Shadows In The Water….

Working on the tail ends of things for the magazine…. A short entry for today.
Gwyllm
On The Menu:

Natacha Atlas – When I Close My Eyes

THE APOCALYPSE OF HASHEESH

Poetry: Thomas Traherne

Art: Sir Lawrence Alma-Tadema
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Natacha Atlas – When I Close My Eyes

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PUTNAM’S MONTHLY

A Magazine of Literature, Science, and Art

VOL. VIII. – DECEMBER, 1856. – NO. XLVIII.

THE APOCALYPSE OF HASHEESH

by Fitz Hugh Ludlow
In returning from the world of hasheesh, I bring with me many and diverse memories. The echoes of a sublime rapture which thrilled and vibrated on the very edge of pain; of Promethean agonies which wrapt the soul like a mantle of fire; of voluptuous delirium which suffused the body with a blush of exquisite languor — all are mine. But in value far exceeding these, is the remembrance of my spell-bound life as an apocalyptic experience.
Not, indeed, valuable, when all things are considered. Ah no! The slave of the lamp who comes at the summons of the hasheesh Aladdin will not always cringe in the presence of his master. Presently he grows bold and for his service demands a guerdon as tremendous as the treasures he unlocked. Dismiss him, hurl your lamp into the jaws of some fathomless abyss, or take his place while he reigns over you, a tyrant of Gehenna!
The value of this experience to me consists in its having thrown open to my gaze many of those sublime avenues in the spiritual life, at whose gates the soul in its ordinary state is forever blindly groping, mystified, perplexed, yet earnest to the last in its search for that secret spring which, being touched, shall swing back the colossal barrier. In a single instant I have seen the vexed question of a lifetime settled, the mystery of some grand recondite process of mind laid bare, the last grim doubt that hung persistently on the sky of a sublime truth blown away.
How few facts can we trace up to their original reason! In all human speculations how inevitable is the recurrence of the ultimate “Why?” Our discoveries in this latter age but surpass the old-world philosophy in fanning this impenetrable mist but a few steps further up the path of thought, and deferring the distance of a few syllogisms the unanswerable question.
How is it that all the million drops of memory preserve their insulation, and do not run together in the brain into one fluid chaos of impression? How does the great hand of central force stretch on invisibly through ether till it grasps the last sphere that rolls on the boundaries of light-quickened space? How does spirit communicate with matter, and where is their point of tangency? Such are the mysteries which bristle like a harvest far and wide over the grand field of thought.
Problems like these, which had been the perplexity of all my previous life, have I seen unraveled by hasheesh, as in one breathless moment the rationale of inexplicable phenomena has burst upon me in a torrent of light. It may have puzzled me to account for some strange fact of mind; taking hypothesis after hypothesis, I have labored for a demonstration; at last I have given up the attempt in despair. During the progress of the next fantasia of hasheesh, the subject has again unexpectedly presented itself, and in an instant the solution has lain before me as an intuition, compelling my assent to its truth as imperatively as a mathematical axiom. At such a time I have stood trembling with awe at the sublimity of the apocalypse; for though this be not the legitimate way of reaching the explications of riddles which, if of any true utility at all, are intended to strengthen the argumentative faculty, there is still an unutterable sense of majesty in the view one thus discovers of the unimagined scope of the intuitive, which surpasses the loftiest emotions aroused by material grandeur.
I was once walking in the broad daylight of a summer afternoon in the full possession of hasheesh delirium. For an hour the tremendous expansion of all visible things had been growing toward its height; it now reached it, and to the fullest extent I realized the infinity of space. Vistas no longer converged, sight met no barrier; the world was horizonless, for earth and sky stretched endlessly onward in parallel planes. Above me the heavens were terrible with the glory of a fathomless depth. I looked up, but my eyes, unopposed, every moment penetrated further and further into the immensity, and I turned them downward lest they should presently intrude into the fatal splendors of the Great Presence. Joy itself became terrific, for it seemed the ecstasy of a soul stretching its cords and waiting in intense silence to hear them snap and free it from the enthrallment of the body. Unable to bear visible objects, I shut my eyes. In one moment a colossal music filled the whole hemisphere above me, and I thrilled upward through its environment on visionless wings. It was not song, it was not instruments, but the inexpressible spirit of sublime sound — like nothing I had ever heard-impossible to be symbolized; intense, yet not loud; the ideal of harmony, yet distinguishable into a multiplicity of exquisite parts. I opened my eyes, yet it still continued. I sought around me to detect some natural sound which might be exaggerated into such a semblance, but no, it was of unearthly generation, and it thrilled through the universe an inexplicable, a beautiful yet an awful symphony.
