Ring Out, Solstice Bells…

“Holly and mistletoe
Candles and bells,
I know the message
That each of you tells.”
– Leland B. Jacobs, Mrs. Ritters First Grade Critters

(Martina Hoffmann – Vitreous Ovum homage to Leonardo Da Vinci)

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I hope this finds all of our friends in the Northern Hemisphere warm, happy and full of cheer for this Winter Solstice! For our friends in the Southern Hemisphere I wish you happiness on this day of the Long Dance! The great wheel spirals through eternity, and we are here bearing witness and sharing our awareness of the eternal now.

I raise the krater of blessings up to you all. May love follow you everywhere, and may you share it with all.

Blessings,
Gwyllm

On The Menu:
Jethro Tull – Ring Out, Solstice Bells (rare)
Survivals Of Celtic Paganism Into Modern Times
Poetry From The Great Circle – Winter Solstice
Loreena McKennitt – The Mummers’ Dance
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Jethro Tull – Ring Out, Solstice Bells (rare)

“Ring Out, Solstice Bells”

Now is the solstice of the year,
winter is the glad song that you hear.
Seven maids move in seven time.
Have the lads up ready in a line.

Ring out these bells.
Ring out, ring solstice bells.
Ring solstice bells.

Join together beneath the mistletoe.
by the holy oak whereon it grows.
Seven druids dance in seven time.
Sing the song the bells call, loudly chiming.

Ring out these bells.
Ring out, ring solstice bells.
Ring solstice bells.

Praise be to the distant sister sun,
joyful as the silver planets run.
Seven maids move in seven time.
Sing the song the bells call, loudly chiming.
Ring out those bells.
Ring out, ring solstice bells.
Ring solstice bells.
Ring on, ring out.
Ring on, ring out.
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Celtic Myth and Legend – Charles Squire

Survivals Of Celtic Paganism Into Modern Times

The fall of the Celtic state worship began earlier in Britain than in her sister island. Neither was it Christianity that struck the first blow, but the rough humanity and stern justice of the Romans. That people was more tolerant, perhaps, than any the world has ever known towards the religions of others, and gladly welcomed the Celtic gods–as gods–into its own diverse Pantheon. A friendly Gaulish or British divinity might at any time be granted the so-to-speak divine Roman citizenship, and be assimilated to Jupiter, to Mars, to Apollo, or to any other properly accredited deity whom the Romans deemed him to resemble. It was not against the god, but against his worship at the hands of his priests, that Roman law struck. The colossal human sacrifices of the druids horrified even a people who were far from squeamish about a little bloodshed. They themselves had abolished such practices by a decree of the senate before Caesar first invaded Britain, 1 and could not therefore permit within their empire a cult which slaughtered men in order to draw omens from their death-agonies. 2 Druidism was first required to be renounced by those who claimed Roman citizenship; then it was vigorously put down among the less civilized tribes. Tacitus tells us how the Island of Mona (Anglesey)–the great stronghold of druidism–was attacked, its sacred groves cut down, its altars laid level, and its priests put to the sword. 1 Pliny, recording how the Emperor Tiberius had “suppressed the druids”, congratulates his fellow-countrymen on having put an end, wherever their dominion extended, to the monstrous customs inspired by the doctrine that the gods could take pleasure in murder and cannibalism. 2 The practice of druidism, with its attendant barbarities, abolished in Britain wherever the long Roman arm could reach to strike, took refuge beyond the Northern Wall, among the savage Caledonian tribes who had not yet submitted to the invader’s yoke. Naturally, too, it remained untouched in Ireland. But before the Romans left Britain, it had been extirpated everywhere, except among “the Picts and Scots”.

Christianity, following the Roman rule, completed the ruin of paganism in Britain, so far, at least, as its public manifestations were concerned. In the sixth century of our era, the monkish writer, Gildas, is able to refer complacently to the ancient British religion as a dead faith. “I shall not”, he says, “enumerate those diabolical idols of my country, which almost surpassed in number those of Egypt, and of which we still see some mouldering away within or without the deserted temples, with stiff and deformed features as was customary. Nor will I cry out upon the mountains, fountains, or hills, or upon the rivers, which now are subservient to the use of men, but once were an abomination and destruction to them, and to which the blind people paid divine honour.” 1 And with the idols fell the priests. The very word “druid” became obsolete, and is scarcely mentioned in the earliest British literature, though druids are prominent characters in the Irish writings of the same period.

The secular arm had no power in Scotland and in Ireland, consequently the battle between Paganism and Christianity was fought upon more equal terms, and lasted longer. In the first country, Saint Columba, and in the second, Saint Patrick are the personages who, at any rate according to tradition, beat down the druids and their gods. Adamnan, Abbot of Iona, who wrote his Vita Columbæ in the last decade of the seventh century, describes how, a century earlier, that saint had carried the Gospel to the Picts. Their king, Brude, received him contemptuously, and the royal druids left no heathen spell unuttered to thwart and annoy him. But, as the power of Moses was greater than the power of the magicians of Egypt, so Saint Columba’s prayers caused miracles more wonderful and more convincing than any wrought by his adversaries. Such stories belong to the atmosphere of myth which has always enveloped heroic men; the essential fact is that the Picts abandoned the old religion for the new.

A similar legend sums up the life-work of Saint Patrick in Ireland. Before he came, Cromm Cruaich had received from time immemorial his yearly toll of human lives. But Saint Patrick faced the gruesome idol; as he raised his crozier, we are told, the demon fell shrieking from his image, which, deprived of its soul, bowed forward to the ground.

It is far easier, however, to overthrow the more public manifestations of a creed than to destroy its inner vital force. Cromm Cruaich’s idol might fall, but his spirit would survive–a very Proteus. The sacred places of the ancient Celtic religion might be invaded, the idols and altars of the gods thrown down, the priests slain, scattered, or banished, and the cult officially declared to be extinct; but, driven from the important centres, it would yet survive outside and around them. The more civilized Gaels and Britons would no doubt accept the purer gospel, and abandon the gods they had once adored, but the peasantry–the bulk of the population–would still cling to the familiar rites and names. A nobler belief and a higher civilization come, after all, only as surface waves upon the great ocean of human life; beneath their agitations lies a vast slumbering abyss of half-conscious faith and thought to which culture penetrates with difficulty and in which changes come very slowly.

We have already shown how long and how faithfully the Gaelic and Welsh peasants clung to their old gods, in spite of all the efforts of the clerics to explain them as ancient kings, to transform them into wonder-working saints, or to ban them as demons of hell. This conservative religious instinct of the agricultural populations is not confined to the inhabitants of the British Islands. The modern Greeks still believe in nereids, in lamias, in sirens, and in Charon, the dark ferryman of Hades. 1 The descendants of the Romans and Etruscans hold that the old Etruscan gods and the Roman deities of the woods and fields still live in the world as spirits. 2 The high altars of the “Lord of the Mound” and his terrible kin were levelled, and their golden images and great temples left to moulder in abandonment; but the rude rustic shrine to the rude rustic god still received its offerings. It is this shifting of the care of the pagan cult from chief to peasant, from court to hovel, and, perhaps, to some extent from higher to lower race, that serves to explain how the more primitive and uncouth gods have tended so largely to supplant those of higher, more graceful mien. Aboriginal deities, thrust into obscurity by the invasion of higher foreign types, came back to their own again.

For it seems plain that we must divide the spiritual population of the British Islands into two classes. There is little in common between the “fairy”, strictly so-called, and the unsightly elf who appears under various names and guises, as pooka, leprechaun, brownie, knocker, or bogle. The one belongs to such divine tribes as the Tuatha Dé Danann of Gaelic myth or their kin, the British gods of the Mabinogion. The other owes his origin to a quite different, and much lower, kind of imagination. One might fancy that neolithic man made him in his own image.

None the less has immemorial tradition wonderfully preserved the essential features of the Celtic nature-gods. The fairy belief of the present day hardly differs at all from the conception which the Celts had of their deities. The description of the Tuatha Dé Danann in the “Dialogue of the Elders” as “sprites or fairies with corporeal or material forms but indued with immortality” would stand as an account of prevailing ideas as to the “good people” to-day. Nor do the Irish and Welsh fairies of popular belief differ from one another. Both alike live among the hills, though in Wales a lake often takes the place of the “fairy mound”; both, though they war and marry among themselves, are semi-immortal; both covet the children of men, and will steal them from the cradle, leaving one of their own uncanny brood in the mortal baby’s stead; both can lay men and women under spells; both delight in music and the dance, and live lives of unreal and fantastic splendour and luxury. Another point in which they resemble one another is in their tiny size. But this would seem to be the result of the literary convention originated by Shakespeare; in genuine folktales, both Gaelic and British, the fairies are pictured as of at least mortal stature. 1 But, Aryan or Iberian, beautiful or hideous, they are fast vanishing from belief. Every year, the secluded valleys in which men and women might still live in the old way, and dream the old dreams, tend more and more to be thrown open to the modern world of rapid movement and rapid thought. The last ten years have perhaps done more in this direction than the preceding ten generations. What lone shepherd or fisherman will ever see again the vision of the great Manannán? Have the stable-boys of to-day still any faith left in Finvarra? Is Gwyn ap Nudd often thought of in his own valleys of the Tawë and the Nedd? It would be hard, perhaps, to find a whole-hearted believer even in his local pooka or parish bogle.

It is the ritual observances of the old Celtic faith which have better weathered, and will longer survive, the disintegrating influences of time. There are no hard names to be remembered. Things may still be done for “luck” which were once done for religion. Customary observances die very slowly, held up by an only half acknowledged fear that, unless they are fulfilled, “something may happen”. We shall get, therefore, more satisfactory evidence of the nature of the Celtic paganism by examining such customs than in any other way.

We find three forms of the survival of the ancient religion into quite recent times. The first is the celebration of the old solar or agricultural festivals of the spring and autumn equinoxes and of the summer and winter solstices. The second is the practice of a symbolic human sacrifice by those who have forgotten its meaning, and only know that they are keeping up an old custom, joined with late instances of the actual sacrifices of animals to avert cattle-plagues or to change bad luck. The third consists of many still-living relics of the once universal worship of sacred waters, trees, stones, and animals.

Whatever may have been the exact meaning of the Celtic state worship, there seems to be no doubt that it centred around the four great days in the year which chronicle the rise, progress, and decline of the sun, and, therefore, of the fruits of the earth. These were: Beltaine, which fell at the beginning of May; Midsummer Day, marking the triumph of sunshine and vegetation; the Feast of Lugh, when, in August, the turning-point of the sun’s course had been reached; and the sad Samhain, when he bade farewell to power, and fell again for half a year under the sway of the evil forces of winter and darkness.

Of these great solar periods, the first and the last were, naturally, the most important. The whole Celtic mythology seems to revolve upon them, as upon pivots. It was on the day of Beltaine that Partholon and his people, the discoverers, and, indeed, the makers of Ireland, arrived there from the other world, and it was on the same day, three hundred years later, that they returned whence they came. It was on Beltaine-day that the Gaelic gods, the Tuatha Dé Danann, and, after them, the Gaelic men, first set foot on Irish soil. It was on the day of Samhain that the Fomors oppressed the people of Nemed with their terrible tax; and it was again at Samhain that a later race of gods of light and life finally conquered those demons at the Battle of Moytura. Only one important mythological incident–and that was one added at a later time!–happened upon any other than one of those two days; it was upon Midsummer Day, one of the lesser solar points, that the people of the goddess Danu took Ireland from its inhabitants, the Fir Bolgs.

The mythology of Britain preserves the same root-idea as that of Ireland. If anything uncanny took place, it was sure to be on May-day. It was on “the night of the first of May” that Rhiannon lost, and Teirnyon Twryf Vliant found, the infant Pryderi, as told in the first of the Mabinogion. 1 It was “on every May-eve” that the two dragons fought and shrieked in the reign of “King” Lludd. 2 It is on “every first of May” till the day of doom that Gwyn son of Nudd, fights with Gwyrthur son of Greidawl, for Lludd’s fair daughter, Creudylad. 3 And it was when she was “a-maying” in the woods and fields near Westminster that the same Gwyn, or Melwas, under his romance-name of Sir Meliagraunce, captured Arthur’s queen, Guinevere. 4 The nature of the rites performed upon these days can be surmised from their pale survivals. They are still celebrated by the descendants of the Celts, though it is probable that few of them know–or would even care to know–why May Day, St. John’s Day, Lammas, and Hallowe’en are times of ceremony. The first–called “Beltaine” in Ireland, “Bealtiunn” in Scotland, “Shenn da Boaldyn” in the Isle of Man, and “Galan-Mai” (the Calends of May) in Wales–celebrates the waking of the earth from her winter sleep, and the renewal of warmth, life, and vegetation. This is the meaning of the May-pole, now rarely seen in our streets, though Shakespeare tells us that in his time the festival was so eagerly anticipated that no one could sleep upon its eve. 1 At midnight the people rose, and, going to the nearest woods, tore down branches of trees, with which the sun, when he rose, would find doors and windows decked for him. They spent the day in dancing round the May-pole, with rude, rustic mirth, man joining with nature to celebrate the coming of summer. The opposite to it was the day called “Samhain” in Ireland and Scotland, “Sauin” in Man, and “Nos Galan-gaeof” (the Night of the Winter Calends) in Wales. This festival was a sad one: summer was over, and winter, with its short, sunless days and long, dreary nights, was at hand. It was the beginning, too, of the ancient Celtic year, 2 and omens for the future might be extorted from dark powers by uncanny rites. It was the holiday of the dead and of all the more evil supernatural beings. “On November-eve”, says a North Cardiganshire proverb, “there is a bogy on every stile.” The Scotch have even invented a special bogy–the Samhanach or goblin which comes out at Samhain. 3 The sun-god himself is said to have instituted the August festival called “Lugnassad” (Lugh’s commemoration) in Ireland, “Lla Lluanys” in Man, and “Gwyl Awst” (August Feast) in Wales; and it was once of hardly less importance than Beltaine or Samhain. It is noteworthy, too, that the first of August was a great day at Lyons–formerly called Lugudunum, the dún (town) of Lugus. The mid-summer festival, on the other hand, has largely merged its mythological significance in the Christian Feast of St. John.

The characteristic features of these festivals give certain proof of the original nature of the great pagan ceremonials of which they are the survivals and travesties. 1 In all of them, bonfires are lighted on the highest hills, and the hearth fires solemnly rekindled. They form the excuse for much sport and jollity. But there is yet something sinister in the air; the “fairies” are active and abroad, and one must be careful to omit no prescribed rite, if one would avoid kindling their anger or falling into their power. To some of these still-half-believed-in nature-gods offerings were made down to a comparatively late period. When Pennant wrote, in the eighteenth century, it was the custom on Beltaine-day in many Highland villages to offer libations and cakes not only to the “spirits” who were believed to be beneficial to the flocks and herds, but also to creatures like the fox, the eagle, and the hoodie-crow which so often molested them. 1 At Hallowe’en (the Celtic Samhain) the natives of the Hebrides used to pour libations of ale to a marine god called Shony, imploring him to send sea-weed to the shore. 2 In honour, also, of such beings, curious rites were performed. Maidens washed their faces in morning dew, with prayers for beauty. They carried sprigs of the rowan, that mystic tree whose scarlet berries were the ambrosial food of the Tuatha Dé Danann.

In their original form, these now harmless rural holidays were undoubtedly religious festivals of an orgiastic nature-worship such as became so popular in Greece in connection with the cult of Dionysus. The great “lords of life” and of the powers of nature that made and ruled life were propitiated by maddening invocations, by riotous dances, and by human sacrifice.

The bonfires which fill so large a part in the modern festivals have been casually mentioned. Originally they were no mere feux de joie, but had a terrible meaning, which the customs connected with them preserve. At the Highland Beltaine, a cake was divided by lot, and whoever drew the “burnt piece” was obliged to leap three times over the flames. At the midsummer bonfires in Ireland all passed through the fire; the men when the flames were highest, the women when they were lower, and the cattle when there was nothing left but smoke. In Wales, upon the last day of October, the old Samhain, there was a slightly different, and still more suggestive rite. The hill-top bonfires were watched until they were announced to be extinct. Then all would race headlong down the hill, shouting a formula to the effect that the devil would get the hindmost. The devil of a new belief is the god of the one it has supplanted; in all three instances, the custom was no mere meaningless horse-play, but a symbolical human sacrifice.

A similar observance, but of a more cruel kind, was kept up in France upon St. John’s Day, until forbidden by law in the reign of Louis the Fourteenth. Baskets containing living wolves, foxes, and cats were burned upon the bonfires, under the auspices and in the presence of the sheriffs or the mayor of the town. 1 Caesar noted the custom among the druids of constructing huge wicker-work images, which they filled with living men, and set on fire, and it can hardly be doubted that the wretched wolves, foxes, and cats were ceremonial substitutes for human beings.

An ingenious theory was invented, after the introduction of Christianity, with the purpose of allowing such ancient rites to continue, with a changed meaning. The passing of persons and cattle through flame or smoke was explained as a practice which interposed a magic protection between them and the powers of evil. This homoeopathic device of using the evil power’s own sacred fire as a means of protection against himself somewhat suggests that seething of the kid in its mother’s milk which was reprobated by the Levitical law; but, no doubt, pagan “demons” were considered fair game. The explanation, of course, is an obviously and clumsily forced one; it was the grim druidical philosophy that–to quote Caesar–”unless the life of man was repaid for the life of man, the will of the immortal gods could not be appeased” that dictated both the national and the private human sacrifices of the Celts, the shadows of which remain in the leaping through the bonfires, and in the numerous recorded sacrifices of cattle within quite recent times.

