The Eternal

Heaven wheels above you, displaying to you her eternal glories, and still your eyes are on the ground. – Dante Alighieri

Jean Delville – L’Ecole de Platon (the school of Plato)

Well, this finds us mid month. We have been working on several projects, with some success. I am bouncing back from my surgery that I had earlier in the month. My nose is on the mend, thankfully.
Mary & I celebrated her birthday, and our 34th year of marriage this past week or so. We are blessed in our love, and in the family and friends within our community.

The Eternal:
I was going to write about the concepts of transmission, but perhaps another time. When I read poetry, or see a great painting, or hear a delightful song, I feel the eternal move in concert with all that exist.

We are droplets of consciousness in the waves of such a greater ocean. Our lives rise, crest and fall within these tides of beauty. Blindly it seems, that we don’t recognize the signs moment by moment; we rush here and there, trying to be elsewhere but here, here and now.

“…ma gia volgena il mio disio e’l velle
si come rota ch’igualmente e mossa,
l’amor che move: i sole e l’altre stelle
…as a wheel turns smoothtly, free from jars, my will and my desire were turned by love, The love that moves the sun and the other stars.”

― Dante Alighieri, Paradiso

Blessings,
Gwyllm
~~
On The Menu:
Link o’ Beauty
Meander Quotes
Solar Fields – Earthshine
Dante Alighieri: Poems On Love
An Overdose of Hasheesh
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Link o’ Beauty
Steve McCurry’s Blog
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Menander Quotes:

“The character of a man is known from his conversations.”
“Let bravery be thy choice, but not bravado.”
“The person who has the will to undergo all labor may win any goal.”
“The sword the body wounds, sharp words the mind.”
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Solar Fields -Earthshine

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Dante Alighieri: Poems On Love

Raffaele Giannetti – First meeting of Dante and Beatrice

My lady carries love within her eyes;
All that she looks on is made pleasanter;
Upon her path men turn to gaze at her;
He whom she greeteth feels his heart to rise,
And droops his troubled visage, full of sighs,
And of his evil heart is then aware:
Hate loves, and pride becomes a worshiper.
O women, help to praise her in somewise.
Humbleness, and the hope that hopeth well,
By speech of hers into the mind are brought,
And who beholds is blessèd oftenwhiles,
The look she hath when she a little smiles
Cannot be said, nor holden in the thought;
‘Tis such a new and gracious miracle.
~~
Whatever while the thought comes over me
That I may not again
Behold that lady whom I mourn for now,
About my heart my mind brings constantly
So much of extreme pain
That I say, Soul of mine, who stayest thou?
Truly the anguish, soul, that we must bow
Beneath, until we win out of this life,
Gives me full oft a fear that trembleth:
So that I call on Death
Even as on Sleep one calleth after strife,
Saying, Come unto me. Life showeth grim
And bare; and if one dies, I envy him,

For ever, among all my sighs which burn,
There is a piteous speech
That clamors upon death continually:
Yea, unto him doth my whole spirit turn
Since first his hand did reach
My lady’s life with most foul cruelty.
But from the height of woman’s fairness she,
Going up from us with the joy we had,
Grew perfectly and spiritually fair;
That so she treads even there
A light of Love which makes the Angels glad,
And even unto their subtle minds can bring
A certain awe of profound marveling.
~~
OF BEAUTY AND DUTY

Two ladies to the summit of my mind
Have clomb, to hold an argument of love.
The one has wisdom with her from above,
For every noblest virtue well designed:
The other, beauty’s tempting power refined
And the high charm of perfect grace approve:
And I, as my sweet Master’s will doth move,
At feet of both their favors am reclined.
Beauty and Duty in my soul keep strife,
At question if the heart such course can take
And ‘twixt the two ladies hold its love complete.
The fount of gentle speech yields answer meet,
That Beauty may be loved for gladness sake,
And Duty in the lofty ends of life.
~~
OF THE LADY PIETRA DEGLI SCROVIGNI

To the dim light and the large circle of shade
I have climbed, and to the whitening of the hills,
There where we see no color in the grass.
Natheless my longing loses not its green,
It has so taken root in the hard stone
Which talks and hears as though it were a lady.

Utterly frozen is this youthful lady,
Even as the snow that lies within the shade;
For she is no more moved than is the stone
By the sweet season which makes warm the hills
And alters from afresh from white to green
Covering their sides again with flowers and grass.

When on her hair she sets a crown of grass
The thought has no more room for other lady,
Because she weaves the yellow with the green
So well that Love sits down there in the shade,–
Love who has shut me in among low hills
Faster than between walls of granite-stone.

She is more bright than is a precious stone;
The wound she gives may not be healed with grass:
I therefore have fled far o’er plains and hills
For refuge from so dangerous a lady;
But from her sunshine nothing can give shade,–
Not any hill, nor wall, nor summer-green.

A while ago, I saw her dressed in green,–
So fair, she might have wakened in a stone
This love which I do feel even for her shade;
And therefore, as one woos a graceful lady,
I wooed her in a field that was all grass
Girdled about with very lofty hills.

Yet shall the streams turn back and climb the hills
Before Love’s flame in this damp wood and green
Burn, as it burns within a youthful lady,
For my sake, who would sleep away in stone
My life, or feed like beasts upon the grass,
Only to see her garments cast a shade.

How dark so’er the hills throw out their shade,
Under her summer-green the beautiful lady
Covers it, like a stone cover’d in grass.
~~~~~~
“An Overdose of Hasheesh” (1884)
by Mary C. Hungerford

Gaetano Previati – Women Smoking Hashish (1887)

Being one of the grand army of sufferers from headache, I took, last summer, by order of my physician, three small daily doses of Indian hemp (hasheesh), in the hope of holding my intimate enemy in check. Not discovering any of the stimulative effects of the drug, even after continual increase of the dose, I grew to regard it as a very harmless and inactive medicine, and one day, when I was assured by some familiar symptoms that my perpetual dull headache was about to assume an aggravated and acute form, such as usually sent me to bed for a number of days, I took, in the desperate hope of forestalling the attack, a much larger quantity of hasheesh than had ever been prescribed. Twenty minutes later I was seized with a strange sinking or faintness, which gave my family so much alarm that they telephoned at once for the doctor, who came in thirty minutes after the summons, bringing, as he had been requested, another practitioner with him.

I had just rallied from the third faint, as I call the sinking turns, for want of a more descriptive name, and was rapidly relapsing into another, when the doctors came. One of them asked at once if I had been taking anything unusual, and a friend who had been sent for remembered that I had been experimenting with hasheesh. The physicians asked then the size and time of the last dose, but I could not answer. I heard them distinctly, but my lips were sealed. Undoubtedly my looks conveyed a desire to speak, for Dr. G—-, bending over me, asked if I had taken a much larger quantity than he had ordered. I was half sitting up on the bed when he asked me that question, and, with all my energies bent upon giving him to understand that I had taken an overdose, I bowed my head, and at once became unconscious of everything except that bowing, which I kept up with ever-increasing force for seven or eight hours, according to my computation of time. I felt the veins of my throat swell nearly to bursting, and the cords tighten painfully, as, impelled by an irresistible force, I nodded like a wooden mandarin in a tea-store.

In the midst of it all I left my body, and quietly from the foot of the bed watched my unhappy self nodding with frightful velocity. I glanced indignantly at the shamefully indifferent group that did not even appear to notice the frantic motions, and resumed my place in my living temple of flesh in time to recover sufficiently to observe one doctor life his finger from my wrist, where he had laid it to count the pulsations just as I lapsed into unconsciousness, and say to the other: “I think she moved her head. She means us to understand that she has taken largely of the cannabis indica.” So, in the long, interminable hours I had been nodding my head off, only time enough had elapsed to count my pulse, and the violent motions of my head had in fact been barely noticeable. This exaggerated appreciation of sight, motion, and sound is, I am told, a well-known effect of hasheesh, but I was ignorant of that fact then, and, even if I had not been, probably the mental torture I underwent during the time it enchained my faculties would not have been lessened, as I seemed to have no power to reason with myself, even in the semi-conscious intervals which came between the spells.

These intervals grew shorter, and in them I had no power to speak. My lips and face seemed to myself to be rigid and stony. I thought that I was dying, and, instead of the peace which I had always hoped would wait on my last moments, I was filled with a bitter, dark despair. It was not only death that I feared with a wild, unreasoning terror, but there was a fearful expectation of judgment, which must, I think, be like the torture of lost souls. I felt half sundered from the flesh, and my spiritual sufferings seemed to have begun, although I was conscious of living still.

One terrible reality — I can hardly term it a fancy even now — that came to me again and again, was so painful that it must, I fear, always be a vividly remembered agony. Like dreams, its vagaries can be accounted for by association of ideas past and passing, but the suffering was so intense and the memory of it so haunting that I have acquired a horror of death unknown to me before. I died, as I believed, although by a strange double consciousness I knew that I should again reanimate the body I had left. In leaving it I did not soar away, as one delights to think of the freed spirits soaring. Neither did I linger around dear, familiar scenes. I sank, an intangible, impalpable shape, through the bed, the floors, the cellar, the earth, down, down, down! As if I had been a fragment of glass dropping through the ocean, I dropped uninterruptedly through the earth and its atmosphere, and then fell on and on forever. I was perfectly composed, and speculated curiously upon the strange circumstances that even in going through the solid earth there was no displacement of material, and in my descent I gathered no momentum. I discovered that I was transparent and deprived of all power of volition, as well as bereft of the faculties belonging to humanity. But in place of my lost senses I had a marvelously keen sixth sense or power, which I can only describe as an intense superhuman consciousness that in some way embraced all the five and went immeasurably beyond them. As time went on, and my dropping through space continued, I became filled with the most profound loneliness, and a desperate fear took hold of me that I should be thus alone for evermore, and fall and fall eternally without finding rest.
* * *

For five hours I remained in the same condition — short intervals of half- consciousness, and then long lapses into the agonizing experience I have described. Six times the door of time seemed to close on me, and I was thrust shuddering into a hopeless eternity, each time falling, as at first into that terrible abyss wrapped in the fearful dread of the unknown. Always there were the same utter helplessness and the same harrowing desire to rest upon something, to stop, if but for an instant, to feel some support beneath; and through all the horrors of my sinking the same solemn and remorseful certainty penetrated my consciousness that, had I not in life questioned the power of Christ to save, I should have felt under me the “everlasting arms” bearing me safely to an immortality of bliss. There was no variation in my trances; always the same horror came, and each time when sensibility partially returned I fought against my fate and struggled to avert it. But I never could compel my lips to speak, and the violent paroxysms my agonizing dread threw me into were all unseen by my friends, for in reality, as I was afterward told, I made no motion except a slight muscular twitching of the fingers.

Later on, when the effect of the drug was lessening, although the spells or trances recurred, the intervals were long, and in them I seemed to regain clearer reasoning power and was able to account for some of my hallucinations. Even when my returns to consciousness were very partial, Dr. G—- had made me inhale small quantities of nitrate of amyl to maintain the action of the heart, which it was the tendency of the excess ofhasheesh to diminish. Coming out of the last trance, I discovered that the measured rending report like the discharge of a cannon which attended my upward way was the throbbing of my own heart. As I sank I was probably too unconscious to notice it, but always, as it made itself heard, my falling ceased and the pain of my ascending began. The immense time between the throbs gives me as I remember it an idea of infinite duration that was impossible to me before.

For several days I had slight relapses into the trance-like state I have tried to describe, each being preceded by a feeling of profound dejection. I felt myself going as before, but by a desperate effort of will saved myself from falling far into the shadowy horrors which I saw before me. I dragged myself back from my fate, faint and exhausted and with a melancholy belief that I was cut off from human sympathy, and my wretched destiny must always be unsuspected by my friends, for I could not bring myself to speak to any one of the dreadful foretaste of the hereafter I firmly believed I had experienced. On one of these occasions, when I felt myself falling from life, I saw a great black ocean like a rocky wall bounding the formless chaos into which I sank. As I watched in descending the long line of towering, tumultuous waves break against some invisible barrier, a sighing whisper by my side told me each tiny drop of spray was a human existence which in that passing instant had its birth, life, and death.

“How short a life!” was my unspoken thought.

“Not short in time,” was the answer. “A lifetime there is shorter than the breaking of a bubble here. Each wave is a world, a piece of here, that serves its purpose in the universal system, then returns again to be reabsorbed into infinity.”

“How pitifully sad is life!” were the words I formed in my mind as I felt myself going back to the frame I had quitted.

“How pitifully sadder to have had no life, for only through life can the gate of this bliss be entered!” was the whispered answer. “I never lived — I never shall.”

“What are you, then?”

I had taken my place again among the living when the answer came, a sighing whisper still, but so vividly distinct that I looked about me suddenly to see if others besides myself could hear the strange words:

“Woe, woe! I am an unreal actual, a formless atom, and of such as I am is chaos made.”
~~~~~~

Henry Holiday – The First Meeting of Dante and Beatrice

“Amor, ch’al cor gentile ratto s’apprende
prese costui de la bella persona
che mi fu tolta; e ‘l modo ancor m’offende.

Amor, che a nullo amato amar perdona,
Mi prese del costui piacer sì forte,
Che, come vedi, ancor non m’abbandona…”

“Love, which quickly arrests the gentle heart,
Seized him with my beautiful form
That was taken from me, in a manner which still grieves me.

Love, which pardons no beloved from loving,
took me so strongly with delight in him
That, as you see, it still abandons me not…”
― Dante Alighieri, Inferno: A New Verse Translation

Gaze In

Hey there.
Been a couple of weeks. It has been kinda up and down, trying to tie loose ends up on the magazine, and almost, almost there. I am waiting for an introduction for an article, which isn’t seeming to be coming, so I must go forward early this week to publishing.

I had surgery earlier this week for Basal Cell Carcinoma on the old probiscus. I thought it would be a reasonable size, but I had no idea really. Suffice to say, it was pretty large, and I have had surgery to correct the gaping crater the doctor had carved. So, if something changes on your skin, get it looked after!

