneath a eucalyptus tree. I feel odd. I feel cleansed. I feel like myself. I go deeper and deeper. People wander out to check on me. I realize that they care. This seems to be first in my life.

The night breathes in and out of me. I examine the story of my life further. I see that there is a path, and I have to find it. My mind boggles at the whole idea. Confusion is like a river and it carries us all along. I see the world as a river. I see time stretching out behind and before me. I am skewered in the now.

Now the rainman gave me two cures,
Then he said, “jump right in.”
The one was texas medicine,
The other was just railroad gin.
An’ like a fool i mixed them
An’ it strangled up my mind,
An’ now people just get uglier
An’ i have no sense of time.
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.
When ruthie says come see her
In her honky-tonk lagoon,
Where i can watch her waltz for free
‘neath her panamanian moon.
An’ i say, “aw come on now,
You must know about my debutante.”
An’ she says, “your debutante just knows what you need
But i know what you want.”
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.”

The hours keep rolling past. People sit, and talk. For the first time, I feel no separation between them and myself. I find a place like peace. Everything looks like a giant fish eye lense photo. Everything is like a giant calliope! It is a celebration! Everyone knows the great secret! The world swirls ever so fast.
I hear an echoing laugh going on and on and on. I realize it is coming out of me.

Faces look like plastic. I find myself staring in a mirror. I loathe what I see, I see something else, what am I doing in the Bathroom? I find myself in the hall staring at light bulb again. My head truly hurts with all that is inside. Will this ever end?
I have to get outside, I have to walk!

“Now the bricks lay on grand street
Where the neon madmen climb.
They all fall there so perfectly,
It all seems so well timed.
An’ here i sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twice.
Oh, mama, can this really be the end,
To be stuck inside of mobile
With the memphis blues again.”

Berkeley Sunrise
Berkeley Sunrise

The sun is rising, and we are walking in the morning mist, up into the hills. I watch the sun come up. Everything is suffused with beauty. I hear the world waking up. I think I must be a madman. This passes. I feel happy. I want to do this again. No, it was much to painful. We walk down the hill back to the commune and I finally fall asleep out in the yard in the chair.

My life would never be the same again.

Things that I did not do on that visit to California:
I did not make it to San Francisco.
I did not see the Jefferson Airplane.
I missed the Beatles last show
I missed the last Acid Test

Somewhere along the line James disappeared.  Perhaps to Big Sur, or down to L.A.  One minute he was there, and the next, gone.

I realize in writing all this out, that my date for my first LSD experience was in August. August 30th to be exact. I went and researched play dates of Country Joe and the Fish. They played the Jabberwock at the end of August. I also realize that as I wandered down Telegraph that I was there when the Beatles Revolver Album came out. (August 15th to be exact for the US release) Yellow Submarine made much more sense on August 31st. The window display at a record store changed when I was there from the Byrds’ Fifth Dimension to The Revolver Album. I have a mind for trivia.

I still get Bob Dylan fixations all these years later. I still like watching pool balls. I know longer know where they are going though. And that is alright.

On this trip, I did not see colours, or visions. What I saw was my young life, and how it was unfolding. LSD saved my life, or at least my spirit. I am sure that it is not that different than many others experienced that month in Berkeley. I got to meet my shadow, and a new possible self. LSD is a powerful tool. Use it wisely.

If LSD can begin to turn someones life around in one go, then it must be a blessing. I have spent much time pondering that night and morning. It is the dividing line in my life, then and now. Still in the now. The watershed so to speak.

I want to thank the gentle souls who guided me that night, and protected me as my soul came forth. Many thanks to Franz for his probing questions and gentle guidance, and Stephanies’ caring and constant cups of tea. I never saw them again after I left Berkeley. I don’t know where they are, but my gratitude goes out to them still all these years on.
~~
Looking Back: I realize years later that this first experience exposed me to what I would call the observer self for the first time.  Before I studied the works of Gurdjieff, or read the works of Jung, I came face to face with the observer, and my life was never the same.  One of the difficulties afterwards, and for years after was finding the language for these experiences. As I grow older, the language has emerged, and resolution along with deeper understanding.

Bright Blessings,
Gwyllm 
~~~~~~~~~~~~~~~~~
Lenore Kandel Poetry

The Love Book
The Love Book

Invocation for Maitreya

to invoke the divinity in man with the mutual gift of love
with love as animate and bright as death
the alchemical transfiguration of two separate entities
into one efflorescent deity made manifest in radiant human flesh
our bodies whirling through the cosmos, the kiss of heartbeats
the subtle cognizance of hand for hand, and tongue for tongue
the warm moist fabric of the body opening into star-shot rose flowers
the dewy cock effulgent as it bursts the star
sweet cunt-mouth of world serpent Ouroboros girding the universe
as it takes in its own eternal cock, and cock and cunt united
join the circle
moving through realms of flesh made fantasy and fantasy made flesh
love as a force that melts the skin so that our bodies join
one cell at a time
until there is nothing left but the radiant universe
the meteors of light flaming through wordless skies
until there is nothing left but the smell of love
but the taste of love, but the fact of love
until love lies dreaming in the crotch of god …
~~
Enlightenment Poem

we have all been brothers, hermaphroditic as oysters

bestowing our pearls carelessly

no one yet had invented ownership

nor guilt nor time
we watched the seasons pass, we were as crystalline as snow

and melted gently into newer forms

as stars spun round our heads

we had not yet learned betrayal
our selves were pearls

irritants transmuted into luster

and offered carelessly

our pearls became more precious and our sexes static

mutability grew a shell, we devised different languages

new words for new concepts, we intvented alarm clocks

fences loyalty

still… even now… making a feint at communion

infinite perceptions

I remember

we have all been brothers

and offer carelessly
~~

To Whom It Does Concern

Do you believe me when I say / you’re beautiful
I stand here and look at you out of the vision of my eyes
and into the vision of your eyes and I see you and you’re an
animal
and I see you and you’re divine and I see you and you’re a
divine animal
and you’re beautiful
the divine is not separate from the beast; it is the total crea-
ture that
transcends itself
the messiah that has been invoked is already here
you are that messiah waiting to be born again into awareness
you are beautiful; we are all beautiful
you are divine; we are all divine
divinity becomes apparent on its own recognition
accept the being that you are and illuminate yourself”
~~
Poem for Tyrants

sentient beings are numberless-
I vow to enlighten them all

-The First Vow of Buddhism

it seems I must love even you
easier loving the pretty things
the children the morning glories
easier (as compassion grows)
to love the stranger

easy even to realize (with compassion)
the pain and terror implicit in those
who treat the world around them
with such brutality such hate

but oh I am no christ
blessing my executioners
I am no buddha no saint
nor have I that incandescent strength
of faith illuminated

yet even so
you are a sentient being
breathing this air
even as I am a sentient being
breathing this air
seeking my own enlightenment
I must seek yours

if I had love enough
if I had faith enough
perhaps I could transcend your path
and alter even that

forgive me, then―
I cannot love you yet
~~~~~
Richard Brautigan Poetry