Mr. Laurence Gomme, in his Ethnology in Folk-lore, has collected many modern instances of the sacrifices of cattle not only in Ireland and Scotland, but also in Wales, Yorkshire, Northamptonshire, Cornwall, and the Isle of Man. 1 “Within twenty miles of the metropolis of Scotland a relative of Professor Simpson offered up a live cow as a sacrifice to the spirit of the murrain.” 2 In Wales, when cattle-sickness broke out, a bullock was immolated by being thrown down from the top of a high rock. Generally, however, the wretched victims were burned alive. In 1859 an Isle of Man farmer offered a heifer as a burnt offering near Tynwald Hill, to avert the anger of the ghostly occupant of a barrow which had been desecrated by opening. Sometimes, even, these burnt oblations were offered to an alleged Christian saint. The registers of the Presbytery of Dingwall for the years 1656 and 1678 contain records of the sacrifices of cattle upon the site of an ancient temple in honour of a being whom some called “St. Mourie”, and others, perhaps knowing his doubtful character, “ane god Mourie”. 1 At Kirkcudbright, it was St. Cuthbert, and at Clynnog, in Wales, it was St. Beuno, who was thought to delight in the blood of bulls. 2 Such sacrifices of cattle appear mainly to have been offered to stay plague among cattle. Man for man and beast for beast, was, perhaps, the old rule. But among all nations, human sacrifices have been gradually commuted for those of animals. The family of the O’Herlebys in Ballyvorney, County Cork, used in olden days to keep an idol, “an image of wood about two feet high, carved and painted like a woman”. 3 She was the goddess of smallpox, and to her a sheep was immolated on behalf of anyone seized with that disease.

The third form of Celtic pagan survival is found in numerous instances of the adoration of water, trees, stones, and animals. Like the other “Aryan” nations, the Celts worshipped their rivers. The Dee received divine honours as a war-goddess with the title of Aerfon, while the Ribble, under its name of Belisama, was identified by the Romans with Minerva. 4 Myths were told of them, as of the sacred streams of Greece. The Dee gave oracles as to the results of the perpetual wars between the Welsh and the English; as its stream encroached either upon the Welsh or the English side, so one nation or the other would be victorious. 1 The Tweed, like many of the Greek rivers, was credited with human descendants. 2 That the rivers of Great Britain received human sacrifices is clear from the folklore concerning many of them. Deprived of their expected offerings, they are believed to snatch by stealth the human lives for which they crave. “River of Dart, River of Dart, every year thou claimest a heart,” runs the Devonshire folk-song. The Spey, too, requires a life yearly, 3 but the Spirit of the Ribble is satisfied with one victim at the end of every seven years. 4

Evidence, however, of the worship of rivers is scanty compared with that of the adoration of wells. “In the case of well-worship,” says Mr. Gomme, “it may be asserted with some confidence that it prevails in every county of the three kingdoms.” 5 He finds it most vital in the Gaelic counties, somewhat less so in the British, and almost entirely wanting in the Teutonic south-east. So numerous, indeed, are “holy wells” that several monographs have been written solely upon them. 6 In some cases these wells were resorted to for the cure of diseases; in others, to obtain change of weather, or “good luck”. Offerings were made to them, to propitiate their guardian gods or nymphs. Pennant tells us that in olden times the rich would sacrifice one of their horses at a well near Abergeleu, to secure a blessing upon the rest. 1 Fowls were offered at St Tegla’s Well, near Wrexham, by epileptic patients. 2 But of late years the well-spirits have had to be content with much smaller tributes–such trifles as pins, rags, coloured pebbles, and small coins.

With sacred wells were often connected sacred trees, to whose branches rags and small pieces of garments were suspended by their humble votaries. Sometimes, where the ground near the well was bare of vegetation, bushes were artificially placed beside the water. The same people who venerated wells and trees would pay equal adoration to sacred stones. Lord Roden, describing, in 1851, the Island of Inniskea, off the coast of Mayo, asserts that a sacred well called “Derrivla” and a sacred stone called “Neevougi”, which was kept carefully wrapped up in flannel and brought out at certain periods to be publicly adored, seemed to be the only deities known to that lone Atlantic island’s three hundred inhabitants. 3 It sounds incredible; but there is ample evidence of the worship of fetish stones by quite modern inhabitants of our islands. The Clan Chattan kept such a stone in the Isle of Arran; it was believed, like the stone of Inniskea, to be able to cure diseases, and was kept carefully “wrapped up in fair linen cloth, and about that there was a piece of woollen cloth”. 4 Similarly, too, the worship of wells was connected with the worship of animals. At a well in the “Devil’s Causeway”, between Ruckley and Acton, in Shropshire, lived, and perhaps still live, four frogs who were, and perhaps still are, believed to be “the devil and his imps”–that is to say, gods or demons of a proscribed idolatry. 1 In Ireland such guardian spirits are usually fish–trout, eels, or salmon thought to be endowed with eternal life. 2 The genius of a well in Banffshire took the form of a fly, which was also said to be undying, but to transmigrate from body to body. Its function was to deliver oracles; according as it seemed active or lethargic, its votaries drew their omens. 3 It is needless to multiply instances of a still surviving cult of water, trees, stones, and animals. Enough to say that it would be easy. What concerns us is that we are face to face in Britain with living forms of the oldest, lowest, most primitive religion in the world–one which would seem to have been once universal, and which, crouching close to the earth, lets other creeds blow over it without effacing it, and outlives one and all of them.

It underlies the three great world-religions, and still forms the real belief of perhaps the majority of their titular adherents. It is characteristic of the wisdom of the Christian Church that, knowing its power, she sought rather to sanctify than to extirpate it. What once were the Celtic equivalents of the Greek “fountains of the nymphs” were consecrated as “holy wells”. The process of so adopting them began early. St. Columba, when he went in the sixth century to convert the Picts, found a spring which they worshipped as a god; he blessed it, and “from that day the demon separated from the water”. 1 Indeed, he so sanctified no less than three hundred such springs. 2 Sacred stones were equally taken under the ægis of Christianity. Some were placed on the altars of cathedrals, others built into consecrated walls. The animal gods either found themselves the heroes of Christian legends, or where, for some reason, such adoption was hopeless, were proclaimed “witches’ animals”, and dealt with accordingly. Such happened to the hare, a creature sacred to the ancient Britons, 3 but now in bad odour among the superstitious. The wren, too, is hunted to death upon St. Stephen’s Day in Ireland. Its crime is said to be that it has “a drop of the de’il’s blood in it”, but the real reason is probably to be found in the fact that the Irish druids used to draw auguries from its chirpings.

We have made in this volume some attempt to draw a picture of the ancient religion of our earliest ancestors, the Gaelic and the British Celts. We have shown what can be gathered of the broken remnants of a mythology as splendid in conception and as brilliant in colour as that of the Greeks. We have tried to paint its divine figures, and to retell their heroic stories. We have seen them fall from their shrines, and yet, rising again, take on new lives as kings, or saints, or knights of romance, and we have caught fading glimpses of them surviving to-day as the “fairies”, their rites still cherished by worshippers who hardly know who or why they worship. Of necessity this survey has been brief and incomplete. Whether the great edifice of the Celtic mythology will ever be wholly restored one can at present only speculate. Its colossal fragments are perhaps too deeply buried and too widely scattered. But, even as it stands ruined, it is a mighty quarry from which poets yet unborn will hew spiritual marble for houses not made with hands.

Footnotes

399:1 In the year 55 B.C.
399:2 Strabo, Book IV, chap. IV.
400:1 Annals, Book XIV, chap. XXX.
400:2 Natural History, Book XXX.
401:1 Gildas. See Six Old English Chronicles–Bohn’s Libraries.
403:1 Rennell Rodd: Customs and Lore of Modern Greece. Stuart Glennie: Greek Folk Songs.
403:2 Charles Godfrey Leland: Etruscan Roman Remains in Popular Tradition.
404:1 Rhys: Celtic Folklore, p. 670; Curtin: Tales of the Fairies and of the Ghost World; and Mr. Leland Duncan’s Fairy Beliefs from County Leitrim in Folklore, June, 1896.
407:1 The Mabinogi of Pwyll, Prince of Dyfed.
407:2 The story of Lludd and Llevelys.
407:3 Kulhwch and Olwen.
407:4 Morte Darthur, Book XIX, chaps. I and II.
408:1 Henry VIII, act V, scene 3.
408:2 Rhys: Hibbert Lectures, p. 54.
408:3 Ibid., p. 516.
409:1 A good account of the Irish festivals is given by Lady Wilde in her Ancient Legends of Ireland, pp. 193-221.
410:1 Pennant: A Tour in Scotland and Voyage to the Hebrides, 1772.
410:2 Martin: Description of the Western Islands of Scotland, 1695.
411:1 Gaidoz: Esquisse de la Réligion des Gaulois, p. 21.
412:1 Gomme: Ethnology in Folklore, pp, 136-139.
412:2 Ibid., p. 137.
413:1 Mitchell: The Past in the Present, pp. 271, 275.
413:2 Elton: Origins of English History, p. 284.
413:3 Gomme: Ethnology in Folklore, p. 140.
413:4 The word Dee probably meant “divinity”. The river was also called Dyfridwy, i.e. “water of the divinity”. See Rhys: Lectures on Welsh Philology, p. 307.
414:1 Rhys: Celtic Britain, p. 68.
414:2 Rogers: Social Life in Scotland, chap. III, p. 336.
414:3 Folklore, chap. III, p. 72.
414:4 Henderson: Folklore of Northern Counties, p. 265.
414:5 Gomme: Ethnology in Folklore, p. 78.
414:6 Hope: Holy Wells of England; Harvey: Holy Wells of Ireland.
415:1 Sikes: British Goblins, p. 351.
415:2 Ibid., p. 329.
415:3 Roden: Progress of the Reformation in Ireland, pp. 51-54.
415:4 Martin: Description of the Western Islands, pp. 166-226.
416:1 Burne: Shropshire Folklore, p. 416.
416:2 Gomme: Ethnology in Folklore, pp. 92-93.
416:3 Ibid., p. 102.
417:1 Adamnan’s Vita Columbæ.
417:2 Dr. Whitley Stokes: Three Middle Irish Homilies.
417:3 Caesar: De Bello Gallico, Book V, chap. XII.
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Poetry From The Great Circle – Winter Solstice

“One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.”
– Wallace Stevens, Snow Man

“That’s no December sky!
Surely ’tis June
Holds now her state on high
Queen of the noon.

Only the tree-tops bare
Crowning the hill,
Clear-cut in perfect air,
Warn us that still

Winter, the aged chief,
Mighty in power,
Exiles the tender leaf,
Exiles the flower.”
– Robert Fuller Murray (1863-1894), A December Day

“On the first day of winter,
the earth awakens to the cold touch of itself.
Snow knows no other recourse except
this falling, this sudden letting go
over the small gnomed bushes, all the emptying trees.
Snow puts beauty back into the withered and malnourished,
into the death-wish of nature and the deliberate way
winter insists on nothing less than deference.
waiting all its life, snow says, “Let me cover you.”
– Laura Lush, The First Day of Winter

“While snow the window-panes bedim,
The fire curls up a sunny charm,
Where, creaming o’er the pitcher’s rim,
The flowering ale is set to warm;
Mirth, full of joy as summer bees,
Sits there, its pleasures to impart,
And children, ‘tween their parent’s knees,
Sing scraps of carols o’er by heart.”
– John Clare, December

“How bittersweet it is, on winter’s night,
To listen, by the sputtering, smoking fire,
As distant memories, through the fog-dimmed light,
Rise, to the muffled chime of churchbell choir.”
– Charles Baudelaire, The Cracked Bell
____________________

Loreena McKennitt – The Mummers’ Dance

Musings On The Coming Solstice…

“The Lord of Misrule – December 17th. This is the first day of the Roman festival Saturnalia. It was a period of great
feasting and festivity, with a lot of drinking and eating. Slaves would become masters for the festival, and everything
was turned upside down. This part of the Roman festival survived into the 17th Century.”

“Yule, is when the dark half of the year relinquishes to the light half. Starting the next morning at sunrise, the sun climbs just a little higher and stays a little longer in the sky each day. Known as Solstice Night, or the longest night of the year, much celebration was to be had as the ancestors awaited the rebirth of the Oak King, the Sun King, the Giver of Life that warmed the frozen Earth and made her to bear forth from seeds protected through the fall and winter in her womb. Bonfires were lit in the fields, and crops and trees were “wassailed” with toasts of spiced cider.” -Yule Lore

Winter Solstice, 2010
So… we had our Solstice Gathering this Saturday. Nice crowd of people, about 50, or just short of that. We had many of the old crowd, and several new comers, it was very nice. Rowan has been taking more of the lead for our fire ceremony, and I am now moving towards being the Lord of Misrule. 80) I have always been fascinated by the Saturnalian aspects of the season, and next years gathering may be quite different. There is some discussion going on about this, as some feel it is just fine the way it is.

Part of the Ceremony that sticks with me is the lighting of candles for those that passed away this year. It was a focus this year, the most we have ever had it seems. There needs to be an honouring IMPOV of those who have departed. A couple of the people that lit candles told me how they were relieved to be able to acknowledge their loss within the setting we provide at the Solstice Gathering. I am happy that we can do that.

Every year, we recite Robert Grave’s “To Juan at the Winter Solstice”… you can find it in our Poetry Section below. Some how it captures the magickal parts of the season quite well.

We had people here until 3:00, we finished up the evening with Absinthe, which has been a long tradition here at Caer Llwydd. This was the first year that it wasn’t The Wizards Absinthe, as he couldn’t do his batch this year due to health issues that we covered earlier. Hopefully next year!

What is extra special about Solstice this year is the Full Lunar Eclipse. If I understand correctly, this is the first in several centuries! I am hoping for the cloud cover to lift here! What a treat!

One of the quieter moments… later on. My photography sucked this year, in quite a major way.

Heather, Mary, Victor, with Ethan Photo-Bombing the moment…
Blessings,
Gwyllm
______________

On The Menu:
Thoughts On The Season…
Hildegard Von Bingen – Vision
Poetry Of The Season
Corvus Corax – Tourdion
__________________

__________________

Thoughts On The Season…
“The Holly King, represents the Death aspect of the God at this time of year; and the Oak King, represents the opposite aspect of Rebirth (these roles are reversed at Midsummer). This can be likened to the Divine Child’s birth. The myth of the Holly King/Oak King probably originated from the Druids to whom these two trees were highly sacred. The Oak King (God of the Waxing Year) kills the Holly King (God of the Waning Year) at Yule (the Winter Solstice). The Oak King then reigns supreme until Litha (the Summer Solstice) when the two battle again, this time with the Holly King victorious. Examples of the Holly King’s image can be seen in our modern Santa Claus.” -Yule Lore

“The birth of the Persian hero and sun-god Mithra was celebrated on December 25th. The myth tells that he sprang up full-grown from a rock, armed with a knife and carrying a torch. Shepherds watched his miraculous appearance and hurried to greet him with their first fruits and their flocks and their harvests. His cult spread throughout Roman lands during the 2nd century. In 274, the Emperor Aurelian declared December 25th the Birthday of Sol Invictus (the Unconquerable Sun) in Rome.”

“The Winter Solstice, also known as Midwinter, occurs around December 21 or 22 each year in the Northern hemisphere, and June 20 or 21 in the Southern Hemisphere. It occurs on the shortest day or longest night of the year, sometimes said to astronomically mark the beginning or middle of a hemisphere’s winter. The word solstice derives from Latin, Winter Solstice meaning Sun set still in winter. Worldwide, interpretation of the event varies from culture to culture, but most hold a recognition of rebirth, involving festivals, gatherings, rituals or other celebrations. Many cultures celebrate or celebrated a holiday near the winter solstice; examples of these include Christmas, Hanukkah, Kwanzaa, New Years, Pongal, Yalda and many other festivals of light. The solstice itself may have remained a special moment of the annual cycle of the year since neolithic times. This is attested by physical remains in the layouts of late Neolithic and Bronze Age archeological sites like Stonehenge and New Grange in the British Isles. The primary axes of both of these monuments seem to have been carefully aligned on a sight-line framing the winter solstice sunrise (New Grange) and the winter solstice sunset (Stonehenge). The winter solstice may have been immensely important because communities were not assured to live through the winter, and had to be prepared during the previous nine months. Starvation was common in winter between January to April, also known as the famine months. In temperate climes, the midwinter festival was the last feast celebration, before deep winter began. Most cattle were slaughtered so they would not have to be fed during the winter, so it was nearly the only time of year when a supply of fresh meat was available. The majority of wine and beer made during the year was finally fermented and ready for drinking at this time. The concentration of the observances were not always on the day commencing at midnight or at dawn, but the beginning of the pre-Romanized day, which falls on the previous eve.”
________________

Poetry Of The Season

“Come, come thou bleak December wind,
And blow the dry leaves from the tree!
Flash, like a Love-thought, thro’me, Death
And take a Life that wearies me.”
– Samuel Taylor Coleridge, 1772-1834, Fragment 3

“A thousand hills, but no birds in flight,
Ten thousand paths, with no person’s tracks.
A lonely boat, a straw-hatted old man,
Fishing alone in the cold river snow.”
– Liu Zhongyuan, River Snow

“Earth, mountains, rivers – hidden in this nothingness.
In this nothingness – earth, mountains, rivers revealed.
Spring flowers, winter snows:
There’s no being or non-being, nor denial itself.”
– Saisho

“Lighting one candle
from another –
Winter night”
– Buson

“Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light;
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind,
For those that here we see no more,
Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.”
– Alfred Lord Tennyson, Ring Out, Wild Bells

“In drear-nighted December,
Too happy, happy tree,
Thy branches ne’er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.

In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.

Ah! would ’twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.”
– John Keats, In Drear-Nighted December

“You darkness, that I come from,
I love you more than all the fires
that fence in the world,
for the fire makes
a circle of light for everyone,
and then no one outside learns of you.
But the darkness pulls in everything;
shapes and fires, animals and myself,
how easily it gathers them!—
powers and people—
and it is possible a great energy
is moving near me.
I have faith in nights.”
– Rainer Maria Rilke, On Darkness

To Juan At The Winter Solstice

There is one story and one story only
That will prove worth your telling,
Whether are learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.

Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison of all true kings that ever reigned?

Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.

Or is it of the Virgin’s silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right she crooks a finger smiling,
How may the King hold back?
Royally then he barters life for love.

Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?

Much snow is falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses
There is one story and one story only.

Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.
There is one story and one story only
That will prove worth your telling,
Whether are learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.

Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison of all true kings that ever reigned?

Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.

Or is it of the Virgin’s silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right she crooks a finger smiling,
How may the King hold back?
Royally then he barters life for love.

Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?

Much snow is falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses
There is one story and one story only.

Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.
___________________
Corvus Corax – Tourdion

Light Entry

Light Entry…

The Macro…
A week of discoveries and wonders. Alien Life found in Mono Lake, Wiki Leaks opening up the dark underbelly of US diplomacy and policy… and so much more.