Suddenly my mind grew solemn with the consciousness of a quickened perception. I looked abroad on fields, and water, and sky, and read in them all a most startling meaning. I wondered how I had ever regarded them in the light of dead matter, at the furthest only suggesting lessons. They were now grand symbols of the sublimest spiritual truths, truths never before even feebly grasped, utterly unsuspected.
Like a map, the arcana of the universe lay bare before me. I saw how every created thing not only typifies but springs forth from some mighty spiritual law as its offsping, its necessary external development; not the mere clothing of the essence, but the essence incarnate.
Nor did the view stop here. While that music from horizon to horizon was still filling the concave above me, I became conscious of a numerical order which ran through it, and in marking this order I beheld it transferred from the music to every movement of the universe. Every sphere wheeled on in its orbit, every emotion of the soul rose and fell, every smallest moss and fungus germinated and grew, according to some peculiar property of numbers which severally governed them and which was most admirably typified by them in return. An exquisite harmony of proportion reigned through space, and I seemed to realize that the music which I heard was but this numerical harmony making itself objective through the development of a grand harmony of tones.
The vividness with which this conception revealed itself to me made it a thing terrible to bear alone. An unutterable ecstasy was carrying me away, but I dared not abandon myself to it. I was no seer who could look on the unveiling of such glories face to face.
An irrepressible yearning came over me to impart what I beheld, to share with another soul the weight of this colossal revelation. With this purpose I scrutinized the vision; I sought in it for some characteristic which might make it translatable to another mind. There was none! In absolute incommunicableness it stood apart, a thought, a system of thought which as yet had no symbol in spoken language.
For a time, how long, a hasheesh-eater alone can know, I was in an agony. I searched every pocket for my pencil and note-book, that I might at least set down some representative mark which would afterwards recall to me the lineaments of my apocalypse. They were not with me. Jutting into the water of the brook along which I wandered lay a broad flat stone. “Glory in the Highest!” I shouted exultingly, “I will at least grave on this tablet some hieroglyph of what I feel!” Tremblingly I sought for my knife. That, too, was gone! It was then that in a frensy I threw myself prostrate on the stone, and with my nails sought to make some memorial scratch upon it. Hard, hard as flint! In despair I stood up.
Suddenly there came a sense as of some invisible presence walking the dread paths of the vision with me, yet at a distance
as if separated from my side by a long flow of time. Taking courage, I cried, “Who has ever been here before me, who in years past has shared with me this unutterable view?” In tones which linger in my soul to this day, a grand, audible voice responded, “Pythagoras!” In an instant I was calm. I heard the footsteps of that sublime sage echoing upward through the ages, and in celestial light I read my vision unterrified, since it had burst upon his sight before me. For years previous I had been perplexed with his mysterious philosophy. I saw in him an isolation from universal contemporary mind for which I could not account. When the Ionic school was at the height of its dominance, he stood forth alone, the originator of a system as distinct from it as the antipodes of mind. The doctrine of Thales was built up by the uncertain processes of an obscure logic, that of Pythagoras seemed informed by intuition. In his assertions there had always appeared to me a grave conviction of truth, a consciousness of sincerity, which gave them a great weight with me, though seeing them through the dim refracting medium of tradition and grasping their meaning imperfectly. I now saw the truths which he set forth, in their own light. I also saw, as to this day I firmly believe, the source whence their revelation flowed. Tell me not that from Phoenicia he received the wand at whose signal the cohorts of the spheres came trooping up before him in review, unveiling the eternal law and itineracy of their evolutions, and pouring on his spiritual ear that tremendous music to which they marched through space. No! During half a lifetime spent in Egypt and in India, both motherlands of this nepenths, doubt not that he quaffed its apocalyptic draught, and awoke, through its terrific quickening, into the consciousness of that ever-present and all-pervading harmony “which we hear not always, because the coarseness of the daily life hath dulled our ear.” The dim penetralia of the Theban Memnonium, or the silent spice groves of the upper Indua may have been the gymnasium of his wrestling with the mighty revealer; a priest or a gymnospohist may have been the first to annoint him with the palæstric oil, but he conquered alone. On the strange intuitive characteristics of his system, on the spheral music, on the government of all created things and their development according to the laws of number, yes, on the very use of symbols which could alone have force to the esoteric disciple, (and a terrible significancy, indeed, has the simplest form, to a mind hasheesh-quickened to read its meaning) — on all these is the legible stamp of the hasheesh inspiration.