Richard Brautigan
Richard Brautigan

At the California Institute of Technology

I don’t care how God-damn smart
these guys are: I’m bored.
~~
Gee, You’re So Beautiful That It’s Starting To Rain

Oh, Marcia,
I want your long blonde beauty
to be taught in high school,
so kids will learn that God
lives like music in the skin
and sounds like a sunshine harpsicord.
I want high school report cards
to look like this:
~~
Just Because

Just because
people love your mind,
doesn’t mean they
have to have
your body,
too.
~~
Yes, the Fish Music

A trout-colored wind blows
through my eyes, through my fingers,
and I remember how the trout
used to hide from the dinosaurs
when they came to drink at the river.
The trout hid in subways, castles,
and automobiles. They waited patiently for the dinosaurs to go away.
~~~~~~

~~~~~~

The Calling - Gwyllm 2013
The Calling – Gwyllm 2013

Love

Embracing Tao, you become embraced.
Supple, breathing gently, you become reborn.
Clearing your vision, you become clear.
Nurturing your beloved, you become impartial.
Opening your heart, you become accepted.
Accepting the World, you embrace Tao.
Bearing and nurturing,
Creating but not owning,
Giving without demanding,
Controlling without authority,
This is love.
– Lao Tzu

Days

“An-naasu niyaam wa idhaa matu’ntabahu”

Les Amoureux du Café de Flore (Lovers, Café de Flore), Paris 1960 by Léon Herschtritt
Les Amoureux du Café de Flore (Lovers, Café de Flore), Paris 1960 by Léon Herschtritt

Days:
I hope this finds you all well, and with loved ones and friends. The passing of a year, the emerging of a new one are blurred markers of our trajectories through the arc of being. The New Year is an agreement, like that of dating years. Many societies have New Years of course. The Celts had theirs on November 1st, others of course had theirs tied to the Lunar and or Solar procession. I have always tried to figure out why 12-13 days after the winter solstice, but its really not a big one.

2013… slipping away. So much has occurred this year. Perhaps the greatest lesson for our family was letting go. We lost my sister, and we had to give up our home of 17 years. Neither of them easy events, and losing Rebecca (my sister) and coming to grips with it was and is the hardest for me. This entry is another way of saying goodbye.

It was a year of growth artistically for me. I feel I am coming into a new place, and the art work has been coming fast and furious. When I am not working, I am creating. I guess as I get older the concentration has kicked in. I am happy about that.

I hope the year was good for you and yours. Many friends had rough patches, and lost love ones. I guess the predictions for 2012 of being a shift was correct, but not in the way everyone was fantasizing about.

This Entry in Turfing:
We are touching bases with 3 artist that were important in the development of my aesthetic sense. (well two of them) The third came later in my days, but moved me deeply in the world of poetry.
The 3 artist are: Seamus Heaney, Colin Wilson & Lou Reed.
Giants in their fields, and they touched me deeply. This entry is my homage to their works, and by no means can truly define their work. I am touching on just a bit of what works moved me. I hope you enjoy this look back.

We will have another entry coming up soon. Stay Tuned. Here is to Healing, and here is to Letting Go!

Bright Blessings,
Gwyllm
~~~~~~~
On The Menu:
Days
Poetry: Seamus Heaney, 3 Poems
Colin Wilson: Summary of Atlantis and the Old Ones, An Investigation of the Age of Civilisation
Lou Reed: 3 Songs
~~~~~~
Pretty much, this says it for me. Thanks to The Kinks for this.
Days

Thank you for the days,
Those endless days, those sacred days you gave me.
I’m thinking of the days,
I won’t forget a single day, believe me.

I bless the light,
I bless the light that lights on you believe me.
And though you’re gone,
You’re with me every single day, believe me.

Days I’ll remember all my life,
Days when you can’t see wrong from right.
You took my life,
But then I knew that very soon you’d leave me,
But it’s all right,
Now I’m not frightened of this world, believe me.

I wish today could be tomorrow,
The night is dark,
It just brings sorrow, let it wait.

Thank you for the days,
Those endless days, those sacred days you gave me.
I’m thinking of the days,
I won’t forget a single day, believe me.

Days I’ll remember all my life,
Days when you can’t see wrong from right.
You took my life,
But then I knew that very soon you’d leave me,
But it’s all right,
Now I’m not frightened of this world, believe me.
Days.