I was deeply moved to find that there is a wider view of the possibilities of life in just one week. Perhaps the story of this century so far, and I think it is very under-reported, or at least appreciated. Along with the fact that there were echoes of something going on before the so called “Big Bang”… we have had a moment in time of incredible depth and opening of vistas. Life will not be bound by narrow viewpoints and designations (and never was) we are now entering the realm of “Shadow Biologies”… what will come next IMPOV will be a deep expansion of consciousness in these areas…

The storm around Wikileaks continues to grow. There are thousands upon thousands of articles out there on this, but I have to say that we are watching a revolution equivalent to the Gutenberg Bible emerging. (a possible over statement…80} ) Anyway, this is bigger than what “The Vietnam Papers” were back when Daniel Ellsberg did his duty. Although WikiLeaks gets the brunt/credit publically, I think we should tip the hat to Bradley Manning for taking this action in the first place. If we are to lose our privacy and rights as we have been in the process of over the last 10 years, I see no reason that the Empire should have clothes… Damn the notion that the state knows what is best for us. Seeing the mess in the world, one could posit in many different ways from this line of reasoning.

The Micro…

Saturday: I have to say… it has been a week of it. Helped celebrate Morgan Miller’s Birthday on Tuesday at Bushwacker Cider, a nice cider house right here in Portland! Made some connections with friends and people I hadn’t seen for awhile.

After Thanksgiving work came in, I succumbed to our littlest vector’s cold that he shared at Thanksgiving, and generally have been out of my usual loop.

It the midst of all that we (Mary and I) painted the living room, I have been working on the magazine, and laying low when I can. Lots of sleep. When I have a cold (or what ever the heck it is), I just kinda sink with the gippy chest. I started to develop this chest with growing up in a household of smokers. Then of course I did the dumb and smoked like a chimney for 18 years. Throw in some pneumonia on top of that, and you have a chest that has a flashing “Welcome!” sign to any stray microbe looking for a home. I passed up a party tonight so I wouldn’t dispense the wealth to the unsuspecting, it was the least I could do. It’s getting better but I sound not quite myself. Take care of your health, it is a precious commodity if that is the right word.

Sunday: The Magazine: Last stage of assembly, the last bits are in from our people out there. Redoing a couple of pages as I had a fixation on “My Little Rainbow Pony” colour scheme is seems. Sent Rowan screaming from the room. So, that is being repaired.

It seems that someone tagged our Poetry Post last night. Sad but true. Painting over the stuff tomorrow if it is warm enough. I am putting up a pad with pencil so they can submit poems instead. Do ya think that will work?

So looking forward to The Solstice. I need a bit of light here in the cave.

Bright Blessings,
Gwyllm
_________________
On The Menu:

“Sufi” Sam Lewis Quotes
Lisa Gerrard – Come Tenderness
A Tryptamine Expedition
Li Po Poems
Lisa Gerrard & Pieter Bourke “Sacrifice”
__________________________
I was blessed with being in the company of Sam Lewis for a time before he passed. From early 1969, until late 1970 I sat in on classes and attended the dances when I could get down to the Bay Area… He was a wise and gentle soul, and he had a great sense of humour to go with it!

“Sufi” Sam Lewis Quotes:

“Forget yourself, get into the spirit of song, rise and fall on the waves of ecstasy, and express [your] pure being. Then you escape all differences, all divisions, all duality, all pain, all sorrow.”

“Words are not peace. Thoughts are not peace. Plans are not peace. Programs are not peace. Peace is fundamental to all faiths. Peace is fullness, all inclusive…and must be experienced.”

“One of the reasons I am teaching this music and dancing is to increase Joy, not awe towards another person, but bliss in our own self. This is finding God within, through experience.”

“Thinking is more stinking than drinking, but to feel is for real. ”

“The question about the New Age is: If it is to be anarchical, it will destroy the present society — that will go away — but to what purpose? And if we have the feeling of one in the spirit, we will build up a New Age, even a New Jerusalem because I believe God works through man, not through chance. .
__________________________
Still love her work after all these years…

Lisa Gerrard – Come Tenderness

__________________________
A blast from the past…. Gracie and Zarkov helped to re-awaken me to the DMT state after having visited it way back when. Articulate, smart and poetic
A Tryptamine Expedition
by Gracie and Zarkov

Introduction:

This paper is about the strangest trip that we have ever had. Furthermore, in our discussions with other experienced heads it became clear that this trip was one of the more peculiar trips that we have even heard of! That in and of itself might not warrant an article. However, the possible implications of this trip are such that we have decided to write about our experience to add to the store of ‘stubborn empirical fact’ that make up psychedelic phenomenology.

We are also aware that this trip was outlandish enough that its retelling may cause our readers to believe that we finally have either lost it or are resorting to creative writing. We would like to assure our readers that what you are about to read happened exactly as described (within the limits of our powers of observation).

In this paper we give a description of the trip, our beliefs concerning the phenomenology, and our tentative conclusions regarding our experience. It seems impractical to reproduce the entire trip narrative written right after the experience since it runs to twenty typewritten pages. Therefore, this paper is a highly condensed version of the trip narrative.

Background

The weekend prior to our strange experience, Grace had decided to take 5 grams of potent stropharia mushrooms by herself. While it is common practice for us to trip together, Zarkov’s high dose mushroom trips have been uniformly negative ever since he established contact with certain insectoid creatures who claimed to have engineered the mushroom for their own purposes. (See, High Frontiers, Issue no. 2 and Note no. 8). Gracie was going in alone to perform reconaissance. After ahout an hour and one half of arguing with the voice and being unable to see any visions, she began to ‘interview’ the voice which seemed quite amenable to questioning. Gracie called in Zarkov and together we interviewed the voice in Gracie’s head for about two hours. One of the raps was that Gracie had trouble entering the vision state because she hadn’t practiced enough visualization and was afraid to leave her body.

Now it is true that despite how much talk there is about how hard it is to get into the far-out mushroom states, Zarkov would just ‘fall down the rabbit hole’ on any dose over 3 grams without knowing how he did it, while Gracie had much more elusive contact with the mushroom vision states even at doses in the 10 gram range. However, given Gracie’s consistent ability to see the ‘visible language’ on DMT (which Zarkov has so far only briefly glimpsed) and her other visionary experiences on DMT, this rap seemed rather unlikely.

But, the mushroom voice held cut hope. Gracie should practice building a fantasy world in her head and maybe, if we both took mushrooms together, she could ‘show’ her fantasy world to Zarkov. Zarkov was extremely skeptical of the whole rap. It seemed very enticing and very unlike his experiences with the mushrooms. That week Zarkov went to the East coast on business and left Gracie to work on her fantasy world.

Upon Zarkov’s return on Friday, Gracie announced that she had worked diligently on her fantasy world and would like to show it to Zarkov that weekend using mushrooms. The only description she gave of the world was that it was a barbarian bronze age planet run by Goddess-worshipping group of priestesses and that he was cast as a high-tech off-worlder.

Zarkov was apprehensive, since he didn’t want another ‘alien space wars’ trip on the mushroom. The experimental protocol that we agreed on was to do a DMT shot at noon on Saturday and if the experience seemed positive, to take the mushrooms later in the day. The first shot was inconclusive because Zarkov didn’t get off but he did get a terrific case of the tryptamine giggles. He decided to take another dose. The visions in the noontime sunlight were exquisite. Over the next half hour, we each consumed betweeen 100 and 150 mg of DMT in four separate ‘trips’. The experience for Zarkov had been glorious. His relationship with the DMT over the last four months of regular usage had been uniformly positive even when it had been terrifying. The idea had came into his head (from where?) that by presaturating himself with the DMT, his previous problems with the mushroom could be avoided.

We had fasted since Friday night and had been especially careful with our diets all week. At 2:00 PM, we both took 5 gms of potent stropharia mushrooms. We washed down the ‘shrooms with ginger ale. We stayed in the bright sunlight until the closed eye visions began to come on strongly (about 30 mlnutes). We then went into our darkened trip room.

The basic phenomena of the trip were as highlighted below.

Gracie saw none of the visions described below. In fact, she saw no visions during the trip. She was high and the trip roam took on a beautiful jewelled quality. She had no tendency to drift into a trance even though she had taken the same dosage of DMT and mushrooms as Zarkov.

Zarkov could not resist the trance. Strangely, he could talk with ease but could not maintain any other semblance of contact with reality. Any attempt to do so resulted in overwhelming stomach cramps, full body shivers, vertigo and throbbing headache. All of these body symptoms went away if he paid attention to the trance state.
Zarkov’s first vision was a stadium full of hostile giant insect creatures that he was familiar with from previous mushroom trips. However, immediately the DMT ‘banshee’ creatures floated in and sang this message, ‘Aren’t they a dull and pompous bunch! But don’t worry, they can’t get at you because we are here.’ These ‘banshee’ creatures were a common occurance in Zarkov’s DMT trips. [imagine a picture of two smiling banshees here… my ascii-art capabilities just aren’t up to reproducing them -cak]


The Trip: Content and Comments
The next series of visions were of various aliens that seemed to be trying to sell Zarkov various visions. The banshees continued to accompany the visions and offer comment.

At about the chemical peak of the trip (one hour), the house had a rash of poltergeist phenomena that were jointly observed by both of us. Furthermore, the cats noticed them and followed them as they made their way through the house. The banshees advised Zarkov not to worry about them because ‘things like this happen.’ This was the last point in the trip where Zarkov could maintain contact with ordinary reality.

The banshees formed a gate next to an alien selling visions indicating that Zarkov should ‘buy into’ this vision.
By ‘going’ through the gate, Zarkov found himself someplace else.

This some place else was another world. It no longer seemed like a psychedelic vision, but rather it seemed like a real world. The sun felt warm; when it went down Zarkov felt cool. To move around it was necessary to walk. Wherever he looked, there was a realistic amount of detail. No insubstantial visions, just a real world wherever Zarkov looked. He could eat, walk, swim, fuck and talk to the other characters.

The world was Gracie’s fantasy world. Even though she couldn’t see it, Zarkov’s verbal description matched her world. She could give instructions to Zarkov that he could follow to get around.

The world was a bronze-age city. In the background were green and fertile mountains. The architecture was of massive granite blocks with a poured concrete look about them. The style was neoclassical crossed with Minoan with a touch of Jack Vance. The mise-en-scene made sense and did not appear contrived. The aesthetic sensibility, while of the wretched excess school, was coherent. It was the most beautiful place Zarkov had ever seen, in shades of pink, mauve, purple and gold.
The story line was that of the wierdest heavy metal video ever designed. There were barbaric artifacts and luxury items all over. The world was inhabited by buxom, bottom-heavy, voluptuous nymphos. Zarkov found himself in an elaborate caped outfit, somewhere between Darth Vadar and Ming the Merciless. His entourage was a group of cretinous, long-haired sleazos in heavy metal dress and carrying guitars. The trip consisted of a tour through the city from the wharf to the main temple where a three-day orgy took place.

The world somehow seemed like an isomorphic metaphor to Gracie’s personality structure.

The world was coherent and consistent. It had internal rules as inexorable as the ‘natural laws’ on earth.
It had its own linear time. Subjectively, Zarkov spent three days in the world. Yet this voyaqe was encompassed in a normal six-hour mushroom trip. Furthermore, any attempt to reestablish contact with earth left huge gaps in the story since the world proceeded at its own pace, even if Zarkov wasn’t paying attention.
It did not seem like telepathy or a projection from Gracie’s head. Rather, we believe that somehow the fantasy world was lifted from Gracie’s head and placed in the tryptamine ‘library of all time and space’ where Zarkov ‘read out the diskette .

The only psychedelic aspect to the world was the continual presence of the DMT banshees, albeit they were ‘disguised’ as a sort of observer/chorus as bats, orchids, etc., throughout the experience.

The DMT acted as a tuner of some sort for the mushroom experience. Certain aspects of the vision seemed characteristically DMT, like the banshees, the extreme time dilation, and the bejewelled colors. The mushroom contributed the epic quality, the exfoliating details and the practical joke quality of the whole set-up.
Such an experience, if controllable, would be extremely useful to a shaman trying to treat mental illness. He could walk through the streets of his patient’s mind without the verbal filter of analysis. It might even be possible to make changes in the landscape to effect a cure. The demons lurking in the shadows would be a constant danger, ‘You might not come back.’

Conclusion:
Zarkov has not attempted to repeat the experience. Gracie, however, has used the DMT predose before a lower dose of mushrooms (3 grams) and found herself in an irresistible trance with a series of faint visions. This was outdoors at night with a friend who did the same mix and also found herself in a trance, although her visions remained state-bound.

We don’t know what Zarkov’s vision means or how he got there, but we encourage anyone with visionary tendencies to try exploring these modes.

Copyright August 1985 by Gracie and Zarkov Productions. We believe that in a truly free society the price of packaged information would be driven down to the cost of reproduction and transmission. We, therefore, give blanket permission and encourage photocopy, quotation, reprint or entry into a database of all or part of our articles provided that the copier or quoter does not take credit for our statements.
_______________
One of my favourite Chinese poets. I would of liked to have sat with him.
Li Po Poems

Autumn Air

The autumn air is clear,
The autumn moon is bright.
Fallen leaves gather and scatter,
The jackdaw perches and starts anew.
We think of each other- when will we meet?
This hour, this night, my feelings are hard.

Alone Looking At The Mountain

All the birds have flown up and gone;
A lonely cloud floats leisurely by.
We never tire of looking at each other –
Only the mountain and I.

Green Mountain

You ask me why I live on Green Mountain ?
I smile in silence and the quiet mind.
Peach petals blow on mountain streams
To earths and skies beyond Humankind.

The Old Dust

The living is a passing traveler;
The dead, a man come home.
One brief journey betwixt heaven and earth,
Then, alas! we are the same old dust of ten thousand ages.

The rabbit in the moon pounds the medicine in vain;
Fu-sang, the tree of immortality,
has crumbled to kindling wood.
Man dies, his white bones are dumb without a word

When the green pines feel the coming of the spring.
Looking back, I sigh;
Looking before, I sigh again.
What is there to prize in the life’s vaporous glory?

Clearing At Dawn

The fields are chill, the sparse rain has stopped;
The colours of Spring teem on every side.
With leaping fish the blue pond is full;
With singing thrushes the green boughs droop.
The flowers of the field have dabbled their powdered cheeks;
The mountain grasses are bent level at the waist.
By the bamboo stream the last fragment of cloud
Blown by the wind slowly scatters away.
____________________
Lisa Gerrard & Pieter Bourke “Sacrifice”

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The Metaphysical Circus Part Deux

“We’re all just walking each other home.”
— Ram Dass

This entry has taken awhile… I have been pretty busy as explained below. Hope this finds you well, and with the ones you love.

Bright Blessings,
Gwyllm
—-

On The Menu:
The Invisible College Update
Recent Travels…
The Links
Ram Dass Quotes
Syndromeda – Love Is The Answer
Mahmud Shabistari – The Mirror
Syndromeda – Beyond Dimensions
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The Invisible College Update:

Going to press this next week if all goes as planned. Will keep you all informed of course.

This is an incredible issue, from the brilliant paintings of Oleg Korolev from The Crimea in Russia, another installment in “The Serpent & The Light” series of Lyterphotos, Delvin Solkinson’s article on emerging Visionary Artist from around the globe. We have Diane Darling interviewing James Fadiman, The metaphysical collage work of reknowned artist and author Jim Harter, the sculptural works of Chuck St. John from Canada to the internationally recognized poetry of Yahia Lababidi & Bryce Milligan. This really is a star studded issue, that will finally emerge from its cocoon!

Stay tuned to announcements on Turfing, on Face Book, Tribe.net, Twitter and elsewhere.

Thanks!
G
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Eagle Taking A Break From Fishing… Along The Tolt River

Recent Travels…
So…. the whole flying circus went north to visit with Rik and Krista up near the Cascades, not far from Snoqualmie, about a week and a half ago… We spent 2 days and evenings with them. It was very much old times in many ways. They have expanded their menagerie to 17 hens as well as their Dogs Bjarki & Anna as well as there ever loyal cat, Zelda. We got in some nice walking along the river, and Rowan shot some brilliant bits of film along the way. Sophie got to play with Bjarki and Anna to her doggie heart’s content. Watching the dogs running around all day was often hilarious. At the end of the visit we got to watch Bjarki do his thing at dog training. He is ever the smart one.

You may remember Rik as being “The Wizard Of The Upper Cascades”. We were visiting with him and his wife Krista before Rik went in for treatment for some very strange form of what appears to be Leukemia. I put out a prayer/meditation request this last week, and he seems to have gotten through the treatment so far. Fingers crossed!

I want to thank everyone who put out (and continue too put out) good thoughts, prayers and meditations towards Rik’s direction. Hopefully this procedure he just went through will allow them time to diagnose what is going on and to treat it fully. He will have to be kinda isolated for awhile as his immune system has taken a thrashing from the routine the doctors put him through.

The next few months will be bumpy for him, but I feel he will pull through. He has a strong advocate in Krista, and there is lots of love surrounding the pair of them.

Much Appreciation,
Gwyllm

Rik… Gwyllm Sophie Mary… Krista
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The Links:
Thoughts of religion prompt acts of punishment
Researchers Kick-Start Ancient DNA
Just Sayin: Odds Are, It’s Wrong
This Makes Sense: Did Stonehenge’s Builders Use Ball Bearings?
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Ram Dass Quotes:

Ram Dass just released a new book ” Be Love Now”. I am very excited about it, and hope to order a copy soon. Ram Dass has always been a thoughtful one. Here are some of my favourite quotes from him…

“We’re fascinated by the words–but where we meet is in the silence behind them.”

“The quieter you become, the more you can hear.”

“It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.”

“In most of our human relationships, we spend much of our time reassuring one another that our costumes of identity are on straight.”

“The most exquisite paradox… as soon as you give it all up, you can have it all. As long as you want power, you can’t have it. The minute you don’t want power, you’ll have more than you ever dreamed possible.”
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Syndromeda – Love Is The Answer (to all the questions of our children)

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Mahmud Shabistari – The Mirror

The Mirror (from The Secret Rose Garden)

Your eye has not strength enough
to gaze at the burning sun,
but you can see its burning light
by watching its reflection
mirrored in the water.