It would be no hard task to prove, to a strong probability, at least, that the initiation into the Pythagorean mysteries and the progressive instruction that succeeded it, to a considerable extent, consisted in the employment, judiciously, if we may use the word, of hasheesh, as giving a critical and analytic power to the mind which enabled the neophyte to roll up the murk and mist from beclouded truths, till they stood distinctly seen in the splendor of their own harmonious beauty as an intuition.
One thing related of Pythagoras and his friends has seemed very striking to me. There is a legend that, as he was passing over a river, its waters called up to him, in the presence of his followers, “Hail, Pythagoras!” Frequently, while in the power of the hasheesh delirium, have I heard inanimate things sonorous with such voices. On every side they have saluted me; from rocks, and trees, and waters, and sky; in my happiness, filling me with intense exultation, as I heard them welcoming their master; in my agony, heaping nameless curses on my head, as I went away into an eternal exile from all sympathy. Of this tradition on Iamblichus, I feel an appreciation which almost convinces me that the voice of the river was, indeed, heard, though only in the quickened mind of some hasheesh-glorified esoteric. Again, it may be that the doctrine of the Metempsychosis was first communicated to Pythagoras by Theban priests; but the astonishing illustration, which hasheesh would contribute to this tenet, should not be overlooked in our attempt to assign its first suggestion and succeeding spread to their proper causes.
A modern critic, in defending the hypothesis, that Pythagoras was an impostor, has triumphantly asked, “Why did he assume the character of Apollo at the Olympic games? why did he boast that his soul had lived in former bodies, and that he had been first Acthalides, the son of Mercury, then Euphorbus, then Pyrrhus of Delos, and at last Pythagoras, but that he might more easily impose upon the credulity of an ignorant and superstitious people!” To us these facts seem rather an evidence of his sincerity. Had he made these assertions without proof, it is difficult to see how they would not have had a precisely contrary effect from that of paving the way to a more complete imposition upon the credulity of the people. Upon our hypothesis, it may be easily shown, not only how he could fully have believed these assertions himself, but, also, have given them a deep significance to the minds of his disciples.
Let us see. We will consider, for example, his assumption of the character of Phoebus at the Olympic games. Let us suppose that Pythagoras, animated with a desire of alluring to the study of his philosophy a choice and enthusiastic number out of that host who, along all the radii of the civilized world, had come up to the solemn festival at Elis, had, by the talisman of hasheesh, called to his aid the magic of a preternatural eloquence; that, while he addressed the throng whoin he had charmed into breathless attention by the weird brilliancy of his eyes, the unearthly imagery of his style, and the oracular insight of his thought, the grand impression flashed upon him from the very honor he was receiving, that he was the incarnation of some sublime deity. What wonder that he burst into the acknowledgment of his godship as a secret too majestic to be hoarded up; what wonder that this sudden revelation of himself, darting forth in burning words and amid such colossal surroundings, wend down with the accessories of time and place along the stream of perpetual tradition?
If I may illustrate great things by small, I well remember many hallucinations of my own which would be exactly parallel to such a fancy in the mind of Pythagoras. There is no impression more deeply stamped upon my past life than one of a walk along the brook which had frequently witnessed my wrestlings with the hasheesh-afreet, and which now beheld me, the immortal Zeus, descended among men to grant them the sublime benediction of renovated life. For this cause I had abandoned the serene seats of Olympus, the convocation of the gods, and the glory of an immortal kingship, while, by my side, Hermes trod the earth with radiant feet, the companion and dispenser of the beneficence of deity. Across lakes and seas, from continent to continent, we strode; the snows of Hæimus and the Himmalehs crunched beneath our sandals; our foreheads were bathed with the upper light, our breasts glowed with the exultant inspiration of the golden ether. Now resting on Chimborazo, I poured forth a majestic blessing upon all my creatures, and in an instant, with one omniscient glance, I beheld every human dwelling-place on the whole sphere irradiated with an unspeakable joy.
I saw the king rule more wisely, the laborer return from his toil to a happier home, the park grow green with an intenser culture, the harvest-field groan under the sheaves of a more prudent and prosperous husbandry; adown blue slopes came new and more populous flocks, led by unvexed and gladsome shepherds, a thousand healthy vineyards sprang up above their new-raised sunny terraces, every smallest heart glowed with an added thrill of exaltation, and the universal rebound of joy came pouring up into my own spirit with an intensity that lit my deity with rapture.
And this was only a poor hasheesh-eater, who, with his friend
, walked out into the fields to enjoy his delirium among the beauties of a clear summer afternoon! What, then, of Pythagoras?