Thank you for the days,
Those endless days, those sacred days you gave me.
I’m thinking of the days,
I won’t forget a single day, believe me.

I bless the light,
I bless the light that shines on you believe me.
And though you’re gone,
You’re with me every single day, believe me.
Days.
~~~~~~
Poetry: Seamus Heaney

Seamus Heaney
Seamus Heaney

Lovers on Aran

The timeless waves, bright, sifting, broken glass,
Came dazzling around, into the rocks,
Came glinting, sifting from the Americas

To posess Aran. Or did Aran rush
to throw wide arms of rock around a tide
That yielded with an ebb, with a soft crash?

Did sea define the land or land the sea?
Each drew new meaning from the waves’ collision.
Sea broke on land to full identity.
~~
The Harvest Bow

As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.

Hands that aged round ashplants and cane sticks
And lapped the spurs on a lifetime of game cocks
Harked to their gift and worked with fine intent
Until your fingers moved somnambulant:
I tell and finger it like braille,
Gleaning the unsaid off the palpable,

And if I spy into its golden loops
I see us walk between the railway slopes
Into an evening of long grass and midges,
Blue smoke straight up, old beds and ploughs in hedges,
An auction notice on an outhouse wall—
You with a harvest bow in your lapel,

Me with the fishing rod, already homesick
For the big lift of these evenings, as your stick
Whacking the tips off weeds and bushes
Beats out of time, and beats, but flushes
Nothing: that original townland
Still tongue-tied in the straw tied by your hand.

The end of art is peace
Could be the motto of this frail device
That I have pinned up on our deal dresser—
Like a drawn snare
Slipped lately by the spirit of the corn
Yet burnished by its passage, and still warm.
~~
Postscript

And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open
~~~~~~
Colin Wilson appeared in my life around 1968, 1969. His writings were a revelation for me. I dipped in again a few times over the years, but his early stuff really got me going about questioning myself, and looking at where I was going. Hats off to ya Colin, thanks for wakeup call.

Colin Wilson:
Colin Wilson
Summary of Atlantis and the Old Ones, An Investigation of the Age of Civilisation, by Colin Wilson

Charles Hapgood, an American professor of history, became convinced in 1989 that a civilisation, ‘with high levels of science’, had existed at least 100,000 years ago.

In the mid-1950s, Hapgood had written a book called Earth’s Shifting Crust, to which Einstein contributed an Introduction, arguing that the whole crust of the earth undergoes periodic ‘slippages’, one of which in 9500 BC had caused the North Pole to move from Hudson Bay to its present position. And in 1966, his Maps of the Ancient Sea Kings had suggested that mediaeval maps called ‘portolans’ – used by sailors to navigate ‘from port to port’ – proved that there must have been a worldwide maritime civilisation in 7000 BC.

In 1989 he told the writer Rand Flem-Ath that he intended to bring out a new edition of Earth’s Shifting Crust, containing his evidence that civilisation had existed since before 100,000 years ago. But before he could do that, he walked in front of a car and was killed.

I agreed to collaborate with Rand Flem-Ath in trying to solve this mystery. After a long search, I was fortunate enough to track down the man who claimed to have convinced him that civilisation dated back a 100,000 years. He was an eccentric recluse who lived in a small town in New England. When I asked him to explain what had convinced him that there was civilisation a 100,000 years ago, he specified two things: (1) that Neanderthal man was far more intelligent than we assume, and (b) that ancient measures prove that man knew the exact size of the earth millennia before the Greek Eratosthenes worked it out in 240 BC.

A little research of my own quickly verified both statements. Far from being a shambling ape, Neanderthal man had a larger brain than we have, was well acquainted with astronomy, played musical instruments, and even invented the blast furnace. As to the size of the earth, the ancient Greeks had a measure called the stade – the length of a stadium. The polar circumference of the earth proves to be exactly 3,600 stade. Yet the Greeks did not know the size of the earth. They must have inherited the stade from someone who did know.

On a cruise down the Nile in 1997 I stumbled on another crucial discovery: the Nineveh number, a vast 15 digit number found inscribed on an Assyrian clay tablet in the ruins of Assurbanipal’s library. Yet the Assyrians were no great mathematicians. The French space engineer Maurice Chatelain – who provided the first moon rocket with its communication system – discovered powerful internal evidence that the Nineveh number must have been worked out about 65,000 years ago.

He also learned that two more numbers, even larger, were found inscribed on stele in the Mayan sacred city of Quiriga. These shared with the Nineveh number a remarkable characteristic: they could be divided precisely by the number of years it takes the earth to complete its ‘precessional cycle’ round the sun, just under 26,000. (Precession of the equinoxes is the backward movement of the signs of the zodiac, so that in the heavens, spring begins slightly earlier each year.)

So it seems the Assyrians inherited their knowledge of precession from some early ‘founder’ civilisation – presumably the same civilisation from which the Maya, thousands of years later and thousands of miles across the Atlantic, inherited theirs.

I came upon one more important discovery on that Nile cruise. It was something that happened in the temple of Edfu, and it took six more years before its full signficance dawned on me, and provided a sudden insight into the secret of Egyptian temples. Of this more in a moment.

I had come upon another interesting piece of evidence that ‘high levels of science’ date back much earlier than we suppose. It started with the mystery of the Libyan desert glass. Two British scientists driving through the Libyan desert discovered large quantities of a fused green glass, highly valued by Arab craftsmen for making jewellery. Their first assumption, that these were ‘tektites’, a fused glass that comes from outer space, had to be abandoned since it lacked the typical air bubbles, and left them with the only alternative hypothesis: that this glass had been manufactured by some strange industrial process around 6000 BC. But that would have required large quantities of water. It was Hapgood who was able to assure the investigators that there had been vast lakes in the desert in 6000 BC. When Lord Rennell of Rodd described the mystery to a scientist named John V. Dolphin, who had worked on testing the atom bomb in the desert of Australia, Dolphin told him that the glass looked just like the fused sand left behind after an atom bomb test, which led Lord Rennell to consider the possibility that the makers of the Libyan desert glass had mastered atomic energy. Hapgood dismissed this notion, being himself convinced that the ancients simply had some other method of producing very high temperatures – of around 6,000 degrees.