So the reflection of Absolute Being
can be viewed in the mirror of Not-Being,
for nonexistence, being opposite Reality,
instantly catches its reflection.

Know the world from end to end is a mirror;
in each atom a hundred suns are concealed.
If you pierce the heart of a single drop of water,
from it will flow a hundred clear oceans;
if you look intently at each speck of dust,
in it you will see a thousand beings.
A gnat in its limbs is like an elephant;
in name a drop of water resembles the Nile.
In the heart of a barleycorn is stored a hundred harvests.
Within a millet-seed a world exists.
In an insects wing is an ocean of life.
A heaven is concealed in the pupil of an eye.
The core at the center of the heart is small,
yet the Lord of both worlds will enter there.
—-
Cast away your existence entirely,
for it is nothing but weeds and refuse.
Go, clear out your heart’s chamber;
arrange it as the abiding-place of the Beloved.
When you go forth, He will come in,
and to you, with self discarded,
He will unveil His beauty.
——

Descending to the earth,
that strange intoxicating beauty of the unseen world
lurks in the elements of nature.

And the soul of man,
who has attained the rightful balance,
becoming aware of this hidden joy,
straightaway is enamored and bewitched.

And from this mystic marriage are born
the poets’ songs, inner knowledge,
the language of the heart, virtuous living,
and the fair child Beauty.

And the Great Soul gives to man as dowry
the hidden glory of the world.
——

Behold how this drop of seawater
has taken so many forms and names;
it has existed as mist, cloud, rain, dew, and mud,
then plant, animal, and Perfect man;
and yet it was a drop of water
from which these things appeared.
Even so this universe of reason, soul, heavens, and bodies,
was but a drop of water in its beginning and ending.

…When a wave strikes it, the world vanishes;
and when the appointed time comes to heaven and stars,
their being is lost in not being.
—-

One Light

What are “I” and “You”?
Just lattices
In the niches of a lamp
Through which the One Light radiates.

“I” and “You” are the veil
Between heaven and earth;
Lift this veil and you will see
How all sects and religions are one.

Lift this veil and you will ask –
When “I” and “You” do not exist
What is mosque?
What is synagogue?
What is fire temple?

Sun-reflections from the unseen world
are all the object of this mortal sphere,
as curl, down, mole, and brow on a fair face,
for Beauty absolute reigns over all.

…When the ears first hear these words
they seem to denote sensual objects.
But as there is no language for the infinite,
how can we express its mysteries
in finite words?
Or how can the visions of the ecstatic
be described in earthly formula?
So mystics veil their meanings
in these shadows of the unseen,
the objects of the senses.

…As a nurse to an infant,
so is the infinite to the finite.

…Once these words were used in their proper sense,
but now are concealed lest the vulgar should profane.

Annihilation, intoxication, the fever of love
are the three states of the mystic,
and those who abide in these states
at once comprehend the meanings
veiled in these words.
But if you know them not,
don’t pretend you understand like an igonorant infidel,
for all cannot be mystics or grasp the mysteries:
no mere illusions are the mystic’s dreams,
and a man of truth does not speak vainly.
To comprehend requires revelations or great faith.

Briefly have I explained these words and their meanings
so that you may apply them in their right intent,
remembering the attributes of each.
Compare them in a right manner,
and refrain from the wrong comparisons.

Now that these rules are understood
I will show you more of their application.
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Syndromeda – BEYOND DIMENSIONS

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Love Is For Vanishing

Any eye filled with the vision of this world
cannot see the attributes of the Hereafter,
Any eye filled with the attributes of the Hereafter
would be deprived of the Beauty (Jamal) of (Divine) Oneness.
– Sheikh Ansari – Kashf al_Asrar

Lots in this edition… from a great band (that I just discovered to the wonderful poetry of Farid ud Din Attar (Author of The Council Of Birds, etc). I have included what is called “Classic Turfing” as I have so much there now, some of it should be dug up for examination from time to time. Here is a little story from the early days of Turfing. I hope you enjoy it.

It’s late, and I want to get this out. Lots going on, the world and all.

More Soon,
G

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On The Menu:
Omar Rodriguez Lopez Group Live Los Angeles (WIP) II
How AhH-Ha’-Le Stole The Sun For The Valley People
Classic Turfing: 2 entries from the past
Love Is For Vanishing – Farid ud Din Attar
Omar Rodriguez Lopez Group Live NYC (WIP IV)
Art: Lord Alma-Tadema
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Omar Rodriguez Lopez Group Live Los Angeles (WIP) II

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Happy Birthday Leon!

We are a bit late for Leon’s birthday and all, but after all, he would be 121 years old now…..

The Quotes:
“England is nothing but the last ward of the European madhouse, and quite possibly it will prove to be the ward for particularly violent cases.”
“Fascism is nothing but capitalist reaction.”
“From being a patriotic myth, the Russian people have become an awful reality.”
“Ideas that enter the mind under fire remain there securely and for ever.”
“If we had had more time for discussion we should probably have made a great many more mistakes.”
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How AhH-Ha’-Le Stole The Sun For The Valley People
As told by the Mariposa Mewuk

TO’-TO’-KAN-NO the Sandhill Crane was chief of the Valley People and Ah-hā’-le, the Coyote-man lived with him. Their country was cold and dark and full of fog.

Ah-hā’-le was discontented and traveled all about, trying to find a better place for the people. After a while he came to the Foothills Country where it began to be light. He went on a little farther and for the first time in his life saw trees, and found the country dry and warm, and good to look at. Soon he saw the Foothills People and found their village. He was himself a magician or witch doctor, so he turned into one of the Foothills People and mingled with them to see what they had and what they were doing. He saw that they had fire, which made light and became Wut’-too the Sun. He saw also that there were both men and women, that the women pounded acorns and cooked acorn mush in baskets, and that everybody ate food. He ate with them and learned that food was good.

When his belly was full he went home and told the chief To-to’-kan-no that he had found a good place where there were people who had the sun and moon and stars, and women, and things to eat. He then asked To-to’-kan-no, “What are we going to do? Are we going to stay down here in the dark and never eat? The people up there have wives and children; the women make acorn soup and other things; the men have light and can see to hunt and kill deer. We live down here in the dark and have no women and nothing to eat. What are we going to do?”

Chief To-to’-kan-no answered; “Those things are not worth having. I don’t want the Sun, nor the light, nor any of those things. Go back up there if you want to.”

Ah-hā’-le went back to the foothills and did as he had done before, and liked the country and the people. Then he returned and told To-to’-kan-no what he had told him before, and again asked, “What are we going to do? Can’t we buy the Sun? The people up there send the Sun away nights so they can sleep, and it comes back every day so they can see to hunt and get things to eat and have a good time. I like the Sun. Let us buy him.”

To-to’-kan-no answered, “What is the matter with you? What would you do with the Sun; how would you use it?” But Ah-hā’-le was not satisfied. He went back to the Foothills People several times, and the more he saw of the Sun the more he wanted it. But To-to’-kan-no always said The Foothills Country. ”Ah-ha’-le went on a little farther and for the first time in his life saw trees, and found the country dry and good to look at.” he did not want it. Finally however he told Ah-hā’-le that he might go and find out what it would cost.

Ah-hā’-le went and found that the people would not sell it; that if he got it he would have to steal it. And this would be very difficult, for Ah-wahn’-dah the Turtle, keeper of the Sun, was most watchful; he slept only a few minutes at a time and then stood up and looked around; besides, when he slept he always kept one eye open. If Ah-hā’-le moved his foot Ah-wahn’-dah would pick up his bow and arrow. Ah-hā’-le felt discouraged and did not know what to do. He feared that in order to get the Sun he would have to take Ah-wahn’-dah also.

But he decided to try once more, so he went again and turned into a man of the Foothills People. About four o’clock in the afternoon all the hunters went off to hunt deer. Then Ah-hā’-le turned into a big oak limb and fell down on the trail, and wished that Ah-wahn’-dah the Sun’s keeper would come along first. And so it happened, for soon Ah-wahn’-dah came along the trail, saw the crooked limb, picked it up, carried it home on his shoulder, and threw it down on the ground. After supper he picked it up again and threw it against the fire, but it would not lay flat for it was very crooked and always turned up. Finally Ah-wahn’-dah threw it right into the middle of the fire. Then he looked all around, but could not see anybody. Ah-hā’-le who was now in the fire did not burn, but kept perfectly still and wished the keeper, Ah-wahn’-dah, would go to sleep.

Soon this happened and Ah-wahn’-dah fell fast asleep. Then Ah-hā’-le changed back into his own form and seized the Sun and ran quickly away with it.

Ah-wahn’-dah awoke and saw that the Sun was gone and called everybody to come quick and find it, but they could not for Ah-hā’-le had taken it down through the fog to the Valley People.

But when the Valley People saw it they were afraid and turned away from it, for it was too bright and hurt their eyes, and they said they could never sleep.

Ah-hā’-le took it to the chief, To-to’-kan-no, but To-to’-kan-no would not have it; he said he didn’t understand it; that Ah-hā’-le must make it go, for he had seen how the Foothills People did it.

When To-to’-kan-no refused to have anything to do with the Sun, Ah-hā’-le was disappointed, for he had worked very hard to get it.

Still he said, “Well, I’ll make it go.”

So he carried the Sun west to the place where the sky comes down to the earth, and found the west hole in the sky, and told Wut’-too to go through the hole and down under the earth and come up on the east side and climb up through the east bole in the sky, and work in two places–to make light over the Foothills People first, then come on down and make light over the Valley People, and then go
The Valley People shrinking from the Light. ”Ah-ha-le stole the Sun and brought it down through the fog and darkness to the Valley People, but they were afraid and turned from it.” through the west hole again and back under the earth so the people could sleep, and to keep on doing this, traveling all the time.

Wut’-too the Sun did as he was told. Then To-to’-kan-no and all the Valley People were glad, because they could see to hunt, and the Foothills People were satisfied too, for they had the light in the daytime so they could see, and at night the Sun went away so all the people could sleep.

After this, when the Sun was in the sky as it is now, all the FIRST PEOPLE turned into animals.

(Taboose (Nut Grass tuber) Howard)

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Classic Turfing:
These Two Entries… from July 2005. They are tied together by one story. As time goes by, we will be featuring Classic Turfing entries as we clean up the old entries! (Lots of strange coding left over from the software days of Serendipity)

Teeming With Gods
The Story Finally Told (39 years ago)
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Love Is For Vanishing – Farid ud Din Attar

The whole world is a marketplace for Love,
For naught that is, from Love remains remote.
The Eternal Wisdom made all things in Love.
On Love they all depend, to Love all turn.
The earth, the heavens, the sun, the moon, the stars
The center of their orbit find in Love.
By Love are all bewildered, stupefied,
Intoxicated by the Wine of Love.

From each, Love demands a mystic silence.
What do all seek so earnestly? “Tis Love.
Love is the subject of their inmost thoughts,
In Love no longer “Thou” and “I” exist,
For self has passed away in the Beloved.
Now will I draw aside the veil from Love,
And in the temple of mine inmost soul
Behold the Friend, Incomparable Love.
He who would know the secret of both worlds
Will find that the secret of them both is Love.
—–
Intoxicated by the Wine of Love.
From each a mystic silence Love demands.
What do all seek so earnestly? ‘Tis Love.
What do they whisper to each other? Love.
Love is the subject of their inmost thoughts.
In Love no longer ‘thou’ and ‘I’ exist,
For Self has passed away in the Beloved.
Now will I draw aside the veil from Love,
And in the temple of mine inmost soul,
Behold the Friend; Incomparable Love.
He who would know the secret of both worlds,
Will find the secret of them both, is Love.
—–
Strive to discover the mystery before life is taken from you.
If while living you fail to find yourself, to know yourself,
how will you be able to understand
the secret of your existence when you die?
—–
Looking For Your Face

Your face is neither infinite nor ephemeral.
You can never see your own face,
only a reflection, not the face itself.

So you sigh in front of mirrors
and cloud the surface.

It’s better to keep your breath cold.
Hold it, like a diver does in the ocean.
One slight movement, the mirror-image goes.

Don’t be dead or asleep or awake.
Don’t be anything.

What you most want,
what you travel around wishing to find,
lose yourself as lovers lose themselves,
and you’ll be that.
—–
The Moths And The Flame

Moths gathered in a fluttering throng one night
To learn the truth about the candle light,
And they decided one of them should go
To gather news of the elusive glow.
One flew till in the distance he discerned
A palace window where a candle burned –
And went no nearer: back again he flew
To tell the others what he thought he knew.
The mentor of the moths dismissed his claim,
Remarking: “He knows nothing of the flame.”
A moth more eager than the one before
Set out and passed beyond the palace door.
He hovered in the aura of the fire,
A trembling blur of timorous desire,
Then headed back to say how far he’d been,
And how much he had undergone and seen.
The mentor said: “You do not bear the signs
Of one who’s fathomed how the candle shines.”
Another moth flew out — his dizzy flight
Turned to an ardent wooing of the light;
He dipped and soared, and in his frenzied trance
Both self and fire were mingled by his dance –
The flame engulfed his wing-tips, body, head,
His being glowed a fierce translucent red;
And when the mentor saw that sudden blaze,
The moth’s form lost within the glowing rays,
He said: “He knows, he knows the truth we seek,
That hidden truth of which we cannot speak.”
To go beyond all knowledge is to find
That comprehension which eludes the mind,
And you can never gain the longed-for goal
Until you first outsoar both flesh and soul;
But should one part remain, a single hair
Will drag you back and plunge you in despair –
No creature’s self can be admitted here,
Where all identity must disappear.
—-

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Omar Rodriguez Lopez Group Live NYC (WIP IV)

The Great Bay…

Shariputra,
Form does not differ from emptiness;
Emptiness does not differ from form.
Form itself is emptiness;
Emptiness itself is form.
So too are feeling, cognition, formation, and consciousness.

– Heart Sutra

The days have turned cold. Working inside (grateful for that!)… Life flows on.
Good Friends are coming to town! Always a joy!

Hope this finds you with the moon ever fuller!

Blessings,
Gwyllm
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On The Menu:
Dale Pendell Speaking At Powell’s Hawthorne, this Thursday 7:30!
Je Suis Jean Cocteau
Extract: The Great Bay: Chronicles of the Collapse
Harold Budd & Robin Guthrie – Neil’s Theme
Basho – 5 Poems
Zen Poems
John Maus – Cocteau’s “Blood Of A Poet”
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Nice To See Dale & Laura Back In Portland!

Dale Pendell Speaking At Powell’s Hawthorne, this Thursday 7:30!

Based in scientific reality, Dale Pendell’s The Great Bay (North Atlantic Books) presents a powerful fictional vision of a fast-approaching future in which sea levels rise and a decimated population must find new ways to live
Preorder a signed edition of The Great Bay!

Thursday, October 28th @ 7:30pm Powell’s Books on Hawthorne
3723 SE Hawthorne Blvd. (800) 878-7323
More Info From Powells…

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Je Suis Jean Cocteau

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Extract: The Great Bay: Chronicles of the Collapse
by Dale Pendell

Panoptic: — The First Decade of the Collapse: 2021-2030

For a while they buried the bodies in mass graves with bulldozers. The National Guard had been deployed since the imposition of martial law. When the disease spread and the bodies became too many, they just burned them in houses, sometimes a whole block at a time. The electricity failed in August. In a week the gasoline supplies ran out and the smell of carrion in the cities was overpowering. Corpses lined the streets where people had carried them out of their houses and apartments, while there were still enough people who wanted to do that. Occasional helicopters flew over the cities telling people to stay in their homes. Nobody had any better idea. Dogs ate at the corpses and some people shot at the dogs; others, in frustration, shot at the helicopters.

2021 had been the hottest summer on record, even topping 2020. The power grid had been stretched to the breaking point for weeks. The “strategic oil reserves” had been depleted the year before—an election year—though the election was never held. The Government had imposed rationing, though it didn’t extend to private jets or to the Air Force. The stock market closed. Paper wealth disappeared overnight.

The disease struck the National Guard as hard as everyone else in the cities. Actually, the guardsmen stayed on the job longer than the corporate security armies protecting the wealthy suburbs, who equaled them in numbers. The guardsmen had a sense, at least a little sense, of legitimacy and loyalty to a cause beyond themselves. In the twenty-first century no one looked upon the corporation as the East India Company, as the spearhead of progress for whom the noble were willing to die. Nonetheless, by the end of August most of the guardsmen had deserted to escape the cities or to try to find their families.

One by one the power plants went dark, another kind of funeral pyre with no one to light it and keep it burning.

Nobody agreed on the precise nature of the pandemic. The government blamed an Asian influenza. Doctors said it was a new kind of chicken pox, or smallpox. There was a rumor that the disease was an army bug, a genetically engineered biological weapon that had back-fired, perhaps brought back by soldiers returning from the oil fields in Central Asia. The disease certainly spread with an engineered efficiency—200,000,000 died in the United States in the first month.

Most agreed the power outage started in the Southwest, and that the blackout had spread from there.

In California the pumping stations went down. Los Angeles was without water, as was San Diego and most other large cities. The pandemic showed no signs of abating. People were still getting sick. The cities were the worst. Dysentery was widespread. There were rumors of typhus. Nobody wanted to risk infection. Nobody wanted to be around other people. In Central California the owner of a 40,000 acre ranch tried to protect the sovereignty of private property by shooting two trespassers and was killed by the third.

By October the population of the United States was about fifty million. Many had survived the disease, if crippled or blinded—but the disruption was complete. People camped out in the country, alone, or in small groups. Sometimes whole families had escaped the infection, sometimes whole families had died together. Mostly, the world had become widows, widowers, and orphans.

There were no workers. Small groups of police operated as armed bands for their own benefit, pillaging and killing those who resisted. Regiments of the regular army were still functioning, but without electricity or fuel they had no clear objective. They couldn’t find the people needed to bring back the power grid. Central leadership disintegrated, or was ignored. Entire regiments went AWOL.

Rumors of a refugee camp at the Vandenberg Air Force Base sparked a mass emigration from Santa Maria, thousands streaming twenty-five miles down Highway One through Casmalia onto the Base. A colonel ordered his command to fire on the crowds to keep them out. No one obeyed his orders. The crowds swamped the Base and refused to leave. After ten days they were too weak to leave.