Hope this finds you well, and happy on this most lovely of Autumn evenings.

Bright Blessings,
Gwyllm
~~
On The Menu:
Soren Kierkegaard Quotes
The Links
Stars of the Lid: I Will Surround You
Ikkyu’s Poems
Basho’s Poems
The Dartmoor Pixies
Stars Of The Lid – Sun Drugs

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Soren Kierkegaard Quotes:

Our life always expresses the result of our dominant thoughts.

Face the facts of being what you are, for that is what changes what you are.

I see it all perfectly; there are two possible situations – one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it – you will regret both.

People demand freedom of speech as a compensation for the freedom of thought which they seldom use.
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The Links:
Data that lives forever is possible: Japan’s Hitachi
Study Shows Ancient Relations Between Language Families
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Stars of the Lid: I Will Surround You

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Ikkyu’s Poems


I Hate Incense
A master’s handiwork cannot be measured
But still priests wag their tongues explaining the “Way” and babbling about “Zen.”
This old monk has never cared for false piety
And my nose wrinkles at the dark smell of incense before the Buddha.
~~
A Fisherman

Studying texts and stiff meditation can make you lose your Original Mind.
A solitary tune by a fisherman, though, can be an invaluable treasure.
Dusk rain on the river, the moon peeking in and out of the clouds;
Elegant beyond words, he chants his songs night after night.
~~
My Hovel

The world before my eyes is wan and wasted, just like me.
The earth is decrepit, the sky stormy, all the grass withered.
No spring breeze even at this late date,
Just winter clouds swallowing up my tiny reed hut.
~~
A Meal of Fresh Octopus

Lots of arms, just like Kannon the Goddess;
Sacrificed for me, garnished with citron, I revere it so!
The taste of the sea, just divine!
Sorry, Buddha, this is another precept I just cannot keep.

Exhausted with gay pleasures, I embrace my wife.
The narrow path of asceticism is not for me:
My mind runs in the opposite direction.
It is easy to be glib about Zen — I’ll just keep my mouth shut
And rely on love play all the day long.

It is nice to get a glimpse of a lady bathing —
You scrubbed your flower face and cleansed your lovely body
While this old monk sat in the hot water,
Feeling more blessed than even the emperor of China!
~~
To Lady Mori with Deepest Gratitude and Thanks

The tree was barren of leaves but you brought a new spring.
Long green sprouts, verdant flowers, fresh promise.
Mori, if I ever forget my profound gratitude to you,
Let me burn in hell forever.

(Mori was a blind minstrel, and Ikkyu’s young mistress)
~~~~~
Basho’s Poems

A monk sips morning tea

A monk sips morning tea,
it’s quiet,
the chrysanthemum’s flowering.
~~
a strange flower

a strange flower
for birds and butterflies
the autumn sky
~~
The petals tremble

The petals tremble
on the yellow mountain rose –
roar of the rapids
~~
On the white poppy

On the white poppy,
a butterfly’s torn wing
is a keepsake
~~
shaking the grave

shaking the grave
my weeping voice
autumn wind
~~
Four Haiku

Spring:
A hill without a name
Veiled in morning mist.

The beginning of autumn:
Sea and emerald paddy
Both the same green.

The winds of autumn
Blow: yet still green
The chestnut husks.

A flash of lightning:
Into the gloom
Goes the heron’s cry.
~~~~~~

~~~~~~
The Dartmoor Pixies
(The Moorland Haunts of the Pixies: Sheeps Tor: Huccaby Cleave)

Among the superstitions of bygone times which still linger in Devonshire, the ideas regarding the pixies are undoubtedly the most interesting and romantic. Although the faith of the peasantry in the ability of these “little people” to exercise a control over their domestic arrangements is less firm than of yore, yet a notion still prevails that ill-luck will certainly overtake the hapless wight who is so unfortunate as to offend any of these diminutive elves. While instances are frequently related of help having been given to the farmer by these little sprites at night, the peasant who has only “heerd tell” of them, naturally looks upon them with some slight suspicion, and this lack of ocular demonstration on the part of the pixies it is that has somewhat shaken the faith of Hodge and Giles in their doings. However, let them be out late at night and hear some unusual sound at a lonely part of their road, or see, in the hollow below, the Will-o’-the-Wisp hovering about, and straightway they will begin to fancy the “little people” have something to do with it, and although they may he inclined to combat the idea, yet they will not be able to quite rid themselves of the impression that what they heard and saw was the pixies indulging in their midnight revels.

But it is to Dartmoor. we must go if we would hear fully of the fantastic tricks and antics of this elfin race, for there, and amid the combes which run far up into its borders, we shall find many a nook where they have often been observed dancing at night, according to old Uncle So-and-so, and in many an ancient farm-house shall be told how the -butter has been made, and the corn in the barn been threshed by these industrious little goblins.

Not far from the point of confluence of the two branches of the Mew rises “Sheepstor’s dark-browed rock,” and on the slope of the tor, on the side on which the village lies, is a vast clatter of boulders. Amid this is a narrow opening between two upright rocks, which will admit the visitor, though not without a little difficulty, into a small grotto, celebrated in local legend, and known as the Pixies’ Cave. On entering the cleft we shall find that the passage, which is only a few feet in length, turns abruptly to the left, and we shall also have to descend a little, as the floor of the cave is several feet lower than the rock at the entrance. This turning leads immediately into the cave which we shall find to be a small square apartment capable of containing several persons, but scarcely high enough to permit us to stand upright. On our left as we enter is a rude stone seat, and in the furthest corner a low narrow passage, extending for some little distance, is discoverable. According to a note in Polwhele’s Devon, this cavern became the retreat durng the Civil Wars of one of the Elford family, who here successfully hid himself from Cromwell’s soldiers, and it is related that he beguiled the time by painting on the rocky walls of the cavern, traces of the pictures remaining long afterwards, hut nothing of the sort is discoverable now. Mrs. Bray in her romance of Warleigh has introduced with good effect this story of the fugitive royalist, and indeed it was this tradition, so she tells us in her Borders of the Tamar and the Tavy, which first awakened a desire in her mind to search out the legendary lore of the neighbourhood, and which she afterwards presented to the public in so agreeable a form.

As its name indicates, the grotto is one of the haunts of the pixies, and according to local tradition these little fairy elves have made it their resort from time immemorial. Doubtless in days gone by the old people of Sheepstor saw–or fancied they saw–the

“Litt’e pixy fair and slim
Without a rag to cover him.”

busy clambering over the rocks by moonlight as he issued forth from his retreat to visit some farm-house to help forward the good yeoman’s work, or to wait until sunrise to pinch the lazy maid-servants should they fail to leave their beds at the proper time.

But there is one thing which we must not forget ere we leave the cave. Do not let us go thoughtlessly away without leaving an offering for the pixies, or piskies, as the country people more frequently call them. They are not extravagant in their expectations, so we shall not be taxed very highly. A pin will suffice, or a piece of rag, provided it is sufficiently large to make a garment for one of these little folks, for though sometimes seen in a state of nudity, they would seem to be proud of possessing a suit of clothes. Indeed a sort of weakness for finery exists among them, and a piece of ribbon appears to be as highly prized by them, as a gaudy coloured shawl or string of heads would be by an African savage.

The cave is rather difficult to find, and one might pass and re-pass the crevice which forms its opening, without ever dreaming that such a place existed there, so narrow does the entrance look. The clatter is a perfect wilderness of boulders, and stretches around to the eastern side of the tor, where the rocks rise perpendicularly, forming a precipice of great height.

As we stand at the entrance to the grotto we may look down upon the little village of Sheepstor and its church with sturdy granite tower, nestling in the sheltered combe, while the grey tor rises high behind us, exposed to all the buffetings of the wild moorland storm.

The tradition connecting the cavern on Sheeps Tor with the Elford family has, of course, rendered it more celebrated than it otherwise would have become had it depended on the pixies alone for its; notoriety, for though most people in this part of Devonshire have heard of the cave, few beyond the borders of Dartmoor have any knowledge of a larger and more striking retreat of these llittle people.”

This is known to the dwellers on the moor as the Piskies’ Holt, and is situated in Huccaby Cleave, not far from Dartmeet. [a]

The West Dart makes a sweep round the hill between Hexworthy Bridge and the point: where it meets its sister stream as it comes rolling down by the plantations of Brimpts, and after leaving Week Ford passes the cleave. Among the tangled bushes and underwood growing here, may be seen four rather large sycamore trees, at some distance from the left bank of the river, and it is beneath these that we shall discover the Piskies’ Holt. [b] It is a long narrow passage formed by large slabs of granite resting on two natural walls of the same. It is curved in form and extends for a distance of thirty-seven feet. its width is about four feet, and it is of sufficient height for a man to stand upright in it. The entrance, which is but two-and-a-half feet in height, is at the eastern cud, and at time other extremity is a small aperture through which it is possible to climb out of te cave. The floor is thickly covered with decayed leaves, blown in by the wind.

In summer time the knoll beneath which runs the bolt, is a most charming spot. The sycamore trees cast a cool and refreshing shade around, and the ferns with their bright green fronds, and the tall fox-gloves which lift their heads amid them, cover the ground near time fairy haunt, and force upon us the conviction that the pixies at all events have exhibited a deal of taste in their choice of an abode. Below, the West Dart hurries away to mingle its waters with time companion who never deserts it, but flows onward with it to the ocean, forcing its way over huge boulders, its banks overhung with foliage, and on the opposite hill-side are numerous enclosures which the hand of industry has rescued from the desert, with the brown moor stretching away beyond.

Truly it is a delightful spot, and as we throw ourselves back on the soft moss with the bright sun-rays streaming through the leafy canopy overhead, we can imagine that we are at the court of Oberon and Queen Titania. Did we visit the haunt by moonlight, perchance we should see the little elves coming stealthily forth from their retreat, and forming a fairy ring, indulge in their merry gambols on the sward.

Oh, these be Fancy’s revellers by night
Stealthy companions of the downy moth–
Diana’s motes, that flit in her pale light.
Shunners of sunbeams in diurnal sloth
These be the feasters on night’s silver cloth
The gnat with shrilly trump is their convener.
Forth from their flowery chambers, nothing loth,
With lulling times to charm the air serener.
Or dance upon the grass to make it greener. ” [c]

Many are the tales related of the doings of the pixies in this romantic neighbourhood, and in my note-book I have stored up more than one curious story, as I have gathered them from the Dartmoor peasants, to relate some of which shall presently be my pleasing task.

The two grottoes that I have noticed are the principal haunts of the pixies of Dartmoor, but there is not a tor near any of the moorland farms that has not been visited by them occasionally, and every homestead has at some time or other been the scene of the pranks of these merry elves. If we ask an old house-wife who and what the pixies are, she will tell us they are the souls of unbaptized children, and if we enquire as to their appearance, we shall be informed that they sometimes present themselves to human vision under the semblance of a small bundle of rags, but more frequently are seen in the form of little beings dressed in fantastic garments.

We shall find that beyond an excessive fondness for leading travellers astray, and for curiously riding on the Dartmoor colts much to the annoyance of the farmers, they seldom interfere with, or seek to bring trouble upon anyone, unless injury has been inflicted upon them. liven the practice in which they indulge of misleading travellers, we are told, may not be simply one of mischief, but may be for the purpose of leading the wayfarer from their secret haunts when he is unconsciously approaching too near diem, or may perhaps be intended as a punishment for some slight shown to them. It is true that lazy servants, and greedy and indolent masters suffer occasionally at their hands, but who can find fault with this? As a rule these “little people” seem to desire to do kind actions to the country folk, rather than cause them annoyance and inconvenience.

If perchance one should happen to be “pixy-led,” as it is termed, and should find it impossible to discover the desired track, an infallible remedy for this state of things is to divest oneself of some outer garment, turn it inside out, and put it on again, when the charm will be at once broken. Only a few years since an instance o this being tried came tinder my notice, but although it may have prevented the pixies from continuing their spell, it certainly did not have the effect of enabling the wanderers to find their road, when they had been once turned aside from it. Some young people set out from Hexworthy with The intention of going to Princetown by way of Swincombe, and across Tor Royal New-take. When they reached the latter enclosure, which is a very extensive one, a Dartmoor mist utterly prevented them from finding their way across it, and they wandered about for some time, totally unable to discover the wall of the new-take, and so gain the gate. They concluded they must be “pixy-led,” and the remedy in question was called into requisition. A short time after having done this they came upon an old kistvaen, known to the moor people as the “Crock of Gold,” and which they had already stumbled upon several times in their wandering. This is close beside the green path that leads across the new-take, but night being far advanced and the mist being still very dense they determined to wait until the morning broke, when their friends, who had made up a search party, discovered them.

Sometimes these merry little elves have been seen dancing in a circle on thc sides of the hills, as the peasant has made his way homeward after night-fall; but as such sights have generally been witnessed when the beholder has been returning from a merry-making, a sheep-shearing feast, perhaps, or a Christmas revel, I am reluctantly obliged to confess that I am of opinion that the appearance of these spirits must have had some connection with the spirits of the hospitable farmer, and that a nodding thistle, or a bunch of gorse, may have been, in the heated imagination of the rustic, set down as a dancing elf.

Such tricks hath strong imagination;
That if it would but apprehend some joy,
It comprehends some bringer of that joy
Or, in the night, imagining some fear,
How easy is a bush suppos’d a bear!” [d]

These merry little folks though credited with many a frolicsome gambol, are seemingly very shy of disporting themselves at the present day, being much more retiring in their disposition than we are informed was the case “years agone;” but their curious pranks still form a theme for conversation when, the labours of the day being over, and darkness covers the moor, the cottagers gather round to spend the evening hour by the comfortable peat fire.
~~

[a] At this delightful spot. one of the best known of any on Dartmoor, the East and West Dart unite. These are both fine streams, and give name to the wild district in which they rise.

[b] On the moor the word holt is used to signify a hole, or hollow among rocks,–the retreating place of a fox or a badger.–a hold, as it were. The ancient meaning of the word was a wood, or grove, and Risdon (Survey of Devon, p. 315, Edit. 1811) in noticing the parish of High Bickington, in North Devn, quotes the following ancient grant by King Athelstane. where the word, is used. Athelstane king, grome of this home, geve and graunt to the preist of this chirch, one yoke of mye land frelith to holde, woode in my holt house to buyld, bitt grass for all hys beasts. fuel for hys hearth, pannage for his sowe and piggs world without end.”

[c] Hood. Plea of the Midsummer Fairies.

[d] Midsunsmer Nights Dream, Act V., Sc. 1.
~~~~~~
Stars Of The Lid – Sun Drugs

~~~~~~


“Every truth passes through three stages before it is recognized. In the first it is ridiculed, in the second it is opposed, in the third it is regarded as self-evident.”

A. Schopenhauer

Sol Return

The past is not dead, it is living in us, and will be alive in the future which we are now helping to make. – William Morris

(Giulio Romano (1499-1546) Tribute to Apollo)

So, here we are in the days of Lugh, my patron deity. Warm sun, soft wind, fresh air. So much to be thankful for. I have spun around the sun another time, and it has been a great year. So much done, with family and friends, with love enough, and time enough (just) for all. The cornucopian moments are joining up, and there is a feast for all. These are harvest days.

I want to thank you all for holding on, and reading Turfing as it has gone through changes this past year. Not so many editions as before, but I am trying to make each have a quality and a polish to them. I have found a new lease on it all, by cutting back a bit.

This edition, is thick in that it will take awhile to enjoy it all if you go to the links and watch the videos. I opted for a shorter article than I wanted, but even that works, as I had found the photograph to illustrate Hakim Bey‘s writing a day or two ago. We are featuring William Morris this time around in the poetry and quotes. The more I read of Morris’s work, and the more I study his art, the deeper he draws me in. This is perhaps a happy conjunction, and I will be exploring more of his works as we go along. The Linkage is from my friend Cliff, who at this time is concerned deeply for a loved one. My thoughts are with him, and I am thankful as well for his support and nudges over the years.

The musical part of all of this is the new Dead Can Dance releases. I want to thank Peter and Margo for the lovely concert experience! A dream fulfilled for Mary and I!

Haxan. What can one say? This is an amazing bit of historic cinema. Watch a bit, but come back to it as you can. A unique film!

Thanks again for following along on my meanderings with Turfing. I hope this finds you all well, and with those that you love.

Bright Blessings,
Gwyllm
~~
On The Menu:
The Linkage
William Morris Quotes
Dead Can Dance – Return Of The She-King
William Morris Poetry
Haxan: Witchcraft Through The Ages
The Assassins – Hakim Bey
Dead Can Dance – Opium
Giulio Romano – Art
~~~~~~
The Linkage:
So, this isn’t like a huge entry, but my friend Cliff sent it over a while back, and I think it is well worth reading!
The Valentines: The Blind Man Who Described the Elephant as a Huge Fucking Cock
~~~~~~
William Morris Quotes:

The true secret of happiness lies in taking a genuine interest in all the details of daily life.

So long as the system of competition in the production and exchange of the means of life goes on, the degradation of the arts will go on; and if that system is to last for ever, then art is doomed, and will surely die; that is to say, civilization will die.

I do not want art for a few any more than education for a few, or freedom for a few.

History has remembered the kings and warriors, because they destroyed; art has remembered the people, because they created.

Have nothing in your house that you do not know to be useful, or believe to be beautiful.
~~~~~~
Dead Can Dance – Return Of The She-King

~~~~~~
William Morris Poetry

(William Morris by Sir William Blake Richmond)

Flora

I am the handmaid of the earth,
I broider fair her glorious gown,
And deck her on her days of mirth
With many a garland of renown.

And while Earth’s little ones are fain
And play about the Mother’s hem,
I scatter every gift I gain
From sun and wind to gladden them.
~~

Autumn

Laden Autumn here I stand
Worn of heart, and weak of hand:
Nought but rest seems good to me,
Speak the word that sets me free.
~~

Drawing Near The Light
Lo, when we wade the tangled wood,
In haste and hurry to be there,
Nought seem its leaves and blossoms good,
For all that they be fashioned fair.

But looking up, at last we see
The glimmer of the open light,
From o’er the place where we would be:
Then grow the very brambles bright.

So now, amidst our day of strife,
With many a matter glad we play,
When once we see the light of life
Gleam through the tangle of to-day.
~~

Echoes Of Love’s House

Love gives every gift whereby we long to live
“Love takes every gift, and nothing back doth give.”

Love unlocks the lips that else were ever dumb:
“Love locks up the lips whence all things good might come.”

Love makes clear the eyes that else would never see:
“Love makes blind the eyes to all but me and thee.”

Love turns life to joy till nought is left to gain:
“Love turns life to woe till hope is nought and vain.”

Love, who changest all, change me nevermore!
“Love, who changest all, change my sorrow sore!”

Love burns up the world to changeless heaven and blest,
“Love burns up the world to a void of all unrest.”

And there we twain are left, and no more work we need:
“And I am left alone, and who my work shall heed?”

Ah! I praise thee, Love, for utter joyance won!
“And is my praise nought worth for all my life undone?”
~~

The Nymph’s Song to Hylas

I KNOW a little garden-close
Set thick with lily and red rose,
Where I would wander if I might
From dewy dawn to dewy night,
And have one with me wandering.

And though within it no birds sing,
And though no pillar’d house is there,
And though the apple boughs are bare
Of fruit and blossom, would to God,
Her feet upon the green grass trod,
And I beheld them as before!

There comes a murmur from the shore,
And in the place two fair streams are,
Drawn from the purple hills afar,
Drawn down unto the restless sea;
The hills whose flowers ne’er fed the bee,
The shore no ship has ever seen,
Still beaten by the billows green,
Whose murmur comes unceasingly
Unto the place for which I cry.

For which I cry both day and night,
For which I let slip all delight,
That maketh me both deaf and blind,
Careless to win, unskill’d to find,
And quick to lose what all men seek.

Yet tottering as I am, and weak,
Still have I left a little breath
To seek within the jaws of death
An entrance to that happy place;
To seek the unforgotten face
Once seen, once kiss’d, once reft from me
Anigh the murmuring of the sea.
~~~~~~
Haxan: Witchcraft Through The Ages

~~~~~~
The Assassins – Hakim Bey

(View of a ruined fortress once used by the Assassins, near Semnan – James L. Standfield)

Across the luster of the desert & into the polychrome hills, hairless & ochre violet dun & umber, at the top of a dessicate blue valley travelers find an artificial oasis, a fortified castle in saracenic style enclosing a hidden garden.

As guests of the Old Man of the Mountain Hassan-i Sabbah they climb rock-cut steps to the castle. Here the Day of Resurrection has already come & gone–those within live outside profane Time, which they hold at bay with daggers & poisons.

Behind crenellations & slit-windowed towers scholars & fedayeen wake in narrow monolithic cells. Star-maps, astrolabes, alembics & retorts, piles of open books in a shaft of morning sunlight–an unsheathed scimitar.

Each of those who enter the realm of the Imam-of-one’s-own- being becomes a sultan of inverted revelation, a monarch of abrogation & apostasy. In a central chamber scalloped with light and hung with tapestried arabesques they lean on bolsters & smoke long chibouks of haschisch scented with opium & amber.

For them the hierarchy of being has compacted to a dimensionless punctum of the real–for them the chains of Law have been broken–they end their fasting with wine. For them the outside of everything is its inside, its true face shines through direct. But the garden gates are camouflaged with terrorism, mirrors, rumors of assassination, trompe l’oeil, legends.

Pomegranate, mulberry, persimmon, the erotic melancholy of cypresses, membrane-pink shirazi roses, braziers of meccan aloes & benzoin, stiff shafts of ottoman tulips, carpets spread like make-believe gardens on actual lawns–a pavilion set with a mosaic of calligrammes–a willow, a stream with watercress–a fountain crystalled underneath with geometry– the metaphysical scandal of bathing odalisques, of wet brown cupbearers hide-&-seeking in the foliage–”water, greenery, beautiful faces.”

By night Hassan-i Sabbah like a civilized wolf in a turban stretches out on a parapet above the garden & glares at the sky, conning the asterisms of heresy in the mindless cool desert air. True, in this myth some aspirant disciples may be ordered to fling themselves off the ramparts into the black–but also true that some of them will learn to fly like sorcerers.

The emblem of Alamut holds in the mind, a mandals or magic circle lost to history but embedded or imprinted in consciousness. The Old Man flits like a ghost into tents of kings & bedrooms of theologians, past all locks & guards with forgotten moslem/ninja techniques, leaves behind bad dreams, stilettos on pillows, puissant bribes.

The attar of his propaganda seeps into the criminal dreams of ontological anarchism, the heraldry of our obsessions displays the luminous black outlaw banners of the Assassins…all of them pretenders to the throne of an Imaginal Egypt, an occult space/light continuum consumed by still-unimagined liberties.
~~~~~~
Dead Can Dance – Opium

~~~~~~
(Zeus and Olympia – By Giulio Romano)

Give me love and work – these two only. – William Morris

Lucid

Lucid: (as in dreams)

I have been having astounding lucid dreams as of late. They are almost visionary in their message, it seems like I am entering a new phase. Life is good, and sweet. My dreams talk about a wondrous approach to life, taking nothing granted but being prepared for greater beauty, greater challenges and freedom. They speak of a new experience unfolding.

I hope you enjoy this entry. I put it together last week, and I was awaiting inspiration for this introduction. Life gets so busy, then I realized the dreams were the events that I needed to mention. I hope that you listen to yours. My dreams brought me to Mary, I went to London on the urge of the dream, and my life, and hers changed forever. Dreams are the language of the Gods. It doesn’t matter if you believe in them or not, they aren’t to sure about us as well… I think we have another life at least running parallel to this one, in the Dreamtime. In the dreaming, we talk to beings we never see here. We see sights never seen, and find love and teaching unreachable perhaps here.

Take the time, dream.

Big Love,

Gwyllm

~~

On The Menu:

Hamza el Din – Water Wheel
Bibi Hayati – Poetry
Rabia al Basri – Poetry
Lucid Dreaming – The Omni Experience
Hamza el Din – Muwashshah
~~~~~~