Unknown to Hapgood and Lord Rennell, a Bulgarian inventor name Ilya Velbov – who later called himself Yull Brown – had solved this problem. Brown made the extraordinary discovery that if the hydrogen and oxygen in water are separated, and then re-combined in a kind of oxy-acetylene flame, it will punch an instantaneous hole in a piece of hard wood, burn tungsten (requiring 6,000 degrees), vaporise metals, melt a firebrick, and weld glass to copper. Brown called this mixture ‘Brown’s gas’, and the Chinese used it in their submarines to turn seawater into drinking water. Yet because no one understands the process, science has shown total lack of interest in it. However, Brown had no doubt it was known to the ancients, who used it to extract purified gold from gold ore.

Brown’s total refusal to compromise with American industry ruined his one excellent chance of achieving fame and riches, and he died unknown.

But if Hapgood is correct about his 100,000 year old science, what evidence remains? Well, a modern builder would admit that, for all our technology, he would have no idea of how to go about building the Great Pyramid. The same is true of the magnificent ruins of Tiahuanaco, in the Andes, whose harbour area has blocks so big that no modern crane could lift them. These builders seem to have had some technology for moving immensely heavy weights.

Lake Titicaca, on which Tiahuanaco was once a port, is full of sea creatures. At some time in the past, a geological convulsion raised it two and a half miles in the air. Geologists assume this was millions of years ago; but this is absurd. Who would build a great port on a lake with no other ports or cities? Surely, Tiahunaco must have been at sea level when the convulsion occurred. In their book When the Earth Nearly Died, Compelling Evidence of a Cosmic Catastrophe of 9500 BC (1995), D. S. Allan and J. B. Delair argue that the convulsion was probably due to the impact of a comet or asteroid. The date, of course, is the date Plato assigns to the destruction of Atlantis ‘in a day and a night’.

The story of the great flood is preserved in the legends of the Haida Indians of Canada and of many other tribes. But which flood? Plato speaks of no less than four. The first of these was the Atlantis flood. The second is referred to in the Book of Enoch and the rituals of the Freemasons, and it took place approximately two thousand years after Plato’s flood. ‘Seven burning mountains’ fell to earth from space, according to the evidence of Professor Alexander Tollmann, the largest in the Sunda Strait, and it set in motion a great migration north, which created civilisations in India and then in Sumeria (the Sumerians are regarded as the founders of European civilisation). The third flood, around 6000 BC, created the Black Sea, and was the flood of Noah and the Epic of Gilgamesh. The fourth, ‘Deucalion’s flood’, occurred in the Bronze age, around 2200 BC. Another vast catastrophe struck in 535 AD, causing worldwide famine, drought and plague, which destroyed, among others, the civilisation of the Maya in Central America, and of the Nazca Indians of Peru, whose giant line-drawings on the surface of the desert , we now know, were designed to persuade the gods to send rain.

These drawings can be seen only from the air, and have given rise to the theory that the Nazca shamans, with the aid of ‘psychedelic’ drugs (which the Indians are known to have used) were able to achieve out-of-the-body experiences that enabled them to do this. The Indians of the Peruvian forest use a drug called ayahuasca, which (according to anthropologist Jeremy Narby) they claim taught them the properties of 80,000 plants and the structure of DNA.

Shamanism thereafter becomes one of the central themes of this book, and it is argued that shamans have a knowledge of nature that goes far beyond that of modern science. There seems to be no doubt that shamans possess powers that we would consider ‘magical’, and many examples are given here. The healing abilities of shamans can also be used for the opposite purpose, to produce sickness and death. The Kahuna priests of Hawaii can use the Death Prayer to kill enemies. And it was when reading about their power to protect temples with a curse, and the story of one rash youth who became paralysed from the waist down after entering a ‘fordidden’ temple in a spirit of bravado, that I suddenly saw the meaning of an incident that had happened in 1997 in the temple of Edfu. The curse of Tutankamun was undoubtedly more than a legend,.

The book now returns to the subject of the search for ‘ancient knowledge’, and to the Scotsman and Freemason James Bruce who went to Ethiopia in search of the lost Book of Enoch. We consider evidence advanced by Robert Lomas and Christopher Knight that Enoch travelled to the British Isles, and that a stone (or wooden) structure built on a hilltop could be used as an astronomical computer, which explains, among other things, the length of the ‘megalithic yard’ noted in all megalithic sites by Professor Alexander Thom – he spoke of their builders as ‘Stone Age Einsteins’. Lomas and Knight argue that the rituals of Freemasonry date from ‘Tollman’s flood’ in 7500 BC.

They also pointed out that Rosslyn Chapel, near Edinburgh, founded by the Templar William St Clair, contains carvings of exclusively American plants such as sweet corn and aloes, although Columbus did not discover America until fifty years after it was built. The evidence indicates that when the Templar fleet left La Rochelle to escape the mass arrests (and executions) inaugurated by Philip the Fair in 1307, some ships sailed to America.