In Lompoc 200 forgotten prisoners in lockdown died in their cells.
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Harold Budd & Robin Guthrie – Neil’s Theme

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Basho – 5 Poems


Cicada…

Nothing in the cry
of cicadas suggests they
are about to die


A Bee

A bee
staggers out
of the peony.

The Pond

An old silent pond…
A frog jumps into the pond,
splash! Silence again.

Dragon Fly

The dragonfly
can’t quite land
on that blade of grass.

Caterpillar In Fall

A caterpillar,
this deep in fall–
still not a butterfly.
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Zen Poems

My daily activities are not unusual,
I’m just naturally in harmony with them.
Grasping nothing, discarding nothing…
Supernatural power and marvelous activity –
Drawing water and carrying firewood.

– Layman Pang-yun (740-808)

The mind of the past is ungraspable;
the mind of the future is ungraspable;
the mind of the present is ungraspable.

– Diamond Sutra

My legacy –
What will it be?
Flowers in spring,
The cuckoo in summer,
And the crimson maples
Of autumn …

– Ryokan (1758-1831)

Loving old priceless things,
I’ve scorned those seeking
Truth outside themselves:
Here, on the tip of the nose.

– Layman Makusho
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John Maus – Cocteau’s “Blood Of A Poet”

Monday Posting…


Greetings…

I admit I’ve strayed a bit in the last couple of weeks… I had an ill family to attend to for a week, Mary had her birthday, and we celebrated our 32 year of marriage together. I have been swimming through the Social Media phenomena of FB, and am now in the process of weaning my time there.

It has been a creative time, and soon shall bear fruit in other ways. I have been doing collage work again, intensive stuff really, going into new areas I hadn’t explored before. I love a new direction, it gives me purpose, and I feel the Muses are with me.

We lost our beloved Cherry Tree in the back yard. It was cut down, and now its corpse is strewn across the grass and garden beds. We have more sky, but the squirrels and birds have one less hang out. Birdsong has been a bit absent from our yard.

This is a poetry heavy edition, two poets! Good music!, A tale from Breton! I hope you like it!

Hope Life Is Sweet!

Gwyllm
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On The Menu:
Surrealism Quotes
John Foxx & Robin Guthrie – My Life as an Echo
Norouas, the North-West Wind
Jean Cocteau – Poems
The Prose Poems of René Daumal
John Foxx & Robin Guthrie : Spectroscope (Mirrorball)
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Surrealism Quotes:
Surrealism! What is Surrealism? In my opinion, it is above all a reawakening of the poetic idea in art, the reintroduction of the subject but in a very particular sense, that of the strange and illogical. – PAUL DELVAUX, lecture, 1966

Surrealism in painting amounted to little more than the contents of a meagerly stocked dream world: a few witty fantasies, mostly wet dreams and agoraphobic nightmares. -SUSAN SONTAG, On Photography

Surrealism is born of a consciousness of the derisory condition allotted to the individual and his thought, and a refusal to accommodate oneself to it. –JEAN-LOUIS BÉDOUIN, 1961

Surrealism was a perception of reality over which reason was denied the opportunity to exercise confining restrictions. – -JOHN HERBERT MATTHEWS, The Surrealist Mind

Surrealism is merely the reflection of the death process. It is one of the manifestations of a life becoming extinct, a virus which quickens the inevitable end. – -HENRY MILLER, The Cosmological Eye

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John Foxx & Robin Guthrie – My Life as an Echo

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Tales From Breton:
Norouas, the North-west Wind

Brittany has an entire cycle of folk-tales dealing with the subject of the winds–which, indeed, play an extraordinary part in Breton folk-lore. The fishermen of the north coast frequently address the winds as if they were living beings, hurling opprobrious epithets at them if the direction in which they blow does not suit their purpose, shaking their fists at them in a most menacing manner the while. The following story, the only wind-tale it is possible to give here, well illustrates this personalization of the winds by the Breton folk.

There was once a goodman and his wife who had a little field on which they grew flax. One season their patch yielded a particularly fine crop, and after it had been cut they laid it out to dry. But Norouas, the North-west Wind, came along and with one sweep of his mighty wings tossed it as high as the tree-tops, so that it fell into the sea and was lost.

When the goodman saw what had happened he began to swear at the Wind, and, taking his stick, he set out to follow and slay Norouas, who had spoiled his flax. So hasty had he been in setting forth that he had taken no food or money with him, and when evening came he arrived at an inn hungry and penniless. He explained his plight to the hostess, who gave him a morsel of bread and permitted him to sleep in a corner of the stable. In the morning he asked the dame the way to the abode of Norouas, and she conducted him to the foot of a mountain, where she said the Winds dwelt.

The goodman climbed the mountain, and at the top met with Surouas, the South-west Wind.

“Are you he whom they call Norouas?” he asked. “No, I am Surouas,” said the South-west Wind.

“Where then is that villain Norouas?” cried the goodman.

“Hush!” said Surouas, “do not speak so loud, goodman, for if he hears you he will toss you into the air like a straw.”

At that moment Norouas arrived, whistling wildly and vigorously.

“Ah, thief of a Norouas,” cried the goodman, “it was you who stole my beautiful crop of flax!” But the Wind took no notice of him. Nevertheless he did not cease to cry: “Norouas, Norouas, give me back my flax!”

“Hush, hush!” cried Norouas. “Here is a napkin that will perhaps make you keep quiet.”

“With my crop of flax,” howled the goodman, “I could have made a hundred napkins such as this. Norouas, give me back my flax!”

“Be silent, fellow,” said Norouas. “This is no common napkin which I give you. You have only to say, ‘Napkin, unfold thyself,’ to have the best spread table in the world standing before you.”

The goodman took the napkin with a grumble, descended the mountain, and there, only half believing what Norouas had said, placed the napkin before him, saying, “Napkin, unfold thyself.” Immediately a table appeared spread with a princely repast. The odour of cunningly cooked dishes arose, and rare wines sparkled in glittering vessels. After he had feasted the table vanished, and the goodman folded up his napkin and went back to the inn where he had slept the night before.

“Well, did you get any satisfaction out of Norouas?” asked the hostess.

“Indeed I did,” replied the goodman, producing the napkin. “Behold this: Napkin, unfold thyself!” and as he spoke the magic table appeared before their eyes. The hostess, struck dumb with astonishment, at once became covetous and resolved to have the napkin for herself So that night she placed the goodman in a handsome apartment where there was a beautiful bed with a soft feather mattress, on which he slept more soundly than ever he had done in his life. When he was fast asleep the cunning hostess entered the room and stole the napkin, leaving one of similar appearance in its place.

In the morning the goodman set his face homeward, and duly arrived at his little farm. His wife eagerly asked him if Norouas had made good the damage done to the flax, to which her husband replied affirmatively and drew the substituted napkin from his pocket.

“Why,” quoth the dame, “we could have made two hundred napkins like this out of the flax that was destroyed.”

“Ah, but,” said the goodman, “this napkin is not the same as others. I have only to say, ‘Napkin, unfold thyself,’ and a table covered with a most splendid feast appears. Napkin, unfold thyself–unfold thyself, dost thou hear?”

“You are an old fool, goodman,” said his wife when, nothing happened. Her husband’s jaw dropped and he seized his stick.

“I have been sold by that rascal Norouas,” he cried. “Well, I shall not spare him this time,” and without more ado he rushed out of the house and took the road to the home of the Winds.

He slept as before at the inn, and next morning climbed the mountain. He began at once to call loudly upon Norouas, who was whistling up aloft, demanding that he should return him his crop of flax.

“Be quiet, down there!” cried Norouas.

“I shall not be quiet!” screamed the goodman, brandishing his bludgeon. “You have made matters worse by cheating me with that napkin of yours!”

“Well, well, then,” replied Norouas, “here is an ass; you have only to say ‘Ass, make me some gold,’ and it will fall from his tail.”

The goodman, eager to test the value of the new gift, at once led the ass to the foot of the mountain and said: “Ass, make me some gold.” The ass shook his tail, and a rouleau of gold pieces fell to the ground. The goodman hastened to the inn, where, as before, he displayed the phenomenon to the hostess, who that night went into the stable and exchanged for the magical animal another similar in appearance to it. On the evening of the following day the goodman returned home and acquainted his wife with his good luck, but when he charged the ass to make gold and nothing happened, she railed at him once more for a fool, and in a towering passion he again set out to slay Norouas. Arrived at the mountain for the third time, he called loudly on the North-west Wind, and when he came heaped insults and reproaches upon him.

“Softly,” replied Norouas; “I am not to blame for your misfortune. You must know that it is the hostess at the inn where you slept who is the guilty party, for she stole your napkin and your ass. Take this cudgel. When you say to it, ‘Strike, cudgel,’ it will at once attack your enemies, and when you want it to stop you have only to cry, ‘Ora pro nobis.’”

The goodman, eager to test the efficacy of the cudgel, at once said to it, “Strike, cudgel,” whereupon it commenced to belabour him so soundly that he yelled, “Ora Pro nobis!” when it ceased.

Returning to the inn in a very stormy mood, he loudly demanded the return of his napkin and his ass, whereupon the hostess threatened to fetch the gendarmes.

“Strike, cudgel!” cried the goodman, and the stick immediately set about the hostess in such vigorous style that she cried to the goodman to call it off and she would at once return his ass and his napkin.

When his property had been returned to him the goodman lost no time in making his way homeward, where he rejoiced his wife by the sight of the treasures he brought with him. He rapidly grew rich, and his neighbours, becoming suspicious at the sight of so much wealth, had him arrested and brought before a magistrate on a charge of wholesale murder and robbery. He was sentenced to death, and on the day of his execution he was about to mount the scaffold, when he begged as a last request that his old cudgel might be brought him. The boon was granted, and no sooner had the stick been given into his hands than he cried, “Strike, cudgel!”

And the cudgel did strike. It belaboured judge, gendarmes, and spectators in such a manner that they fled howling from the scene. It demolished the scaffold and cracked the hangman’s crown. A great cry for mercy arose. The goodman was instantly pardoned, and was never further molested in the enjoyment of the treasures the North-west Wind had given him as compensation for his crop of flax.
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Jean Cocteau – Poems

L’Ange Heurtebise

I

Angel Heurtebise on the steps
Beats me with his wings
Of watered silk, refreshes my memory,
The rascal, motionless
And alone with me on the agate
Which breaks, ass, your supernatural
Pack-saddle.

II

Angel Heurtebise with incredible
Brutality jumps on me. Please
Don’t jump so hard,
Beastly fellow, flower of tall
Stature.
You’ve laid me up. That’s
Bad manners. I hold the ace, see?
What do you have?

III

Angel Heurtebise pushes me;
And you, Lord Jesus, mercy,
Lift me, raise me to the corner
Of your pointed knees;
Undiluted pleasure. Thumb, untie
The rope! I die.

IV

Angel Heurtebise and angel
Cegeste killed in the war—what a wondrous
Name—play
The role of scarecrows
Whose gesture no frightens
The cherries on the heavenly cherry trees
Under the church’s folding door
Accustomed to the gesture yes.

V

My guardian angel, Heurtebise,
I guard you, I hit you,
I break you, I change
Your guard every hour.
On guard, summer! I challenge
You, if you’re a man. Admit
Your beauty, angel of white lead,
Caught in a photograph by an
Explosion of magnesium.


Awakening

Grave mouths of lions
Sinuous smiling of young crocodiles
Along the river’s water conveying millions
Isles of spice
How lovely he is, the son
Of the widowed queen
And the sailor
The handsome sailor abandons a siren,
Her widow’s lament at the south of the islet
It’s Diana of the barracks yard
Too short a dream
Dawn and lanterns barely extinguished
We are awakening
A tattered fanfare

Sobre Las Olas (On The Waves)

The boys in striped knitware
make the waves sprout–is it a storm?
Everything coos and the bathing girl
consults the mirror of the skies
Waltz, emerald carriages
As a rosebush swells its sides
Once more on the merry-go-round
Spring at the bottom of the sea.

Preamble (A Rough Draft For An Ars Poetica) by Jean Cocteau
…Preamble

A rough draft
for an ars poetica

. . . . . . .

Let’s get our dreams unstuck

The grain of rye
free from the prattle of grass
et loin de arbres orateurs

I

plant

it

It will sprout

But forget about
the rustic festivities

For the explosive word
falls harmlessly
eternal through
the compact generations

and except for you

nothing
denotates

its sweet-scented dynamite

Greetings
I discard eloquence
the empty sail
and the swollen sail
which cause the ship
to lose her course

My ink nicks
and there

and there

and there

and
there

sleeps
deep poetry

The mirror-paneled wardrobe
washing down ice-floes
the little eskimo girl

dreaming
in a heap
of moist negroes
her nose was
flattened
against the window-pane
of dreary Christmases

A white bear
adorned with chromatic moire

dries himself in the midnight sun

Liners

The huge luxury item

Slowly founders
all its lights aglow

and so
sinks the evening-dress ball
into the thousand mirrors
of the palace hotel

And now
it is I

the thin Columbus of phenomena
alone
in the front
of a mirror-paneled wardrobe
full of linen
and locking with a key

The obstinate miner
of the void
exploits
his fertile mine

the potential in the rough
glitters there
mingling with its white rock

Oh
princess of the mad sleep
listen to my horn
and my pack of hounds

I deliver you
from the forest
where we came upon the spell

Here we are
by the pen
one with the other
wedded
on the page

Isles sobs of Ariadne

Ariadnes
dragging along
Aridnes seals

for I betray you my fair stanzas
to
run and awaken
elsewhere

I plan no architecture

Simply
deaf
like you Beethoven

blind
like you
Homer
numberless old man

born everywhere

I elaborate
in the prairies of inner
silence

and the work of the mission
and the poem of the work
and the stanza of the poem
and the group of the stanza
and the words of the group
and the letters of the word
and the least
loop of the letters

it’s your foot
of attentive satin
that I place in position
pink
tightrope walker
sucked up by the void

to the left to the right
the god gives a shake
and I walk
towards the other side
with infinite precaution
__________________
The Prose Poems of René Daumal

The Skin Of Light

The skin of light enveloping this world lacks depth and I can actually see the black night of all these
similar bodies beneath the trembling veil and light of myself it is this night that even the mask of the
sun cannot hide from me I am the seer of night the auditor of silence for silence too is dressed in
sonorous skin and each sense has its own night even as I do I am my own night I am the conceiver
of non-being and of all its splendor I am the father of death she is its mother she whom I evoke
from the perfect mirror of night i am the great inside-out man my words are a tunnel punched
through silence I understand all disillusionment I destroy what I become I kill what I love.

Last Letter to his Wife

I am dead because I lack desire,
I lack desire because I think I possess.
I think I possess because I do not try to give.
In trying to give, you see that you have nothing;
Seeing that you have nothing, you try to give of yourself;
Trying to give of yourself, you see that you are nothing:
Seeing that you are nothing, you desire to become;
In desiring to become, you begin to live.

Poem

One cannot stay on the summit forever –
One has to come down again.
So why bother in the first place? Just this.
What is above knows what is below –
But what is below does not know what is above

One climb, one sees-
One descends and sees no longer
But one has seen!

There is an art of conducting one’s self in
The lower regions by the memory of
What one saw higher up.

When one can no longer see,
One does at least still know.

The Holy War
(translated by D. M. Dooling)

I am going to write a poem about war. Perhaps it will not be a real poem, but it will be about a real war.

It will not be a real poem, because if the real poet were here and if the news spread through the crowd that he was going to speak—then a great silence would fall; at the first glimpse, a heavy silence would swell up, a silence big with a thousand thunderbolts.

The poet would be visible; we would see him; seeing him, he would see us; and we would fade away into our own poor shadows, we would resent his being so real, we sickly ones, we troubled ones, we uneasy ones.

He would be here, full to bursting with the thousand thunderbolts of the multitude of enemies he contains—for he contains them, and satisfies them when he wishes—incandescent with pain and holy anger, yet as still as a man lighting a fuse, in the great silence he would open a little tap, the very small tap of the mill of words, and let flow a poem, such a poem that it would turn you green.

What I am going to make won’t be a real, poetic, poet’s poem for if the word “war” were used in a real poem—then war, the real war that the real poet speaks about, war without mercy, war without truce would break out for good in our inmost hearts.

For in a real poem words bear their own facts.

But neither will this be a philosophical discourse. For to be a philosopher, to love the truth more than oneself, one must have died to self-deception, one must have killed the treacherous smugness of dream and cozy fantasy. And that is the aim and the end of the war; and the war has hardly begun, there are still traitors to unmask.

Nor will it be a work of learning. For to be learned, to see and love things as they are, one must be oneself, and love to see oneself as one is. One must have broken the deceiving mirrors, one must have slain with a pitiless look the insinuating phantoms. And that is the aim and the end of the war, and the war has hardly begun; there are still masks to tear off.

Nor will it be an eager song. For enthusiasm is stable when the god stands up, when the enemies are no more than formless forces, when the clangor of war rings out deafeningly; and the war has hardly begun, we haven’t yet thrown our bedding into the fire.

Nor will it be a magical invocation, for the magician prays to his god, “Do what I want,” and he refuses to make war on his worst enemy, if the enemy pleases him; nor will it be a believer’s prayer either, for at his best the believer prays “Do what you want,” and for that he must put iron and fire into the entrails of his dearest enemy—which is the act of war, and the war has hardly begun.

This will be something of all that, some hope and effort towards all that, and it will also be something of a call to arms. A call that the play of echoes can send back to me, and that perhaps others will hear.

You can guess now of what kind of war I wish to speak.

Of other wars—of those one undergoes—I shall not speak. If I were to speak of them, it would be ordinary literature, a makeshift, a substitute, an excuse. Just as it has happened that I have used the word “terrible” when I didn’t have gooseflesh. Just as I’ve used the expression “dying of hunger” when I hadn’t reached the point of stealing from the food-stands. Just as I’ve spoken of madness before having tried to consider infinity through a keyhole. As I’ve spoken of death before my tongue has known the salt taste of the irreparable. As certain people speak of purity, who have always considered themselves superior to the domestic pig. As some speak of liberty, who adore and polish their chains; as some speak of love, who love nothing but their own shadows; or of sacrifice, who wouldn’t for all the world cut off their littlest finger. Or of knowledge, who disguise themselves from their own eyes. Just as it is our great infirmity to talk in order to see nothing.