Hamza el Din – Water Wheel

~~~~~~

Bibi Hayati – Poetry

Before there was a hint of civilization

Before there was a hint of civilization
I carried a memory of your loose strand of hair,
Oblivious, I carried inside me your pointed tip of hair.
In its invisible realm,

Your face of sun yearned for epiphany,
Until each distinct thing was thrown into sight.
From the first instant time took a breath,
Your love lay in the soul,

A treasure in the secret chest in the heart.
Before the first seed shot up out of the rose bed of the possible,
The soul’s lark took wing high above your meadow,
Flying home to you.

I thank you one hundred times! In the altar
Of Hayati’s eyes, your face shines
Forever present and beautiful.

~~

How can I see the splendor of the moon
How can I see the splendor of the moon
If his face shines over my heart,
Flaming like the sun?

The Turks in his eyes charge through my soul,
While untrue curling hair
Defeats faith.

Yet if he lifted the veil from his face,
The world would be undone,
The universe astounded.

He walks through the garden
With grace, erect,
His exquisite posture mocking even the straight cypresses.

He charges, riding his gnostic horse
Into the holy space of divinity,
The sacred sphere.

Tonight the Saki with its red-stained ruby lips
Pours wine for the luxury of every drunk,
And sates every reveler’s taste.

As Hayati has drunk his ecstasy,
Her soul now satisfied by the wine of his pure heart,
How can she drink any other nectar?

~~

Is it the night of power

Is it the night of power
Or only your hair?
Is it dawn
Or your face?

In the songbook of beauty
Is it a deathless first line
Or only a fragment
copied from your inky eyebrow?

Is it boxwood of the orchard
Or cypress of the rose garden?
The tuba tree of paradise, abundant with dates,
Or your standing beautifully straight?

Is it musk of a Chinese deer
Or scent of delicate rosewater?
The rose breathing in the wind
Or your perfume?

Is it scorching lightning
Or light from fire on Sana’i Mountain?
My hot sigh
Or your inner radiance?

Is it Mongolian musk
Or pure ambergris?
Is it your hyacinth curls
Or your braids?

Is it a glass of red wine at dawn
Or white magic?
Your drunken narcissus eye
Or your spell?

Is it the Garden of Eden
Or heaven on earth?
A mosque of the masters of the heart
Or a back alley?

Everyone faces a mosque of adobe and mud
When they pray.
The mosque of Hayati’s soul
Turns to your face.
~~~~~~

Rabia al Basri – Poetry

“Eyes are at rest, the stars are setting.

Hushed are the stirrings of birds in their nests,
Of monsters in the ocean.
You are the Just who knows no change,
The Balance that can never swerve,
The Eternal which never passes away.

The doors of Kings are bolted now and guarded by soldiers.
Your Door is open to all who call upon You.

My Lord,
Each love is now alone with his beloved.
and I am alone with You.”

~~

If I Adore You

If I adore You out of fear of Hell, burn me in Hell!
If I adore you out of desire for Paradise,
Lock me out of Paradise.
But if I adore you for Yourself alone,
Do not deny to me Your eternal beauty.

~~

Reality

In love, nothing exists between heart and heart.
Speech is born out of longing,
True description from the real taste.
The one who tastes, knows;
the one who explains, lies.