How did they know that America was there? The answer seems to be: from maps (like those of Hapgood’s ‘Ancient Sea Kings’) discovered by the original Templars after the fall of Jerusalem to the Crusaders in 1112 AD. King Baldwin gave the nine knights permission to stable their horses in the basement of the old Temple of Solomon, deserted since the Romans had destroyed it in 66 AD after a Jewish uprising. Many documents belonging to a sect called the Essenes had been stored there, one of them (the ‘Heavenly Jerusalem’ scroll) full of Masonic symbols. It seems clear that the Essenes were part of the Masonic tradition, and were aware of the existence of America. The evidence indicates that Jesus was not only an Essene, but was regarded by them as the Messiah who would overthrow Roman rule. He was crucified after an unsuccessful attempt to stir up revolt, and was replaced as leader of the Essenes by his brother James.

Subsequently, St Paul virtually invented the religion called Christianity, in which Jesus ‘the Christ’ is the Saviour who redeems man from Original Sin (a thought that certainly never entered Jesus’s head). And when the original Christians were massacred by the Romans in AD 66, St Paul’s version (preached abroad to gentiles) went on to conquer the world. For purely political reasons it was adopted by the Emperor Constantine to hold his rickety empire together, and the Council of Nicaea laid down the doctrine of the Trinity as a dogma. Pope Leo X would say later: ‘It has served us well, this myth of Christ’. (But then, as we shall show, Pope Leo belonged to the original religious tradition that flowed from the Essenes, and was a member of a secret society known as the Priory of Sion, founded in 1112 by the first Knight Templars.)

Lomas and Knight argue that Hiram Abif, the Temple architect, whose legend of murder by three ‘apprentices’ is the foundation stone of Freemasonry, was in fact an Egyptian pharaoh named Sequenenre, murdered by Hyksos assassins in an attempt to wrest from him a secret ritual for turning a pharaoh into a god. Sequenenre’s son subsequently drove the Hyksos (the ‘Shepherd Kings’) out of Egypt. And six hundred years later, the story was turned on its head when Sequenenre was transformed into ‘Hiram Abif’, architect of Solomon’s Temple. Rosslyn was, in due course, built by a Templar and Freemason in imitation of Solomon’s Temple.

Solomon strayed from the old religion to become a worshipper of Venus, and we learn how the planet Venus is the only planet to form a perfect pentagram in the sky – the fundamental symbol of magic.

We go on to explore the story of the ‘original (Essene) Christianity’, and how it became the secret guarded by a line of French kings, the Merovingians, who knew that Christianity was an invention of St Paul and the Council of Nicaea, and who hoped one day to replace the Catholic Church and restore the original Christianity. They were overthrown when King Dagobert II was murdered and replaced by the Carolingian dynasty, but kept alive the knowledge of the secret of the Priory of Sion. This secret was accidentally discovered by a parish priest named Beranger Sauniere in a village called Rennes-le-Chateau (which lies in the middle of a natural ‘magical’ landscape in which hills form an exact pentagram).

Sauniere also learned that Jesus had not died on the cross, but had been taken down after six hours and nursed back to health, after which he fled to France with his wife, Mary Magdalen, and lived in Rennes-le-Chateau, then called Aireda. The Merovingian kings were direct descendants of Jesus and Mary Magdalen. In the mid-90s, following these clues, an art historian named Peter Blake discovered a cave that he believes to be the tomb of Jesus and Mary, and learned that several popes and cardinals (including Richelieu) has been members of the Priory.

For the concluding two chapters of the book, we return to the mystery of Hapgood’s 100,000 year-old civilisation.

It is clear that the ancients possessed some extraordinary ability to multiply huge numbers, very like those possessed by modern calculating prodigies (such as 5 year old Benjamin Blyth, who took only a few minutes to work out how many second he had been alive). We explore The Infinite Harmony by Mike Hayes, which shows the intimate relation between the DNA code and the I Ching. This leads to a consideration of synchronicity, which modern science refuses to recognise, and the ‘certain blindness in human beings’ that causes us to ‘filter out’ so much our experience. Goethe, like William James, was fully aware of this blindness, and the scientific ‘filters’ that cause us to see ‘God’s living garment’ as a world of dead matter. Goethe’s Theory of Colour is explored. We speak of ‘eidetic vision’, the odd ability of certain people (like Nicola Tesla) to be able to recreate some object inside their heads. (It is also fundamental to training in magic.)

Julian Jaynes realised that man is trapped in a grey world created by the left cerebral hemisphere, the ‘scientific’ part of the brain. But then, Annie Besant and C.W. Leadbeater, two founders of the Theosophical Society, wrote a book called Occult Chemistry that describes quarks more than half a century before science posited their existence.

We move on to another scientist, Chandra Bose, who saw nature – even metals – as alive. And this takes us back to Hapgood, who after his retirement became interested in some very odd aspects of science – for example, the discovery of lie-detector expert Cleve Backster that plants can read our minds. While still a college professor, he did experiments with his students that demonstrated that plants that are ‘prayed for’ flourish more than plants that are ignored, while plants that are ‘prayed against’ often died. Hapgood became very interested in the ‘life fields’discovered b the American scientist Harold Burr, and the recognition that these can be controlled by ‘thought fields’. Hapgood’s studies of anthropology led him to conclude that man has been as intelligent as ourselves for at least 200,000 years, and perhaps for two million. There is, in fact, evidence that our ancestor homo erectus was sailing the seas on rafts 800,000 years ago.

Most amazing is Hapgood’s experiments with hypnosis, which proved conclusively that he could hypnotise his students to accurately predict the future.

The final chapter of this book contains some of its most remarkable discoveries, beginning with the unearthing of a half-million year old plank that had been carefully planed on one side. Then we consider Neanderthal man and some facts that prove his high level of intelligence – and whose red ochre mines in South Africa date back 100,000 years. One sculpture, the Bearkhat Ram, has been dated back to a quarter of a million years ago.