This would be a feeble substitute, like the old and sick speaking with relish of blows given and received by the young and strong.

Have I then the right to speak of this other war—the one which is not just undergone—when it has perhaps not yet irremediably taken fire in me? When I am still engaged only in skirmishes? Certainly, I rarely have the right. But “rarely the right” also means “sometimes the duty”—and above all, “the need,” for I will never have too many allies.

I shall try to speak then of the holy war.

May it break out and continue without truce! Now and again it takes fire, but never for long. At the first small hint of victory, I flatter myself that I’ve won, and I play the part of the generous victor and come to terms with the enemy. There are traitors in the house, but they have the look of friends and it would be so unpleasant to unmask them! They have their place in the chimney corner, their armchairs and their slippers; they come in when I’m drowsy, offering me a compliment, or a funny or exciting story, or flowers and goodies—sometimes a fine hat with feathers. They speak in the first person, and it’s my voice I think I’m hearing, my voice in which I’m speaking: “I am … , I know … , I wish …” But it’s all lies! Lies grafted on my flesh, abscesses screaming at me: “Don’t slaughter us, we’re of the same blood!”—pustules whining: “We are your greatest treasure, your only good feature; go on feeding us, it doesn’t cost all that much!”

And there are so many of them; and they are charming, they are pathetic, they are arrogant, they practice blackmail, they band together … but they are barbarians who respect nothing—nothing that is true, I mean, because they cringe in front of everything else and are tied in knots with respect. It’s thanks to their ideas that I wear my mask; they take possession of everything, including the keys to the costume wardrobe. They tell me: “We’ll dress you; how could you ever present yourself properly in the great world without us?” But oh! It would be better to go naked as a grub!

The only weapon I have against these armies is a very tiny sword, so little you can hardly see it with the naked eye; though, true enough, it is sharp as a razor and quite deadly. But it is really so small that I lose it from one minute to the next. I never know where I stuck it last; and when I find it again, it seems too heavy to carry and too clumsy to wield—my deadly little sword.

Myself, I only know how to say a very few words, and they are more like squeaks; while they even know how to write. There’s always one of them in my mouth, lying in wait for my words when I want to say something. He listens and keeps everything for himself, and speaks in my place using my words but in his own filthy accent. And it’s thanks to him if anyone pays attention to me or thinks I’m intelligent. (But the ones who know aren’t fooled; if only I could listen to the ones who know!)

These phantoms rob me of everything. And having done so, it’s easy for them to make me feel sorry for them: “We protect you, we express you, we make the most of you, and you want to murder us! But you are just destroying yourself when you scold us, when you hit us cruelly on our sensitive noses—us, your good friends.”

And an unclean pity with its tepid breath comes to weaken me. Light be against you, phantoms! If I turn on the lamp, you stop talking. When I open an eye, you disappear—because you are carved out of the void, painted grimaces of emptiness. Against you, war to the finish—without pity, without tolerance. There is only one right: the right to be more.

But now it’s a different song. They have a feeling that they have been spotted; so they pretend to be conciliatory. “Of course, you’re the master. But what’s a master without servants? Keep us on in our lowly places; we promise to help you. Look here, for instance: suppose you want to write a poem. How could you do it without us?”

Yes, you rebels—some day I’ll put you in your place. I’ll make you bow under my yoke, I’ll feed you hay and groom you every morning. But as long as you suck my blood and steal my words, it would be better by far never to write a poem!

A pretty kind of peace I’m offered: to close my eyes so as not to witness the crime, to run in circles from morning till night so as not to see death’s always-open jaws; to consider myself victorious before even starting to struggle. A liar’s peace! To settle down cozily with my cowardices, since everybody else does. Peace of the defeated! A little filth, a little drunkenness, a little blasphemy for a joke, a little masquerade made a virtue of, a little laziness and fantasy—even a lot, if one is gifted for it—a little of all that, surrounded by a whole confectioner’s-shopful of beautiful words; that’s the peace that is suggested. A traitor’s peace! And to safeguard this shameful peace, one would do anything, one would make war on one’s fellows; for there is an old, tried and true formula for preserving one’s peace with oneself, which is always to accuse someone else. The peace of betrayal!

You know by now that I wish to speak of holy warfare.

He who has declared this war in himself is at peace with his fellows, and although his whole being is the field of the most violent battle, in his very innermost depths there reigns a peace that is more active than any war. And the more strongly this peace reigns in his innermost depths, in that central silence and solitude, the more violently rages the war against the turmoil of lies and numberless illusions.

In that vast silence obscured by battle-cries, hidden from the outside by the fleeing mirage of time, the eternal conqueror listens to the voices of other silences. Alone, having overcome the illusion of not being alone, he is no longer the only one to be alone. But I am separated from him by these ghost-armies which I have to annihilate. Oh, to be able one day to take my place in that citadel! On its ramparts, let me be torn limb from limb rather than allow the tumult to enter the royal chamber!

“But am I to kill?” asked Arjuna the warrior. “Am I to pay tribute to Caesar?” asks another. Kill, he is answered, if you are a killer. You have no choice. But if your hands are red with the blood of your enemies, see to it that not a drop splatter the royal chamber, where the motionless conqueror waits. Pay, he is answered, but see to it that Caesar gets not a single glimpse of the royal treasure.

And I, who have no other weapon, no other coin, in Caesar’s world, than words—am I to speak?

I shall speak to call myself to the holy war. I shall speak to denounce the traitors whom I nourished. I shall speak so that my words may shame my actions, until the day comes when a peace armored in thunder reigns in the chamber of the eternal conqueror.

And because I have used the word war, and because this word war is no longer, today, simply a sound that educated people make with their mouths, but now has become a serious word heavy with meaning, it will be seen that I am speaking seriously and that these are not empty sounds that I am making with my mouth.
_______________
John Foxx & Robin Guthrie : Spectroscope (Mirrorball)

Into The Zone Part I

“Let us admit that we have attended parties where for one brief night a republic of gratified desires was attained. Shall we not confess that the politics of that night have more reality and force for us than those of, say, the entire U.S. Government? Some of the “parties” we’ve mentioned lasted for two or three years. Is this something worth imagining, worth fighting for? Let us study invisibility, webworking, psychic nomadism–and who knows what we might attain?” – Hakim Bey

—–
Hope this finds you well. The next few post will be about concepts around liberation of the human spirit… or at least my takes on it. Anyway, I hope you like this entry!

Best,
Gwyllm

Best Occurrence Of The Week:
I am up the side of a house, and I look up to see a Red Tail Hawk plunge into the tree about 15 feet from me, going after the Jays. It was such a sensory rush, the Red Tail spinning and wheeling through the branches with talons extended as the Jays explode out of the tree shreaking in sheer terror as they fled in different directions. The sky is light blue, and the suns streaks down. A light breeze is blowing as the leaves fall from the tree where chaos and mayhem were but moments before.

I don’t know if the Hawk got any of the Jays, but they were gone for over a day, and quite cautious when they returned…. The neighborhood bullies had been taken down, if for but a day or so… 80)

Into The Zone Part I:
I have been up a ladder for about a week… no really. Painting an exterior in the South East. Wonderful old house, good people, great neighborhood.

As I work, and find my rhythm, I slip into modes of thought not always accessed for yours truly. The thoughts unfolded, concepts build up, break down, mutate and become something else. I entered into a ‘dreaming’, a fugue state. That is not to say I am removed from what I was doing, no as the thoughts percolate upward (or downward) my hands and fore-mind were incredibly engaged; the work flowed and everything glowed with a ‘rightness’ if that is the correct word.

This past week when I was first entering into this state I found myself considering the concept of TAZ… (Temporary Autonomous Zone) I was going over the occasions on which I was part of one. My mind went back over the years… to the Co-Ops, the Parties, The Communes, the Political Actions, to the days and nights entwined with someone I was loving… As I went over the events, happenings and times of wonder I realized that my quest for the PAZ… (Permanent Autonomous Zone) had been a major factor in my make up going back to at least 1966. The seeds go earlier, surely.

I recall sitting with friends and churning the waters of consciousness with discussions of inducing the Utopian Epoch, and what would bring it on, and how we would achieve it. “Ten years, in ten years…. We won’t even have to talk anymore, because everyone will know each others thoughts” said my friend Harry the Buddha. I can see him now, glowing with excitement. Just over the horizon, in all of our young minds then, a shining city. Of course in a year or so, things changed. Some of us died in the struggle, others faded away, and others kept on the best they could…. (more to follow)

On The Menu:
Links I Like
Robin Guthrie – Sparkle
Hakim Bey Quotes
Chaos – Hakim Bey
Ibn al Arabi: Poet & Philosopher
Biography: Ibn al Arabi
Robin Guthrie – Sunflower Stories
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Links I Like;
From Leana: October Forecast!
Mr. Crick’s Letters…
Astral Projection?
Druids Rool!
US Schools More Segregated Today Than The 50′s
_________________

Robin Guthrie – Sparkle

_________________
Hakim Bey Quotes:
“I maintain that (as usual) many sides exist to this issue rather than only two. Two-sided issues (creationism vs darwinism, “choice” vs “pro-life,” etc.) are all without exception delusions, spectacular lies.”

“Turn to yourselves rather than to your Gods or to your idols. Find what hides in yourselves; bring it to the light; show yourselves!”

“Anyone who can read history with both hemispheres of the brain knows that a world comes to an end every instant–the waves of time leave washed up behind themselves only dry memories of a closed & petrified past–imperfect memory, itself already dying & autumnal. And every instant also gives birth to a world–despite the cavillings of philosophers & scientists whose bodies have grown numb–a present in which all impossibilities are renewed, where regret & premonition fade to nothing in one presential hologrammatical psychomantric gesture. ”

Physical separateness can never be overcome by electronics, but only by “conviviality”, by “living together” in the most literal physical sense. The physically divided are also the conquered and the controlled. “True desires” – erotic, gustatory, olfactory, musical, aesthetic, psychic, & spiritual – are best attained in a context of freedom of self and other in physical proximity & mutual aid. Everything else is at best a sort of representation.

_________________

Chaos
Hakim Bey

CHAOS NEVER DIED. Primordial uncarved block, sole worshipful monster, inert & spontaneous, more ultraviolet than any mythology (like the shadows before Babylon), the original undifferentiated oneness-of-being still radiates serene as the black pennants of Assassins, random & perpetually intoxicated.
Chaos comes before all principles of order & entropy, it’s neither a god nor a maggot, its idiotic desires encompass & define every possible choreography, all meaningless aethers & phlogistons: its masks are crystallizations of its own facelessness, like clouds.

Everything in nature is perfectly real including consciousness, there’s absolutely nothing to worry about. Not only have the chains of the Law been broken, they never existed; demons never guarded the stars, the Empire never got started, Eros never grew a beard.

No, listen, what happened was this: they lied to you, sold you ideas of good & evil, gave you distrust of your body & shame for your prophethood of chaos, invented words of disgust for your molecular love, mesmerized you with inattention, bored you with civilization & all its usurious emotions.

There is no becoming, no revolution, no struggle, no path; already you’re the monarch of your own skin–your inviolable freedom waits to be completed only by the love of other monarchs: a politics of dream, urgent as the blueness of sky.

To shed all the illusory rights & hesitations of history demands the economy of some legendary Stone Age–shamans not priests, bards not lords, hunters not police, gatherers of paleolithic laziness, gentle as blood, going naked for a sign or painted as birds, poised on the wave of explicit presence, the clockless nowever.

Agents of chaos cast burning glances at anything or anyone capable of bearing witness to their condition, their fever of lux et voluptas. I am awake only in what I love & desire to the point of terror–everything else is just shrouded furniture, quotidian anaesthesia, shit-for-brains, sub-reptilian ennui of totalitarian regimes, banal censorship & useless pain.

Avatars of chaos act as spies, saboteurs, criminals of amour fou, neither selfless nor selfish, accessible as children, mannered as barbarians, chafed with obsessions, unemployed, sensually deranged, wolfangels, mirrors for contemplation, eyes like flowers, pirates of all signs & meanings.

Here we are crawling the cracks between walls of church state school & factory, all the paranoid monoliths. Cut off from the tribe by feral nostalgia we tunnel after lost words, imaginary bombs.

The last possible deed is that which defines perception itself, an invisible golden cord that connects us: illegal dancing in the courthouse corridors. If I were to kiss you here they’d call it an act of terrorism–so let’s take our pistols to bed & wake up the city at midnight like drunken bandits celebrating with a fusillade, the message of the taste of chaos.

______________
Ibn al Arabi: Poet & Philosopher

When we came together

When we came together
to bid each other adieu
You would have thought that we were
Like a double letter
At the moment of union and embrace.

Even if we are made up
Of a double nature,
Our glances see only
One unified being…

I am absent and therefore desire
Causes my soul to pass away.
Meeting does not cure me
Because it persists both in absence
and in presence.

Meeting her produced in me
That which I had not imagined at all.
Healing is a new ill,
Which comes of ecstasy…

Because as for me, I see a being
Whose beauty increases,
Brilliant and superb
At every one of our meetings.

One does not escape in ecstasy
That exists in kinship
With beauty that continues to intensify
To the point of perfect harmony.


When My Beloved Appears

When my Beloved appears,
With what eye do I see Him?

With His eye, not with mine,
For none sees Him except Himself.

Turmoil in your hearts

Were it not for
the excess of your talking
and the turmoil in your hearts,
you would see what I see
and hear what I hear!

Wonder
Wonder,
A garden among the flames!

My heart can take on any form:
A meadow for gazelles,
A cloister for monks,
For the idols, sacred ground,
Ka’ba for the circling pilgrim,
The tables of the Torah,
The scrolls of the Quran.

My creed is Love;
Wherever its caravan turns along the way,
That is my belief,
My faith.

My heart has become capable of every form

My heart has become capable of every form: it is a pasture for gazelles and a convent for Christian monks,
And a temple for idols, and the pilgrim’s Ka’ba, and the tables of the Tora and the book of the Koran.
I follow the religion of Love, whichever way his camels take. My religion and my faith is the true religion.
We have a pattern in Bishr, the lover of Hind and her sister, and in Qays and Lubna, and in Mayya and Ghaylan.

Translation Of Desires

At the way stations
stay. Grieve over the ruins.
Ask the meadow grounds,
now desolate, this question.

Where are those we loved,
where have their dark-white camels gone?
Over there,
cutting through the desert haze.

Gardens in a mirage,
you see them,
enlarged to your eye
in the vaporous haze.

They have gone off seeking
Al-’Udhayb,
to drink its water
as cool as life.

I tracked after them.
I asked the East Wind.
Have they set up tents
or sheltered within the Lote Tree’s shade?

She said: I left their encampment
on the sand-tossed plain of Zarud,
the camels, weary
from the long night’s journey, complaining.

They have set up
high-covered pavilions
to shelter beauty
from the mid-day heat.

Get up your camels
and set off seeking
their traces, amber camels
pacing toward them.
When you stop
before the way-marks of Hajir
and cut across its ridges
and hollows,

Their stations will be near.
Their fire will loom before you,
kindling desire
into a raging blaze.

Kneel your camels there.
Don’t fear their lions.
Yearning will reveal them to you
as whelps
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Biography: Ibn al Arabi
Mystic, philosopher, poet, sage, Muhammad Ibn ‘Arabi is one of the world’s great spiritual teachers. Known as Muhyiddin (the Revivifier of Religion) and the Shaykh al-Akbar (the Greatest Master), he was born in 1165 AD into the Moorish culture of Andalusian Spain, the center of an extraordinary flourishing and cross-fertilization of Jewish, Christian and Islamic thought, through which the major scientific and philosophical works of antiquity were transmitted to Northern Europe. Ibn ‘Arabi’s spiritual attainments were evident from an early age, and he was renowned for his great visionary capacity as well as being a superlative teacher. He travelled extensively in the Islamic world and died in Damascus in 1240 AD.

He wrote over 350 works including the Fusûs al-Hikam , an exposition of the inner meaning of the wisdom of the prophets in the Judaic/ Christian/ Islamic line, and the Futûhât al-Makkiyya, a vast encyclopaedia of spiritual knowledge which unites and distinguishes the three strands of tradition, reason and mystical insight. In his Diwân and Tarjumân al-Ashwâq he also wrote some of the finest poetry in the Arabic language. These extensive writings provide a beautiful exposition of the Unity of Being, the single and indivisible reality which simultaneously transcends and is manifested in all the images of the world. Ibn ‘Arabi shows how Man, in perfection, is the complete image of this reality and how those who truly know their essential self, know God.

Firmly rooted in the Quran, his work is universal, accepting that each person has a unique path to the truth, which unites all paths in itself. He has profoundly influenced the development of Islam since his time, as well as significant aspects of the philosophy and literature of the West. His wisdom has much to offer us in the modern world in terms of understanding what it means to be human.

Ibn Arabi believed in the unity of all religions and taught different prophets all came with the same essential truth.

“There is no knowledge except that taken from God, for He alone is the Knower… the prophets, in spite of their great number and the long periods of time which separate them, had no disagreement in knowledge of God, since they took it from God.”

– Ibn Arabi

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Robin Guthrie – Sunflower Stories

One Of The Ancestors…

Yet I abide; for who is Pan is all.
He hath no refuge in deceitful death.
What soul is immanent may never fall;
What soul is Breath can never fail of breath.
The pity and the terror and the yearning
Of this my silence and my solitude
Are broken by the blazing and the burning
Of this dead majesty, this million-hued
Brilliance that coruscates its jetted fire
Into the infinite aether…

– Clouds Without Water/Aleister Crowley

This post was ready last Thursday, I dithered over the weekend working on The Invisible College and dealing with clients. I am sure I had something witty to say, but it has all gone by the wayside a this point.

Aleister Crowley: I first heard the name at a metaphysical lecture in 67 or 69 (I was deep in the woods in 68). He was called “The most Wicked man in the world”. I was intrigued, and over the years picked up info along the way, and eventually finding a familial connection (through a relatives marriage) to the man himself.

Mary asked me what fascinated me about Aleister? I can only say that a good portion of the negative washed away via a work of fiction by Robert Anton Wilson: ” Masks of the Illuminati” reading this book helped me to overcome the prejudices of others that had taken residence in my mind regarding Mr. Crowley. I have owned original copies of the Equinox (bequeathed to me from that familial connection), to other obscure bits along the way. All in all, he had some great moments. Not all of his stuff is worth reading, nor was he without his… problems. Still, he had a vision, and I salute that. I view him as one of the ancestors. His influence extends quite a way, and I give thanks for the roads he pioneered.