How can you describe the true form of Something
In whose presence you are blotted out?
And in whose being you still exist?
And who lives as a sign for your journey?
~~

With My Beloved

With my Beloved I alone have been,
When secrets tenderer than evening airs
Passed, and the Vision blest
Was granted to my prayers,
That crowned me, else obscure, with endless fame;
The while amazed between
His Beauty and His Majesty
I stood in silent ecstasy
Revealing that which o’er my spirit went and came.
Lo, in His face commingled
Is every charm and grace;
The whole of Beauty singled
Into a perfect face
Beholding Him would cry,
‘There is no God but He, and He is the most High.’

~~~~~~

Lucid Dreaming – The Omni Experience

POWER TRIPS: CONTROLLING YOUR DREAMS

Release Date: Thursday, 19 March 1987

(Adam Scott Miller)

A number of techniques facilitate lucid dreaming. One of the simplest
is asking yourself many times during the day whether you are dreaming.
Each time you ask the question, you should look for evidence proving
you are not dreaming. The most reliable test: Read something, look
away for a moment, and then read it again. If it reads the same way
twice, it is unlikely that you are dreaming. After you have proved to
yourself that you are not presently dreaming, visualize yourself doing
what it is you’d like. Also, tell yourself that you want to recognize
a nighttime dream the next time it occurs. The mechanism at work here
is simple; it’s much the same as picking up milk at the grocery store
after reminding yourself to do so an hour before.

At night people usually realize they are dreaming when they experience
unusual or bizarre occurrences. For instance, if you find yourself
flying without visible means of support, you should realize that this
happens only in dreams and that you must therefore be dreaming.
If you awaken from a dream in the middle of the night, it is very
helpful to return to the dream immediately, in your imagination. Now
envision yourself recognizing the dream as such. Tell yourself, “The
next time I am dreaming, I want to remember to recognize that I am
dreaming.” If your intention is strong and clear enough, you may find
yourself in a lucid dream when you return to sleep.

Even if you’re a frequent lucid dreamer, you may not be able to stop
yourself from waking up in mid-dream. And even if your dreams do
reach a satisfying end, you may not be able to focus them exactly as
you please.

During our years of research, however, we have found that spinning
your dream body can sustain the period of sleep and give you greater
dream control. In fact, many subjects at Stanford University have
used the spinning technique as an effective means of staying in a
lucid dream. The task outlined below will help you use spinning as a
means of staying asleep and, more exciting, as a means of traveling to
whatever dream world you desire.

Before retiring, decide on a person, time, and place you would like to
visit in your lucid dream. The target person and place can be either
real or imaginary, past, present, or future. Write down and memorize
your target person and place, then visualize yourself visiting your
target and firmly resolve to do so in a dream that night.
To gain lucidity, repeat the phrase describing your target in your
dream, and spin your whole dream body in a standing position with your
arms outstretched. You can pirouette or spin like a top, as long as
you vividly feel your body in motion.

The same spinning technique will help when, in the middle of a lucid
dream, you feel the dream imagery beginning to fade. To avoid waking
up, spin as you repeat your target phrase again and again. With
practice, you’ll return to your target person, time, and place.
When spinning, try to notice whether you’re moving in a clockwise or
counter-clockwise direction.

– Stephen LaBerge and Jayne Gackenbach

Stephen LaBerge, Ph.D., of the Stanford University Sleep Research

Center, is also the author of LUCID DREAMING, Ballantine Books, New

York, (C) 1985.

~~~~~~

Hamza el Din – Muwashshah

~~~~~~

Primitive

It is better to conquer yourself than to win a thousand battles. Then the victory is yours. It cannot be taken from you, not by angels or by demons, heaven or hell. – Buddha

Dear Friends,

I’ve taken a hiatus from Turfing, and Earthrites blogging for the last month. (as you may have noticed)

Frankly, I have been overwhelmed by the work outside of Caer Llwydd, and trying to finish up the magazine for publication among other things, like Rowan our son graduating, deaths in the family etc.  Of course, there is the dithering as well.  I have been on Facebook a bit too much, but I have been spreading art there in various forms.  I have run into people lately who I haven’t seen for some 40+ years.  Amazing that.  I will take the dithering for the reconnections at this point.   Two of them greatly influenced my aesthetic and spiritual searchings early on.  A tip of the hat to Craig & John for their works that so moved me.

I ask you to be patient whilst I catch up with life a bit.  I tend to slice off more than I can handle at times, and lately this has been the case.

80)
~~

This edition of  Turfing has many of the familiar elements that marks it for what it is, the ramblings,the quotes,  the music, poetry and an article.  I still like that format.  I hope it still pleases you.

Bright Blessings,
Gwyllm
~~~~~~

On The Menu:
Buddha Quotes
Nick Drake – Pink Moon (Full Album!)
Lenore Kandel Poems
Buddhist Anarchism
~~~~~~

Buddha Quotes:

A jug fills drop by drop.

All wrong-doing arises because of mind. If mind is transformed can wrong-doing remain?

An insincere and evil friend is more to be feared than a wild beast; a wild beast may wound your body, but an evil friend will wound your mind.

Better than a thousand hollow words, is one word that brings peace.

Chaos is inherent in all compounded things. Strive on with diligence.

Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.
~~~~~~
Nick Drake – Pink Moon (Entire Album)

~~~~~
Lenore Kandel Poems

Enlightenment Poem

“We have all been brothers, hermaphroditic as oysters
Bestowing our pearls carelessly.
No one yet had invented ownership
Nor guilt, nor time.

We watched the seasons pass,
We were as crystalline as snow
And melted gently into newer forms
As stars spun round our heads –

We had not learned betrayal.

Our selves were pearls,
Irritants transmuted into luster
And offered carelessly.

Our pearls became more precious and our sexes static
Mutability grew a shell, we devised different languages
New words for new concepts, we invented alarm clocks
Fences, loyalty.

Still… Even now… Making a feint at communion
Infinite perceptions
I remember
We have all been brothers
And offer

Carelessly.”

~~
Hard Core Love

To Whom It Does Concern

Do you believe me when I say / you’re beautiful

I stand here and look at you out of the vision of my eyes

and into the vision of your eyes and I see you and you’re an

animal

and I see you and you’re divine and I see you and you’re a

divine animal

and you’re beautiful

the divine is not separate from the beast; it is the total crea-

ture that

transcends itself

the messiah that has been invoked is already here

you are that messiah waiting to be born again into awareness

you are beautiful; we are all beautiful

you are divine; we are all divine

divinity becomes apparent on its own recognition

accept the being that you are and illuminate yourself

by your own clear light

~~
Love-Lust Poem
I want to fuck you
I want to fuck you all the parts and places
I want you all of me

all of me

my mouth is a wet pink cave
your tongue slides serpent in
stirring the inhabited depths
and then your body turns and
then your cock slides in my open mouth
velvety head against my soft pink lips
velvety head against my soft wet-velvet tongue
your cock /hard and strong/ grows stronger, throbs in my
mouth
rubs against the wet slick walls, my fingers hold you
caress through the sweat damp hair
hold and caress your cock that slides in my mouth
I suck it in, all in, the sweet meat cock in my mouth and
your tongue slips wet and pointed and hot in my cunt
and my legs spread wide and wrap your head down into me

I am not sure where I leave off, where you begin,
is there a difference, here in these soft permeable membranes?

you rise and lean over me
and plunge that spit-slick cock into my depth
your mouth is on mine
and the taste on your mouth is of me
and the taste on my mouth is of you

and moaning mouth into mouth

and moaning mouth into mouth

I want you to fuck me
I want you to fuck me all the parts and all the places
I want you all of me

all of me

I want this, I want our bodies sleek with sweat
whispering, biting, sucking
I want the goodness of it, the way it wraps around us
and pulls us incredibly together
I want to come and come and come
with your arms holding me tight against you
I want you to explode that hot spurt of pleasure inside me
and I want to lie there with you
smelling the good smell of fuck that’s all over us
and you kiss me with that aching sweetness
and there is no end to love
~~
God/Love Poem
there are no ways of love but / beautiful /

I love you all of them

I love you / your cock in my hands

stirs like a bird

in my fingers

as you swell and grow hard in my hand

forcing my fingers open

with your rigid strength

you are beautiful / you are beautiful

you are a hundred times beautiful

I stroke you with my loving hands

pink-nailed long fingers

I caress you

I adore you

my finger-tips… my palms…

your cock rises and throbs in my hands

a revelation / as Aphrodite knew it

there was a time when gods were purer

/ I can recall nights among the honeysuckle

our juices sweeter than honey

/ we were the temple and the god entire/

I am naked against you

and I put my mouth on you slowly

I have longing to kiss you

and my tongue makes worship on you

you are beautiful

your body moves to me

flesh to flesh

skin sliding over golden skin

as mine to yours

my mouth my tongue my hands

my belly and my legs

against your mouth your love

sliding…sliding…

our bodies move and join

unbearably

your face above me

is the face of all the gods

and beautiful demons

your eyes…

love touches love

the temple and the god

are one

~~~~~~

Buddhist Anarchism

Buddhism holds that the universe and all creatures in it are intrinsically in a state of complete wisdom, love and compassion; acting in natural response and mutual interdependence. The personal realization of this from-the-beginning state cannot be had for and by one-“self” — because it is not fully realized unless one has given the self up; and away.

In the Buddhist view, that which obstructs the effortless manifestation of this is Ignorance, which projects into fear and needless craving. Historically, Buddhist philosophers have failed to analyze out the degree to which ignorance and suffering are caused or encouraged by social factors, considering fear-and-desire to be given facts of the human condition. Consequently the major concern of Buddhist philosophy is epistemology and “psychology” with no attention paid to historical or sociological problems. Although Mahayana Buddhism has a grand vision of universal salvation, the actual achievement of Buddhism has been the development of practical systems of meditation toward the end of liberating a few dedicated individuals from psychological hangups and cultural conditionings. Institutional Buddhism has been conspicuously ready to accept or ignore the inequalities and tyrannies of whatever political system it found itself under. This can be death to Buddhism, because it is death to any meaningful function of compassion. Wisdom without compassion feels no pain.

No one today can afford to be innocent, or indulge himself in ignorance of the nature of contemporary governments, politics and social orders. The national polities of the modern world maintain their existence by deliberately fostered craving and fear: monstrous protection rackets. The “free world” has become economically dependent on a fantastic system of stimulation of greed which cannot be fulfilled, sexual desire which cannot be satiated and hatred which has no outlet except against oneself, the persons one is supposed to love, or the revolutionary aspirations of pitiful, poverty-stricken marginal societies like Cuba or Vietnam. The conditions of the Cold War have turned all modern societies — Communist included — into vicious distorters of man’s true potential. They create populations of “preta” — hungry ghosts, with giant appetites and throats no bigger than needles. The soil, the forests and all animal life are being consumed by these cancerous collectivities; the air and water of the planet is being fouled by them.

There is nothing in human nature or the requirements of human social organization which intrinsically requires that a culture be contradictory, repressive and productive of violent and frustrated personalities. Recent findings in anthropology and psychology make this more and more evident. One can prove it for himself by taking a good look at his own nature through meditation. Once a person has this much faith and insight, he must be led to a deep concern with the need for radical social change through a variety of hopefully non-violent means.

The joyous and voluntary poverty of Buddhism becomes a positive force. The traditional harmlessness and refusal to take life in any form has nation-shaking implications. The practice of meditation, for which one needs only “the ground beneath one’s feet,” wipes out mountains of junk being pumped into the mind by the mass media and supermarket universities. The belief in a serene and generous fulfillment of natural loving desires destroys ideologies which blind, maim and repress — and points the way to a kind of community which would amaze “moralists” and transform armies of men who are fighters because they cannot be lovers.

Avatamsaka (Kegon) Buddhist philosophy sees the world as a vast interrelated network in which all objects and creatures are necessary and illuminated. From one standpoint, governments, wars, or all that we consider “evil” are uncompromisingly contained in this totalistic realm. The hawk, the swoop and the hare are one. From the “human” standpoint we cannot live in those terms unless all beings see with the same enlightened eye. The Bodhisattva lives by the sufferer’s standard, and he must be effective in aiding those who suffer.

The mercy of the West has been social revolution; the mercy of the East has been individual insight into the basic self/void. We need both. They are both contained in the traditional three aspects of the Dharma path: wisdom (prajna), meditation (dhyana), and morality (sila). Wisdom is intuitive knowledge of the mind of love and clarity that lies beneath one’s ego-driven anxieties and aggressions. Meditation is going into the mind to see this for yourself — over and over again, until it becomes the mind you live in. Morality is bringing it back out in the way you live, through personal example and responsible action, ultimately toward the true community (sangha) of “all beings.”

This last aspect means, for me, supporting any cultural and economic revolution that moves clearly toward a free, international, classless world. It means using such means as civil disobedience, outspoken criticism, protest, pacifism, voluntary poverty and even gentle violence if it comes to a matter of restraining some impetuous redneck. It means affirming the widest possible spectrum of non-harmful individual behavior — defending the right of individuals to smoke hemp, eat peyote, be polygynous, polyandrous or homosexual. Worlds of behavior and custom long banned by the Judaeo-Capitalist-Christian-Marxist West. It means respecting intelligence and learning, but not as greed or means to personal power. Working on one’s own responsibility, but willing to work with a group. “Forming the new society within the shell of the old” — the IWW slogan of fifty years ago.

The traditional cultures are in any case doomed, and rather than cling to their good aspects hopelessly it should be remembered that whatever is or ever was in any other culture can be reconstructed from the unconscious, through meditation. In fact, it is my own view that the coming revolution will close the circle and link us in many ways with the most creative aspects of our archaic past. If we are lucky we may eventually arrive at a totally integrated world culture with matrilineal descent, free-form marriage, natural-credit communist economy, less industry, far less population and lots more national parks.

GARY SNYDER
1961

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The virtues, like the Muses, are always seen in groups. A good principle was never found solitary in any breast. – Buddha
(The So Called Higher Self – Adam Scott Miller)

The Travelers

A good traveler has no fixed plans, and is not intent on arriving. – Lao Tzu

~~
This edition of Turfing is dedicated to our wandering Walker.

As a young man I lived extensively on the road, I traveled by freight train, hitchhiking, walking of course, to and fro across the US, then across the Mid Pacific and Europe. I was constantly moving along, busking and working as opportunity presented itself. I slept where I could, in communes, parks, garages, along railway tracks, on the beach and in the deep woods.