We consider the fact that ‘shamanic’ cultures take ‘group conciousness’ for granted – the kind of telepathic awareness that enables flocks of birds and schools of fishes to change direction simultaneously. Ancient man almost certainly possessed this same telepathic ability. Kevin Kelly’s book Out of Control describes how the whole audience at a computer conference in San Diego learned this ability in a quarter of an hour. In this sense, societies like ancient Egypt were almost certainly ‘collectives’, which could explain their ability to lift massive weights.

We pass on to the extraordinary discoveries of John Michell, who pointed out that the Nineveh number can be divided by the diameters of the sun and moon, and that a mathematical principle called ‘the Canon’ seems to lie behind ancient science: the notion that our universe appears to be designed along mathematical lines – the ‘code of numbers that structures the universe’, which implies that there is an intelligence behind this design. An example is the sequence of ‘Fibonacci numbers’ that play such as basic part in nature, from spiral nebulae to seashells. We discuss the Anthropic Cosmological Principle, formulated by astronomer Brandon Carter, which states that the universe aims at the propagation of life, and at Fred Hoyle’s statement that ‘Our planet is perfectly suited to the incubation of life’, and that ‘it looks as if some superintendent has been monkeying with the physics’.

In that case, what is it that makes human freedom so limited? Man is confined in ‘close-upness’ which deprives him of meaning. We glance again at some of the evidence that man may have been around far longer than science supposes – such as an iron nail embedded in a piece of coal several million years old, and a mastodon’s tooth engraved with a horned beast, that came from a Miocene bed of 25 million years ago.

We quote the Nobel Prize Winner Frederick Soddy, who discovered isotopes, on the ‘evidence of a wholly unknown and unsuspected civilisation of which all other relic has disappeared. And we end by quoting Plato: ‘that things are far better taken care of than we can possibly imagine’.
~~~~~~~

Lou Reed
Lou Reed

What can I say. Lou. I saw him so many times. Each time, a new band, a new twist. I fell for Lou and the Velvets in the fall of 1967. We went our separate ways after my son was born. I had changed, you know how this happens.

I tried to reconnect off and on, but it only started to happen after he past away. It hit me hard in the gut, I felt like I had been disloyal, but I think the man would of been amused. He helped shape me in his way. I went down some pretty dark paths during those years,and I am happy I survived regardless of my drive for oblivion once upon a time. Oh! Sweet Nothing!

Here are 3 songs of Lou’s. Some of my favourites. Please listen.
Perfect Day

~~
Street Hassle

~~
Oh!Sweet Nothing

~~~~~~
“O ignorant one! When we die,
It will be proven to us:
A dream was what we have seen,
And what we have heard, was a tale.” – Mir Dard

The Calling - Gwyllm 2013
The Calling – Gwyllm 2013

“O, sleeper! How many people are not sleeping.
You are called, so wake up!
God will replace you in all He asks of you,
If you, at least sleep by Him!

Your heart however remains deaf to this appeal.
You only get awake in the world of creatures,
Which destroys you each time you die because of its hand.
Take care of your soul before its departure:
The provisions of the journey are not a certainty.” – Ibn al-‘Arabi

In The Center

“If you are depressed you are living in the past.
If you are anxious you are living in the future.
If you are at peace you are living in the present.” ― Lao Tzu

Gwyllm-Art.com
Gwyllm-Art.com

The year is rushing past it seems, just as I was getting adjusted into it. The last few weeks has seen a calming down, and a recentering which is a relief. We are much more settled into our new digs, and had a nice gathering for Thanksgiving. Good friends, family, food and drink can help transform any place into home. With a lot of the art hung, and furniture arranged and some good tunes, I find myself pretty content to walk through the door.

Rowan has been busy, new job, and applying for art grants. He is doing well, with plenty of challenges to take up. Mary and I are still working hand to hand on all of the projects, and honestly, any art work or writing that I get out has a big dose of her input into it. She has soul, and that most wonderful of human attributes, humour. All my love!

Looking forward to the new changes, thankful for what has gone on before, and happily dwelling in this “now”.

Lots on the menu this time. Poetry, music, and new projects afoot. I hope you enjoy!

Bright Blessings,
Gwyllm

I have been a busy bee as of late. Lots of stuff going on, and just to list a few…

Latest Projects:
Gwyllm-Art.com
header new
I have recently updated my art site, Gwyllm-Art.com I had put it off for a long, long time, and finally migrated it into a WordPress format, which I am sure is going to change, again. I got tired working in HTML and this was a fix that was needed. It is fairly modest at this point compared to where it was, but it will grow as I go along.

Part of the reason that I have gone this route is that I have taken a giant leap and bought a high end printer for my Giclée Prints. I now have the capacity to print up to 17 by 24 inches, (at 1200 dpi if so desired). This frees me up on having to travel to friends houses and use their machines, which though visiting is nice, I can now do it quickly, and get a print out within a day.

In celebration of the new set up and printer, for every print that is ordered while supplies last I will be including a Free Digital Print with every purchase of a Giclée Print (my choice on digital prints)while the supply last! So take advantage of this cool offer!
~~
product_thumbnail

Gwyllm Art Calendars for 2014
From my art from prints, to illustrations from “The Invisible College” Magazine. Birthdays of Poets, Artist, Philosophers, Metaphysicians and Occultist of are listed along with lunar phases and holidaze.

The calendar comes in two sizes, 13.5×19 @$23.99 & 11×17 @$15.00. They ship anywhere in the world!
~~
Samsung Phone Cases, IPAD & IPhone Cases on Redbubble!
6 Different Images for the portable media tool of choice. This is my first foray into this field, so check them out! Be aware that the menu is on the left for the different devices!

Here are some pics to check out!