The tendency of the hasheesh-hallucination is almost always toward the supernatural or the sublimest forms of the natural. As the millennial Christ, I have put an end to all the jars of the world; by a word I have bound all humanity in etern alligaments of brotherhood; from the depths of the grand untrodden forest I have called the tiger, and with bloodless jaws he came mildly forth to fawn upon his king, a partaker in the universal amnesty. As Rienzi hurling fiery invective against the usurpations of Colonna, I have seen the broad space below the tribune grow populous with a multitude of intense faces, and within myself felt a sense of towering into sublimity, with the consciousness that it was my eloquence which swayed that great host with a storm of indignation, like the sirocco passing over reeds. Or, uplifted mightily by an irresistible impulse, I have risen through the ethereal infinitudes till I stood on the very cope of heaven, with the spheres below me. Suddenly, by an instantaneous revealing, I became aware of a mighty harp, which lay athwart the celestial hemisphere, and filled the whole sweep of vision before me. The lambent flame of myriad stars was burning in the azure spaces between its string, and glorious suns gemmed with unimaginable lustre all its colossal frame-work. While I stood overwhelmed by the visions, a voice spoke clearly from the depths of the surrounding ether, “Behold the harp of the universe!” Again I realized the typefaction of the same grand harmony of creation, which glorified the former vision to which I have referred; for every influence, from that which nerves the wing of Ithuriel down to the humblest force of growth, had there its beautiful and peculiar representative string. As yet the music slept, when the voice spake to me again — “Stretch forth thine hand and wake the harmonies!” Trembling yet daring, I swept the harp, and in an instant all heaven thrilled with an unutterable music. My arm strangely lengthened, I grew bolder, and my hand took a wider range. The symphony grew more intense; overpowered, I ceased, and heard tremendous echoes coming back from the infinitudes. Again I smote the chords; but, unable to endure the sublimity of the sound, I sank into an ecstatic trance, and was thus borne off unconsciously to the portals of some new vision.
But, if I found the supernatural an element of happiness, I also found it many times an agent of most bitter pain. If I once exulted in the thought that I was the millennial Christ, so, also, through a long agony, have I felt myself the crucified. In dim horror, I perceived the nails piercing my hands and feet; but it was not that which seemed the burden of my suffering. Upon my head, in a tremendous and ever-thickening cloud, came slowly down the guilt of all the ages past, and all the world to come; by a dreadful quickening, I beheld every atrocity and nameless crime coming up from all time on lines that centred in myself. The thorns clung to my brow, and bloody drops stood like dew upon my hair, yet, these were not the instruments of my agony. I was withered like a leaf in the breath of a righteous vengeance. The curtain of a lurid blackness hung between me and heaven, mercy was dumb forever, and I bore the anger of Omnipotence alone. Out of a fiery distance, demon chants of triumphant blasphemy came surging on my ear, and whispers of ferocious wickedness ruffled the leaden air about my cross. How long I bore this vicarious agony, I have never known; hours are no measure of time in hasheesh. I only know that, during the whole period, I sat perfectly awake among objects which I recognized as familiar; friends were passing and repassing before me, yet. I sat in speechless horror, convinced that to supplicate their pity, to ask their help in the tortures of my dual existence, would be a demand that men in time should reach out and grasp one in eternity, that mortality should succor immortality.
In my experience of hasheesh there has been one pervading characteristic — the conviction that, encumbered with a mortal body, I was suffering that which the untrammeled immortal soul could alone endure. The spirit seemed to be learning its franchise and, whether in joy or pain, shook the bars of flesh mightily, as if determined to escape from its cage. Many a time, in my sublimest ecstasy, have I asked myself, “Is this experience happiness or torture?” for soul and body gave different verdicts.
Hasheesh is no thing to be played with as a bauble. At its revealing, too-dread paths of spiritual life are flung open, too tremendous views disclosed of what the soul is capable of doing, and being, and suffering, for that soul to contemplate, till, relieved of the body, it can behold them alone.
Up to the time that I read in the September number of this Magazine the paper entitled “The Hasheesh-eater,” I had long walked among the visions of “the weed of insanity.” The recital given there seemed written out of my own soul. In outline and detail it was the counterpart of my own suffering. From that day, I shut the book of hasheesh experience, warned with a warning for which I cannot express myself sufficiently grateful. And now, as utterly escaped, I look back upon the world of visionary yet awful realities, and see the fountains of its Elysium and the flames of its Tartarus growing dimmer and still dimmer in the mists of distance, I hold the remembrance of its apocalypse as something which I shall behold again, when the spirit, looking no longer through windows of sense, shall realize its majesty unterrified, and face to face gaze on its infinite though now unseen surroundings.