I settled down for a bit, finished school, and then joined the work world. I moved frequently though, often living in one location for less than 6 months. This lasted a few years until I returned to my nomadic life. In London one early December I was waylaid by Love, and though we were now two, and married, we still bounced around between Europe and the US. Together we wandered and it was a wonderful life being with someone you love and exploring together. Then as it often happens having a child eventually made us finally put our roots down. It’s a funny process. Some of us never take to it, and others decide after years of the ‘civilized life’ to chuck it all in and hit the road. Some have never leave the road, they are born on it, and they die on it.

I met a few of the Travelers and Gypsies in my time, some, by choice others by the society that they were born into. I used to see the wagons of the Gypsies in rustic areas of the UK, and even the settlements of pure chaos in London when the Gypsies would take over an abandoned lot. In the city it was not the most pleasant of set ups, and the area was generally overwhelmed by trash etc. pretty quickly. In the country encampments not so much.

The newest phenomena in the UK is “The New Age Travelers”; tribal in nature, emerging from the countercultures womb in the late 60′s (but really this is far older), vans, busses, lorries decked out in paint showing up at the festivals, and ranging up and down the spine of Britain. Similar groups are to be found in Ireland, more related to the Tinkers I would think, and I have seen similar groups in France and Germany as well. We have them here in America, with The Rainbow Gathering and other events being the locus social events for the wanderers. They are harassed here in the States, and in the UK by the local authorities. It seems their very existence threaten the social order if you read between the lines. The truth of the matter is that they do threaten the social order, and the ‘social order’ has tried to eradicate them time and again without success like the Gypsies have been across Europe and elsewhere. They threaten the social order in that they are chaos embodied opposed to the stasis of the state and economic model. They are a danger to some as they awaken memories that many wish that were forgotten of other times, and ways of life. Yet they continue, and continue so hold up a mirror if someone is looking.

There is something in our nature that crops up. I used to call it The Horizon Line. I long at times to just cut loose, and Mary & I have discussed it frequently. There may come a time soon when we give up and just follow our noses down the road. Mind you, I love my town, my friends, our home. I am very comfortable in the life I have. That may be the key to all of this; comfort. Perhaps we need something to goad us on. Something to shake us, and makes us head up the path, down the road, take to the sea, hop a freight, to wander, just wander.

It seems more and more people are now either forced to the road by the economics of the times, becoming homeless or by choice. It reminds me that humans have been both nomads and homesteaders for a very, very long time. Curiosity drove us out of Africa, or Asia (or both), we wander across the land, the seas, and now it seems the skies. It can be a good life, better for some then being trapped in some god-awful job or situation. I see so many young ones out there now. Maybe more so than when I lived on the road. People like to construct reasons for what they see; horrible family lives, poverty, drugs, alcohol. Perhaps for some, but not for all. Some wander just to wander and that is okay.

My friend Walker wanders quite a bit. I admire his skill in finding old growth, un-touched mountain lakes, hot springs and the hidden places. His occasional photos of his latest adventures will drift up to the web, and I feel the stab of beauty from what he has sent along. With the pictures comes longings, dreams, and memories of waking up beside the ocean in a sleeping bag with the morning fog still up. He wanders by choice, and I truly admire that. We should not forget the nomadic urges that have driven us, as well which drove our ancestors to new horizon lines. The road surely goes on forever.

Bright Blessings,
Gwyllm
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On The Menu:
Richard Thompson – Beeswing
Gary Snyder Poems
Hakim Bey: Waiting for the Revolution
New Age Travelers Documentary
An English Gypsy Tale: -De Little Bull-Calf
The Levellers – Battle Of The Beanfield
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Richard Thompson – Beeswing

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Gary Snyder Poems:

“I feel ancient, as though I had
Lived many lives.
And may never know
If I am a fool
Or have done what my
karma demands.”
~~
What You Should Know to Become a Poet

all you can know about animals as persons.
the names of trees and flowers and weeds.
the names of stars and the movements of planets
and the moon.
your own six senses, with a watchful elegant mind.
at least one kind of traditional magic:
divination, astrology, the book of changes, the tarot;

dreams.
the illusory demons and the illusory shining gods.
kiss the ass of the devil and eat shit;
fuck his horny barbed cock,
fuck the hag,
and all the celestial angels
and maidens perfum’d and golden-

& then love the human: wives, husbands and friends
children’s games, comic books, bubble-gum,
the weirdness of television and advertising.

work long, dry hours of dull work swallowed and accepted
and lived with and finally lovd. exhaustion,
hunger, rest.

the wild freedom of the dance, ecstasy
silent solitary illumination, entasy

real danger. gambles and the edge of death.
~~
How rare to be born a human being!
Wash him off with cedar-bark and milkweed
send the damned doctors home.
Baby, baby, noble baby,
Noble-hearted baby
~~
We Make Our Vows Together With All Beings

Eating a sandwich
At work in the woods,

As a doe nibbles buckbrush in snow
Watching each other,
chewing together.

A Bomber from Beale
over the clouds,
Fills the sky with a roar.

She lifts head, listens,
Waits till the sound has gone by.

So do I.
~~
Anger, Cattle, and Achilles

Two of my best friends quit speaking
one said his wrath was like that of Achilles.
The three of us had traveled on the desert,
awakened to bird song and sunshine under ironwoods
in a wadi south of the border.

They both were herders. One with cattle
and poems, the other with business and books.

One almost died in a car crash but slowly recovered
the other gave up all his friends,
took refuge in a city
and studied the nuances of power.

One of them I haven’t seen in years,
I met the other lately in the far back of a bar,
musicians playing near the window and he
sweetly told me “listen to that music.