~~
On The Menu:
Computer Art
Pelt
Sundial Aeon
Agrippa – William Gibson
Two Poems: Allen Ginsberg
~~~~~~~~~~~~

The Calling - Gwyllm Llwydd
The Calling – Gwyllm Llwydd

Computer Art….

So my background is pretty much old school art school. Went to art college at a very young age, fell in love with Mandala’s, Art Nouveau, Surrealism, Max Ernst’s collages. I did everything by hand. I fell in love with ink and pen, and horrors upon horrors for my art teachers, water colours.

A few years down the road…
I had my first interactions with computers via synthesizers. What I had done for years with Piano’s, Organs, Basses, Mandolins… I then transformed with that wondrous device. There were hours of discussion with my string driven friends if it was “real music” or artificial. I certainly fell into different positions on this. At the end of my music career I was still using synths, but I was migrating to dulcimers, and medieval instruments like the psaltrey. Today I still love synths, yet I do love the old instruments, and the oldest instrument, the human voice.

I found myself again working with art after I left the musical stage…. First serigraphs, then airbrush. Still work with these. I found myself drifting into working with programming fractals in the early 90’s. Interesting, but it was not what I actually considered art then, but when I see other’s work like Beau Deeley and Mike Crowley I am awe struck by their skills with what they produce.

I enjoy working with photoshop. I have been working with it since the late 90’s, and I am still discovering features and techniques with it.  Yet, when I put something I have done with it up on line there usually are people who like it, and others who might like the piece but are dismissive of it as if using a computer instead of scissors, or a brush were some how cheating, or it really wasn’t art.

What are your thoughts? Does using a modern tool invalidate the impulse?

Blessings,
G
~~~~~~
Pelt:
Shapeshifting, Murder & Twisted Love on the Frontier. My son Rowan’s thesis film, just off the film festival circuit.

~~~~~~
A wee bit of music to help the medicine go down…
Sundial Aeon [Hypnosis]

~~~~~~
William Gibson

AGRIPPA
(A Book of The Dead)

by William Gibson

I hesitated
before untying the bow
that bound this book together.

A black book:
ALBUMS CA. AGRIPPA
Order Extra Leaves By Letter and Name

A Kodak album of time-burned
black construction paper

The string he tied
Has been unravelled by years
and the dry weather of trunks
Like a lady’s shoestring from the First World War
Its metal ferrules eaten by oxygen
Until they resemble cigarette-ash

Inside the cover he inscribed something in soft graphite
Now lost
Then his name
W.F. Gibson Jr.
and something, comma,
1924

Then he glued his Kodak prints down
And wrote under them
In chalk-like white pencil:
“Papa’s saw mill, Aug. 1919.”

A flat-roofed shack
Against a mountain ridge
In the foreground are tumbled boards and offcuts
He must have smelled the pitch,
In August
The sweet hot reek
Of the electric saw
Biting into decades

Next the spaniel Moko
“Moko 1919”
Poses on small bench or table
Before a backyard tree
His coat is lustrous
The grass needs cutting
Beyond the tree,
In eerie Kodak clarity,
Are the summer backstairs of Wheeling,
West Virginia
Someone’s left a wooden stepladder out

“Aunt Fran and [obscured]”
Although he isn’t, this gent
He has a “G” belt-buckle
A lapel-device of Masonic origin
A patent propelling-pencil
A fountain-pen
And the flowers they pose behind so solidly
Are rooted in an upright length of whitewashed
concrete sewer-pipe.

Daddy had a horse named Dixie
“Ford on Dixie 1917”
A saddle-blanket marked with a single star
Corduroy jodhpurs
A western saddle
And a cloth cap
Proud and happy
As any boy could be

“Arthur and Ford fishing 1919”
Shot by an adult
(Witness the steady hand
that captures the wildflowers
the shadows on their broad straw hats
reflections of a split-rail fence)
standing opposite them,
on the far side of the pond,
amid the snake-doctors and the mud,
Kodak in hand,
Ford Sr.?

And “Moma July, 1919”
strolls beside the pond,
in white big city shoes,
Purse tucked behind her,
While either Ford or Arthur, still straw-hatted,
approaches a canvas-topped touring car.

“Moma and Mrs. Graham at fish hatchery 1919”
Moma and Mrs. G. sit atop a graceful concrete arch.

“Arthur on Dixie”, likewise 1919,
rather ill at ease. On the roof behind the barn, behind him,
can be made out this cryptic mark:
H.V.J.M.[?]

“Papa’s mill 1919”, my grandfather most regal amid a wrack of
cut lumber,
might as easily be the record
of some later demolition, and
His cotton sleeves are rolled
to but not past the elbow,
striped, with a white neckband
for the attachment of a collar.
Behind him stands a cone of sawdust some thirty feet in height.
(How that feels to tumble down,
or smells when it is wet)

II.
The mechanism: stamped black tin,
Leatherette over cardboard, bits of boxwood,
A lens
The shutter falls
Forever
Dividing that from this.

Now in high-ceiling bedrooms,
unoccupied, unvisited,
in the bottom drawers of veneered bureaus
in cool chemical darkness curl commemorative
montages of the country’s World War dead,

just as I myself discovered
one other summer in an attic trunk,
and beneath that every boy’s best treasure
of tarnished actual ammunition
real little bits of war
but also
the mechanism
itself.

The blued finish of firearms
is a process, controlled, derived from common
rust, but there under so rare and uncommon a patina
that many years untouched
until I took it up
and turning, entranced, down the unpainted
stair, to the hallway where I swear
I never heard the first shot.

The copper-jacketed slug recovered
from the bathroom’s cardboard cylinder of
Morton’s Salt was undeformed
save for the faint bright marks of lands
and grooves so hot, stilled energy,
it blistered my hand.