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Poetry: Thomas Traherne
Shadows in the Water

In unexperienced infancy

Many a sweet mistake doth lie:

Mistake though false, intending true;

A seeming somewhat more than view;

That doth instruct the mind

In things that lie behind,

And many secrets to us show

Which afterwards we come to know.
Thus did I by the water’s brink

Another world beneath me think;

And while the lofty spacious skies

Reversèd there, abused mine eyes,

I fancied other feet

Came mine to touch or meet;

As by some puddle I did play

Another world within it lay.
Beneath the water people drowned,

Yet with another heaven crowned,

In spacious regions seemed to go

As freely moving to and fro:

In bright and open space

I saw their very face;

Eyes, hands, and feet they had like mine;

Another sun did with them shine.
‘Twas strange that people there should walk,

And yet I could not hear them talk:

That through a little watery chink,

Which one dry ox or horse might drink,

We other worlds should see,

Yet not admitted be;

And other confines there behold

Of light and darkness, heat and cold.
I called them oft, but called in vain;

No speeches we could entertain:

Yet did I there expect to find

Some other world, to please my mind.

I plainly saw by these

A new antipodes,

Whom, though they were so plainly seen,

A film kept off that stood between.
By walking men’s reversèd feet

I chanced another world to meet;

Though it did not to view exceed

A phantom, ’tis a world indeed;

Where skies beneath us shine,

And earth by art divine

Another face presents below,

Where people’s feet against ours go.
Within the regions of the air,

Compassed about with heavens fair,

Great tracts of land there may be found

Enriched with fields and fertile ground;

Where many numerous hosts

In those far distant coasts,

For other great and glorious ends

Inhabit, my yet unknown friends.
O ye that stand upon the brink,

Whom I so near me through the chink

With wonder see: what faces there,

Whose feet, whose bodies, do ye wear?

I my companions see

In you another me.

They seemèd others, but are we;

Our second selves these shadows be.
Look how far off those lower skies

Extend themselves! scarce with mine eyes

I can them reach. O ye my friends,

What secret borders on those ends?

Are lofty heavens hurled

‘Bout your inferior world?

Are yet the representatives

Of other peoples’ distant lives?
Of all the playmates which I knew

That here I do the image view

In other selves, what can it mean?

But that below the purling stream

Some unknown joys there be

Laid up in store for me;

To which I shall, when that thin skin

Is broken, be admitted in.

—-

NEWS
News from a foreign country came

As if my treasure and my wealth lay there;

So much it did my heart inflame,

‘Twas wont to call my Soul into mine ear;

Which thither went to meet

The approaching sweet,

And on the threshold stood

To entertain the unknown Good.

It hover’d there

As if ‘twould leave mine ear,

And was so eager to embrace

The joyful tidings as they came,

‘Twould almost leave its dwelling-place

To entertain the same.

As if the tidings were the things,

My very joys themselves, my foreign treasure–

Or else did bear them on their wings–

With so much joy they came, with so much pleasure.

My soul stood at that gate

To recreate

Itself with bliss, and to

Be pleased with speed. A fuller view

It fain would take,

Yet journeys back would make

Unto my heart; as if ‘twould fain

Go out to meet, yet stay within

To fit a place to entertain

And bring the tidings in.

What sacred instinct did inspire

My soul in childhood with a hope so strong?

What secret force moved my desire

To expect my joys beyond the seas, so young?