The self we hold so dear will soon be gone.”
~~~~~~
Hakim Bey: Waiting for the Revolution

HOW IS IT THAT “the world turned upside-down” always manages to Right itself? Why does reaction always follow revolution, like seasons in Hell?
Uprising, or the Latin form insurrection, are words used by historians to label failed revolutions–movements which do not match the expected curve, the consensus-approved trajectory: revolution, reaction, betrayal, the founding of a stronger and even more oppressive State–the turning of the wheel, the return of history again and again to its highest form: jackboot on the face of humanity forever.

By failing to follow this curve, the up-rising suggests the possibility of a movement outside and beyond the Hegelian spiral of that “progress” which is secretly nothing more than a vicious circle. Surgo–rise up, surge. Insurgo–rise up, raise oneself up. A bootstrap operation. A goodbye to that wretched parody of the karmic round, historical revolutionary futility. The slogan “Revolution!” has mutated from tocsin to toxin, a malign pseudo-Gnostic fate-trap, a nightmare where no matter how we struggle we never escape that evil Aeon, that incubus the State, one State after another, every “heaven” ruled by yet one more evil angel.

If History IS “Time,” as it claims to be, then the uprising is a moment that springs up and out of Time, violates the “law” of History. If the State IS History, as it claims to be, then the insurrection is the forbidden moment, an unforgivable denial of the dialectic–shimmying up the pole and out of the smokehole, a shaman’s maneuver carried out at an “impossible angle” to the universe. History says the Revolution attains “permanence,” or at least duration, while the uprising is “temporary.” In this sense an uprising is like a “peak experience” as opposed to the standard of “ordinary” consciousness and experience. Like festivals, uprisings cannot happen every day–otherwise they would not be “nonordinary.” But such moments of intensity give shape and meaning to the entirety of a life. The shaman returns–you can’t stay up on the roof forever– but things have changed, shifts and integrations have occurred–a difference is made.

You will argue that this is a counsel of despair. What of the anarchist dream, the Stateless state, the Commune, the autonomous zone with duration, a free society, a free culture? Are we to abandon that hope in return for some existentialist acte gratuit? The point is not to change consciousness but to change the world.

I accept this as a fair criticism. I’d make two rejoinders nevertheless; first, revolution has never yet resulted in achieving this dream. The vision comes to life in the moment of uprising–but as soon as “the Revolution” triumphs and the State returns, the dream and the ideal are already betrayed. I have not given up hope or even expectation of change–but I distrust the word Revolution. Second, even if we replace the revolutionary approach with a concept of insurrection blossoming spontaneously into anarchist culture, our own particular historical situation is not propitious for such a vast undertaking. Absolutely nothing but a futile martyrdom could possibly result now from a head- on collision with the terminal State, the megacorporate information State, the empire of Spectacle and Simulation. Its guns are all pointed at us, while our meager weaponry finds nothing to aim at but a hysteresis, a rigid vacuity, a Spook capable of smothering every spark in an ectoplasm of information, a society of capitulation ruled by the image of the Cop and the absorbant eye of the TV screen.

In short, we’re not touting the TAZ as an exclusive end in itself, replacing all other forms of organization, tactics, and goals. We recommend it because it can provide the quality of enhancement associated with the uprising without necessarily leading to violence and martyrdom. The TAZ is like an uprising which does not engage directly with the State, a guerilla operation which liberates an area (of land, of time, of imagination) and then dissolves itself to re-form elsewhere/elsewhen, before the State can crush it. Because the State is concerned primarily with Simulation rather than substance, the TAZ can “occupy” these areas clandestinely and carry on its festal purposes for quite a while in relative peace. Perhaps certain small TAZs have lasted whole lifetimes because they went unnoticed, like hillbilly enclaves–because they never intersected with the Spectacle, never appeared outside that real life which is invisible to the agents of Simulation.

Babylon takes its abstractions for realities; precisely within this margin of error the TAZ can come into existence. Getting the TAZ started may involve tactics of violence and defense, but its greatest strength lies in its invisibility–the State cannot recognize it because History has no definition of it. As soon as the TAZ is named (represented, mediated), it must vanish, it will vanish, leaving behind it an empty husk, only to spring up again somewhere else, once again invisible because undefinable in terms of the Spectacle. The TAZ is thus a perfect tactic for an era in which the State is omnipresent and all-powerful and yet simultaneously riddled with cracks and vacancies. And because the TAZ is a microcosm of that “anarchist dream” of a free culture, I can think of no better tactic by which to work toward that goal while at the same time experiencing some of its benefits here and now.

In sum, realism demands not only that we give up waiting for “the Revolution” but also that we give up wanting it. “Uprising,” yes–as often as possible and even at the risk of violence. The spasming of the Simulated State will be “spectacular,” but in most cases the best and most radical tactic will be to refuse to engage in spectacular violence, to withdraw from the area of simulation, to disappear.

The TAZ is an encampment of guerilla ontologists: strike and run away. Keep moving the entire tribe, even if it’s only data in the Web. The TAZ must be capable of defense; but both the “strike” and the “defense” should, if possible, evade the violence of the State, which is no longer a meaningful violence. The strike is made at structures of control, essentially at ideas; the defense is “invisibility,” a martial art, and “invulnerability”–an “occult” art within the martial arts. The “nomadic war machine” conquers without being noticed and moves on before the map can be adjusted. As to the future–Only the autonomous can plan autonomy, organize for it, create it. It’s a bootstrap operation. The first step is somewhat akin to satori–the realization that the TAZ begins with a simple act of realization.
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New Age Travelers Documentary

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An English Gypsy Tale: -De Little Bull-Calf

Centers of yeahs ago, when all de most part of de country wur a wilderness place, deah wuz a little boy lived in a pooah bit of a poverty 1 house. An’ dis boy’s father guv him a deah little bull-calf. De boy used to tink de wurl’ of dis bull-calf, an’ his father gived him everyting he wanted fur it.

Afterward dat his father died, an’ his mother got married agin; an’ dis wuz a werry wicious stepfather, an’ he couldn’t abide dis little boy. An’ at last he said, if de boy bring’d de bull-calf home agin, he wur a-goin’ to kill it. Dis father should be a willint to dis deah little boy, shouldn’t he, my Sampson?

He used to gon out tentin’ his bull-calf every day wid barley bread. An’ arter dat deah wus an ole man comed to him, an’ we have a deal of thought who Dat wuz, eh? An’ he d’rected de little boy, ‘You an’ youah bull-calf had better go away an’ seek youah forchants.’

So he wents an, an’ wents an, as fur as I can tell you to-morrow night, 2 an’ he wents up to a farmhouse an’ begged a crust of bread, an’ when he comed back he broked it in two, and guv half an it to his little bull-calf.

An’ he wents an to another house, an’ begs a bit of cheese crud, an’ when he comed back, he wants to gin half an it to his bull-calf.

‘No,’ de little bull-calf says, ‘I’m a-goin’ acrost dis field into de wild wood wilderness country, where dere’ll be tigers, lepers, wolfs, monkeys, an’ a fiery dragin. An’ I shall kill dem every one excep’ de fiery dragin, an’ he’ll kill me.’ (De Lord could make any animal speak dose days. You know trees could speak wonst. Our blessed Lord He hid in de eldon bush, an’ it tell’t an Him, an’ He says, ‘You shall always stink,’ and so it always do. But de ivy let Him hide into it, and He says, It should be green both winter an’ summer.) An’ dis little boy did cry, you ‘ah shuah; and he says, ‘O my little bull-calf, I hope he won’t kill you.’

‘Yes, he will,’ de little bull-calf says. ‘An’ you climb up dat tree, an’ den no one can come anigh you but de monkeys, an’ ef dey come de cheese crud will sef you. An’ when I’m killt de dragin will go away fur a bit. An’ you come down dis tree, an’ skin me, an’ get my biggest gut out, an’ blow it up, an’ my gut will kill everyting as you hit wid it, an’ when dat fiery dragin come, you hit it wid my gut, an’ den cut its tongue out.’ (We know deah were fiery dragins dose days, like George an’ his dragin in de Bible. But deah! it aren’t de same wurl’ now. De wurl’ is tu’n’d ovah sence, like you tu’n’d it ovah wid a spade.)

In course he done as dis bull-calf tell’t him, an’ he climb’t up de tree, an’ de monkeys climb’t up de tree to him. An’ he belt de cheese crud in his hend, an’ he says, ‘I’ll squeeze youah heart like dis flint stone.’

An’ de monkey cocked his eye, much to say, ‘Ef you can squeeze a flint stone an’ mek de juice come outer it, you can squeeze me.’ An’ he never spoked, for a monkey’s cunning, 1 but down he went.

An’ de little bull-calf wuz fighting all dese wild tings on de groun’; an’ de little boy wuz clappin’ his hands up de tree an’ sayin’, ‘Go an, my little bull-calf! Well fit, my little bull-calf!’ An’ he mastered everyting barrin’ de fiery dragin. An’ de fiery dragin killt de little bull-calf.

An’ he wents an, an’ saw a young lady, a king’s darter, staked down by de hair of her head. (Dey wuz werry savage dat time of day kings to deir darters if dey misbehavioured demselfs, an’ she wuz put deah fur de fiery dragin to ’stry her.)

An’ he sat down wid her several hours, an’ she says, ‘Now, my deah little boy, my time is come when I’m a-goin’ to be worried, an’ you’ll better go.’

An’ he says, ‘No,’ he says, ‘I can master it, an’ I won’t go.’

She begged an’ prayed an him as ever she could to get him away, but he wouldn’t go. An’ he could heah it comin’ far enough, roarin’ an’ doin’. An’ dis dragin come spitting fire, wid a tongue like a gret speart: an’ you could heah it roarin’ fur milts; an’ dis place wheah de king’s darter wur staked down wuz his beat wheah he used to come. And when it comed, de little boy hit dis gut about his face tell he wuz dead, but de fiery dragin bited his front finger affer him. Den de little boy cut de fiery dragin’s tongue out, an’ he says to de young lady, ‘I’ve done all dat I can, I mus’ leave you.’ An’ you ’ah shuah she wuz sorry when he hed to leave her, an’ she tied a dimant ring into his hair, an’ said good-bye to him.

Now den, bime bye, de ole king comed up to de werry place where his darter wuz staked by de hair of her head, ’mentin’ an’ doin’, an’ espectin’ to see not a bit of his darter, but de prents of de place where she wuz. An’ he wuz disprised, an’ he says to his darter, ‘How come you seft?’

‘Why, deah wuz a little boy comed heah an’ sef me, daddy.’

Den he untied her, an’ took’d her home to de palast, for you’ah shuah he wor glad, when his temper comed to him agin. Well, he put it into all de papers to want to know who seft dis gal, an’ ef de right man comed he wur to marry her, an’ have his kingdom an’ all his destate. Well, deah wuz gentlemen comed fun all an’ all parts of England, wid deir front fingers cut aff, an’ all an’ all kinds of tongues–foreign tongues, an’ beastès’ tongues, an’ wile animals’ tongues. Dey cut all sorts of tongues out, an’ dey went about shootin’ tings a-purpose, but dey never could find a dragin to shoot. Deah wuz genlemen comin’ every other day wid tongues an’ dimant rings; but when dey showed deir tongues, it warn’t de right one, an’ dey got turn’t aff.

An’ dis little ragged boy comed up a time or two werry desolated like; an’ she had an eye on him, an’ she looked at dis boy, tell her father got werry angry an’ turn’t dis boy out.

Daddy,’ she says, ‘I’ve got a knowledge to dat boy.’

You may say deah wuz all kinds of kings’ sons comin’ up showin’ deir parcels; an’ arter a time or two dis boy comed up agin dressed a bit better.

An’ de ole king says, ‘I see you’ve got an eye on dis boy. An’ ef it is to be him, it has to be him.’

All de oder genlemen wuz fit to kill him, an’ dey says, ‘Pooh! pooh! tu’n dat boy out; it can’t be him.’

But de ole king says, ‘Now, my boy, let’s see what you got.’

Well, he showed the dimant ring, with her name into it, an’ de fiery dragin’s tongue. Dordi! how dese genlemen were mesmerised when he showed his ’thority, and de king tole him, ‘You shall have my destate, an’ marry my darter.’

An’ he got married to dis heah gal, an’ got all de ole king’s destate. An’ den de stepfather came an’ wanted to own him, but de young king didn’t know such a man.
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The Levellers – Battle Of The Beanfield

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“I must down to the seas again to the vagrant gypsy life,To the gull’s way and the whale’s way where the wind’s like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover, And quiet sleep and a sweet dream when the long trick’s o” – John Masefield

(Adolphe-William Bouguereau – The Bohemian)

Sweet Mid-Summer!

(Piero di Cosimo – A Satyr Mourning over a Nymph)


Drink from this heart now,
for all this loving it contains.
When you look for it again,
it will be dancing in the wind.
– Shaikh Abu Saeed Abil Kheir
~~

Greetings Friends!
Back again, working with the new shorter format. We have some great music, poetry, and a sweet folktale from Wales. Click on the Piero di Cosimo paintings, they are quite large and detail rich.

This entry is based around the poetry of Shaikh Abu Saeed Abil Kheir, a great Persian Sufi Poet. I am now selecting the poetry first, and moving forward with it in mind as the central theme to any edition. We will play with this a bit and see how it feels. Any feedback would be appreciated!
~

Life is sweet at the apex of the solar year here in Portland, except it has been raining extensively (though I enjoy it at night). It has been a cool spring and early summer here, but the berries are going wild locally. The robins are all back, and digging up the back yard for worms and nesting material at a furious rate.
The raccoon’s are using our fence at night as a highway, you can here them barreling through at all hours after midnight upsetting the local hounds. The squirrels are a bit sparse, bespeaking the local feline populations hunting skills. I have never seen so few of the squirrel clan locally. Usually, our yard is swarming with them, but not this year.

Rowan (my son) graduated from college last week. We had a big blow out for him, and he was working the Monday after graduating at his first paid professional job. We have high hopes for him!

I hope this finds you all well, and enjoying the fruits of the mid-summer. I hope all of our relatives in the UK are on high ground with the recent flooding, and I pray your life is sweet and bountiful.

Bright Blessings,
Gwyllm

On The Menu:
Music: NeoMorpheous – Carbon Based Lifeforms – Interconnected Conscioussness Mix
Poetry: Shaikh Abu Saeed Abil Kheir – “Nobody, Son of Nobody”
From Wales: The Shepherd of Myddvai
Featured Artist: Piero di Cosimo
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NeoMorpheous – Carbon Based Lifeforms – Interconnected Conscioussness Mix
Full Album!

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Shaikh Abu Saeed Abil Kheir – “Nobody, Son of Nobody”

If you are seeking closeness to the Beloved,
love everyone.
Whether in their presence or absence,
see only their good.
If you want to be as clear and refreshing as
the breath of the morning breeze,
like the sun, have nothing but warmth and light
for everyone.
~~

Beloved, show me the way out of this prison.
Make me needless of both worlds.
Pray, erase from mind all
that is not You.

Have mercy Beloved,
though I am nothing but forgetfulness,
You are the essence of forgiveness.
Make me needless of all but You.
~~

Piousness and the path of love
are two different roads.
Love is the fire that burns both belief
and non-belief.
Those who practice Love have neither
religion nor caste.
~~

Be humble.
Only fools take pride in their station here, trapped in
a cage of dust, moisture, heat and air.
No need to complain of calamities,
this illusion of a life lasts but a moment.
~~

Suppose you can recite a thousand holy
verses from memory.
What are you going to do
with your ego self, the true
mark of the heretic?
Every time your head touches
the ground in prayers, remember,
this was to teach you to
put down that load of ego
which bars you from entering
the chamber of the Beloved.

To your mind feed understanding,
to your heart, tolerance and compassion.
The simpler your life, the more meaningful.
The less you desire of the world,
the more room you will have in it
to fill with the Beloved.

The best use of your tongue
is to repeat the Beloved’s Name in devotion.
The best prayers are those in
the solitude of the night.
The shortest way to the Friend
is through selfless service and
generosity to His creatures.

Those with no sense of honor and dignity are best avoided.
Those who change colors constantly
are best forgotten.
The best way to be with those
bereft of the Beloved’s qualities,
is to forget them in the
joy of silence in one’s corner of solitude.
~~

If you do not give up the crowds
you won’t find your way to Oneness.
If you do not drop your self
you won’t find your true worth.
If you do not offer all you
have to the Beloved,
you will live this life free of that
pain which makes it worth living.
~~~~~~
(Piero di Cosimo – Battle of Lapiths and Centaurs)

~~~~~~
From Wales: The Shepherd of Myddvai

Up in the Black Mountains in Caermarthenshire lies the lake known as Lyn y Van Vach. To the margin of this lake the shepherd of Myddvai once led his lambs, and lay there whilst they sought pasture. Suddenly, from the dark waters of the lake, he saw three maidens rise. Shaking the bright drops from their hair and gliding to the shore, they wandered about amongst his flock. They had more than mortal beauty, and he was filled with Jove for her that came nearest to him. He offered her thebread he had with him, and she took it and tried it, but then sang to him:

Hard-baked is thy bread,
’Tis not easy to catch me,

and then ran off laughing to the lake.

Next day he took with him bread not so well done, and watched for the maidens. When they came ashore he offered his bread as before, and the maiden tasted it and sang:

Unbaked is thy bread,
I will not have thee,

and again disappeared in the waves.

A third time did the shepherd of Myddvai try to attract the maiden, and this time he offered her bread that he had found floating about near the shore. This pleased her, and she promised to become his wife if he were able to pick her out from among her sisters on the following day. When the time came the shepherd knew his love by the strap of her sandal. Then she told him she would be as good a wife to him as any earthly maiden could be unless he should strike her three times without cause. Of course he deemed that this could never be; and she, summoning from the lake three cows, two oxen, and a bull, as her marriage portion, was led homeward by him as his bride.

The years passed happily, and three children were born to the shepherd and the lake-maiden. But one day here were going to a christening, and she said to her husband it was far to walk, so he told her to go for the horses.

“I will,” said she, “if you bring me my gloves which I’ve left in the house.”

But when he came back with the gloves, he found she had not gone for the horses; so he tapped her lightly on the shoulder with the gloves, and said, “Go, go.”

“That’s one,” said she.

Another time they were at a wedding, when suddenly the lake-maiden fell a-sobbing and a-weeping, amid the joy and mirth of all around her.

Her husband tapped her on the shoulder, and asked her, “Why do you weep?”

“Because they are entering into trouble; and trouble is upon you; for that is the second causeless blow you have given me. Be careful; the third is the last.”

The husband was careful never to strike her again. But one day at a funeral she suddenly burst out into fits of laughter. Her husband forgot, and touched her rather roughly on the shoulder, saying, “Is this a time for laughter?”

“I laugh,” she said, “because those that die go out of trouble, but your trouble has come. The last blow has been struck; our marriage is at an end, and so farewell.”

And with that she rose up and left the house and went to their home.

Then she, looking round upon her home, called to the cattle she had brought with her:

Brindle cow, white speckled,
Spotted cow, bold freckled,
Old white face, and gray Geringer,
And the white bull from the king’s coast,
Grey ox, and black calf,
All, all, follow me home,

Now the black calf had just been slaughtered, and was hanging on the hook; but it got off the hook alive and well and followed her; and the oxen, though they were ploughing, trailed the plough with them and did her bidding. So she fled to the lake again, they following her, and with them plunged into the dark waters. And to this day is the furrow seen which the plough left as it was dragged across the mountains to the tarn.

Only once did she come again, when her sons were grown to manhood, and then she gave them gifts of healing by which they won the name of Meddygon Myddvai, the physicians of Myddvai.
~~~~~~
(Piero di Cosimo – Venus, Mars und Amor)

Let sorrowful longing dwell in your heart,
never give up, never losing hope.
The Beloved says, “The broken ones are My darlings.”
Crush your heart, be broken.
– Shaikh Abu Saeed Abil Kheir
~~

The Essential

(Through the Fire Eye by MattTheSamurai)

Not only do beings and things have spirits that in turn take the forms of beings and things, but deeds, words, thoughts, and feelings also have spirits of their own. Thus it may happen that the soul of a beautiful deed may assume the form of an angel. – Sheikh Badruddin
~
We have been very busy; with clients and with the rushing of the world towards the Solstice, and just previous to that, Rowan, our son’s graduating from The Art Institute Of Portland.

I am very pleased for him, he has worked long and hard (and is still toiling away at this moment) on his thesis film (see below). Generally I would of seen a version of it by now, but it seems he is keeping it all under wraps until this Thursday when he premiers it with his fellow seniors films at The Hollywood Theater on 4122 N.E.Sandy Blvd in Portland at 7:00. Please come! It should be a fun evening, and it is free!
~~
This Edition: I want to thank James Fadiman & Robert Frager for their Essential Sufism book. I especially want to thank James for his talks with me on Sufism when he visited us in Portland, and since. As I have studied Sufism over the years, I find that the poetry is perhaps the most vital part for me.

I have put in a couple of videos as well with Harold Budd along with John Foxx, and another with the wonderful Hector Zazou, now sadly past away.

The moving gif illustrations are by a young man, MattTheSamurai who seems to be a master in his own digital way. Other art is classic illustrations from Persia.
I hope you enjoy this edition as much as I had putting it together.

Life is hectic, but full of beauty. Here we are, ramping up to the Solstice, and about to start rocketing down slope. It happens so quickly.

Bright Blessings,
Gwyllm
~~
On The Menu:
Rowan’s Film Poster and Video Teaser
John Foxx & Harold Budd – You Again
Bayazid Bastami Quotes
Ahmad Jami’s Poetry
The Secret Rose Garden: Mahmud al Shabistari
Harold Budd & Hector Zazou – And Then She Stepped Aside

~~~~
Rowan’s Film Poster and Video Teaser

Pelt

Pelt – Teaser

~~~~
John Foxx & Harold Budd – You Again

~~~~~~
Bayazid Bastami Quotes:


“I never saw any lamp shining more brilliantly than the lamp of silence.”

Twelve years I have been smith of myself, until I have made of myself a clear mirror.

“I stood with the pious and I didn’t find any progress with them. I stood with the warriors in the cause and I didn’t find a single step of progress with them. Then I said, ‘O Allah, what is the way to You?’ and Allah said, ‘Leave yourself and come.”

“I went to a wilderness, love had rained and had covered earth, as feet penetrate snow, I found my feet covered with love.”

“The thing we tell of can never be found by seeking, yet only seekers find it.”
~~~~~~
Ahmad Jami’s Poetry:

Who is man?
The reflection of the Eternal Light.