The gun lay on the dusty carpet.
Returning in utter awe I took it so carefully up
That the second shot, equally unintended,
notched the hardwood bannister
and brought a strange bright smell of ancient sap to life
in a beam ofdusty sunlight.
Absolutely alone
in awareness of the mechanism.

Like the first time you put your mouth
on a woman.

III.
“Ice Gorge at Wheeling 1917”

Iron bridge in the distance,
Beyond it a city.
Hotels where pimps went about their business
on the sidewalks of a lost world.
But the foreground is in focus,
this corner of carpenter’s Gothic,
these backyards running down to the freeze.

“Steamboat on Ohio River”,
its smoke foul and dark,
its year unknown,
beyond it the far bank
overgrown with factories.

“Our Wytheville
House Sept. 1921”

They have moved down from Wheeling and my father wears his
city clothes. Main Street is unpaved and an electric streetlamp is
slung high in the frame, centered above the tracked dust on a
slack wire, suggesting the way it might pitch in a strong wind,
the shadows that might throw.

The house is heavy, unattractive, sheathed in stucco, not native
to the region. My grandfather, who sold supplies to contractors,
was prone to modern materials, which he used with
wholesaler’s enthusiasm. In 1921 he replaced the section of brick
sidewalk in front of his house with the broad smooth slab of poured
concrete, signing this improvement with a flourish, “W.F.
Gibson 1921”. He believed in concrete and plywood
particularly. Seventy years later his signature remains, the slab
floating perfectly level and charmless between mossy stretches of
sweet uneven brick that knew the iron shoes of Yankee horses.

“Mama Jan. 1922” has come out to sweep the concrete with a
broom. Her boots are fastened with buttons requiring a special instrument.

Ice gorge again, the Ohio, 1917. The mechanism closes. A
torn clipping offers a 1957 DeSOTO FIREDOME, 4-door Sedan,
torqueflite radio, heather and power steering and brakes, new
w.s.w. premium tires. One owner. $1,595.

IV.
He made it to the age of torqueflite radio
but not much past that, and never in that town.
That was mine to know, Main Street lined with
Rocket Eighty-eights,
the dimestore floored with wooden planks
pies under plastic in the Soda Shop,
and the mystery untold, the other thing,
sensed in the creaking of a sign after midnight
when nobody else was there.

In the talc-fine dust beneath the platform of the
Norfolk & Western lay indian-head pennies undisturbed since
the dawn of man.

In the banks and courthouse, a fossil time
prevailed, limestone centuries.

When I went up to Toronto
in the draft, my Local Board was there on Main Street,
above a store that bought and sold pistols.
I’d once traded that man a derringer for a
Walther P-38. The pistols were in the window
behind an amber roller-blind
like sunglasses. I was seventeen or so but basically I guess
you just had to be a white boy.
I’d hike out to a shale pit and run
ten dollars worth of 9mm
through it, so worn you hardly
had to pull the trigger.
Bored, tried shooting
down into a distant stream but
one of them came back at me
off a round of river rock
clipping walnut twigs from a branch
two feet above my head.

So that I remembered the mechanism.

V.
In the all night bus station
they sold scrambled eggs to state troopers
the long skinny clasp-knives called fruit knives
which were pearl handled watermelon-slicers
and hillbilly novelties in brown varnished wood
which were made in Japan.

First I’d be sent there at night only
if Mom’s carton of Camels ran out,
but gradually I came to value
the submarine light, the alien reek
of the long human haul, the strangers
straight down from Port Authority
headed for Nashville, Memphis, Miami.
Sometimes the Sheriff watched them get off
making sure they got back on.

When the colored restroom
was no longer required
they knocked open the cinderblock
and extended the magazine rack
to new dimensions,
a cool fluorescent cave of dreams
smelling faintly and forever of disinfectant,
perhaps as well of the travelled fears
of those dark uncounted others who,
moving as though contours of hot iron,
were made thus to dance
or not to dance
as the law saw fit.

There it was that I was marked out as a writer,
having discovered in that alcove
copies of certain magazines
esoteric and precious, and, yes,
I knew then, knew utterly,
the deal done in my heart forever,
though how I knew not,
nor ever have.

Walking home
through all the streets unmoving
so quiet I could hear the timers of the traffic lights a block away:
the mechanism. Nobody else, just the silence
spreading out to where the long trucks groaned
on the highway their vast brute souls in want.

VI.
There must have been a true last time
I saw the station but I don’t remember
I remember the stiff black horsehide coat
gift in Tucson of a kid named Natkin
I remember the cold
I remember the Army duffle
that was lost and the black man in Buffalo
trying to sell me a fine diamond ring,
and in the coffee shop in Washington
I’d eavesdropped on a man wearing a black tie
embroidered with red roses
that I have looked for ever since.

They must have asked me something
at the border
I was admitted
somehow
and behind me swung the stamped tin shutter
across the very sky
and I went free
to find myself
mazed in Victorian brick
amid sweet tea with milk
and smoke from a cigarette called a Black Cat
and every unknown brand of chocolate
and girls with blunt-cut bangs
not even Americans
looking down from high narrow windows
on the melting snow
of the city undreamed
and on the revealed grace
of the mechanism,
no round trip.

They tore down the bus station
there’s chainlink there
no buses stop at all
and I’m walking through Chiyoda-ku
in a typhoon
the fine rain horizontal
umbrella everted in the storm’s Pacific breath
tonight red lanterns are battered.

laughing,
in the mechanism.
~~~~~~
Two Poems: Allen Ginsberg

Tales Of The Tribe – Allen Ginsberg

Transcription of Organ Music – Allen Ginsberg

~~

The Wonder Of It All - Gwyllm Llwydd
The Wonder Of It All – Gwyllm Llwydd

“Kindness in words creates confidence. Kindness in thinking creates profoundness. Kindness in giving creates love.” – Lao Tzu