Felicity I knew

Was out of view,

And being here alone,

I saw that happiness was gone

From me! For this

I thirsted absent bliss,

And thought that sure beyond the seas,

Or else in something near at hand–

I knew not yet–since naught did please

I knew–my Bliss did stand.

But little did the infant dream

That all the treasures of the world were by:

And that himself was so the cream

And crown of all which round about did lie.

Yet thus it was: the Gem,

The Diadem,

The ring enclosing all

That stood upon this earthly ball,

The Heavenly eye,

Much wider than the sky,

Wherein they all included were,

The glorious Soul, that was the King

Made to possess them, did appear

A small and little thing!


LOVE
O nectar! O delicious stream!

O ravishing and only pleasure! Where

Shall such another theme

Inspire my tongue with joys or please mine ear!

Abridgement of delights!

And Queen of sights!

O mine of rarities! O Kingdom wide!

O more! O cause of all! O glorious Bride!

O God! O Bride of God! O King!

O soul and crown of everything!
Did not I covet to behold

Some endless monarch, that did always live

In palaces of gold,

Willing all kingdoms, realms, and crowns to give

Unto my soul! Whose love

A spring might prove

Of endless glories, honours, friendships, pleasures,

Joys, praises, beauties and celestial treasures!

Lo, now I see there’s such a King.

The fountain-head of everything!
Did my ambition ever dream

Of such a Lord, of such a love! Did I

Expect so sweet a stream

As this at any time! Could any eye

Believe it? Why all power

Is used here;

Joys down from Heaven on my head do shower,

And Jove beyond the fiction doth appear

Once more in golden rain to come
To Danae’s pleasing fruitful womb.

His Ganymede! His life! His joy!

Or He comes down to me, or takes me up

That I might be His boy,

And fill, and taste, and give, and drink the cup.

But those (tho’ great) are all

Too short and small,

Too weak and feeble pictures to express

The true mysterious depths of Blessedness.

I am His image, and His friend,

His son, bride, glory, temple, end.

A short Biography:
He was born in Hereford, son of a shoemaker. He entered Brasenose College, Oxford, in 1652, achieving an MA in arts and divinity nine years later. After receiving his degree in 1656 he took holy orders and worked for ten years as a parish priest in Credenhill, near Hereford, before becoming the private chaplain to Sir Orlando Bridgeman, the Lord Keeper of the Seals of Charles II, and minister at Teddington in 1667. He died at Bridgeman’s house at Teddington on or about the 27th of September 1674.

Gone A-Maying… Gone Gone Gone!

This Entry Is Dedicated To The Ancient/Future Ways…. Happy Beltane, Happy May Day!

(Art: Sir Lawrence Alma-Tadema)
A Blessing on You and Yours. Run Free!
Gwyllm

___

CORINNA’S GOING A-MAYING.

by Robert Herrick
Get up, get up for shame, the blooming morn

Upon her wings presents the god unshorn.

See how Aurora throws her fair

Fresh-quilted colours through the air :

Get up, sweet slug-a-bed, and see

The dew bespangling herb and tree.

Each flower has wept and bow’d toward the east

Above an hour since : yet you not dress’d ;

Nay ! not so much as out of bed?

When all the birds have matins said

And sung their thankful hymns, ’tis sin,

Nay, profanation to keep in,

Whereas a thousand virgins on this day

Spring, sooner than the lark, to fetch in May.
Rise and put on your foliage, and be seen

To come forth, like the spring-time, fresh and green,

And sweet as Flora. Take no care

For jewels for your gown or hair :

Fear not ; the leaves will strew

Gems in abundance upon you :

Besides, the childhood of the day has kept,

Against you come, some orient pearls unwept ;

Come and receive them while the light

Hangs on the dew-locks of the night :

And Titan on the eastern hill

Retires himself, or else stands still

Till you come forth. Wash, dress, be brief in praying :

Few beads are best when once we go a-Maying.
Come, my Corinna, come ; and, coming, mark

How each field turns a street, each street a park

Made green and trimm’d with trees : see how

Devotion gives each house a bough

Or branch : each porch, each door ere this

An ark, a tabernacle is,

Made up of white-thorn neatly interwove ;

As if here were those cooler shades of love.

Can such delights be in the street

And open fields and we not see’t ?