Bright Blessings,
Gwyllm
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On The Menu:
Aleister Crowley Quotes
A Film On The Life Of Aleister Crowley
Jocelyn Pook – Dionysus
The Magician’s Horse
The Poems Of Aleister Crowley
Jocelyn Pook – Eyes Wide Shut

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Aleister Crowley Quotes:

“The essence of independence has been to think and act according to standards from within, not without. Inevitably anyone with an independent mind must become “one who resists or opposes authority or established conventions”: a rebel. If enough people come to agree with, and follow, the Rebel, we now have a Devil. Until, of course, still more people agree. And then, finally, we have — Greatness.”

“To read a newspaper is to refrain from reading something worthwhile. The first discipline of education must therefore be to refuse resolutely to feed the mind with canned chatter.”

“Paganism is wholesome because it faces the facts of life.”

“The joy of life consists in the exercise of one’s energies, continual growth, constant change, the enjoyment of every new experience. To stop means simply to die. The eternal mistake of mankind is to set up an attainable ideal.”

“Modern morality and manners suppress all natural instincts, keep people ignorant of the facts of nature and make them fighting drunk on bogey tales.”
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A Film On The Life Of Aleister Crowley
Watch more free documentaries

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Jocelyn Pook – Dionysus

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The Magician’s Horse

(Frank Cheyne Papé)

Once upon a time, there was a king who had three sons. Now it happened that one day the three princes went out hunting in a large forest at some distance from their father’s palace, and the youngest prince lost his way, so his brothers had to return home without him.

For four days the prince wandered through the glades of the forest, sleeping on moss beneath the stars at night, and by day living on roots and wild berries. At last, on the morning of the fifth day, he came to a large open space in the middle of the forest, and here stood a stately palace; but neither within nor without was there a trace of human life. The prince entered the open door and wandered through the deserted rooms without seeing a living soul. At last he came on a great hall, and in the centre of the hall was a table spread with dainty dishes and choice wines. The prince sat down, and satisfied his hunger and thirst, and immediately afterwards the table disappeared from his sight. This struck the prince as very strange; but though he continued his search through all the rooms, upstairs and down, he could find no one to speak to. At last, just as it was beginning to get dark, he heard steps in the distance and he saw an old man coming towards him up the stairs.

‘What are you doing wandering about my castle?’ asked the old man.

To whom the prince replied: ‘I lost my way hunting in the forest. If you will take me into your service, I should like to stay with you, and will serve you faithfully.’

‘Very well,’ said the old man. ‘You may enter my service. You will have to keep the stove always lit, you will have to fetch the wood for it from the forest, and you will have the charge of the black horse in the stables. I will pay you a florin a day, and at meal times you will always find the table in the hall spread with food and wine, and you can eat and drink as much as you require.’

The prince was satisfied, and he entered the old man’s service, and promised to see that there was always wood on the stove, so that the fire should never die out. Now, though he did not know it, his new master was a magician, and the flame of the stove was a magic fire, and if it had gone out the magician would have lost a great part of his power.

One day the prince forgot, and let the fire burn so low that it very nearly burnt out. Just as the flame was flickering the old man stormed into the room.

‘What do you mean by letting the fire burn so low?’ he growled. ‘I have only arrived in the nick of time.’ And while the prince hastily threw a log on the stove and blew on the ashes to kindle a glow, his master gave him a severe box on the ear, and warned him that if ever it happened again it would fare badly with him.

One day the prince was sitting disconsolate in the stables when, to his surprise, the black horse spoke to him.

‘Come into my stall,’ it said, ‘I have something to say to you. Fetch my bridle and saddle from that cupboard and put them on me. Take the bottle that is beside them; it contains an ointment which will make your hair shine like pure gold; then put all the wood you can gather together on to the stove, till it is piled quite high up.’

So the prince did what the horse told him; he saddled and bridled the horse, he put the ointment on his hair till it shone like gold, and he made such a big fire in the stove that the flames sprang up and set fire to the roof, and in a few minutes the palace was burning like a huge bonfire.

Then he hurried back to the stables, and the horse said to him: ‘There is one thing more you must do. In the cupboard you will find a looking-glass, a brush and a riding-whip. Bring them with you, mount on my back, and ride as hard as you can, for now the house is burning merrily.’

The prince did as the horse bade him. Scarcely had he got into the saddle than the horse was off and away, galloping at such a pace that, in a short time, the forest and all the country belonging to the magician lay far behind them.

In the meantime the magician returned to his palace, which he found in smouldering ruins. In vain he called for his servant. At last he went to look for him in the stables, and when he discovered that the black horse had disappeared too, he at once suspected that they had gone together; so he mounted a roan horse that was in the next stall, and set out in pursuit.

As the prince rode, the quick ears of his horse heard the sound of pursuing feet.

‘Look behind you,’ he said, ‘and see if the old man is following.’ And the prince turned in his saddle and saw a cloud like smoke or dust in the distance.

‘We must hurry,’ said the horse.

After they had galloped for some time, the horse said again: ‘Look behind, and see if he is still at some distance.’

‘He is quite close,’ answered the prince.

‘Then throw the looking-glass on the ground,’ said the horse. So the prince threw it; and when the magician came up, the roan horse stepped on the mirror, and crash! his foot went through the glass, and he stumbled and fell, cutting his feet so badly that there was nothing for the old man to do but to go slowly back with him to the stables, and put new shoes on his feet. Then they started once more in pursuit of the prince, for the magician set great value on the horse, and was determined not to lose it.

In the meanwhile the prince had gone a great distance; but the quick ears of the black horse detected the sound of following feet from afar.

‘Dismount,’ he said to the prince; ‘put your ear to the ground, and tell me if you do not hear a sound.’

So the prince dismounted and listened. ‘I seem to hear the earth tremble,’ he said; ‘I think he cannot be very far off.’

‘Mount me at once,’ answered the horse, ‘and I will gallop as fast as I can.’ And he set off so fast that the earth seemed to fly from under his hoofs.

‘Look back once more,’ he said, after a short time, ‘and see if he is in sight.’

‘I see a cloud and a flame,’ answered the prince; ‘but a long way off.’

‘We must make haste,’ said the horse. And shortly after he said: ‘Look back again; he can’t be far off now.’

The prince turned in his saddle, and exclaimed: ‘He is close behind us, in a minute the flame from his horse’s nostrils will reach us.’

‘Then throw the brush on the ground,’ said the horse.

And the prince threw it, and in an instant the brush was changed into such a thick wood that even a bird could not have got through it, and when the old man got up to it the roan horse came suddenly to a stand-still, not able to advance a step into the thick tangle. So there was nothing for the magician to do but to retrace his steps, to fetch an axe, with which he cut himself a way through the wood. But it took him some time, during which the prince and the black horse got on well ahead.

But once more they heard the sound of pursuing feet. ‘Look back,’ said the black horse, ‘and see if he is following.’

‘Yes,’ answered the prince, ‘this time I hear him distinctly.

‘Let us hurry on,’ said the horse. And a little later he said: ‘Look back now, and see if he is in sight.’

‘Yes,’ said the prince, turning round, ‘I see the flame; he is close behind us.’

‘Then you must throw down the whip,’ answered the horse.’ And in the twinkling of an eye the whip was changed into a broad river. When the old man got up to it he urged the roan horse into the water, but as the water mounted higher and higher, the magic flame which gave the magician all his power grew smaller and smaller, till, with a fizz, it went out, and the old man and the roan horse sank in the river and disappeared. When the prince looked round they were no longer to be seen.

‘Now,’ said the horse, ‘you may dismount; there is nothing more to fear, for the magician is dead. Beside that brook you will find a willow wand. Gather it, and strike the earth with it, and it will open and you will see a door at your feet.’

When the prince had struck the earth with the wand a door appeared, and opened into a large vaulted stone hall.

‘Lead me into that hall,’ said the horse, ‘I will stay there; but you must go through the fields till you reach a garden, in the midst of which is a king’s palace. When you get there you must ask to be taken into the king’s service. Good-bye, and don’t forget me.’

So they parted; but first the horse made the prince promise not to let anyone in the palace see his golden hair. So he bound a scarf round it, like a turban, and the prince set out through the fields, till he reached a beautiful garden, and beyond the garden he saw the walls and towers of a stately palace. At the garden gate he met the gardener, who asked him what he wanted.

‘I want to take service with the king,’ replied the prince.

‘Well, you may stay and work under me in the garden,’ said the man; for as the prince was dressed like a poor man, he could not tell that he was a king’s son. ‘I need someone to weed the ground and to sweep the dead leaves from the paths. You shall have a florin a day, a horse to help you to cart the leaves away, and food and drink.’

So the prince consented, and set about his work. But when his food was given to him he only ate half of it; the rest he carried to the vaulted hall beside the brook, and gave to the black horse. And this he did every day, and the horse thanked him for his faithful friendship.

One evening, as they were together, after his work in the garden was over, the horse said to him: ‘To-morrow a large company of princes and great lords are coming to your king’s palace. They are coming from far and near, as wooers for the three princesses. They will all stand in a row in the courtyard of the palace, and the three princesses will come out, and each will carry a diamond apple in her hand, which she will throw into the air. At whosesoever feet the apple falls he will be the bridegroom of that princess. You must be close by in the garden at your work. The apple of the youngest princess, who is much the most beautiful of the sisters, will roll past the wooers and stop in front of you. Pick it up at once and put it in your pocket.’

The next day, when the wooers were all assembled in the courtyard of the castle, everything happened just as the horse had said. The princesses threw the apples into the air, and the diamond apple of the youngest princess rolled past all the wooers, out on to the garden, and stopped at the feet of the young gardener, who was busy sweeping the leaves away. In a moment he had stooped down, picked up the apple and put it in his pocket. As he stooped the scarf round his head slipped a little to one side, and the princess caught sight of his golden hair, and loved him from that moment.

But the king was very sad, for his youngest daughter was the one he loved best. But there was no help for it; and the next day a threefold wedding was celebrated at the palace, and after the wedding the youngest princess returned with her husband to the small hut in the garden where he lived.

Some time after this the people of a neighbouring country went to war with the king, and he set out to battle, accompanied by the husbands of his two eldest daughters mounted on stately steeds. But the husband of the youngest daughter had nothing but the old broken-down horse which helped him in his garden work; and the king, who was ashamed of this son-in-law, refused to give him any other.

So as he was determined not to be left behind, he went into the garden, mounted the sorry nag, and set out. But scarcely had he ridden a few yards before the horse stumbled and fell. So he dismounted and went down to the brook, to where the black horse lived in the vaulted hall. And the horse said to him: ‘Saddle and bridle me, and then go into the next room and you will find a suit of armour and a sword. Put them on, and we will ride forth together to battle.’

And the prince did as he was told; and when he had mounted the horse his armour glittered in the sun, and he looked so brave and handsome, that no one would have recognised him as the gardener who swept away the dead leaves from the paths. The horse bore him away at a great pace, and when they reached the battle-field they saw that the king was losing the day, so many of his warriors had been slain. But when the warrior on his black charger and in glittering armour appeared on the scene, hewing right and left with his sword, the enemy were dismayed and fled in all directions, leaving the king master of the field. Then the king and his two sons-in-law, when they saw their deliverer, shouted, and all that was left of the army joined in the cry: ‘A god has come to our rescue!’ And they would have surrounded him, but his black horse rose in the air and bore him out of their sight.

Soon after this, part of the country rose in rebellion against the king, and once more he and his two sons-in- law had to fare forth to battle. And the son-in-law who was disguised as a gardener wanted to fight too. So he came to the king and said: ‘Dear father, let me ride with you to fight your enemies.’

‘I don’t want a blockhead like you to fight for me,’ answered the king. ‘Besides, I haven’t got a horse fit for you. But see, there is a carter on the road carting hay; you may take his horse.’

So the prince took the carter’s horse, but the poor beast was old and tired, and after it had gone a few yards it stumbled and fell. So the prince returned sadly to the garden and watched the king ride forth at the head of the army accompanied by his two sons-in-law. When they were out of sight the prince betook himself to the vaulted chamber by the brook-side, and having taken counsel of the faithful black horse, he put on the glittering suit of armour, and was borne on the back of the horse through the air, to where the battle was being fought. And once more he routed the king’s enemies, hacking to right and left with his sword. And again they all cried: ‘A god has come to our rescue!’ But when they tried to detain him the black horse rose in the air and bore him out of their sight.

When the king and his sons-in-law returned home they could talk of nothing but the hero who had fought for them, and all wondered who he could be.

Shortly afterwards the king of a neighbouring country declared war, and once more the king and his sons-in-law and his subjects had to prepare themselves for battle, and once more the prince begged to ride with them, but the king said he had no horse to spare for him. ‘But,’ he added, ‘you may take the horse of the woodman who brings the wood from the forest, it is good enough for you.’

So the prince took the woodman’s horse, but it was so old and useless that it could not carry him beyond the castle gates. So he betook himself once more to the vaulted hall, where the black horse had prepared a still more magnificent suit of armour for him than the one he had worn on the previous occasions, and when he had put it on, and mounted on the back of the horse, he bore him straight to the battle-field, and once more he scattered the king’s enemies, fighting single-handed in their ranks, and they fled in all directions. But it happened that one of the enemy struck with his sword and wounded the prince in the leg. And the king took his own pocket- handkerchief, with his name and crown embroidered on it, and bound it round the wounded leg. And the king would fain have compelled him to mount in a litter and be carried straight to the palace, and two of his knights were to lead the black charger to the royal stables. But the prince put his hand on the mane of his faithful horse, and managed to pull himself up into the saddle, and the horse mounted into the air with him. Then they all shouted and cried: ‘The warrior who has fought for us is a god! He must be a god.’

And throughout all the kingdom nothing else was spoken about, and all the people said: ‘Who can the hero be who has fought for us in so many battles? He cannot be a man, he must be a god.’

And the king said: ‘If only I could see him once more, and if it turned out that after all he was a man and not a god, I would reward him with half my kingdom.’

Now when the prince reached his home—the gardener’s hut where he lived with his wife—he was weary, and he lay down on his bed and slept. And his wife noticed the handkerchief bound round his wounded leg, and she wondered what it could be. Then she looked at it more closely and saw in the corner that it was embroidered with her father’s name and the royal crown. So she ran straight to the palace and told her father. And he and his two sons-in-law followed her back to her house, and there the gardener lay asleep on his bed. And the scarf that he always wore bound round his head had slipped off, and his golden hair gleamed on the pillow. And they all recognised that this was the hero who had fought and won so many battles for them.

Then there was great rejoicing throughout the land, and the king rewarded his son-in-law with half of his kingdom, and he and his wife reigned happily over it.
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The Poems Of Aleister Crowley


—-
Au Bal
[Dedicated to Horace Sheridan-Bickers]

A vision of flushed faces, shining limbs,
The madness of the music that entrances
All life in its delirium of dances!
The white world glitters in the void, and swims
Through the infinite seas of transcendental trances.
Yea! all the hoarded seed of all my fancies
Bursts in a shower of suns! The wine-cup brims
And bubbles over; I drink deep hymns
Of sorceries, of spells, of necromancies;
And all my spirit shudders; dew bedims
My sight -these girls and their alluring glances!
Their eyes that burn like dawn’s lascivious lances
Walking all earth to love -to love! Life skims
The cream of joy. If God could see what man sees,
(Intoxicating Nellies, Mauds and Nances!)
I see Him leave the sapphrine expanses,
The choir serene and the celestial air
To swoon into their sacramental hair!

Logos

Out of the night forth flamed a star -mine own!
Now seventy light-years nearer as I urge
Constant my heart through the abyss unknown,
Its glory my sole guide while space surge
About me. Seventy light-yaers! As I near
That gate of light that men call death, its cold
Pale gleam begins to pulse, a throbbing sphere,
Systole and diastole of eager gold,
New life immortal, wartmth of passion bleed
Till night’s black velvet burn to crimson. Hark!
It is thy voice, Thy word, the secret seed
Of rapture that admonishes the dark.
Swift! By necessity most righteous drawn,
Hermes, authentic augur of the dawn!

Pan To Artemis

Uncharmable charmer
Of Bacchus and Mars
In the sounding rebounding
Abyss of the stars!
O virgin in armour,
Thine arrows unsling
In the brilliant resilient
First rays of the spring!

By the force of the fashion
Of love, when I broke
Through the shroud, through the cloud,
Through the storm, through the smoke,
To the mountain of passion
Volcanic that woke —
By the rage of the mage
I invoke, I invoke!

By the midnight of madness: –
The lone-lying sea,
The swoon of the moon,
Your swoon into me,
The sentinel sadness
Of cliff-clinging pine,
That night of delight
You were mine, you were mine!

You were mine, O my saint,
My maiden, my mate,
By the might of the right
Of the night of our fate.
Though I fall, though I faint,
Though I char, though I choke,
By the hour of our power
I invoke, I invoke!

By the mystical union
Of fairy and faun,
Unspoken, unbroken –
The dust to the dawn! –
A secret communion
Unmeasured, unsung,
The listless, resistless,
Tumultuous tongue! –

O virgin in armour,
Thine arrows unsling,
In the brilliant resilient
First rays of the spring!
No Godhead could charm her,
But manhood awoke –
O fiery Valkyrie,
I invoke, I invoke!

The Pentagram
[Dedicated to George Raffalovich]

In the Years of the Primal Course, in the dawn of terrestrial
birth,
Man mastered the mammoth and horse, and Man was the
Lord of the Earth.

He made him an hollow skin from the heart of an holy tree,
He compassed the earth therien, and Man was the Lord of
the Sea.

He controlled the vigour of steam, he harnessed the light-
ning for hire;
He drove the celestial team, and man was the Lord of the
Fire.

Deep-mouthed from their thrones deep-seated, the choirs
of the æeons declare
The last of the demons defeated, for Man is the Lord of
the Air.