What is the world?
A wave on the Everlasting Sea.

How could the reflection be cut off from the Light?

How could the wave be separate from the Sea?

Know that this reflection and this wave are that very Light and Sea.
~~

Your Beauty

Each who has seen Your beauty fine
Utters honestly, ‘I have seen the Divine.’

Everywhere Your lovers wait for grace,
Remove Your veil, reveal Your face!

I am in the ocean and an ocean is in me;
This is the experience of one who can see.

He that leaps into the river of Unity,
He speaks of union with his Beloved’s beauty.
~~
Even from earthly love thy face avert not

Even from earthly love thy face avert not,
Since to the Real it may serve to raise thee.
Ere A, B, C are rightly apprehended,
How canst thou con the pages of thy Koran?
A sage (so heard I), unto whom a student
Came craving counsel on the course before him,
Said, “If thy steps be strangers to love’s pathways,
Depart, learn love, and then return before me!
For, shouldst thou fear to drink wine from Form’s flagon,
Thou canst not drain the draught of the Ideal.
But yet beware! Be not by Form belated:
Strive rather with all speed the bridge to traverse.
If to the bourne thou fain wouldst bear thy baggage,
Upon the bridge let not thy footsteps linger.”
~~
The Idol

As long as one tress-lip
of the hair of your existence
still remains
I fear the Sect
of Self-worship
will survive.
You claim “I broke
the Idol of Illusion –
I’m liberated!”
but I fear
your Manifesto is itself
an idol.
~~
“Hidden behind the veil of mystery, Beauty is eternally free from the slightest stain of imperfection. From the atoms of the world, He created a multitude of mirrors; into each one of them He cast the image of His Face; to the awakened eye, anything that appears beautiful is only a reflection of that Face.

Now that you have seen the reflection, hurry to its Source; in that primordial Light the reflection vanishes completely. Do not linger far from that primal Source; when the reflection fades, you will be lost in darkness. The reflection is as transient as the smile of a rose; if you want permanence, turn towards the Source; if you want fidelity, look to the Mine of faithfulness. Why tear your soul apart over something here one moment and gone the next? “

translation by Andrew Harvey and Eryk Hanut – ‘Perfume of the Desert’
~~~~~~
The Secret Rose Garden: Mahmud al Shabistari

(Muhammad Zaman al-Tabrizi – A Landscape Scene with a Young Man and an Old Man)

“I” and “you” are but the lattices,
in the niches of a lamp,
through which the One Light shines.
“I” and “you” are the veil
between heaven and earth;
lift this veil and you will see
no longer the bonds of sects and creeds.
When “I” and “you” do not exist,
what is mosque, what is synagogue?
What is the Temple of Fire?
~~

Behold how this drop of seawater
has taken so many forms and names;
it has existed as mist, cloud, rain, dew, and mud,
then plant, animal, and Perfect man;
and yet it was a drop of water
from which these things appeared.
Even so this universe of reason, soul, heavens, and bodies,
was but a drop of water in its beginning and ending.

…When a wave strikes it, the world vanishes;
and when the appointed time comes to heaven and stars,
their being is lost in not being
~~

The chamber of your heart
Go sweep out the chamber of your heart.
Make it ready to be the dwelling place of the Beloved.
When you depart out,
He will enter it.
In you,
void of yourself,
will He display His beauties.

The tavern-haunter wanders alone in a desolate place,
seeing the whole world as a mirage.

The tavern-haunter is a seeker of Unity,
a soul freed from the shackles of himself.

Through the chamber of the heart is small,
it’s large enough for the Lord of both worlds
to gladly make His home there.
~~~~~~
Harold Budd & Hector Zazou – And Then She Stepped Aside

~~~~~~

O seeker, know that the path to Truth is within you. You are the traveler. Going happens by itself, Coming happens to you, without you. There is no arriving or leaving; nor is there any place; nor is there a contained within a container. Who is there to be with God? What is there other than God? Who seeks and finds when there is none but God? – Sheikh Badruddin

(Moving Stars – MattTheSamurai)

For Beauty


Beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying. –
RAINER MARIA RILKE, Duino Elegies

I started a large article on Beauty from a link from Aloria Weaver, (A very talented young artist we are featuring in the next Invisible College Magazine) please see Roger Scruton – Why Beauty Matters (2009). That article did not make it into this post, but some musings from it do.

I am interested in how Beauty is perceived, and what is the basis of it. I have made a long study of the subject, and I am still puzzled by it’s effects. It seems all nature is cued to it, today I wandered with Mary through the gardening centre, and I found myself not drawn to flowers so much as buds. I was enthralled by the beauty of possibility and how it caught my eye. As I get older, I find myself drawn more to the world, not less. There is so much that is of such delight.

A most interesting subject, and I must admit it is subjective, as my selections are on it in this Turfing. I hope you enjoy this edition.

I dedicate this to the personification of Erato in my life, Mary for whom has ever urged me on to create, and bring beauty into the world.

Blessings,
Gwyllm

~~
On The Menu:
The Links
Beauty Quotes
Concierto de Aranjuez – John Williams
Yunus Emre: Poems
Roger Scruton – Why Beauty Matters (2009)
Beauty – Thomas Troward
Mozart – Requiem in D minor
Art – Mostly Cory Enoch (Some I couldn’t find sources for)
~~~~~~
The Links:
Do Psychedelics Expand the Mind by Reducing Brain Activity?
How Neuroscientists and Magicians Are Conjuring Brain Insights
The Cursing Stone Of Canna
~~~~~~
Beauty Quotes:
Beauty when most unclothed is clothed best. – PHINEAS FLETCHER, Sicelides

Love built on beauty, soon as beauty, dies. – JOHN DONNE, The Anagram

Everything has its beauty, but not everyone sees it. – CONFUCIUS

Beauty is the gift from God. – ARISTOTLE

For beauty being the best of all we know
Sums up the unsearchable and secret aims
Of nature. – ROBERT BRIDGES, The Growth of Love

It is amazing how complete is the delusion that beauty is goodness. – LEO TOLSTOY, The Kreutzer Sonata

Beauty is a terrible and awful thing! It is terrible because it has not been fathomed, for God sets us nothing but riddles. Here the boundaries meet and all contradictions exist side by side. – FYODOR DOSTOEVSKY, The Brothers Karamazov
~~~~~~
(Mary my Muse introduced me to this piece of music early in our relationship. It has stayed a favourite for us. Please give it a listen!)
Concierto de Aranjuez – John Williams

~~~~~~
Yunus Emre: Poems

A Single Word Can Brighten The Face

A single word can brighten the face
of one who knows the value of words.
Ripened in silence, a single word
acquires a great energy for work.

War is cut short by a word,
and a word heals the wounds,
and there’s a word that changes
poison into butter and honey.

Let a word mature inside yourself.
Withhold the unripened thought.
Come and understand the kind of word
that reduces money and riches to dust.

Know when to speak a word
and when not to speak at all.
A single word turns the universe of hell
into eight paradises.

Follow the Way. Don’t be fooled
by what you already know. Be watchful.
Reflect before you speak.
A foolish mouth can brand your soul.

Yunus, say one last thing
about the power of words –
Only the word “I”
divides me from God.
~~

Ask Those Who Know

Ask those who know,
what’s this soul within the flesh?
Reality’s own power.
What blood fills these veins?

Thought is an errand boy,
fear a mine of worries.
These sighs are love’s clothing.
Who is the Khan on the throne?

Give thanks for His unity.
He created when nothing existed.
And since we are actually nothing,
what are all of Solomon’s riches?

Ask Yunus and Taptuk
what the world means to them.
The world won’t last.
What are You? What am I?
~~
One Who Is Real Is Humble

To be real on this path you must be humble –
If you look down at others you’ll get pushed down the stairs.

If your heart goes around on high, you fly far from this path.
There’s no use hiding it –
What’s inside always leaks outside.

Even the one with the long white beard, the one who looks so wise –
If he breaks a single heart, why bother going to Mecca?
If he has no compassion, what’s the point?

My heart is the throne of the Beloved,
the Beloved the heart’s destiny:
Whoever breaks another’s heart will find no homecoming
in this world or any other.

The ones who know say very little
while the beasts are always speaking volumes;
One word is enough for one who knows.

If there is any meaning in the holy books, it is this:
Whatever is good for you, grant it to others too –

Whoever comes to this earth migrates back;
Whoever drinks the wine of love
understands what I say –

Yunus, don’t look down at the world in scorn –

Keep your eyes fixed on your Beloved’s face,
then you will not see the bridge
on Judgment Day.
~~~~~~
(Thanks To Aloria Weaver For This!)
Roger Scruton – Why Beauty Matters (2009)

~~~~~~
(The Hidden Power, by Thomas Troward [1921])

Beauty

Do we sufficiently direct our thoughts to the subject of Beauty? I think not. We are too apt to regard Beauty as a merely superficial thing, and do not realise all that it implies. This was not the case with the great thinkers of the ancient world–see the place which no less a one than Plato gives to Beauty as the expression of all that is highest and greatest in the system of the universe. These great men of old were no superficial thinkers, and, therefore, would never have elevated to the supreme place that which is only superficial. Therefore, we shall do well to ask what it is that these great minds found in the idea of Beauty which made it thus appeal to them as the most perfect outward expression of all that lies deepest in the fundamental laws of Being. It is because, rightly apprehended, Beauty represents the supremest living quality of Thought. It is the glorious overflowing of fulness of Love which indicates the presence of infinite reserves of Power behind it. It is the joyous profusion that shows the possession of inexhaustible stores of wealth which can afford to be thus lavish and yet remain as exhaustless as before. Read aright, Beauty is the index to the whole nature of Being.

Beauty is the externalisation of Harmony, and Harmony is the co-ordinated working of all the powers of Being, both in the individual and in the relation of the individual to the Infinite from which it springs; and therefore this Harmony conducts us at once into the presence of the innermost undifferentiated Life. Thus Beauty is in most immediate touch with the very arcanum of Life; it is the brightness of glory spreading itself over the sanctuary of the Divine Spirit. For if, viewed from without, Beauty is the province of the artist and the poet, and lays hold of our emotions and appeals directly to the innermost feelings of our heart, calling up the response of that within us which recognises itself in the harmony perceived without, this is only because it speeds across the bridge of Reason with such quick feet that we pass from the outmost to the inmost and back again in the twinkling of an eye; but the bridge is still there and, retracing our steps more leisurely, we shall find that, viewed from within, Beauty is no less the province of the calm reasoner and analyst. What the poet and the artist seize upon intuitionally, he elaborates gradually, but the result is the same in both cases; for no intuition is true which does not admit of being expanded into a rational sequence of intelligible factors, and no argument is true which does not admit of being condensed into that rapid suggestion which is intuition. Thus the impassioned artist and the calm thinker both find that the only true Beauty proceeds naturally from the actual construction of that which it expresses. It is not something added on as an afterthought, but something pre-existing in the original idea, something to which that idea naturally leads up, and which pre-supposes that idea as affording it any raison d’être. The test of Beauty is, What does it express? Is it merely a veneer, a coat of paint laid on from without? Then it is indeed nothing but a whited sepulchre, a covering to hide the vacuity or deformity which needs to be removed. But is it the true and natural outcome of what is beneath the surface? Then it is the index to superabounding Life and Love and Intelligence, which is not content with mere utilitarianism hasting to escape at the earliest possible point from the labour of construction, as though from an enforced and unwelcome task, but rejoicing over its work and unwilling to quit it until it has expressed this rejoicing in every fittest touch of form and colour and exquisite proportion that the material will admit of, and this without departing by a hairbreadth from the original purpose of the design.

Wherever, therefore, we find Beauty, we may infer an enormous reserve of Power behind it; in fact, we may look upon it as the visible expression of the great truth that Life-Power is infinite. And when the inner meaning of Beauty is thus revealed to us, and we learn to know it as the very fulness and overflowing of Power, we shall find that we have gained a new standard for the guidance of our own lives. We must begin to use this wonderful process which we have learnt from Nature. Having learnt how Nature works–how God works–we must begin to work in like manner, and never consider any work complete until we have carried it to some final outcome of Beauty, whether material, intellectual, or spiritual. Is my intention good? That is the initial question, for the intention determines the nature of the essence in everything. What is the most beautiful form in which I can express the good I intend? That is the ultimate question; for the true Beauty which our work expresses is the measure of the Power, Intelligence, Love–in a word, of the quantity and quality of our own life which we have put into it. True Beauty, mind you–that which is beautiful because it most perfectly expresses the original idea, not a mere ornamentation occupying our thoughts as a thing apart from the use intended.

Nothing is of so small account but it has its fullest power of expression in some form of Beauty peculiarly its own. Beauty is the law of perfect Thought, be the subject of our Thought some scheme affecting the welfare of millions, or a word spoken to a little child. True Beauty and true Power are the correlatives one of the other. Kindly expression originates in kindly thought; and kindly expression is the essence of Beauty, which, seeking to express itself ever more and more perfectly, becomes that fine touch of sympathy which is artistic skill, whether applied in working upon material substances or upon the emotions of the heart. But, remember, first Use, then Beauty, and neither complete without the other. Use without Beauty is ungracious giving, and Beauty without Use is humbug; never forgetting, however, that there is a region of the mind where the use is found in the beauty, where Beauty itself serves the direct purpose of raising us to see a higher ideal which will thenceforward permeate our lives, giving a more living quality to all we think and say and do.

Seen thus the Beautiful is the true expression of the Good. From whichever end of the scale we look we shall find that they accurately measure each other. They are the same thing in the outermost and the innermost respectively. But in our search for a higher Beauty than we have yet found we must beware of missing the Beauty that already exists. Perfect harmony with its environment, and perfect expression of its own inward nature are what constitute Beauty; and our ignorance of the nature of the thing or its environment may shut our eyes to the Beauty it already has. It takes the genius of a Millet to paint, or a Whitman in words, to show us the beauty of those ordinary work-a-day figures with which our world is for the most part peopled, whose originals we pass by as having no form or comeliness. Assuredly the mission of every thinking man and woman is to help build up forms of greater beauty, spiritual, intellectual, material, everywhere; but if we would make something grander than Watteau gardens or Dresden china shepherdesses, we must enter the great realistic school of Nature and learn to recognise the beauty that already surrounds us, although it may have a little dirt on the surface. Then, when we have learnt the great principles of Beauty from the All-Spirit which is it, we shall know how to develop the Beauty on its own proper lines without perpetuating the dirt; and we shall know that all Beauty is the expression of Living Power, and that we can measure our power by the degree of beauty into which we can transform it, rendering our lives,

“By loveliness of perfect deeds,
More strong than all poetic thought.”
~~~~~~
Mozart – Requiem in D minor

~~~~~~

Pearls

(Johannes Vermeer (1632-1675) – The Girl With The Pearl Earring)

~~
Back From Hiatus:

My first concern is poetry. I found myself yesterday in the local super-store standing in an aisle reading Gary Snyder poems on a tumblr site. Seriously. I had to laugh; here I was reading about The Wild whilst being entangled in the modern world’s temples of commerce. It was a funny moment of feedback and consideration. Gary won out, I retreated back to home, stood in the garden staring at the poppies popping up, and showing all their glory, with Gary’s thoughts running through my head. Poetry, wins out.

Over the last few weeks I have been observing my self, and my dealings with the electronic world and all of that. As I try to step back from its depths, and fulfill a promise I made to my self to be more disciplined about it all, I fail time and again. The discipline last for a few days, and I slip back. I surrender to image, and the contemplation of image and the hours flee before me. I have been investigating art and image to the detriment of other streams needing the attention that they do. It’s a siren call. Harder to quit than smoking I say.

One of those streams is Turfing. Here, more than anywhere else does the important parts play out of what is rattling around inside the brainbox I call I. It begins here and ends here. I confess, the poetry is the essence. So, this is a (another) return. No matter how far out into the sea of images and concepts I go, this island claims me back.

Blessings,
Gwyllm
~~

On The Menu:
The Link Of The Day
Pearls Before Swine – Translucent Carriages
The Poetry Of John Clare
Pearls Before Swine – Another Time