Come, we’ll abroad ; and let’s obey

The proclamation made for May :

And sin no more, as we have done, by staying ;

But, my Corinna, come, let’s go a-Maying.
There’s not a budding boy or girl this day

But is got up, and gone to bring in May.

A deal of youth, ere this, is come

Back, and with white-thorn laden home.

Some have despatch’d their cakes and cream

Before that we have left to dream :

And some have wept, and woo’d, and plighted troth,

And chose their priest, ere we can cast off sloth :

Many a green-gown has been given ;

Many a kiss, both odd and even :

Many a glance too has been sent

From out the eye, love’s firmament ;

Many a jest told of the keys betraying

This night, and locks pick’d, yet we’re not a-Maying.
Come, let us go while we are in our prime ;

And take the harmless folly of the time.

We shall grow old apace, and die

Before we know our liberty.

Our life is short, and our days run

As fast away as does the sun ;

And, as a vapour or a drop of rain

Once lost, can ne’er be found again,

So when or you or I are made

A fable, song, or fleeting shade,

All love, all liking, all delight

Lies drowned with us in endless night.

Then while time serves, and we are but decaying,

Come, my Corinna, come, let’s go a-Maying.
Beads, prayers.

Left to dream, ceased dreaming.

Green-gown, tumble on the grass.
—-
Maypole Song

(from the film The Wicker Man)
In the woods there grew a tree,

And a very fine tree was he.

And on that tree there was a limb,

And on that limb there was a branch,

And on that branch there was a spray,

And on that spray there was a nest,

And in that nest there was an egg,

And in that egg there was a bird,

And on that bird there was a feather,

And on that feather was a bed,

And on that bed there was a girl,

And on that girl there was a man,

And from that man there was a seed.

And from that seed there was a boy,

And from that boy there was man,

And from that man there was a grave,

And on that grave there grew a tree.

In the Summerisle wood.

POEM: MAY DAY

E. Nesbit
Will you go a-maying, a-maying, a-maying,

Come and be my Queen of May and pluck the may with me?

The fields are full of daisy buds and new lambs playing,

The bird is on the nest, dear, the blossom’s on the tree.”
“If I go with you, if I go a-maying,

To be your Queen and wear my crown this May-day bright,

Hand in hand straying, it must be only playing,

And playtime ends at sunset, and then good-night.
“For I have heard of maidens who laughed and went a-maying,

Went out queens and lost their crowns and came back slaves.

I will be no young man’s slave, submitting and obeying,

Bearing chains as those did, even to their graves.”
“If you come a-maying, a-straying, a-playing,

We will pluck the little flowers, enough for you and me;

And when the day dies, end our one day’s playing,

Give a kiss and take a kiss and go home free.”


A Maying Song

(English -16th Century)

If all those young men were like hares on the mountain

Then all those pretty maids would get guns, go a-hunting.

If all those young men were like fish in the water

Then all those pretty maids would soon follow after.
Oh, in the even they go

Merry young men and merry young maids

Down to the woods to seek the bloom

Returning by dawn

The first of May.
If all those young men were like foxes a-hiding

Then all those pretty maids would get hounds, go a-riding.

If all those young men were like quail in the bracken

Then all those pretty maids would soon come a-clapping.
Oh, in the even they…
If all those young men were like fruit on the bramble

Then all those pretty maids would gather a lap full.

If all those young men were like rushes a-growing

Then all those pretty maids would get scythes, go a-mowing.
Oh, in the even…
If all those young men were like oak trees a-biding

Then all those pretty maids would get axes, come hying.

If all those young men were like hilltops a-fire

Then all those pretty maids each a leap would desire.
Oh, in the even…

Cornish May Carol – The Padstow May Song
Unite and unite and let us all unite

For summer is a-come unto day

And wither we are going, we will all unite

In the merry morning of May
With a merry ring and now the joyful spring

O give us a cup of ale and the merrier we will sing
The young men of Padstow, they might if they would

They might have built a ship and gilded it all in gold
The young women of Padstow, they might if they would

They might have built a garland of the white rose and the red
Where are those young men that now here should dance?

For some they are in England and some they are in France
O where is St. George?

O where is he o ?

He’s out in his longboat

All on the salt sea-o

Up flies the kite

Down falls the lark-o

And Ursula Birdhood she had an old ewe

And she died in her own park-o
With a merry ring and now the joyful spring

So happy are those little birds and the merrier we will sing

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