Arise, O Man, in thy strength! the kingdom is thine to
inherit,
Till the high gods witness at lenght that Man is the Lord
of his spirit.
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Jocelyn Pook – Eyes Wide Shut

Soft September…

“Every branch of human knowledge if traced up to its source and final principles vanishes into mystery” – Arthur Machen

So, this past week has been a bit of fun. Last Saturday was my birthday, and Mary and I wandered on foot from our house, across the river and eventually to Powell’s main bookstore and then back again. Picked up some books (illustrations: Arabic, India Paisley Designs, and a couple of Art Nouveau source books) that will help with The Invisible College and other projects. Before Powells, we hit the Saturday Market, saw our friend Doran, looked for Rory’s Booth to no avail then headed west. We had lunch along the way at Deschutes Brewery across from Art Institute of Portland (Rowan’s school)… On the way in we ran into our friends Richard Hoyen and Karen Di Mila, (he is a painter & she makes films) we talked awhile having not seen each other in a few months. All in all, it was a most beautiful day.

During the week we worked on a friends kitchen, and I got my system further up to speed. We had a nice stream of visitors over the week, and a record rain or two.

Saturday: Terry C. came along today with me for a Poetry Post installation over off of South East Division. Then we unpacked and installed our new Lexmark printer, as our Epson was dying the death sadly enough. I have since been working on Turfing and The Invisible College, as well as re-painting the roof on our Poetry Post.

That is all the local news…

Hope this finds you enjoying the waning days….

Blessings,
Gwyllm
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On The Menu:
Arpanet – Wireless Internet (2002)
Arthur Machen Quotes
Celtic Wonder Tales – The Earth-Shapers
The Poems of Arthur Symons
Arthur Symons Bio: (Short)
Arpanet – Gravitational Lense
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Arpanet – Wireless Internet (2002)

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Arthur Machen Quotes:
It is all nonsense, to be sure; and so much the greater nonsense inasmuch as the true interpretation of many dreams – not by any means of all dreams – moves, it may be said, in the opposite direction to the method of psycho-analysis.

“We both wondered whether these contradictions that one can’t avoid if one begins to think of time and space may not really be proofs that the whole of life is a dream, and the moon and stars bits of nightmare.”

“We have just begun to navigate a strange region; we must expect to encounter strange adventures, strange perils.”

“For, contrary to the common opinion, it is the wealthy who are greedy of wealth; while the populace are to be gained by talking to them about liberty, their unknown god. And so much are they enchanted by the words liberty, freedom, and such like, that the wise can go to the poor, rob them of what little they have, dismiss them with a hearty kick, and win their hearts and their votes for ever, if only they will assure them that the treatment which they have received is called liberty.”

“Now, everybody, I suppose, is aware that in recent years the silly business of divination by dreams has ceased to be a joke and has become a very serious science.”

“If a man dreams that he has committed a sin before which the sun hid his face, it is often safe to conjecture that, in sheer forgetfulness, he wore a red tie, or brown boots with evening dress.”
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Celtic Wonder Tales
by Ella Young

The Earth-Shapers

In Tir-na-Moe, the Land of the Living Heart, Brigit was singing. Angus the Ever-Young, and Midyir the Red-Maned, and Ogma that is called Splendour of the Sun, and the Dagda and other lords of the people of Dana drew near to listen.

Brigit sang:

Now comes the hour foretold, a god-gift bringing .
A wonder-sight.
Is it a star new-born and splendid up springing Out of the night?
Is it a wave from the Fountain of Beauty up flinging Foam of delight?
Is it a glorious immortal bird that is Winging Hither its flight?

It is a wave, high-crested, melodious, triumphant,
Breaking in light.
It is a star, rose-hearted and joyous, a splendour Risen from night.
It is flame from the world of the gods, and love runs before it,
A quenchless delight.

Let the wave break, let the star rise, let the flame leap.
Ours, if our hearts are wise,
To take and keep.

Brigit ceased to sing, and there was silence for a little space in Tir-na-Moe. Then Angus said:

“Strange are the words of your song, and strange the music: it swept me down steeps of air–down–down–always further down. Tir-na-Moe was like a dream half-remembered. I felt the breath of strange worlds on my face, and always your song grew louder and louder, but you were not singing it. Who was singing it?”

“The Earth was singing it.”

“The Earth!” said the Dagda. “Is not the Earth in the pit of chaos? Who has ever looked into that pit or stayed to listen where there is neither silence nor song? ”

“O Shepherd of the Star-Flocks, I have stayed to listen. I have shuddered in the darkness that is round the Earth. I have seen the black hissing waters and the monsters that devour each other–I have looked into the groping writhing adder-pit of hell.”

The light that pulsed about the De Danaan lords grew troubled at the thought of that pit, and they cried out: “Tell us no more about the Earth, O Flame of the Two Eternities, and let the thought of it slip from yourself as a dream slips from the memory.”

“O Silver Branches that no Sorrow has Shaken,” said Brigit, “hear one thing more! The Earth wails all night because it has dreamed of beauty.”

“What dream, O Brigit?”

“The Earth has dreamed of the white stillness of dawn; of the star that goes before the sunrise; and of music like the music of my song.”

“O Morning Star,” said Angus, “would I had never heard your song, for now I cannot shake the thought of the Earth from me!”

“Why should you shake the thought from you, Angus the Subtle-Hearted? You have wrapped yourself in all the colours of the sunlight; are you not fain to look into the darkness and listen to the thunder of abysmal waves; are you not fain to make gladness in the Abyss?”

Angus did not answer: he reached out his hand and gathered a blossom from a branch:

he blew upon the blossom and tossed it into the air: it became a wonderful white bird, and circled about him singing.

Midyir the Haughty rose and shook out the bright tresses of his hair till he was clothed with radiance as with a Golden Fleece.

“I am fain to look into the darkness,” he said. “I am fain to hear the thunder of the Abyss.”

“Then come with me,” said Brigit, “I am going to put my mantle round the Earth because it has dreamed of beauty.”

“I will make clear a place for your mantle,” said Midyir. “I will throw fire amongst the monsters.”

“I will go with you too,” said the Dagda, who is called the Green Harper.

“And I,” said Splendour of the Sun, whose other name is Ogma the Wise. “And I,” said Nuada Wielder of the White Light. “And I,” said Gobniu the Wonder-Smith, “we will remake the Earth!”

“Good luck to the adventure!” said Angus. “I would go myself if ye had the Sword of Light with you.”

“We will take the Sword of Light,” said Brigit, “and the Cauldron of Plenty and the Spear of Victory and the Stone of Destiny with us, for we will build power and wisdom and beauty and lavish-heartedness into the Earth.”

It is well said,” cried all the Shining Ones.

“We will take the Four Jewels.”

Ogma brought the Sword of Light from Findrias the cloud-fair city that is in the east of the De Danaan world; Nuada brought the Spear of Victory from Gorias the flame-bright city that is in the south of the Dc Danaan world; the Dagda brought the Cauldron of Plenty from Murias the city that is builded in the west of the De Danaan world and has the stillness of deep waters; Midyir brought the Stone of Destiny from Falias the city that is builded in the north of the De Danaan world and has the steadfastness of adamant. Then Brigit and her companions set forth.

They fell like a rain of stars till they came to the blackness that surrounded the Earth, and looking down saw below them, as at the bottom of an abyss, the writhing, contorted, hideous life that swarmed and groped and devoured itself ceaselessly.

From the seething turmoil of that abyss all the Shining Ones drew back save Midyir. He grasped the Fiery Spear and descended like a flame.

His comrades looked down and saw him treading out the monstrous life as men tread grapes in a wine-press; they saw the blood and foam of that destruction rise about Midyir till he was crimson with it even to the crown of his head; they saw him whirl the Spear till it became a wheel of fire and shot out sparks and tongues of flame; they saw the flame lick the darkness and turn back on itself and spread and blossom–murk-red–blood-red–rose-red at last!

Midyir drew himself out of the abyss, a Ruby Splendour, and said:

“I have made a place for Brigit’s mantle. Throw down your mantle, Brigit, and bless the Earth! ”

Brigit threw down her mantle and when it touched the Earth it spread itself, unrolling like silver flame. It took possession of the place Midyir had made as the sea takes possession, and it continued to spread itself because everything that was foul drew back from the little silver flame at the edge of it.

It is likely it would have spread itself over all the earth, only Angus, the youngest of the gods, had not patience to wait: he leaped down and stood with his two feet on the mantle. It ceased to be fire and became a silver mist about him. He ran through the mist laughing and calling on the others to follow. His laughter drew them and they followed. The drifting silver mist closed over them and round them, and through it they saw each other like images in a dream–changed and fantastic. They laughed when they saw each other. The Dagda thrust both his hands into the Cauldron of Plenty.

“O Cauldron,” he said, “you give to every one the gift that is meetest, give me now a gift meet for the Earth.”

He drew forth his hands full of green fire and he scattered the greenness everywhere as a sower scatters seed. Angus stooped and lifted the greenness of the earth; he scooped hollows in it; he piled it in heaps; he played with it as a child plays with sand, and when it slipped through his fingers it changed colour and shone like star-dust–blue and purple and yellow and white and red.

Now, while the Dagda sowed emerald fire and Angus played with it, Mananaun was aware that the exiled monstrous life had lifted itself and was looking over the edge of Brigit’s mantle. He saw the iron eyes of strange creatures jeering in the blackness and he drew the Sword of Light from its scabbard and advanced its gleaming edge against that chaos. The strange life fled in hissing spume, but the sea rose to greet the Sword in a great foaming thunderous wave.

Mananaun swung the Sword a second time, and the sea rose again in a wave that was green as a crysolite, murmurous, sweet-sounding, flecked at the edges with amythest and purple and blue-white foam.

A third time Mananaun swung the Sword, and the sea rose to greet it in a wave white as crystal, unbroken, continuous, silent as dawn.

The slow wave fell back into the sea, and Brigit lifted her mantle like a silver mist. The De Danaans saw everything clearly. They saw that they were in an island covered with green grass and full of heights and strange scooped-out hollows and winding ways. They saw too that the grass was full of flowers–blue and purple and yellow and white and red.

“Let us stay here,” they said to each other, “and make beautiful things so that the Earth may be glad.”

Brigit took the Stone of Destiny in her hands: it shone white like a crystal between her hands.

“I will lay the Stone in this place,” she said, “that ye may have empire.”

She laid the Stone on the green grass and it sank into the earth: a music rose about it as it sank, and suddenly all the scooped-out hollows and deep winding ways were filled with water–rivers of water that leaped and shone; lakes and deep pools of water trembling into stillness.

“It is the laughter of the Earth!” said Ogma the Wise.

Angus dipped his fingers in the water.

“I would like to see the blue and silver fishes that swim in Connla’s Well swimming here,” he said, “and trees growing in this land like those trees with blossomed branches that grow in the Land of the Silver Fleece.”

“It is an idle wish, Angus the Young,” said Ogma. “The fishes in Connla’s Well are too bright for these waters and the blossoms that grow on silver branches would wither here. We must wait and learn the secret of the Earth, and slowly fashion dark strange trees, and fishes that are not like the fishes in Connla’s Well.”

“Yea,” said Nuada, “we will fashion other trees, and under their branches shall go hounds that are not like the hound Failinis and deer that have not horns of gold. We will make ourselves the smiths and artificers of the world and beat the strange life out yonder into other shapes. We will make for ourselves islands to the north of this and islands to the west, and round them shall go also the three waves of Mananaun for we will fashion and re-fashion all things till there is nothing unbeautiful left in the whole earth.”

“It is good work,” cried all the De Danaans, “we will stay and do it, but Brigit must go to Moy Mel and Tir-na-Moe and Tir-nan-Oge and Tir-fo-Tonn, and all the other worlds, for she is the Flame of Delight in every one of them.”

“Yes, I must go,” said Brigit.

“O Brigit!” said Ogma, “before you go, tie a knot of remembrance in the fringe of your mantle so that you may always remember this place–and tell us, too, by what name we shall call this place.”

“Ye shall call it the White Island,” said Brigit, “and its other name shall be the Island of Destiny; and its other name shall be Ireland.”

Then Ogma tied a knot of remembrance in the fringe of Brigit’s mantle.

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The Poems of Arthur Symons

Before the Squall

The wind is rising on the sea,
The windy white foam-dancers leap;
And the sea moans uneasily,
And turns to sleep, and cannot sleep.

Ridge after rocky ridge uplifts,
Wild hands, and hammers at the land,
Scatters in liquid dust, and drifts
To death among the dusty sand.
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O water, voice of my heart, Crying in the sand

O water, voice of my heart, crying in the sand,
All night long crying with a mournful cry,
As I lie and listen, and cannot understand
The voice of my heart in my side or the voice of the sea,
O water, crying for rest, is it I, is it I?
All night long the water is crying to me.
Unresting water, there shall never be rest
Till the last moon droop and the last tide fail,
And the fire of the end begin to burn in the west;
And the heart shall be weary and wonder and cry like the sea,
All life long crying without avail,
As the water all night long is crying to me.
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Stella Maris

Why is it I remember yet
You, of all women one has met,
In random wayfare, as one meets
The chance romances of the streets,
The Juliet of a night? I know
Your heart holds many a Romeo.
And I, who call to mind your face
In so serene a pausing-place,
Where the bright pure expanse of sea,
Seems a reproach to you and me,
I too have sought on many a breast
The ecstasy of an unrest,
I too have had my dreams, and met
(Ah me!) how many a Juliet.
Why is it, then, that I recall
You, neither first nor last of all?
For, surely as I see to-night
The phantom of the lighthouse light,
Against the sky, across the bay,
Fade, and return, and fade away,
So surely do I see your eyes
Out of the empty night arise;
Child, you arise and smile to me
Out of the night, out of the sea,
The Nereid of a moment there,
And is it seaweed in your hair?

O lost and wrecked, how long ago,
Out of the drowning past, I know
You come to call me, come to claim
My share of your delicious shame.
Child, I remember, and can tell
One night we loved each other well,
And one night’s love, at least or most,
Is not so small a thing to boast.
You were adorable, and I
Adore you to infinity,
That nuptial night too briefly borne
To the oblivion of morn.
Ah! no oblivion, for I feel
Your lips deliriously steal
Along my neck, and fasten there;
I feel the perfume of your hair,
I feel your breast that heaves and dips
Desiring my desirous lips,
And that ineffable delight
When souls turn bodies, and unite
In the intolerable, the whole
Rapture of the embodied soul.

That joy was ours, we passed it by;
You have forgotten me, and I
Remember you thus strangely, won
An instant from oblivion.
And I, remembering, would declare
That joy, not shame, is ours to share,
Joy that we had the frank delight
To choose the chances of one night,
Out of vague nights, and days at strife,
So infinitely full of life.
What shall it profit me to know
Your heart holds many a Romeo?
Why should I grieve, though I forget
How many another Juliet?
Let us be glad to have forgot
That roses fade, and loves are not,
As dreams, immortal, though they seem
Almost as real as a dream.
It is for this I see you rise,
A wraith, with starlight in your eyes,
Where calm hours weave, for such a mood
Solitude out of solitude;
For this, for this, you come to me
Out of the night, out of the sea.
______

Leves Amores

Your kisses, and the way you curl,
Delicious and distracting girl,
Into one’s arms, and round about,
Inextricably in and out,
Twining luxuriously, as twine
The clasping tangles of the vine;
So loving to be loved, so gay
And greedy for our holiday;
Strong to embrace and long to kiss,
And strenuous for the sharper bliss,
A little tossing sea of sighs,
Till the slow calm seal up your eyes.
And then how prettily you sleep!
You nestle close and let me keep
My straying fingers in the nest
Of your warm comfortable breast;
And as I dream, lying awake,
Of sleep well wasted for your sake,
I feel the very pulse and heat
Of your young life-blood beat, and beat
With mine; and you are mine; my sweet!
______

The Broken Tryst

That day a fire was in my blood;
I could have sung: joy wrapt me round;
The men I met seemed all so good,
I scarcely knew I trod the ground.

How easy seemed all toil! I laughed
To think that once I hated it.
The sunlight thrilled like wine, I quaffed
Delight, divine and infinite.

The very day was not too long;
I felt so patient; I could wait,
Being certain. So, the hours in song
Chimed out the minutes of my fate.

For she was coming, she, at last,
I knew: I knew that bolts and bars
Could stay her not; my heart throbbed fast,
I was not more certain of the stars.

The twilight came, grew deeper; now
The hour struck, minutes passed, and still
The passionate fervour of her vow
Ran in my heart’s ear audible.

I had no doubt at all: I knew
That she would come, and I was then
Most certain, while the minutes flew:
Ah, how I scorned all other men!

Next moment! Ah! it was–was not!
I heard the stillness of the street.
Night came. The stars had not forgot.
The moonlight fell about my feet.

So I rebuked my heart, and said:
“Be still, for she is coming, see,
Next moment–coming. Ah, her tread,
I hear her coming–it is she!”

And then a woman passed. The hour
Rang heavily along the air.
I had no hope, I had no power
To think–for thought was but despair.

A thing had happened. What? My brain
Dared not so much as guess the thing.
And yet the sun would rise again
Next morning! I stood marvelling.
____

White Heliotrope

The feverish room and that white bed,
The tumbled skirts upon a chair,
The novel flung half-open, where
Hat, hair-pins, puffs, and paints are spread;

The mirror that has sucked your face
Into its secret deep of deeps,
And there mysteriously keeps
Forgotten memories of grace;

And you half dressed and half awake,
Your slant eyes strangely watching me,
And I, who watch you drowsily,
With eyes that, having slept not, ache;

This (need one dread? nay, dare one hope?)
Will rise, a ghost of memory, if
Ever again my handkerchief
Is scented with White Heliotrope.
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Arthur Symons Bio: (Short)

Born on Feb. 28th, 1865 at Milford Haven, Wales. Arthur Symons was the son of a Wesleyan minister.

English poet and critic, considered a leader of the symbolists in England. In 1884-1886 he edited four of Quaritch’s Shakespeare Quarto Facsimiles, and in 1888-1889 seven plays of the “Henry Irving” Shakespeare. He became a member of the staff of the Athenaeum in 1891, and of the Saturday Review in 1894.

His first volume of verse, Days and Nights (1889), consisted of dramatic monologues. His later verse is influenced by a close study of modern French writers, of Baudelaire and especially of Verlaine. He reflects French tendencies both in the subject-matter and style of his poems, in their eroticism and their vividness of description.

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Arpanet – Gravitational Lense(Chwolson Xallarap Remix)

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