~~~~~~
The Link Of The Day!
The Man In The Clearing
~~~~~~
Pearls Before Swine – Translucent Carriages

~~~~~~

The Poetry Of John Clare

~~
A World For Love

Oh, the world is all too rude for thee, with much ado and care;
Oh, this world is but a rude world, and hurts a thing so fair;
Was there a nook in which the world had never been to sear,
That place would prove a paradise when thou and Love were near.

And there to pluck the blackberry, and there to reach the sloe,
How joyously and happily would Love thy partner go;
Then rest when weary on a bank, where not a grassy blade
Had eer been bent by Trouble’s feet, and Love thy pillow made.

For Summer would be ever green, though sloes were in their prime,
And Winter smile his frowns to Spring, in beauty’s happy clime;
And months would come, and months would go, and all in sunny mood,
And everything inspired by thee grow beautifully good.

And there to make a cot unknown to any care and pain,
And there to shut the door alone on singing wind and rain–
Far, far away from all the world, more rude than rain or wind,
Oh, who could wish a sweeter home, or better place to find?

Than thus to love and live with thee, thou beautiful delight!
Than thus to live and love with thee the summer day and night!
The Earth itself, where thou hadst rest, would surely smile to see
Herself grow Eden once again, possest of Love and thee
~~

Badger

The badger grunting on his woodland track
With shaggy hide and sharp nose scrowed with black
Roots in the bushes and the woods, and makes
A great high burrow in the ferns and brakes.
With nose on ground he runs an awkward pace,
And anything will beat him in the race.
The shepherd’s dog will run him to his den
Followed and hooted by the dogs and men.
The woodman when the hunting comes about
Goes round at night to stop the foxes out
And hurrying through the bushes to the chin
Breaks the old holes, and tumbles headlong in.
When midnight comes a host of dogs and men
Go out and track the badger to his den,
And put a sack within the hole, and lie
Till the old grunting badger passes bye.
He comes and hears—they let the strongest loose.
The old fox hears the noise and drops the goose.
The poacher shoots and hurries from the cry,
And the old hare half wounded buzzes bye.
They get a forked stick to bear him down
And clap the dogs and take him to the town,
And bait him all the day with many dogs,
And laugh and shout and fright the scampering hogs.
He runs along and bites at all he meets:
They shout and hollo down the noisy streets.
He turns about to face the loud uproar
And drives the rebels to their very door.
The frequent stone is hurled where e’er they go;
When badgers fight, then every one’s a foe.
The dogs are clapt and urged to join the fray;
The badger turns and drives them all away.
Though scarcely half as big, demure and small,
He fights with dogs for bones and beats them all.
The heavy mastiff, savage in the fray,
Lies down and licks his feet and turns away.
The bulldog knows his match and waxes cold,
The badger grins and never leaves his hold.
He drives the crowd and follows at their heels
And bites them through—the drunkard swears and reels.
The frighted women take the boys away,
The blackguard laughs and hurries on the fray.
He tries to reach the woods, an awkward race,
But sticks and cudgels quickly stop the chase.
He turns again and drives the noisy crowd
And beats the many dogs in noises loud.
He drives away and beats them every one,
And then they loose them all and set them on.
He falls as dead and kicked by boys and men,
Then starts and grins and drives the crowd again;
Till kicked and torn and beaten out he lies
And leaves his hold and cackles, groans, and dies.
Some keep a baited badger tame as hog
And tame him till he follows like the dog.
They urge him on like dogs and show fair play.
He beats and scarcely wounded goes away.
Lapt up as if asleep, he scorns to fly
And seizes any dog that ventures nigh.
Clapt like a dog, he never bites the men
But worries dogs and hurries to his den.
They let him out and turn a harrow down
And there he fights the host of all the town.
He licks the patting hand, and tries to play
And never tries to bite or run away,
And runs away from the noise in hollow trees
Burnt by the boys to get a swarm of bees.
~~
The Flitting

I’ve left my own old home of homes,
Green fields and every pleasant place;
The summer like a stranger comes,
I pause and hardly know her face.
I miss the hazel’s happy green,
The blue bell’s quiet hanging blooms,
Where envy’s sneer was never seen,
Where staring malice never comes.

I miss the heath, its yellow furze,
Molehills and rabbit tracks that lead
Through beesom, ling, and teazel burrs
That spread a wilderness indeed;
The woodland oaks and all below
That their white powdered branches shield,
The mossy paths: the very crow
Croaks music in my native field.

I sit me in my corner chair
That seems to feel itself from home,
And hear bird music here and there
From hawthorn hedge and orchard come;
I hear, but all is strange and new:
I sat on my old bench in June,
The sailing puddock’s shrill ‘peelew’
On Royce Wood seemed a sweeter tune.

I walk adown the narrow lane,
The nightingale is singing now,
But like to me she seems at loss
For Royce Wood and its shielding bough.
I lean upon the window sill,
The trees and summer happy seem;
Green, sunny green they shine, but still
My heart goes far away to dream.

Of happiness, and thoughts arise
With home-bred pictures many a one,
Green lanes that shut out burning skies
And old crooked stiles to rest upon;
Above them hangs the maple tree,
Below grass swells a velvet hill,
And little footpaths sweet to see
Go seeking sweeter places still,

With bye and bye a brook to cross
Oer which a little arch is thrown:
No brook is here, I feel the loss
From home and friends and all alone.
–The stone pit with its shelvy sides
Seemed hanging rocks in my esteem;
I miss the prospect far and wide
From Langley Bush, and so I seem

Alone and in a stranger scene,
Far, far from spots my heart esteems,
The closen with their ancient green,
Heaths, woods, and pastures, sunny streams.
The hawthorns here were hung with may,
But still they seem in deader green,
The sun een seems to lose its way
Nor knows the quarter it is in.

I dwell in trifles like a child,
I feel as ill becomes a man,
And still my thoughts like weedlings wild
Grow up to blossom where they can.
They turn to places known so long
I feel that joy was dwelling there,
So home-fed pleasure fills the song
That has no present joys to hear.

I read in books for happiness,
But books are like the sea to joy,
They change–as well give age the glass
To hunt its visage when a boy.
For books they follow fashions new
And throw all old esteems away,
In crowded streets flowers never grew,
But many there hath died away.

Some sing the pomps of chivalry
As legends of the ancient time,
Where gold and pearls and mystery
Are shadows painted for sublime;
But passions of sublimity
Belong to plain and simpler things,
And David underneath a tree
Sought when a shepherd Salem’s springs,

Where moss did into cushions spring,
Forming a seat of velvet hue,
A small unnoticed trifling thing
To all but heaven’s hailing dew.
And David’s crown hath passed away,
Yet poesy breathes his shepherd-skill,
His palace lost–and to this day
The little moss is blossoming still.

Strange scenes mere shadows are to me,
Vague impersonifying things;
I love with my old haunts to be
By quiet woods and gravel springs,
Where little pebbles wear as smooth
As hermits’ beads by gentle floods,
Whose noises do my spirits soothe
And warm them into singing moods.

Here every tree is strange to me,
All foreign things where eer I go,
There’s none where boyhood made a swee
Or clambered up to rob a crow.
No hollow tree or woodland bower
Well known when joy was beating high,
Where beauty ran to shun a shower
And love took pains to keep her dry,

And laid the sheaf upon the ground
To keep her from the dripping grass,
And ran for stocks and set them round
Till scarce a drop of rain could pass
Through; where the maidens they reclined
And sung sweet ballads now forgot,
Which brought sweet memories to the mind,
But here no memory knows them not.

There have I sat by many a tree
And leaned oer many a rural stile,
And conned my thoughts as joys to me,
Nought heeding who might frown or smile.
Twas nature’s beauty that inspired
My heart with rapture not its own,
And she’s a fame that never tires;
How could I feel myself alone?

No, pasture molehills used to lie
And talk to me of sunny days,
And then the glad sheep resting bye
All still in ruminating praise
Of summer and the pleasant place
And every weed and blossom too
Was looking upward in my face
With friendship’s welcome ‘how do ye do?’

All tenants of an ancient place
And heirs of noble heritage,
Coeval they with Adam’s race
And blest with more substantial age.
For when the world first saw the sun
These little flowers beheld him too,
And when his love for earth begun
They were the first his smiles to woo.

There little lambtoe bunches springs
In red tinged and begolden dye
For ever, and like China kings
They come but never seem to die.
There may-bloom with its little threads
Still comes upon the thorny bowers
And neer forgets those prickly heads
Like fairy pins amid the flowers.

And still they bloom as on the day
They first crowned wilderness and rock,
When Abel haply wreathed with may
The firstlings of his little flock,
And Eve might from the matted thorn
To deck her lone and lovely brow
Reach that same rose that heedless scorn
Misnames as the dog rosey now.

Give me no high-flown fangled things,
No haughty pomp in marching chime,
Where muses play on golden strings
And splendour passes for sublime,
Where cities stretch as far as fame
And fancy’s straining eye can go,
And piled until the sky for shame
Is stooping far away below.

I love the verse that mild and bland
Breathes of green fields and open sky,
I love the muse that in her hand
Bears flowers of native poesy;
Who walks nor skips the pasture brook
In scorn, but by the drinking horse
Leans oer its little brig to look
How far the sallows lean across,

And feels a rapture in her breast
Upon their root-fringed grains to mark
A hermit morehen’s sedgy nest
Just like a naiad’s summer bark.
She counts the eggs she cannot reach
Admires the spot and loves it well,
And yearns, so nature’s lessons teach,
Amid such neighbourhoods to dwell.

I love the muse who sits her down
Upon the molehill’s little lap,
Who feels no fear to stain her gown
And pauses by the hedgerow gap;
Not with that affectation, praise
Of song, to sing and never see
A field flower grown in all her days
Or een a forest’s aged tree.

Een here my simple feelings nurse
A love for every simple weed,
And een this little shepherd’s purse
Grieves me to cut it up; indeed
I feel at times a love and joy
For every weed and every thing,
A feeling kindred from a boy,
A feeling brought with every Spring.

And why? this shepherd’s purse that grows
In this strange spot, in days gone bye
Grew in the little garden rows
Of my old home now left; and I
Feel what I never felt before,
This weed an ancient neighbour here,
And though I own the spot no more
Its every trifle makes it dear.

The ivy at the parlour end,
The woodbine at the garden gate,
Are all and each affection’s friend
That render parting desolate.
But times will change and friends must part
And nature still can make amends;
Their memory lingers round the heart
Like life whose essence is its friends.

Time looks on pomp with vengeful mood
Or killing apathy’s disdain;
So where old marble cities stood
Poor persecuted weeds remain.
She feels a love for little things
That very few can feel beside,
And still the grass eternal springs
Where castles stood and grandeur died.
~~
A Short Biography:

John Clare was born into a peasant family in Helpston, England. Although he was the son of illiterate parents, Clare received some formal schooling. While earning money through such manual labor as ploughing and threshing, he published several volumes of poetry, including Poems Descriptive of Rural Life and Scenery. After suffering from delusions, Clare was admitted to an insane asylum where he spent the final 20 years of his life. – The Poetry Foundation

John was an exceptional person, and poet, crushed it seems by his love of a woman of the upper classes, and by the meddling of editors to change his poetry for general consumption by a lettered urban populace. He would regain himself through his writing whilst in the asylum, and then lapse again into madness and grief. – Gwyllm

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Pearls Before Swine – Another Time